Tales Of Lonely Trails (1996) (50 page)

BOOK: Tales Of Lonely Trails (1996)
3.62Mb size Format: txt, pdf, ePub

When I returned to camp night had fallen. The evening star stood high in the pale sky, all alone and difficult to see, yet the more beautiful for that. The night appeared to be warmer or perhaps it was because no wind blew. Nielsen got supper, and ate most of it, for I was not hungry. As I sat by the camp-fire a flock of little bats, the smallest I had ever seen, darted from the wood-pile nearby and flew right in my face. They had no fear of man or fire. Their wings made a soft swishing sound.

Later I heard the trill of frogs, which was the last sound I might have expected to hear in Death Valley. A sweet high-pitched melodious trill it reminded me of the music made by frogs in the Tamaulipas Jungle of Mexico. Every time I awakened that night, and it was often, I heard this trill. Once, too, sometime late, my listening ear caught faint mournful notes of a killdeer. How strange, and still sweeter than the trill! What a touch to the infinite silence and loneliness! A killdeer--bird of the swamps and marshes--what could he be doing in arid and barren Death Valley? Nature is mysterious and inscrutable.

Next morning the marvel of nature was exemplified even more strikingly.

Out on the hard gravel-strewn slope I found some more tiny flowers of a day. One was a white daisy, very frail and delicate on long thin stem with scarcely any leaves. Another was a yellow flower, with four petals, a pale miniature California poppy. Still another was a purple-red flower, almost as large as a buttercup, with dark green leaves. Last and tiniest of all were infinitely fragile pink and white blossoms, on very flat plants, smiling wanly up from the desolate earth.

Nielsen and I made known to Denton our purpose to walk across the valley. He advised against it. Not that the heat was intense at this season, he explained, but there were other dangers, particularly the brittle salty crust of the sink-hole. Nevertheless we were not deterred from our purpose.

So with plenty of water in canteens and a few biscuits in our pockets we set out. I saw the heat veils rising from the valley floor, at that point one hundred and seventy-eight feet below sea level. The heat lifted in veils, like thin smoke. Denton had told us that in summer the heat came in currents, in waves. It blasted leaves, burned trees to death as well as men. Prospectors watched for the leaden haze that thickened over the mountains, knowing then no man could dare the terrible sun. That day would be a hazed and glaring hell, leaden, copper, with sun blazing a sky of molten iron.

A long sandy slope of mesquite extended down to the bare crinkly floor of the valley, and here the descent to a lower level was scarcely perceptible. The walking was bad. Little mounds in the salty crust made it hard to place a foot on the level. This crust appeared fairly strong.

But when it rang hollow under our boots, then I stepped very cautiously.

The color was a dirty gray and yellow. Far ahead I could see a dazzling white plain that looked like frost or a frozen river. The atmosphere was deceptive, making this plain seem far away and then close at hand.

The excessively difficult walking and the thickness of the air tired me, so I plumped myself down to rest, and used my note-book as a means to conceal from the tireless Nielsen that I was fatigued. Always I found this a very efficient excuse, and for that matter it was profitable for me. I have forgotten more than I have ever written.

Rather overpowering, indeed, was it to sit on the floor of Death Valley, miles from the slopes that appeared so far away. It was flat, salty, alkali or borax ground, crusted and cracked. The glare hurt my eyes. I felt moist, hot, oppressed, in spite of a rather stiff wind. A dry odor pervaded the air, slightly like salty dust. Thin dust devils whirled on the bare flats. A valley-wide mirage shone clear as a mirror along the desert floor to the west, strange, deceiving, a thing both unreal and beautiful. The Panamints towered a wrinkled red grisly mass, broken by rough canyons, with long declines of talus like brown glaciers. Seamed and scarred! Indestructible by past ages, yet surely wearing to ruin!

From this point I could not see the snow on the peaks. The whole mountain range seemed an immense red barrier of beetling rock. The Funeral Range was farther away and therefore more impressive. Its effect was stupendous. Leagues of brown chocolate slopes, scarred by slashes of yellow and cream, and shadowed black by sailing clouds, led up to the magnificently peaked and jutted summits.

Splendid as this was and reluctant as I felt to leave I soon joined Nielsen, and we proceeded onward. At last we reached the white winding plain, that had resembled a frozen river, and which from afar had looked so ghastly and stark. We found it to be a perfectly smooth stratum of salt glistening as if powdered. It was not solid, not stable. At pressure of a boot it shook like jelly. Under the white crust lay a yellow substance that was wet. Here appeared an obstacle we had not calculated upon. Nielsen ventured out on it and his feet sank in several inches. I did not like the wave of the crust. It resembled thin ice under a weight. Presently I ventured to take a few steps, and did not sink in so deeply or make such depression in the crust as Nielsen. We returned to the solid edge and deliberated. Nielsen said that by stepping quickly we could cross without any great risk, though it appeared reasonable that by standing still a person would sink into the substance.

"Well, Nielsen, you go ahead," I said, with an attempt at lightness.

"You weigh one hundred and ninety. If you go through I'll turn back!"

Nielsen started with a laugh. The man courted peril. The bright face of danger must have been beautiful and alluring to him. I started after him--caught up with him--and stayed beside him. I could not have walked behind him over that strip of treacherous sink-hole. If I could have done so the whole adventure would have been meaningless to me.

Nevertheless I was frightened. I felt the prickle of my skin, the stiffening of my hair, as well as the cold tingling thrills along my veins.

