The Bostonians (11 page)

“Who is that charming creature?” Basil Ransom heard his cousin ask, in a grave, lowered tone, of Matthias Pardon, the young man who had brought Miss Tarrant forward. He didn’t know whether Miss Chancellor knew him, or whether her curiosity had pushed her to boldness. Ransom was near the pair, and had the benefit of Mr. Pardon’s answer.

“The daughter of Doctor Tarrant, the mesmeric healer—Miss Verena. She’s a high-class speaker.”

“What do you mean?” Olive asked. “Does she give public addresses?”

“Oh yes, she has had quite a career in the West. I heard her last spring at Topeka. They call it inspirational. I don’t know what it is—only it’s exquisite; so fresh and poetical. She has to have her father to start her up. It seems to pass into her.” And Mr. Pardon indulged in a gesture intended to signify the passage.

Olive Chancellor made no rejoinder save a low, impatient sigh; she transferred her attention to the girl, who now held Mrs. Farrinder’s hand in both her own, and was pleading with her just to prelude a little. “I want a starting-point—I want to know where I am,” she said. “Just two or three of your grand old thoughts.”

Basil stepped nearer to his cousin; he remarked to her that Miss Verena was very pretty. She turned an instant, glanced at him, and then said, “Do you think so?” An instant later she added, “How you must hate this place!”

“Oh, not now, we are going to have some fun,” Ransom replied good-humouredly, if a trifle coarsely; and the declaration had a point, for Miss Birdseye at this moment reappeared, followed by the mesmeric healer and his wife.

“Ah, well, I see you are drawing her out,” said Miss Birdseye to Mrs. Farrinder; and at the idea that this process had been necessary Basil Ransom broke into a smothered hilarity, a spasm which indicated that, for him, the fun had already begun, and procured him another grave glance from Miss Chancellor. Miss Verena seemed to him as far “out” as a young woman could be. “Here’s her father; Doctor Tarrant—he has a wonderful gift—and her mother—she was a daughter of Abraham Greenstreet.” Miss Birdseye presented her companion; she was sure Mrs. Farrinder would be interested; she wouldn’t want to lose an opportunity, even if for herself the conditions were not favourable. And then Miss Birdseye addressed herself to the company more at large, widening the circle so as to take in the most scattered guests, and evidently feeling that after all it was a relief that one happened to have an obscurely inspired maiden on the premises when greater celebrities had betrayed the whimsicality of genius. It was a part of this whimsicality that Mrs. Farrinder—the reader may find it difficult to keep pace with her variations—appeared now to have decided to utter a few of her thoughts, so that her hostess could elicit a general response to the remark that it would be delightful to have both the old school and the new.

“Well, perhaps you’ll be disappointed in Verena,” said Mrs. Tarrant, with an air of dolorous resignation to any event, and seating herself, with her gathered mantle, on the edge of a chair, as if she, at least, were ready, whoever else might keep on talking.

“It isn’t me, mother,” Verena rejoined, with soft gravity, rather detached now from Mrs. Farrinder, and sitting with her eyes fixed thoughtfully on the ground. With deference to Mrs. Tarrant, a little more talk was necessary, for the young lady had as yet been insufficiently explained. Miss Birdseye felt this, but she was rather helpless about it, and delivered herself, with her universal familiarity, which embraced every one and everything, of a wandering, amiable tale, in which Abraham Greenstreet kept reappearing, in which Doctor Tarrant’s miraculous cures were specified, with all the facts wanting, and in which Verena’s successes in the West were related, not with emphasis or hyperbole, in which Miss Birdseye never indulged, but as accepted and recognised wonders, natural in an age of new revelations. She had heard of these things in detail only ten minutes before, from the girl’s parents, but her hospitable soul had needed but a moment to swallow and assimilate them. If her account of them was not very lucid, it should be said in excuse for her that it was impossible to have any idea of Verena Tarrant unless one had heard her, and therefore still more impossible to give an idea to others. Mrs. Farrinder was perceptibly irritated; she appeared to have made up her mind, after her first hesitation, that the Tarrant family were fantastical and compromising. She had bent an eye of coldness on Selah and his wife—she might have regarded them all as a company of mountebanks.
²

“Stand up and tell us what you have to say,” she remarked, with some sternness, to Verena, who only raised her eyes to her, silently now, with the same sweetness, and then rested them on her father. This gentleman seemed to respond to an irresistible appeal; he looked round at the company with all his teeth, and said that these flattering allusions were not so embarrassing as they might otherwise be, inasmuch as any success that he and his daughter might have had was so thoroughly impersonal: he insisted on that word. They had just heard her say, “It is not me, mother,” and he and Mrs. Tarrant and the girl herself were all equally aware it was not she. It was some power outside—it seemed to flow through her; he couldn’t pretend to say why his daughter should be called, more than any one else. But it seemed as if she was called. When he just calmed her down by laying his hand on her a few moments, it seemed to come. It so happened that in the West it had taken the form of a considerable eloquence. She had certainly spoken with great facility to cultivated and high-minded audiences. She had long followed with sympathy the movement for the liberation of her sex from every sort of bondage; it had been her principal interest even as a child (he might mention that at the age of nine she had christened her favourite doll Eliza P. Moseley, in memory of a great precursor whom they all reverenced), and now the inspiration, if he might call it so, seemed just to flow in that channel. The voice that spoke from her lips seemed to want to take that form. It didn’t seem as if it could take any other. She let it come out just as it would—she didn’t pretend to have any control. They could judge for themselves whether the whole thing was not quite unique. That was why he was willing to talk about his own child that way, before a gathering of ladies and gentlemen; it was because they took no credit—they felt it was a power outside. If Verena felt she was going to be stimulated that evening, he was pretty sure they would be interested. Only he should have to request a few moments’ silence, while she listened for the voice.

