Legend (28 page)
Authors: Marie Lu
Tags: #Juvenile Fiction, #Dystopian, #Action & Adventure, #General, #Love & Romance, #Juvenile Nonfiction, #Social Issues, #Death & Dying, #Dating & Sex, #Science Fiction
We hit the ball some more. Then, I make a mistake.
A street policeman wanders through our alley as I’m getting ready to hit the ball back to John. From the corner of my eye, I see Eden stand up on the steps. Even John sees him coming before I do, and he holds out one hand to stop me. But it’s too late. I’m already in mid-swing, and I hit the ball straight into the policeman’s face.
It bounces right off, of course—harmless paper—but it’s enough to make the policeman stop in his tracks. His eyes dart to me. I freeze.
Before any of us can move, the policeman pulls a knife from his boot and marches over to me. “Think you can get away with something like that, boy?” he shouts. He lifts the knife and gets ready to hit me across the face with its handle. Instead of cringing, I give him a nasty stare and hold my ground.
John reaches the policeman before he can reach me. “Sir! Sir!” John darts in front of me and holds his hands out to the policeman. “I’m so sorry for that,” he says. “This is Daniel, my little brother. He didn’t mean it.”
The policeman shoves John out of his way. The knife handle whips me across the face. I collapse on the ground. Eden screams and runs inside. I cough, trying to spit out the dirt that fills my mouth. I can’t speak. The policeman walks over and kicks me in my side. My eyes bulge out. I curl up in a fetal position.
“Stop, please!” John rushes back to the policeman and stands firmly between the two of us. I catch a glimpse of our porch from where I lie on the ground. My mother has rushed out to the entrance, with Eden hidden behind her. She calls out desperately to the policeman. John continues pleading with him. “I—I can pay you. We don’t have much, but you can take whatever you want. Please.” John’s hand comes down and grabs my arm. He helps me to my feet.
The policeman pauses to consider John’s offer. Then he looks up at my mother. “You, there,” he calls out. “Fetch me what you have. And see if you can raise a better brat.”
John pushes me farther behind himself. “He didn’t mean it, sir,” John repeats. “My mother will punish him for his behavior. He’s young and doesn’t know any better.”
My mother rushes out a few seconds later with a cloth bundle. The policeman opens it and checks each Note. I can tell that it’s almost all our money. John stays silent. After a while, the policeman rewraps the money and tucks it into his vest pocket. He looks at my mother again. “Are you cooking a chicken in there?” he says. “Kind of a luxury for a family of your type. You like wasting money often?”
“No, sir.”
“Then fetch me that chicken too,” the policeman says.
Mom hurries back inside. She comes out with a tightly tied bag of chicken meat lined with cloth rags. The policeman takes it, slings it over his shoulder, and casts me one more disgusted look. “Street brats,” he mutters. Then he leaves us behind. The alley turns quiet again.
John tries to say something comforting to Mom, but she just brushes it off and apologizes to John for our lost meal. She doesn’t look at me. After a while, she hurries back inside to tend to Eden, who has started to cry.
John whirls to face me when Mom is gone. He grabs my shoulders, then shakes me hard. “Don’t
ever
do that again, you hear me? Don’t you
dare
.”
ever
do that again, you hear me? Don’t you
dare
.”
“I didn’t mean to hit him!” I yell back.
John makes an angry sound. “Not that. The way you looked at him. Don’t you have any brains at all? You
never
look at an officer like that, do you understand? You want to get us all killed?”
never
look at an officer like that, do you understand? You want to get us all killed?”
My cheek still stings from the knife handle, and my stomach burns from the policeman’s kick. I twist out of John’s grasp. “You didn’t have to stand up for me,” I snap. “I could’ve taken it. I’ll fight back.”
John grabs me again. “You’re completely cracked. Listen to me, and listen to me good. All right?
You never fight back.
Ever. You do what the officers tell you, and you don’t argue with them.” Some of the anger fades from his eyes. “I would rather die than see them hurt you. Understand?”
You never fight back.
Ever. You do what the officers tell you, and you don’t argue with them.” Some of the anger fades from his eyes. “I would rather die than see them hurt you. Understand?”
I struggle for something smart to say in return, but to my embarrassment, I feel tears well up in my eyes. “Well, I’m sorry you lost your chicken,” I blurt out.
My words force a little smile out of John. “Come here, boy.” He sighs, then envelops me in a hug. Tears spill down my cheeks. I’m ashamed of them, and I try not to make a sound.
I’m not a superstitious person, but when I wake up from this dream, this painfully clear memory of John, I have the most horrible feeling in my chest.
I would rather die than see them hurt you.
And I have a sudden fear that somehow, some way, what he said in the dream will come true.
0800 HOURS. RUBY SECTOR.
64°F OUTSIDE.
64°F OUTSIDE.
DAY WILL BE EXECUTED TOMORROW EVENING.
