The Bondwoman's Narrative (14 page)

Read The Bondwoman's Narrative Online

Authors: Hannah Crafts

Tags: #FIC019000

BOOK: The Bondwoman's Narrative
8.68Mb size Format: txt, pdf, ePub

These rooms
“This door opens to your rooms, my dear, I hope you will like them” he said. “Hannah attend your mistress.”

Her favorite waiting maid had been detained by sudden sickness. I opened the door, and we entered, but my master, saying that
he would call and lead her down to supper in an hour immediately retired to his apartment. My mistress required little assistance
and I had full leisure to examine and inspect her appearance. Slaves are proverbially curious, and while she surveyed with
haughty eyes the furniture and dimensions of the rooms or opened and shut bureau-drawers, or plunged into caskets and jewel-cases,
I was studying her, and making out a mental inventory of her foibles, and weaknesses, and caprices, and whether or not she
was likely to prove an indulgent mistress. I did not see, but I felt that there was mystery, something indefinable about her.
She was a small brown woman, with a profusion of wavy curly hair, large bright eyes, and delicate features with the exception
of her lips which were too large, full, and red. She dressed in very good taste and her manner seemed perfect but for an uncomfortable
habit she had of seeming to watch everybody as though she feared them or thought them enemies. I noticed this, and how startled
she seemed at the echo of my master’s footsteps
when
when he came to lead her down stairs. I am superstitious, I confess it; people of my race and color usually are, and I fancied
then that she was haunted by a shadow or phantom apparent only to herself, and perhaps even the more dreadful for that.

As one of the waiters I saw the company at supper. There were jeweled ladies and gallant gentlemen. There were youthful faces
and faces of two score that strove to cheat time, and refuse to be old. There was a glare and glitter deceitful smiles and
hollow hearts.

I have said that I always had a quiet way of observing things, and this habit grew upon me, sharpened perhaps by the absence
of all elemental knowledge. Instead of books I studied faces and characters, and arrived at conclusions by a sort of sagacity
that closely approximated to the unerring certainty of animal instinct. But in all that brilliant
I had only eyes and ears for one man
company I had eyes and ears for only one man, and that man the least attractive of any in the throng. He was a rusty seedy
old-fashioned gentleman with thin grey locks combed so as partly to conceal the
baldness of his forehead, and great black
eyes so keen and piercing that you shrank involuntarily from their gaze.

Yet it was not his singular features, or the peculiar expression of his
imperturbable
countenance that puzzled and interested me, but his manner towards my mistress so deferential and defiant, and her equally
remarkable bearing in his presence. They never conversed except to exchange a few customary courtesies, never seemed to note
or regard each other, but somehow and quite intuitively I arrived at the conclusion that each one watched and suspected the
other, that each one was conscious of some great and important secret on the part of the other, and that my mistress in particular
would give worlds to know just what that old man knew.

The bridegroom was probably too happy, and the company too gay to note all this. They saw not how carefully and studiously
she avoided him, or how rarely he looked at her, how without seeming to intend it he was ever near her, and with an outward
manifestation of indifference was really the most interested of all.

At length the supper was concluded, and the guests arose. Should there be singing or playing, or dancing? My master had ordered
a splendid piano for his bride. It stood in the drawing room—who would give them music? No one. They could, however, take
a promenade to survey the rooms,
especially that
especially the one that the family portraits adorned. “And we will have music and dancing there” said the host. “Twill be
such a novelty” and thither he conducted the glittering train across the hall, and along the passages, and through the rooms,
and up the staircase to the illustrious presence of ancestral greatness. I saw my mistress sweep gracefully along in her bridal
robes, and following close behind like her shadow was the old gentleman in black. She passed on to examine beneath a broad
chandelier the portrait of Sir Clifford.
The image regards her with its dull leaden stare. She turns away and covers her eyes.

