Some Other Town (2 page)

I turn back to the window. We have made good time, we are at the town limits. Reiner's slaughterhouse is nearby, and the municipal park. It is a strange place for a park, for the town's municipal pool. In summers over the shouts of diving children, always there are the sounds from Reiner's, the screams of young calves as bloodied, gloved workers slit open their velvet throats.

Through the closed window, something, a distant cry. I look at the mirror. “My god,” I say. “Can you hear them?”

The driver keeps his eyes on the road. His jaw is steel. He shakes his head and slows our speeding flight.

The bread man stands, trudges toward the front of the bus. He is headed for the bus door. The bread man gets off with the rest of us, there is only the one stop at town center, but he likes to stand near the door early so the driver will not forget him. The bread man's face is skeletal, his eyes large and dark, also immensely sad. He carries his lunch in a bread bag tied to his belt. I do not think the driver will forget him.

I watch the bread man in the aisle to my left and pretend I do not. Mostly, although I try not to, I study his bag. The bread
man must start out his days with it hopeful, the bag full with a good lunch, a large sandwich and some fresh fruit. But now in the afternoons what shows through the bag, what remains, is only a crust, a sliced pickle, maybe an orange peel. And I think how it is an odd thing all right, to carry one's lunch tied to one's belt. But how odder still to wear one's leftovers home in the afternoon. It makes the bread man look in need of some help, and I should be ashamed, I think, that I fight him over a bus seat.

Our driver shoots him an angry look. The bread man is standing too close, it is annoying, hazardous, unnecessary. The driver has had enough of the bread man. He looks pointedly into the mirror, enough of all of us here. And I know then he will not last.

The fact is, we have a great deal of turnover in our drivers on this bus. They are almost always young, from the university, and I do not think they have their hearts in their work. At night, in the bars of this town, they tell themselves and each other that it is only what they are doing between things, this mindless driving in circles. It is only until they can graduate, they say, and start their lives in earnest.

Vigilance, I want to tell them. You, temporary bus drivers of this town. Youthful hopers and dreamers and soon to be college graduates, take heed.

This, or something close, I want to say to them. Impress on them, urgent and breathing hard. They do not know, they cannot. Still, slouched here low as I am in my second-row seat, I know the day will come when I will find myself standing, wild-eyed and shrieking at whichever of these young drivers it happens to be. Danger ahead! I will bellow. On guard. Beware.

I take a deep breath and hold it.

With more drama than necessary, the driver screeches our bus to a stop. Town center. We have arrived.

The bread man makes little shuffling sounds in the aisle, anxious to be off. I stand, and lowering one shoulder, push out for the door in front of him.

He pulls the bag from under the bed. He will not need to take much. A few shirts, his old khakis, socks.

Sabbatical, they're calling it. The change of scenery will do him good.

A slow smile. Yes, it is good. It is good to be on his way.

He checks the bag. Socks. Right. He will need socks.

The bus driver offers a small obligatory sort of wave through the windshield. I wave in return and head north up the block.

So this is how it is. My name is Margaret Lydia Benning, and I am twenty-eight years old. I am also tall, single, and on the lanky side. I live in a Midwest university town, and thanks to a bequest of my great-aunt Inez, I own a small house here on Mott Street. Where I live by myself, I should add. As an only child, with parents
both dead and now most recently Inez, I am accustomed to living alone.

Regardless, my days are full. Mondays through Fridays I work at the sanatorium outside of town. On weekends I stay home and plant things. And all this spring, in the time in between, I have been on general alert. Something is coming, something is up, closer and louder and higher. Some great locomotive of chance or design fast approaches, most days I am almost certain. And most days I know too that as the others all scatter, I'll be the one still on the tracks. Try as I might to ignore the signs, they leave me not all myself.

The light at Summit turns red. A white van passes close in on my left and honks. I turn to look. No one I know. Always it is no one I know.

I tap my foot for the green.

Just now, I am on my way home. I am also just now in a hurry, as Mrs. Eberline most likely is waiting. Mrs. Eberline visits when she needs to find fault, and I'm pretty sure she'll be at my front step again today.