Thomas shows up at my door. He invites me to an early movie showing before we have to report to Batalla Hall.
The Glory of the Flag
, he tells me.
I’ve heard good reviews.
It’s about a Republic girl who captures a Colonies spy.
The Glory of the Flag
, he tells me.
I’ve heard good reviews.
It’s about a Republic girl who captures a Colonies spy.
I say yes. If I’m going to help John escape tonight, I’d better make sure I keep Thomas feeling good about our relationship. No need for him to get suspicious.
The oncoming hurricane (fifth one this year) shows its first signs as soon as Thomas and I step out onto the streets—an ominous gale, a gust of ice-cold wind, startling in the otherwise humid air. Birds are uneasy. Stray dogs take shelter instead of wandering. Fewer motorcycles and cars pass by on the streets. Trucks deliver extra jugs of drinking water and canned food to the high-rise residents. Sandbags, lamps, and portable radios are rationed out too. Even the Trial stadiums have postponed the Trials scheduled for the day the storm will arrive.
“I suppose you must be excited, what with everything that’s going on,” Thomas says as we file into the theater. “Won’t be long now.”
I nod and smile. People pack every seat in the house today, in spite of the windy weather and impending blackouts. Before us looms the theater room’s giant Cube, a four-sided projector screen with one side pointed toward each block of seats. It shows a steady stream of ads and news updates while we wait.
“I don’t think ‘excited’ is the best term for how I’m feeling,” I reply. “But I have to say I am looking forward to it. Do you know the details about how it’ll go?”
“Well, I know I’ll be monitoring the soldiers in the square.” Thomas keeps his attention on the rotating commercials (our side currently shows a bright, gaudy
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). “Who knows what the crowd might do. They’re probably already gathering. As for you—you’ll probably be inside. Leading Day to the yard. Commander Jameson will tell us more when it’s time.”
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). “Who knows what the crowd might do. They’re probably already gathering. As for you—you’ll probably be inside. Leading Day to the yard. Commander Jameson will tell us more when it’s time.”
“Very well.” I let myself think over my plans again, details of which have been running through my mind ever since I met Kaede last night. I’ll need time to deliver uniforms to her before the execution—time to help several of the Patriots sneak inside. Commander Jameson shouldn’t need much convincing to let me escort Day out, and even Thomas sounds like he understands that I want to.
“June.” Thomas’s voice breaks me out of my thoughts.
“Yes?”
He gives me a curious look and frowns slightly, as if he’s just remembered something. “You weren’t home last night.”
Stay calm.
I smile a little, then glance casually back to the screen. “Why do you ask?”
I smile a little, then glance casually back to the screen. “Why do you ask?”
“Well, I stopped by your apartment in the middle of the night. I knocked for a long time, but you didn’t answer. It sounded like Ollie was there, so I knew you didn’t go to the track. Where were you?”
I look back at Thomas with a steady face. “I couldn’t sleep. I went up to the roof for a while and watched the streets.”
“You didn’t bring your earpiece with you. I tried calling you but just got static.”
“Really?” I shake my head. “The reception must have been bad, because I had it on. It was pretty windy last night.”
He nods. “You must be exhausted today. You’d better tell Commander Jameson, if you don’t want her to work you too hard.”
I give Thomas a frown this time.
Turn the questions back around.
“What were you doing at my door in the middle of the night? Was it anything urgent? I didn’t miss something from Commander Jameson, did I?”
Turn the questions back around.
“What were you doing at my door in the middle of the night? Was it anything urgent? I didn’t miss something from Commander Jameson, did I?”
“No, no. Nothing like that.” Thomas gives me a sheepish grin and runs a hand through his hair. How anyone with blood on his hands could still look so carefree is beyond me. “To be honest, I couldn’t sleep either. I kept thinking how anxious you must be. Thought I’d surprise you.”
I pat his arm. “Thanks. But I’ll be fine. We’ll execute Day tomorrow, and I’ll feel much better afterward. Like you said. Won’t be long now.”
Thomas snaps his fingers. “Oh, that was the other reason I wanted to see you last night. I wasn’t supposed to tell you—it’s supposed to be a surprise.”
Surprises don’t sound like fun right now. But I fake some excitement. “Oh? What’s that?”
“Commander Jameson suggested it, and she got the courts to approve it. I think she’s still pretty mad about how hard Day bit her hand when he tried to escape.”
“Got what approved?”
“Ah, there’s the announcement now.” Thomas glances back to the movie screen and points at the commercial that comes on. “We’re moving up Day’s execution time.”
The commercial is nothing but a digital flyer, a single still image. It looks festive, dark blue text and photos over a white and green patterned background. I see Day’s photo in the middle of it.
STANDING ROOM ONLY IN FRONT OF BATALLA HALL ON THURSDAY, DECEMBER 26, AT 1700 HOURS. FOR THE EXECUTION OF DANIEL ALTAN WING. LIMITED SPACE AVAILABLE. JUMBOTRON VIEWING ONLY.