Meanwhile the weather has changed. The moon shined only through a murky cloud, and the rising wind moaned fitfully amid the
linden branches. Then the rain began to patter on the roof, with the dull horrible creaking that forboded misfortune to the
house. The cheek of my master paled. I saw that; saw, too, that his gayety was affected, and that when he called for music,
and prepared to dance he was striving to obliterate some haunting recollection, or shut from his mental vision the rising
shadows of coming events.

Though not permitted to mingle with the grand company we, the servants, blockaded the halls and passages. We cared not, why
should we? if the fires went out, the chambers were neglected and the remnants of the feast remained on the table. It was
our priveledge to look and listen. We loved the music, we loved the show and splendor, we loved to watch the twinkling feet
and the graceful motions of the dancers, but beyond them and over them, and through the mingled sounds of joyous music and
rain and wind I saw the haughty countenance of Sir Clifford’s
frowning
pictured semblance, and heard the ominous creaking
of the linden tree. At length there was a pause in the music; a recess in the dance.

“Whence is that frightful noise?” inquired one of the guests.

“It is made by the decayed branches of an old tree at the end of the house” replied my master. “I will order it cut down to[-]morrow.”

The words were followed by a crash. Loosened from its fastenings in the wall the portrait of Sir Clifford had fallen to the
floor. Who done it? The invisible hand of Time had been there and silently and stealthily spread corrupting canker over the
polished surface of the metal that supported it, and crumbled the wall against which it hung. But the stately knight in his
armor, who
placed it there had taken no consideration of such an event, and while breathing his anathema against the projector
of its removal dreamed not of the great leveler who treats the master and slave with the same unceremonious rudeness, and
who touches the lowly hut or the lordly palace with the like decay.

CHAPTER 3
Progress In Discovery

Surely every man walketh in a vain show: surely they are disquieted in vain.

D
AVID

Coming events cast their shadows before.

C
AMBELL

The days flew past in a succession of rejoicings and festivities in which all belonging to the place alike participated. Sounds
of music and mirth came from every hut while the great house assumed a conviviality of appearance and manner that seemed almost
unbecoming in a mansion so ancient and respectable. From morning to night and night to morning it was thronged with guests.
Carriages came and went incessantly up and down the long avenue of oaks. Gentlemen on horseback crossed and recrossed the
lawn. The window shutters were all thrown back, for not a room was
was
tenantless, not a mirror blank.
We the servants liked it We liked the fun and frolic, the show the novelties and the servants of the glorious feasts We like
the days of hilarity and the nights of revelry though ever and when the mirth was we would hear the doleful creakings of the
Linden tree

Amid the stylish and splendid groups of ladies and gentlemen Amid the servants, loungers, dependants, and cousins of my master
for the twentieth time removed came and went the old gentleman in black. They called him Mr Trappe, and it was easy to
percieve
that he was there for some purpose of an uncommon nature. He seemed to stand alone. He never mingled with the dancers, laughed
with the gay, or conversed with the talkative, yet all treated him with deferential consideration, as he was understood to
be a lawyer of wealth and
consideration
position.

I said he came and went, that is he was only visible at times, and then you would see him
leaning speechless against a pillar or sitting silently in a corner
perhaps leaning speechless against a pillar, or sitting silently in a corner. And sometimes you would encounter him in some
lonesome passage, or near the door of the drawing room when my mistress was within. Of course in this society she reigned
supreme. She was beautiful, intelligent, accomplished and all seemed to know it, but it became a marvel to me that her manner
should so instantly change when that old man was near. Usually kind and amiable she wrapped an air of insolent grace about
her as if it were a mantle when he approached. In his presence, too, she smiled the sweetest and looked the prettiest. Were
these smiles and looks put on for the occasion or not?

At length the feastings and festivities ceased, the guests departed, and things resumed their usual course. Mr Trappe, however,
was domiciled in the family. He claimed to have been the guardian of my mistress previous to her marriage, and as such was
probably invited to prolong his visit. My master evidently regarded him as eccentric, and deficient in certain conventionalities
usual in good society, yet perfectly genteel and respectable. He appointed servants to attend him, though Mr Trappe rarely
if ever required their services, and a vacant place was reserved for him at the table
which he seldom occupied
to which he seldom came. And then the meals were ordered to his room, a plainly furnished chamber on the second story, old-fashioned
like himself and having a quiet
irresponsive air
impassive air.

