Murder in the Smithsonian

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Authors: Margaret Truman

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Murder in the Smithsonian
Margaret Truman

Murder in the Smithsonian

Copyright © 1983, 2015 by Margaret Truman

All rights reserved. No part of this book may be used or reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review.

From
Everyone but Thee and Me
by Ogden Nash. © 1959 by Ogden Nash. First appeared in Holiday. Reprinted by permission of Little, Brown, and Company.

Electronic edition published 2015 by RosettaBooks
Cover design by Brehanna Ramirez
ISBN e-Pub edition: 9780795345029
www.RosettaBooks.com

To all the dedicated people who make the Smithsonian the wonderful place it is

Contents

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Other Books by Margaret Truman

Chapter 1

M
AY
19

Lewis Tunney stopped in front of a small shop on Davies Street, in London’s fashionable Mayfair district. A brass plate set into the door read:
Antiques. Peter S. Peckham, Prop. By Appointment Only.
An elaborate coat of arms over the door assured potential customers that the shop had provided goods to at least one royal household.

Tunney tried to peer through the window but saw only a reflection of himself and of vehicles passing behind him. The shop was dark. Big Ben’s leaden chimes sounded noon from 320 feet atop Westminster Palace’s clock tower.

He pushed a button and heard a musical triplet, tuned in thirds, from inside. A shaft of light cut through the interior darkness as a door at the rear of the shop opened, a man stepped through it, glanced at his watch, then came to the front door, unlocked it and said pleasantly, “Lewis, how are you, besides being your usual punctual self?”

“Fine, Peter.”

They could have been brothers, both tall and slender, and with soft, brown wavy hair. Peter Peckham
was dressed in gray flannel slacks, a turtleneck the color of port wine, a camel’s-hair sport jacket and brown loafers. Tunney wore a three-piece blue suit, blue-and-white striped shirt with a solid white collar, narrow dark blue tie and highly polished black wing-tip shoes. Tunney was forty-three years old, Peckham forty-one. Both had brown eyes, with Peckham’s just a shade darker. Tunney was American, Peckham British.

They proceeded through the shop to Peckham’s office at the rear. The office, like the shop, was cluttered with artifacts of antique value.

“Tea? Gin?” Peckham asked.

“Tea. Do you have time for lunch, Peter?”

“Afraid not, but let’s plan for it straightaway. It’s been a while.”

“Yes, it has, my fault. This project has turned me into a virtual recluse. I’m happy to be breaking out of it.”

As Peckham swished hot water inside a china cup to warm it, poured the water into a small sink and put tea leaves in a silver tea infuser, Tunney perused the contents of his desk. There were journals of interest to collectors, the latest copy of
Smithsonian
, the monthly magazine sent to members of the Smithsonian Institution, a wooden box filled with precious and semiprecious stones, two rare, leatherbound books, invoices, correspondence and other items common to any office. In the center of the mess was a solid gold, ten-inch-tall pendulum suspended from a pyramid of three gold sticks. The ball of the pendulum was a large, deep green emerald.

Peckham turned and saw Tunney flick the pendulum with his finger. “An unattractive piece,” he said, pouring hot water over the infuser, “but not without value. The stone is chockablock with flaws. My best estimate
is that it might have come out of a Turkish sultan’s collection, late eighteenth century. What do you think?”

“You’re probably right, but it might be older,
early
eighteenth century. It is Turkish. The gold is finely worked.”

Peckham placed the cup in front of Tunney, and they watched the gentle sway of the pendulum. Tunney looked across the desk and said, “Well, Peter, here’s to seeing you again.” He tasted his tea. “Good, Peter, very good.”

“Thank you. Tell me, Lewis, what’s new in your life?”

“Personally or professionally?”

“Personally. I keep up with you professionally through gossip. Your personal life is a little harder to track that way.”

Tunney smiled. He pulled out a large, thin brown Dunhill cigar, lighted it and directed a stream of blue smoke at the pendulum. “Interesting things have been happening, Peter, professionally
and
personally, especially personally.”

Peckham leaned back and raised his eyebrows. “Anyone I know?”

“Probably, but before I go into true confessions, Peter, tell me why you were so anxious to see me today.”

“We are friends, aren’t we?”

“Of course, but friends could have made a luncheon date, drinks at the end of the day. You sounded anxious when you called. Is there a problem?”

“Probably not, but you can help me on that. Give me a half hour, Lewis, and I think
you’ll
be able to judge whether or not there’s a problem.”

“I’m listening.”

***

Big Ben chimed once as Lewis Tunney got up from his chair. His youthful, smooth face was now creased. He chewed on his upper lip and hunched his shoulders, as though to force comprehension of what had been said.

“I’m sorry you’re reacting this way,” Peckham said.

“How else could I feel, Peter? I’d better be going.”

Peckham picked up a small chamois sack the color of burnt ocher from the desk top and put it in a drawer, came around the desk and offered his hand. “When are we having lunch?” he asked. “My treat at the Audley.”

“As soon as I clean up a few things. I’ll call.”

Peckham slapped Tunney on the back. “Call soon. I might even spring for the Connaught.”

“Spring? You’ve become too Americanized, Peter.” Tunney stood and looked down at the pendulum. It had slowed considerably and was nearing the point where friction would win out.

“Nothing is forever,” Peckham said. “No perpetual motion.”

“How true,” Tunney said. “And too bad… Well, good-by, Peter.”

“Good-by, Lewis.”

Tunney leaned forward and extended his index finger into the pendulum’s field of motion. The emerald stopped against it. He glanced up at Peckham, forced a smile and left the shop.