This place was the lowest point of the valley, in that particular location, and must have been upwards of two hundred feet below sea level. The lowest spot, called the Sink Hole, lay some miles distant, and was the terminus of this river of salty white.

We crossed it in safety. On the other side extended a long flat of upheaved crusts of salt and mud, full of holes and pitfalls, an exceedingly toilsome and painful place to travel, and for all we could tell, dangerous too. I had all I could do to watch my feet and find surfaces to hold my steps. Eventually we crossed this broken field, reaching the edge of the gravel slope, where we were very glad indeed to rest.

Denton had informed us that the distance was seven miles across the valley at the mouth of Furnace Creek. I had thought it seemed much less than that. But after I had toiled across it I was convinced that it was much more. It had taken us hours. How the time had sped! For this reason we did not tarry long on that side.

Facing the sun we found the return trip more formidable. Hot indeed it was--hot enough for me to imagine how terrible Death Valley would be in July or August. On all sides the mountains stood up dim and obscure and distant in haze. The heat veils lifted in ripples, and any object not near at hand seemed illusive. Nielsen set a pace for me on this return trip. I was quicker and surer of foot than he, but he had more endurance. I lost strength while he kept his unimpaired. So often he had to wait for me. Once when I broke through the crust he happened to be close at hand and quickly hauled me out. I got one foot wet with some acid fluid. We peered down into the murky hole. Nielsen quoted a prospector's saying: "Forty feet from hell!" That broken sharp crust of salt afforded the meanest traveling I had ever experienced. Slopes of weathered rock that slip and slide are bad; cacti, and especially choya cacti, are worse: the jagged and corrugated surfaces of lava are still more hazardous and painful. But this cracked floor of Death Valley, with its salt crusts standing on end, like pickets of a fence, beat any place for hard going that either Nielsen or I ever had encountered. I ruined my boots, skinned my shins, cut my hands. How those salt cuts stung! We crossed the upheaved plain, then the strip of white, and reached the crinkly floor of yellow salt. The last hour taxed my endurance almost to the limit. When we reached the edge of the sand and the beginning of the slope I was hotter and thirstier than I had ever been in my life. It pleased me to see Nielsen wringing wet and panting. He drank a quart of water apparently in one gulp. And it was significant that I took the longest and deepest drink of water that I had ever had.

We reached camp at the end of this still hot summer day. Never had a camp seemed so welcome! What a wonderful thing it was to earn and appreciate and realize rest! The cottonwood leaves were rustling; bees were humming in the tamarack blossoms. I lay in the shade, resting my burning feet and achiag bones, and I watched Nielsen as he whistled over the camp chores. Then I heard the sweet song of a meadow lark, and after that the melodious deep note of a swamp blackbird. These birds evidently were traveling north and had tarried at the oasis.

Lying there I realized that I had come to love the silence, the loneliness, the serenity, even the tragedy of this valley of shadows.

Death Valley was one place that could never be popular with men. It had been set apart for the hardy diggers for earthen treasure, and for the wanderers of the wastelands--men who go forth to seek and to find and to face their souls. Perhaps most of them found death. But there was a death in life. Desert travelers learned the secret that men lived too much in the world--that in silence and loneliness and desolation there was something infinite, something hidden from the crowd.

End of the Project Gutenblood EBook of Tales of lonely trails, by Zane Grey *** END OF THIS PROJECT GUTENBLOOD EBOOK TALES OF LONELY TRAILS ***

***** This file should be named 12225-8. Txt or 12225-8. Zip *****

This and all associated files of various formats will be found in: http://www. Gutenblood. Net/1/2/2/2/12225/

Produced by Suzanne Shell, Beginners Projects, Nicolas Hayes and the Online Distributed Proofreading Team.

*** START OF THIS PROJECT GUTENBERG EBOOK FRANKENSTEIN ***

Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenblood-tm electronic works to protect the PROJECT GUTENBLOOD-tm concept and trademark. Project Gutenblood is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.

*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBLOOD LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

"The hour of my irresolution is past, and the period of your power is arrived. Your threats cannot move me to do an act of wickedness; but they confirm me in a determination of not creating you a companion in vice. Shall I, in cool blood, set loose upon the earth a daemon whose delight is in death and wretchedness? Begone! I am firm, and your words will only exasperate my rage."

Section 1. General Terms of Use and Redistributing Project Gutenblood-tm electronic works 1. A. By reading or using any part of this Project Gutenblood-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenblood-tm electronic works in your possession.

If you paid a fee for obtaining a copy of or access to a Project Gutenblood-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1. E.8.

1. B. "Project Gutenblood" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenblood-tm electronic works even without complying with the full terms of this agreement. See paragraph 1. C below. There are a lot of things you can do with Project Gutenblood-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenblood-tm electronic works. See paragraph 1. E below.

1. C. The Project Gutenblood Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenblood-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenblood are removed. Of course, we hope that you will support the Project Gutenblood-tm mission of promoting free access to electronic works by freely sharing Project Gutenblood-tm works in compliance with the terms of this agreement for keeping the Project Gutenblood-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenblood-tm License when you share it without charge with others.

Other books

No Regrets by Roxy Queen
Bonded by Blood by Bernard O'Mahoney
Men in Prison by Victor Serge
T*Witches: Kindred Spirits by Reisfeld, Randi, H.B. Gilmour
Pencil of Doom! by Andy Griffiths
Take My Life by Winston Graham
The Curse of Crow Hollow by Billy Coffey
The Art of Hunting by Alan Campbell
Jacked by Mia Watts