Green light. I hurry across, continue on Church.

Mrs. Eberline lives next door to the east. Before I left for work this morning, she was already up hurling twigs from the silver maple at my house. It is a sign. Mrs. E has figured out Ben Adams is missing, and she will be wanting to have a talk when I get home.

A right here on Grant.

Ben Adams. Now there is a topic of discussion. He is a good man, Ben Adams, kind, wide-shouldered, wise. It is only for lack of a much better word that I refer to him as my boyfriend. My apparently now former boyfriend, vanished into this soft spring air.

Which can happen with boyfriends at times. Even when things between you are good, that is, they are going OK—well maybe not perfect, not every day, there are problems, you have to admit, but mostly you both are happy—it's then that one day he just does not call. And then another day and another and still no call. So that after the following week or so you've pretty much got the picture. And by then of course so much time has gone by there's no point in calling him yourself, asking, “Anything wrong?” when in fact you know it is over. Has been for a while. And you realize well all right, something has changed his mind about you. Or come to think of it you're now of two minds about him. So you just let it slide, it is better than calling and embarrassing you both, saying anything official about endings.

Besides which, I do not think Ben wants to hear from me now. Not since our misunderstanding this winter. And oh how I wish we could change things. But it's been over three months since I last saw Ben Adams, and I know time for a do-over is over. Still, if I could figure a way back to Ben just now, I would ask for a second chance.

I cross over Court Street, continue. And well here we are, the corner of Grant and Mott, less than a block to home. Enough for now of Ben Adams. First on to Mott Street and home.

I live on Mott in a lopsided limestone cottage, built one half century ago by Mr. Lazarus Mott, namesake and former hog farmer. We are an entire block here of little Mott houses, stone cottages all gone awry, no two in quite the same way. It gives us a certain renown, we are in fact on the National Register, out of flabbergast, we suspect, more than merit. Still, in some architectural circles we are noteworthy. We are the talk of the preservationists in town.

It is an odd street, all right, Mott. It does not in many ways belong here. We are a university town, our streets are mostly old and venerable, also leafy. Mott, however, while old and leafy, is not what could be called venerable. We are instead wide. The town's cable car once ran down this street, we were at the time the end of the line, our width let the grip man stop, turn around. It lends us perspective, this backing up, backing off, this street and its generous expanse. We are of the live and let live, the laissez-faire school of neighborliness here.

Except that is for Mrs. Eberline. Mrs. E is a snoop and a meddler. She is also old, mad, and extraordinarily busy. Always Mrs. Eberline scurries, head down, always on task, on a mission. In winters, she indicts for snow left on walks, then shovels her entire front lawn. In summers she slips into random backyards stalking vermin with a pillowcase and broom. And then, late afternoons whatever the season, she stops by my house just for spite.

Or then again, it is possible there is more to her visits. Lately, I have noticed, something darker and more troubling has crossed Mrs. Eberline's mind. I cannot say what for certain it is. But I am afraid now prophecies are involved.

That is to say, Mrs. Eberline fancies herself a seer, the latter-day sibyl of Mott Street. She has, people say, predicted all manner of disaster on our block, including her own death at the age of forty-two by an ill-fated encounter with a cleaver. But since Mrs. E is well into her sixties, and moreover, as mentioned, mad, we on Mott take her soothsaying lightly. We dismiss her forebodings in general.

Still, they can be distressing, these predictions of hers, when you find she has leveled them at you. She can tell you more than
you want to know, more than simply the truth. So I worry about Mrs. E's visit today. I worry what she might have to foresee.

The white van sidles up again and honks. I turn, it speeds on.

Frances at work says I should sell my house and move. Frances has two college degrees and once taught at the university. She is used to telling people what to do. There is no need to live next to a madwoman, she says. There is no need for sticks at your windows. “You have choices here, Margaret,” she says, sounding like the old lecturer she is. Other houses, other streets. Places that don't harbor crones.