Chapter 2

J
UNE
4

“I’m always fascinated by it,” William Oxenhauer, vice president of the United States, said over the sounds of the party taking place around him. “Visitors think it’s supposed to demonstrate perpetual motion, but it’s not.”

His wife Joline said, “I find it hypnotic.”

The Oxenhauers and a small group of guests focused their attention on the 240-pound hollow brass bob of the National Museum of American History’s famed Foucault pendulum. The brass bob, suspended from the building’s fourth floor through large circular holes cut in floors below, moved gracefully, quietly and ceaselessly across an inlaid compass rose on the main floor. Red markers that looked like stubby candles were positioned every five degrees around the compass’s 360-degree circumference and, one by one, over the course of the day, the pendulum toppled them. It was close to hitting one now.

“What
does
it prove?” a guest standing next to Oxenhauer asked.

“That the earth rotates. The pendulum’s plane remains
the same, but the markers, like us, are turning with the earth.”

“Interesting,” said the guest, his eyes watching the marker next in line to be struck.

Oxenhauer was joined at the railing by Alfred Throckly, the museum’s new director. “Wonderful turnout,” the vice president said.

“Yes, sir, delightful. You should be very gratified. The exhibit was, after all, your idea.”

Oxenhauer smiled, said, “I won’t pretend modesty, Mr. Throckly. I gave that up the first time I asked people to vote for me.”

Joline Oxenhauer looked out over the sprawling main floor where Washington’s social and arts hierarchy had gathered. Most of the men wore tuxedoes, and the women were adorned in a variety of formal styles and colors. Three tuxedoed musicians performed contrapuntal fugues on a seventeenth-century harpsichord and recorders, all belonging to the Smithsonian’s collection of antique musical instruments. As the strains of Vivaldi blended with the tinkling of ice in glasses and the buzz of two hundred guests talking at once, Mrs. Oxenhauer touched her husband’s arm and said, “I wonder when Lewis will be arriving.”

Oxenhauer glanced at his watch. “Maybe his flight was delayed.” He turned to Throckly, who’d just asked a uniformed waiter to refill his bourbon and soda. “Quite a surprise, wasn’t it, having Lewis Tunney accept the invitation at the last minute?”

Throckly raised his eyebrows and nodded. “It certainly upset a lot of plans, Mr. Vice President. I have hostesses upstairs right now inserting Dr. Tunney’s introduction and bio into programs.” Then, as though he’d suddenly been reminded by an unseen voice that the vice president and Tunney were best of friends, he added, “But it’s worth any inconvenience to have him
keynote the exhibit. As far as I know, this is the first public event he’s attended since going to England two years ago.”

Joline Oxenhauer laughed. “Just like Lewis, packing up everything and hibernating… I wish he’d
get
here.” She knew how excited her husband was at seeing Lewis Tunney again. They were old, good friends, and had spent considerable time together when Oxenhauer was teaching American history at the University of Chicago, which was before he decided to enter politics. Joline had resisted his decision to run for state office in Illinois because it meant giving up the relaxed academic life-style she enjoyed so much. Of course, neither of them imagined that he would rise quickly from a one-term Illinois state assemblyman to lieutenant governor, then win election to the United States Congress, from which he was selected to run for vice president on the Democratic ticket.

Bill Oxenhauer was chosen for two reasons: he hadn’t been in Congress long enough to have many political enemies, and he’d developed a national public recognition by spinning entertaining tales on leading television talk shows about the man in history he most admired, Abraham Lincoln. No one in Congress told a better, funnier story than Bill Oxenhauer, nor had any teacher of American history been as successful in bringing it alive.

The sudden emergence of a vice president whose consuming passion was American history delighted the Smithsonian’s leadership. The vice president was, by congressional “enactment,” the head of the Smithsonian’s board of regents. Until Bill Oxenhauer, other vice presidents had ignored that titular position. Oxenhauer had made time to take an active role in moving the Smithsonian Institution, and its myriad museums and programs, into a golden age, of sorts, onto center
stage. When the National Museum of American History’s previous director, Roger Kennedy, resigned for personal reasons, he told his staff at a going-away party, “My biggest regret is leaving now that we have a vice president who cares, and who considers a museum to be something special. My timing, as usual, is terrible.”

The waiter returned carrying a silver tray with Throckly’s drink, a plate of crab balls and a small dish of horseradish sauce. Throckly picked up a crab ball on a toothpick, dipped it into the horseradish and raised it to his mouth. A dollop of sauce fell on one of his black velvet loafers. “Oh, my,” he said, squatting and wiping at the stain with a cocktail napkin that bore the Smithsonian seal.

Oxenhauer looked down and smiled. He’d approved the hiring of Alfred Throckly to replace Roger Kennedy, but not without reservations. There was a foppishness to the new director which, although not alien to museum professionals, was a little too precious for a vice president who’d once been described as a lumberjack with a Ph.D. Oxenhauer was as ruddy and beefy as Throckly was pale and delicate, his wooly, matted salt-and-pepper hair as natural as Throckly’s helmet of soft gray curls was coiffured. Oxenhauer, who preferred tweeds and corduroy and who detested formal wear, was sure Throckly was content to spend every waking moment in a tux, maybe sleeping moments, too.

But the vice president could not deny Throckly’s professional credentials and stature. His background included curatorships with leading museums in San Francisco, New York and Europe. He’d been published extensively in professional journals and sat on advisory boards around the nation. Equally important, he was known as a superb fund raiser.

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