STANDING ROOM ONLY IN FRONT OF BATALLA HALL ON THURSDAY, DECEMBER 26, AT 1700 HOURS. FOR THE EXECUTION OF DANIEL ALTAN WING. LIMITED SPACE AVAILABLE. JUMBOTRON VIEWING ONLY.
All the air squeezes out of my chest. I look back at Thomas. “Today?”
Thomas grins. “Tonight. Isn’t it great? You won’t have to agonize through another whole day.”
I keep my voice upbeat. “Good. I’m glad to hear it.”
But my thoughts churn into rising panic. This could mean so many things. Commander Jameson convincing the court to move his execution up a whole day is unusual in itself. Now he’ll face the firing squad in only eight hours, right as the sun starts to set. I can’t get John out now—the entire day will be spent preparing for Day’s execution. Even the hour has changed. The Patriots might not be able to meet me today. I’ll have no time to get uniforms for them.
I can’t help Day escape.
But that’s not all. Commander Jameson
chose
not to tell me about this. If Thomas already knew last night, that means she told him yesterday evening, at the latest, before sending him home. Why wouldn’t she tell me? She should think I’d be glad to hear that Day is to die twenty-five hours earlier than planned. Unless she suspects something. Perhaps she wanted to throw me off just to test my reaction. Does Thomas know something he’s keeping from me? Is all this ignorance about the plan just a mask to hide the truth—or is Commander Jameson keeping him in the dark as well?
chose
not to tell me about this. If Thomas already knew last night, that means she told him yesterday evening, at the latest, before sending him home. Why wouldn’t she tell me? She should think I’d be glad to hear that Day is to die twenty-five hours earlier than planned. Unless she suspects something. Perhaps she wanted to throw me off just to test my reaction. Does Thomas know something he’s keeping from me? Is all this ignorance about the plan just a mask to hide the truth—or is Commander Jameson keeping him in the dark as well?
The movie starts. I’m grateful I don’t have to talk to Thomas anymore and can think in silence.
Change of plans. Otherwise, the boy who didn’t kill my brother will die tonight.
MY NEW EXECUTION TIME COMES WITHOUT ANY fanfare but the occasional crack of thunder coming from outside the building. Not that I can see the storm from my cell, of course, with its empty steel walls and security cams and nervous soldiers—so I can only guess at what the sky looks like.
At 6:00 A.M., the soldiers remove my shackles and unchain me from my prison wall. It’s a tradition. Before a publicized criminal goes off to face the firing squad, Batalla Hall broadcasts footage of them to all the JumboTrons in the square. They unchain you so you have the chance to do something entertaining. I’ve seen it in the past—and the onlookers in the square love it. Usually
something
happens: the criminal’s resolve starts breaking down, and he begs and pleads with the guards or tries to cut a deal or an extension, or sometimes even tries to break out. No one ever has. They feed your image live to the square until your execution time comes, then they cut to the firing squad yard inside Batalla Hall, and then they show you marching out to face the executioners. The onlookers in the square will gasp and shriek—sometimes in delight—when the shooting happens. And the Republic will be happy that they’ve made an example out of another criminal.
something
happens: the criminal’s resolve starts breaking down, and he begs and pleads with the guards or tries to cut a deal or an extension, or sometimes even tries to break out. No one ever has. They feed your image live to the square until your execution time comes, then they cut to the firing squad yard inside Batalla Hall, and then they show you marching out to face the executioners. The onlookers in the square will gasp and shriek—sometimes in delight—when the shooting happens. And the Republic will be happy that they’ve made an example out of another criminal.
They’ll play reruns of the footage for several days afterward.
I’m free to walk around in my cell, but instead I just sit there and lean against the wall, my arms resting on my knees. I don’t feel like entertaining anyone. My head pounds with excitement and dread, anticipation and worry. My pendant sits in my pocket. I can’t stop thinking about John. What will they do with him? June promised to help me—she must’ve planned something for John, too. I hope.
If June is planning to help me escape, she sure is pushing her luck to the limits. The change in my execution date must not have helped her any, either. My chest aches at the thought of the danger she’s put herself in. I wish I knew what revelations she’d had. What could hurt her so badly that she, with all her privileges, would turn against the Republic? And if she was lying . . . well, why would she lie about saving me?
Maybe she cares for me.
I have to laugh a little at myself. What a thought at a time like this. Maybe I can steal a good-bye kiss from her before I step into the yard.
Maybe she cares for me.
I have to laugh a little at myself. What a thought at a time like this. Maybe I can steal a good-bye kiss from her before I step into the yard.
One thing I do know. Even if June’s plans fail, even if I’m going to be isolated and friendless when I head out to the firing squad . . . I’m going to fight. They’re going to have to fill me with bullets to get me to stay still. I take a shuddering breath. Brave thoughts, but am I ready to follow through on them?
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