“Margaret,” she tells me, “take charge.”

Frances has a point. I could move, I could find another house, another block entirely to live. But I know I will not. The reason is simple, also iron-clad: This is the street where I belong. I know it in every homey fiber.

It is strange, however, about this street. Although I had been searching it for some time, I did not, when the realtor first drove me by, recognize that here it was. Nor did I at first take to the property for sale, my squat stone one-story-and-a-half. Still, the house sat up prettily on a little hill with a silver maple, big and graceful, in front. And when I saw then the other stone houses down the street, old pickups pulled into their driveways, the great tangle of tree limbs arched high overhead, very good, Mr. Abbott, I said. Now we are getting somewhere. And I asked him to drive around the block.

Because, as I explained on our third pass by, what really I'd been looking for all along was not so much house as street. Just one block, without all the rest of the town much attached. Certainly not the university. A block on its own, like some neighborhood
geological outcropping, part and yet apart. Respite, refuge, asylum. Mott Street, I told him, was perfect.

It is a wonder of course I did not know about Mott before. I thought I knew this town well, I was what others would call used to it. A university town of desirous people. A town known for its ambition, its culture, its art. A Paris of the Prairie, some people said. And a town where I have just never fit.

But here on Mott, my guess was, things were different. People did not look so aspiring here, they seemed more a no-nonsense crowd. Neighbors who, on the assigned pickup day, rolled their own trash barrels out to the curb. Adults, probably good citizens. Ones at the university once too. Old students who found this town pleasant enough and stayed on as its carpenters and nurses and plumbers.

Yes, I thought, already convinced of the sale. We on Mott are the old students left over, a fact in which we take comfort. We are proud of our levelheaded normalcy here, despite our atypical houses. There's not a romantic or despondent among us.

None of which I said to Mr. Abbott. Who was, our next pass, insisting we pull over and make a house tour. Although already I knew, I obliged Mr. Abbott, I took a quick look inside. It was luckily just right as well, all dark wood and low ceilings and sloping planked floors. And in the front room, a large fireplace of smooth river rock.

So five years ago now, I stood in the front room of the house, my new soon to be home, and I told Mr. Abbott, “Oh I have found it. This is the house, here is the street.” I left it at that.

Mr. Abbott just smiled and suggested a bid. And for his part did not bring up Mrs. Eberline.

Looking both ways—no sign of the van—I cross left onto Mott
and check up ahead. Although I live more or less at the center of our block, my little hill makes my house easy to see. And as I suspected, Mrs. Eberline is there at my door. She stands now close up to it hunched inside her red parka, a coat she favors most seasons. She is a small woman, Mrs. Eberline, small and, as I've said, old. The parka is two sizes too large and with its hood pulled in tight engulfing her head, it only makes her look older and smaller. A little red crab of a woman.

I stop to see what Mrs. Eberline is up to. It is a belligerent, strange way she inclines toward my door, hands on both hips, nose pressed to the center wood panel. I wonder how long she has been standing like this, staring so intently at the grain.

Then as I watch, Mrs. Eberline takes a step back and begins pounding—pounding and pounding with both fists at my door. It's impressive how far the sound carries. I must remind Mrs. E to please use the bell, she will upset the whole block with this pounding. But abruptly she stops. Stands still. Then reaching up to one side, she snatches two-handed into the air, turns, slams both palms to the door, and drags, fingers splayed, down the wood.

She is mad all right, Mrs. Eberline. Mad and I'm afraid growing madder. I take my time walking the last half block home.

He rises, walks to the drawer, looks inside. There, twenty pairs arranged roughly by color. Dark socks on the left, crews on the right, all neatly balled into pairs.

He surveys the drawer. Twenty pairs of socks and not one without holes.

No, not holes. Frays. Not one sock without frays. No new socks at the back to fill in, no Sunday socks saved for good. Now, all at once, all his socks have grown old.

He lifts the drawer from its runners and carries it into the bath. There, in late afternoon light from the window, he chooses the first ball and aims.