Runaway Horses (17 page)

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Authors: Yukio Mishima

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Juro Furuta was the first to expose his flesh to the autumn breeze of morning and to cut his stomach straight across. Tashiro then severed head from body.
After that, Morishita, Gigoro Tashiro, and Shigetaka Sakamoto committed seppuku in turn. Finally Gitaro Tashiro and Kagami, performing the ritual together, cut open their stomachs and thrust their blades into their own throats.
Inspector Yoshitaka Niimi, alerted by an informer, began leading several policemen up the mountain. While still on the middle slopes, he met a hunter rushing down excitedly, who told him that six members of the League of the Divine Wind were committing seppuku on the mountaintop. Halting his impatient group with the words, “We will rest here before going on,” Niimi sat down at the base of a tree and lit a cigarette. He did not wish to disturb the last moments of these men.
When the police reached the crest of the mountain, the last traces of the night’s darkness were gone. Within the square cordoned with sacred rope, the corpses of the six patriots lay slumped forward in perfect fulfillment of the ritual. The white paper pendants that hung from the rope, many of them flecked with fresh blood, shone in the rays of the morning sun.
After the rising had been suppressed, one of its leaders, Kotaro Ogata, consulted the gods and was told that he should surrender. Ogata did so, and, while in prison serving a life sentence, wrote a short book entitled
The Romance of the Divine Fire
. In it he addressed himself to the problems of why the Divine Wind had not blown and why the Ukei had proved fallible.
With dedication of such unparalleled intensity, with wills so purged of impurity, how was it that divine assistance was not forthcoming? Such was the riddle with which Ogata struggled vainly in his prison cell for the rest of his life. Ogata’s thoughts, as he recorded them in the following passage, merely represent his own interpretation, his personal conjecture. The will of the gods is hidden, and, indeed, it does not lie in man’s province to know it:
How wretched and pitiable that men so splendidly faithful should, counter to all expectation, perish in a single night, like blossoms scattered by a storm, like the fleeting frost and dew, and in an enterprise conceived and executed under the guidance of the divine will! Thus in my foolish heart did I wonder why it was that events had so come to pass, and I even began to feel doubt and bitterness. But I came to believe that the end was foreordained, that it was what the divine will had intended.
Had the gods once more frowned upon the enterprise for which these hardy men, so fierce and bold, had sought their approval, what they had planned would no doubt become known to the world, and a most perilous situation would have come about. Even if that danger could have been surmounted, surely some of them would have taken their own lives, out of sheer frustration and despair.
And so the great gods, moved to pity, fashioned a marvelous providence whereby these men would vindicate their honor at one stroke and thereafter render their service in the world to come.
Though stricken with awe, so do I reason within myself.
A keen regret lies hidden in these words that Ogata wrote to console both himself and the souls of his comrades. And in the simple exclamation that follows, one that truly expresses the mind of this group of men who let no obstacle deter them, Ogata may be said to have given voice to the spirit of the samurai: “Were we to have acted like frail women?”
10
 
 T
HE RAINY SEASON
had already begun. Isao Iinuma paused before leaving home for his morning classes to glance inside the large envelope that had just arrived bearing Honda’s name. After seeing that it contained a letter as well as his
League of the Divine Wind
, he put the envelope into his bookbag, intending to read it at his leisure once he had reached school.
He passed through the gate of his school, the College of National Studies. Just inside the entranceway of his classroom building stood a huge drum which well embodied the spirit of the school. It was a venerable-looking drum with the inscription “Yahachi Onozaki, drum-maker, Temma,” and had a large iron ring hanging from its cylinder. The broad circle of taut-stretched leather was like an expanse of early spring sky hazy with yellow dust. And the spots of wear inflicted by numerous blows were like clusters of white clouds floating in such a sky. But on a muggy rainy-season day like this, Isao thought, the drum, its vigor gone, would probably give off a sluggish, muffled sound.
As soon as he entered his second-floor classroom, he heard the drum being beaten to announce the beginning of the school day. His first class was ethics. Since neither that subject nor its decrepit teacher roused Isao’s enthusiasm, he stealthily took out Honda’s letter and began to read it.
My dear Mr. Iinuma:
I am returning to you your copy of
The League of the Divine Wind
. I read it with keen appreciation indeed. Thank you.
I well understand why this book stirred such admiration in you. And rest assured that I, too, who had regarded this uprising as nothing more than an affair of discontented samurai fanatically dedicated to the gods, have had my horizons broadened by learning of the purity of motive and feeling of those involved. My appreciation, however, probably differs from yours, and it is about this difference that I would like to write in more detail.