As the waiting maid of my mistress I was always near to attend
her, and soon ascertained that she was not happy. She gave
no outward manifestation or sign of grief. She never wept and seldom sighed, but there was an air of restlessness and unquiet
about her the very reverse of that placidity which always accompanies a state of mental repose. She seemed to be always looking
for somebody and expecting something that never came. Though she never said so I knew that she feared the approach of a stranger,
and that the receipt of a letter was to her a cause of alarm. Then how little she slept of nights, and I felt that the burden
of her sorrow must indeed be great, and that she was nearly overwhelmed by it,
when it led
for up and down, up and down in light or shadow I could hear her pacing the chamber floor for hours.

After the arrival of her first maid we were both attached to her person, and Lizzy, as she was called, being very communicative
I learned from her many particulars about my mistress, her former life and situation, and her mysterious connection with the
old man of the name of Trappe, though of this last circumstance Lizzy knew no more than I did myself. That is, she could never
fathom the secret, or arrive at the bottom of the affair, but she told of many inexpliccable and current events relating to
it, which sharpened our conjectures as to what the end might be.

Lizzy was much better educated than I was, and had been to many places that I had never even heard tell of. She had also a
great memory for dates and names which I invariably forgot. She was a Quadroon, almost white, with delicate hands and feet,
and a person that any lady in the land might have been proud of. She came, she said of a good family and frequently mentioned
great names in connection with her own, and when I smiled and said it mattered little she would assume an air of consequential
dignity, and assert that on the contrary it was a very great thing and very important even to a slave to be well connected—that
good blood was an inheritance to them—and that when they heard the name of some
honorable gentleman mentioned with applause,
or saw some great lady flaunt by in jewels and satins the priveledge of thinking he or she is a near relative of mine was
a very great privelage indeed. And then I said “Of course” which mollified her rumpled vanity.

But Lizzy, notwithstanding her good family, education and great beauty, had been several times under the hammer of the auctioneer,
had passed through many hands, and experienced all the vicissitudes attendant on the life of a slave. She had been the pet
of a rich family and the degraded drudge of another, had known alternately cruelty and kindness, and suffered the extremes
of a master’s fondness, a mistress’s jealousy and their daughter’s hate. She could tell tales
that
of slavery that made the blood run cold to hear. She had been, she said, with our present mistress for a period of ten years,
and was very thankful after all her woes and wanderings to find so good a place. She remembered our mistress’s father and
his mournful death-bed in the presence of Mr Trappe, who sate [sat] looking on, cold, silent, and impassive as ever. Then
he became the executor of the dead man’s will and had access to his papers, in which Lizzy verily believed that he discovered
some important secret, as from that time his manner towards her mistress changed, and her manner changed to him, and each
appeared to be watching the other, though wherefore or why was past finding out. “I know” continued Lizzy “that he is the
shadow darkening her life, and I can well believe that she married Master purposely to escape his persecutions.”

“Perhaps he wished to marry her himself” I suggested.

“Impossible” she answered. “It is much more probable that he wished to sell her.”

“Sell her—what do you mean?”

“What I say, neither more nor less.”

“But Mistress is not a slave.[”]

“I suppose not” and then she stopped short, and refused to give
any explanation, assuring me that she knew nothing; and only
remarked as she did in a jesting joking way. But I knew better there was too
When our mistress descended to the breakfast room one morning at an early hour, and we in her train
much earnestness in her voice and manner.

Other books

Pilgrim by Timothy Findley
Sway by Zachary Lazar
The Rembrandt Secret by Alex Connor
Snowstop by Alan Sillitoe
3 Mascara and Murder by Cindy Bell
Playing with Fire by Amy O'Neill
Golden Filly Collection Two by Lauraine Snelling
Destroy All Cars by Blake Nelson