Sartor Resartus (Oxford World's Classics) (47 page)

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¹
Life and Letters of T. H. Huxley
(New York, 1900), i. 237.

²
Essays of George Eliot
, ed. T. Pinney (London, 1963), 213–14.

³
A. J. La Valley,
Carlyle and the Idea of the Modern
(New Haven, 1968), 110.

⁴
Collected Letters of Thomas and Jane Welsh Carlyle
, ed. C. R. Sanders
et al
. (Durham, North Carolina, 1970– ), i. 336.

⁵
Collected Letters
, ii. 230.

⁶
Ibid. 434, 437.

⁷
Literary Criticism: French Writers; Other European Writers; The Prefaces to the New York Edition
, ed. L. Edel (New York, 1984), 944.

⁸
Works of Thomas Carlyle
, Centenary Edition, ed. H. D. Traill (London, 1896–9), xxviii. 45, 46, 47–8, 49, 51–2, 58, 54.

⁹
Collected Letters
, vi. 446.

¹⁰
Ibid. v. 164, 175, 215; vi. 395. The name of the hero had been changed from
Teufelsdreck
to the less vulgar
Teufelsdröckh
(Devil’s excrement) by February 1833.

¹¹
Ibid. vi. 395. ‘D.U.J.’ could be expanded to ‘Doctor of Universal Jurisprudence’.

¹²
Carlyle and German Thought: 1819–1834
(New York, 1934), 6; Carlyle, ‘Jean Paul Friedrich Richter’ (1827), in
Works
, xxvi. 17.

¹³
Ibid. 5, 9, 12.

¹⁴
Partial Magic: The Novel as a Self-Conscious Genre
(Berkeley, 1975), ix, xi.

¹⁵
‘Structure and Style in the Greater Romantic Lyric’, in his
The Correspondent Breeze: Essays on English Romanticism
(New York, 1984), 96.

¹⁶
Robert Jay Lifton and Eric Olson,
Living and Dying
(New York, 1974), 31.

¹⁷
The Sacred and the Profane: The Nature of Religion
, trans. W. Trask (New York, 1959), 13.

¹⁸
F. W. H. Myers,
Essays Classical and Modern
(London, 1921), 495.

¹⁹
Twilight of the Idols
, in
The Portable Nietzsche
, ed. and trans. W. Kaufmann (New York, 1954), 515–16.

²⁰
Ibid., 521.

²¹
Sartor Resartus
, ed. C. F. Harrold (New York, 1937), xxx.

²²
Daniel P. Deneau, ‘Relationship of Style and Device in
Sartor Resartus’, Victorian Newsletter
, xvii (1960), 18.

²³
P. A. Dale, ‘
Sartor Resartus
and the Inverse Sublime: The Art of Humorous Deconstruction’, in
Allegory, Myth and Symbol
, ed. M. W. Bloomfield (Cambridge, Mass., 1981), 302.

²⁴
The Correspondence of Emerson and Carlyle
, ed. J. Slater (New York, 1964), 98; Appendix III, p. 232 below.

²⁵
Collected Letters
, vi. 448–9.

²⁶
Critical and Historical Essays
(London, 1854), i. 5–9.

²⁷
See K. McSweeney,
Tennyson and Swinburne as Romantic Naturalists
(Toronto, 1981), 26–37.

²⁸
‘Sartor Resartus
and the Balance of Fiction’,
Victorian Studies
, viii (1964), 153, 154.

²⁹
‘“Shadow Hunting”: Romantic Irony,
Sartor Resartus
, and Victorian Romanticism’,
Studies in Romanticism
, xvii (1978), 329, 319.

³⁰
English Romantic Irony
(Cambridge, Mass., 1980), 131, 133.

³¹
Autobiography and Literary Essays
, ed. J. M. Robson and J. Stillinger (Toronto, 1981), 183.

†
With us even he still communicates in some sort of mask, or muffler; and, we have reason to think, under a feigned name!—
O. Y.

†
Gukguk is unhappily only an academical—Beer.

†
Now
last but one—E
D
.
*

†
Fraser’s
(London)
Magazine
, 1833–4.