That is to say, when I reflect upon whether, were I your age, the emotions aroused in me would be the same, I cannot help but doubt this. Rather I think that, whatever regrets, whatever envy I might have concealed within my heart, I would have smiled derisively at these men who staked everything upon a single blow. When I was your age I thought of myself as on the way to becoming a useful and proper member of society. At that age, my emotional balance was carefully preserved, and my intellect had come to function in a more or less clear if prosaic manner. I was convinced that the usual passions were altogether “unsuitable” for me. Just as one cannot take on a body other than one’s own, so I believed that one could not speak any lines other than those allotted one in human life. When I saw passion in others, it was my practice to search out the incongruity there as quickly as I could, the necessary contradiction, however small, between the man himself and his passion, and then to smile a little derisively—to protect myself. When one has this bent, it is easy to discover “unsuitability” anywhere. This kind of derision was not necessarily malicious. I might even venture to say that my very derision contained a kind of cordiality and tolerance. Why? Because at that age, the realization had begun to take form in me that passion by its very nature is something born of man’s failure to perceive this kind of incongruity in himself.
It happened, however, that a close friend of mine, Kiyoaki Matsugae, whom your father, too, has spoken to you about, put a great strain upon this so carefully ordered awareness of mine. He fell passionately in love with a girl, and I, with the eyes of a friend, perceived this from the first as the most extraordinary of incongruities. For I had thought of him up to that time as having no more warmth than a glittering crystal. He was maddeningly capricious, he was given to sentiment, but I, as an observer, had concluded that his all too exquisite sensitivity would preserve him from heedless and simpleminded passion.
Things did not proceed as I had thought, however. Even as I watched, I saw this naïve, heedless passion changing my friend. Love was feverishly at work, transforming him into a person suited for love. His passion, altogether foolish, altogether blind, made him into one altogether suitable. Just at the moment of his death, I saw his face become the very face of one who had been born to die for love. All incongruity was wiped away at that moment.
I, whose eyes had witnessed so miraculous a transformation, could myself hardly remain unchanged. My callow faith in my own indomitable nature became a prey to misgivings, and I had to work to maintain it. What had been an act of faith now became an act of will. What had been something natural now became something to be sought after. This was an alteration that brought with it a certain profit valuable to me in my role as a judge. When I deal with a criminal I am able to believe, unswayed by theories of retribution or re-education, or by optimism or pessimism toward human nature, that any man, regardless of his situation, is capable of being transformed.
At any rate let me return to the emotions I felt after reading
The League of the Divine Wind.
Strangely enough, I, who now am thirty-eight, discovered myself capable of being stirred by this narration of an historical event shot through with irrationality. What came to my mind most vividly was Kiyoaki Matsugae. His passion was no more than a passion dedicated to one woman, but its irrationality was the same, its violence, its rebelliousness was the same, and its resistance to all remedies but that of death was the same. Still, even in the midst of my excited appreciation, I felt secure in knowing that at my present age I can be aroused by such accounts without incurring any risk. Perhaps precisely because of the immutable truth of my never having done such things myself, I am now able to contemplate with safety everything that I might have done in the past. Thus, with no danger at all, I can fix my imagination upon such events, and I can let myself bathe in the poisonous rays of my own reveries reflected from them.
At your age, however, every excitement is dangerous. Every excitement that can send one pitching headlong is dangerous. And some are especially dangerous. For example, judging from that light that flashes from your eyes to disconcert those around you, I would think that your very nature makes a tale of this sort “unsuitable” for you.
Having reached my present age, I find myself no longer adverting to the incongruity between men and their passions. When I was young, concern for my own welfare certainly made such fault-finding a necessity, but now not only is this necessity gone but the disharmony in others resulting from their passion, which in the past I would have considered a weakness worthy of scornful laughter, has become but an allowable imperfection. And with that perhaps I have lost the last vestige of my youth, whose vulnerability made it fearful of the wounds incurred by reacting emotionally to the erratic conduct of others. Now, indeed, it is the beauty of danger rather than the danger of beauty that affects me with the utmost vividness, and there is nothing comical to me about youth. Probably this is because youth no longer has any claim on my self-awareness. When I consider all this for a moment, there is something frightening about it. My own enthusiasm, innocuous as it is for me, may well have the result of further stimulating your dangerous enthusiasm.
Because I realize this, I want very much to admonish you in this regard, to urge restraint upon you—though my efforts may well be useless.
The League of the Divine Wind
is a drama of tragic perfection. This was a political event so remarkable throughout that it almost seems to be a work of art. It was a crucible in which purity of resolve was put to the test in a manner rarely encountered in history. But one should by no means confuse this tale of dreamlike beauty of another time with the circumstances of present-day reality.
