In 1962, astronomers studying the Sun discovered that sound waves travelling through the Sun cause a bubbling of its visible surface, the photosphere.
8
They described it as a âsolar symphony' that is somewhat like a âquivering gong', or âa large spherical organ pipe', or a âringing bell', for the Sun has millions of different overtones.
9
Ours is not, of course, the only star that vibrates in this way. The giant star XiHydrae is a âsub-ultra-bass instrument', with oscillations of several hours.
In a book entitled
Einstein's Unfinished Symphony: Listening to the Sounds of Space-time
, Marcia Bartusiak described the possibility of detecting a black hole âby the melody of its gravity wave “song”'.
10
Black holes have now indeed joined the heavenly choir. When material falls towards a supermassive black hole, that produces a jet of high-energy particles that blasts away from the black hole at nearly the speed of light. This jet plows into the gas around the black hole, creating a magnetised bubble of high-energy particles. An intense sound wave rushes ahead of the expanding bubble.
11
The NASA satellite
Chandra
, named for Subrahmanyan Chandrasekhar, the first scientist to see that, given Einstein's theories, black holes were inevitable, has found evidence of acoustic waves like this in the gaseous regions around two super-massive black holes. One of them, at the centre of the Perseus galaxy cluster, plays the deepest note discovered so far in the universe, B flat fifty-seven octaves below middle C.
12
Mark Whittle of the University of Virginia has produced a tape of âSounds from the Infant Universe' which reproduces the power spectrum of the Cosmic Background Radiation â radiation that is still reaching us from the early universe â as an audible sound, covering the first million years of the cosmos in ten seconds.
13
In order to make the acoustic waves hearable by the human ear, he had to shift them upward approximately fifty octaves. The tape begins in silence, as the universe did, because there were no acoustic waves as long as the infant universe was symmetrical. Eventually there arose acoustic waves of deeper and deeper tone. The expansion of the universe stretched the wavelengths, making for an overall drop in pitch as the tape continues. The largest variations compare to ârock concert volume'.
14
The prediction was that a âripple' in the distribution of galaxies in the universe would reflect the acoustic waves in the Cosmic Background Radiation. At the January 2005 meeting of the American Astronomical Society, the report came that this evidence had been found.
15
Those who announced it likened the discovery to âdetecting the surviving notes of a cosmic symphony' and the difficulties of the observations to trying to hear the âlast ring' of a bell that âgets forever quieter and deeper in tone as the Universe expands'.
16
One cannot help thinking that Kepler would have been intensely interested in projects like these.
Kent Cullers, who works at SETI, the Search for Extraterrestrial Intelligence, and on whom Carl Sagan based one of his characters in the novel and film
Contact
, is blind and claims this is an advantage as he listens to signals from outer space. âWhen I hear signals from distance regions, my mind goes out there. I try to ride those waves, extend my senses to a realm where they've never been, hear songs from a cloud of gas.'
17
In the 1970s, it was proposed that the Pythagorean theorem, or âPythagorean triples' of numbers that make right triangles, be beamed as messages into space, in the hope that rational life in other star systems might receive the signals and realise that there was rational life on Earth. It is a signal like that that Cullers is hoping to hear, coming to us from deep space â evidence of how truly primordial this knowledge is.
EPILOGUE
Music or Silence
Generation after generation,
men and women have recognised the essential truth of the ancient insight that rationality and order underlie the variety and confusion of nature. The image of Pythagoras himself has shifted and occasionally become distorted, but through all the centuries and all the paradigm shifts, this Pythagorean vision has never been extinguished or forgotten, and it has almost always been cherished. He and his first followers could not begin to conceive how vast a landscape lay beyond the door they opened. From unimaginably tiny flickering wisps of uncertainty to the uncountable galaxies, into multiple dimensions, and maybe even to an infinity of other universes. Yet numbers and number relationships seem to have guided the way through this labyrinth of the physical universe as effectively as Pythagoras himself could ever have hoped.
If civilisation as we know it were wiped out and only a remnant were left to start over, would someone make that same discovery? Break the code again? Surely they would! Is it not basic
truth
? Or . . . maybe they wouldn't. Maybe the Pythagoreans got it wrong, and we have been living in a dream. Maybe the world really never got beyond a formless âunlimited', and we are only imagining the pattern, or creating it ourselves. The human soul has not proved so easy to map with numbers . . . and yet we are the ârational beings' on the Earth, presumably reflecting the rationality of the universe. How can it be that we are the most difficult of all territory? We do not yet know. Meanwhile most of us are too intoxicated by the music of Pythagoras to suffer a crisis of faith.
We send our tiny beeps into the far distant reaches of space, certain that any intelligent beings out there, no matter how âother' they may be in some respects, could not have failed to discover what our world did . . . sure that our little signalled evidence of rationality will look familiar to them. In spite of the still unsolved mysteries â and the possibility that they may never be solved â our Pythagorean ideal of the unity and kinship of all being tells us this must be so.
Pythagoras . . . are you there?
Appendix
The proof for the Pythagorean theorem that Jacob Bronowski thought may have been used by Pythagoras.
1
Start with a right triangle.
Create a square using four triangles identical to that one, but rotated, so that the âleading points' of the triangles point to the four points of the compass (north, south, east, and west), and the long side of each triangle ends at the leading point of its neighbour:
What you now have is a square based on the long side of the original triangle â the âsquare on the hypotenuse'. It is this total area that must equal the sums of the squares of the other two sides, if the Pythagorean theorem is correct. As you proceed, remember that however you rearrange these five shapes, their total area stays the same. So, rearrange them into the following shape. Place a rod across your design and look at it carefully. You will see that you have two squares, and they are the squares on the other two sides of the triangle. Using no numbers, you have proved the Pythagorean theorem.
Notes
Chapter 1: The Long-haired Samian
Chapter 2: âEntirely different from the institutions of the Greeks'
Chapter 3: âAmong them was a man of immense knowledge'
Chapter 4: âMy true race is of Heaven'
Chapter 5: âAll things known have number'
Chapter 6: âThe famous figure of Pythagoras'
Chapter 7: A Book by Philolaus the Pythagorean
Chapter 8: Plato's Search for Pythagoras