The danger of this account lies in its leaving out the contradictions. The author, Tsunanori Yamao, seems to have written in accordance with historical fact. But for the sake of the artistic unity of this slim volume, he has, without doubt, excluded a number of contradictions. Furthermore, he focuses so insistently upon the purity of resolve that pertained to the essence of this affair that he sacrifices all perspective. Thus one loses sight not only of the general context of world history but also of the particular historical necessities that conditioned the Meiji government which the League chose as its enemy. What the book lacks is contrast. To give an example, you yourself are aware, are you not, of the existence at the same time in the same Kumamoto Province of a group called the Kumamoto Band?
In the 1870s, a retired American captain of artillery named L. L. Janes, who had distinguished himself in the Civil War, came to take an assignment as a teacher at the school of Western learning founded in Kumamoto. He began to give Bible classes, and to slip into the role of a Protestant missionary. In the same year of the rising of the League of the Divine Wind, 1876, thirty-five of his students, led by Danjo Ebina, gathered on Mount Hanaoka on January thirtieth. And under the title of the Kumamoto Band they took a vow “to Christianize Japan, to build a new nation based upon this teaching.” Persecution arose, of course. The school was finally closed, but the thirty-five comrades were able to flee to Kyoto, where they helped Jo Niijima build up Doshisha University. Though their ideals were diametrically opposed to those of the League, here, too, do we not see another example of the same purity of resolve? In the Japan of that day, even the most eccentric and unrealistic ideas were not without some faint possibility of realization, and diametrically opposed concepts of political reform manifested themselves with the same naïveté and lack of sophistication. One should realize how much different that era was from the present when the structure of government has taken on a definite form.
I am no advocate of the novelties of Christianity, nor am I one to scorn the zeal for the past and the stubborn narrow-mindedness of the men of the League. However, if one is to learn from history, one should not concentrate solely upon a single portion of an era but rather make a thorough investigation of the many complex and mutually contradictory factors that made the era what it was. One must take the single portion and fit it into its proper place. One must evaluate the various elements that went into giving it its special character. Thus one must look at history from a perspective that offers a broad and balanced view.
This, I believe, is what is meant by learning from history. For any man’s view of his own era is limited, and he has great difficulty in trying to obtain a comprehensive picture of his time. Precisely because of this, then, the comprehensive picture offered by history both provides information and constitutes a pattern for one’s guidance. A man who lives bound by the limits of the minute-to-minute present is able, by means of the broad vision offered by time-transcending history, to avail himself of a comprehensive picture of his world and so correct his own narrow view of things. Such is the enjoyable privilege that history offers men.
Learning from history should never mean fastening upon a particular aspect of a particular era and using it as a model to reform a particular aspect of the present. To take out of the jigsaw puzzle of the past a piece with a set form and attempt to fit it into the present is not an enterprise that could have a happy outcome. To do so is to toy with history, a pastime fit for children. One must realize that yesterday’s sincerity and today’s sincerity, however much they may resemble each other, have different historical conditions. If one seeks a kindred purity of resolve, one should seek it in a “diametrically opposed ideology” of the present day, existing under the same historical conditions. A modest attitude of this sort is appropriate for the characteristically limited “present-day me.” For thus one is at last able to abstract this purity of resolve as a historical problem, and to make this “human motive” which transcends history the object of one’s study. Then the historical conditions common to the era become no more than the constant factors in the equation.
What a young man like you should be especially warned against is the blurring together of purity of resolve and history. The immense esteem, then, that you have for this book on the League of the Divine Wind makes me fearful. I think it would be well if you would try to think of history in terms of a vast stage of events, and of purity of resolve as something that transcends history.
All this has probably been a show of excessive solicitude, but such is my advice and admonition. I suppose that, without realizing it, I have arrived at the age of pouring out advice to anyone younger than myself. But, beyond that, I value your intelligence. Why should I admonish at such length a young man whom I expected to amount to nothing?
As for the almost sublime strength that you displayed in the kendo match, as for your own purity of resolve and passionate feelings, I cannot withhold my admiration. But placing still more reliance upon your intelligence and your zeal for truth, I would like to express the deeply felt hope that you will be ever aware of your primary duty as a student, ever assiduous in your studies, and so turn out a man valuable to your country.
Again, whenever you come to Osaka, please take the opportunity to visit me. You will always be welcome.
Finally, though there should be no need for such concern with a man as excellent as your father always at hand, nevertheless, should any especially grave problem arise to trouble you and you feel the need of consulting with someone else, I would be willing at any time to talk things over with you. Please do not have the least hesitation in this regard.
Sincerely yours,    
Shigekuni Honda  

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