Several of the ladies declared that they should be delighted—they hoped that Miss Tarrant was in good trim; whereupon they were corrected by others, who reminded them that it wasn’t
her—
she had nothing to do with it—so her trim didn’t matter; and a gentleman added that he guessed there were many present who had conversed with Eliza P. Moseley. Meanwhile Verena, more and more withdrawn into herself, but perfectly undisturbed by the public discussion of her mystic faculty, turned yet again, very prettily, to Mrs. Farrinder, and asked her if she wouldn’t strike out—just to give her courage. By this time Mrs. Farrinder was in a condition of overhanging gloom; she greeted the charming suppliant with the frown of Juno.
ⁿ
She disapproved completely of Doctor Tarrant’s little speech, and she had less and less disposition to be associated with a miracle-monger. Abraham Greenstreet was very well, but Abraham Greenstreet was in his grave; and Eliza P. Moseley, after all, had been very tepid. Basil Ransom wondered whether it were effrontery or innocence that enabled Miss Tarrant to meet with such complacency the aloofness of the elder lady. At this moment he heard Olive Chancellor, at his elbow, with the tremor of excitement in her tone, suddenly exclaim: “Please begin, please begin! A voice, a human voice, is what we want.”

“I’ll speak after you, and if you’re a humbug, I’ll expose you!” Mrs. Farrinder said. She was more majestic than facetious.

“I’m sure we are all solid, as Doctor Tarrant says. I suppose we want to be quiet,” Miss Birdseye remarked.

VIII

V
erena Tarrant got up and went to her father in the middle of the room; Olive Chancellor crossed and resumed her place beside Mrs. Farrinder on the sofa the girl had quitted; and Miss Birdseye’s visitors, for the rest, settled themselves attentively in chairs or leaned against the bare sides of the parlour. Verena took her father’s hands, held them for a moment, while she stood before him, not looking at him, with her eyes towards the company; then, after an instant, her mother, rising, pushed forward, with an interesting sigh, the chair on which she had been sitting. Mrs. Tarrant was provided with another seat, and Verena, relinquishing her father’s grasp, placed herself in the chair, which Tarrant put in position for her. She sat there with closed eyes, and her father now rested his long, lean hands upon her head. Basil Ransom watched these proceedings with much interest, for the girl amused and pleased him. She had far more colour than any one there, for whatever brightness was to be found in Miss Birdseye’s rather faded and dingy human collection had gathered itself into this attractive but ambiguous young person. There was nothing ambiguous, by the way, about her confederate; Ransom simply loathed him, from the moment he opened his mouth; he was intensely familiar—that is, his type was; he was simply the detested carpet-bagger.
¹
He was false, cunning, vulgar, ignoble; the cheapest kind of human product. That he should be the father of a delicate, pretty girl, who was apparently clever too, whether she had a gift or no, this was an annoying, disconcerting fact. The white, puffy mother, with the high forehead, in the corner there, looked more like a lady; but if she were one, it was all the more shame to her to have mated with such a varlet, Ransom said to himself, making use, as he did generally, of terms of opprobrium extracted from the older English literature. He had seen Tarrant, or his equivalent, often before; he had “whipped” him, as he believed, controversially, again and again, at political meetings in blighted Southern towns, during the horrible period of reconstruction.
²
If Mrs. Farrinder had looked at Verena Tarrant as if she were a mountebank, there was some excuse for it, inasmuch as the girl made much the same impression on Basil Ransom. He had never seen such an odd mixture of elements; she had the sweetest, most unworldly face, and yet, with it, an air of being on exhibition, of belonging to a troupe, of living in the gaslight, which pervaded even the details of her dress, fashioned evidently with an attempt at the histrionic. If she had produced a pair of castanets or a tambourine, he felt that such accessories would have been quite in keeping.

Little Doctor Prance, with her hard good sense, had noted that she was anæmic, and had intimated that she was a deceiver. The value of her performance was yet to be proved, but she was certainly very pale, white as women are who have that shade of red hair; they look as if their blood had gone into it. There was, however, something rich in the fairness of this young lady; she was strong and supple, there was colour in her lips and eyes, and her tresses, gathered into a complicated coil, seemed to glow with the brightness of her nature. She had curious, radiant, liquid eyes (their smile was a sort of reflection, like the glisten of a gem), and though she was not tall, she appeared to spring up, and carried her head as if it reached rather high. Ransom would have thought she looked like an Oriental, if it were not that Orientals are dark; and if she had only had a goat she would have resembled Esmeralda,
^o
though he had but a vague recollection of who Esmeralda had been. She wore a light-brown dress, of a shape that struck him as fantastic, a yellow petticoat, and a large crimson sash fastened at the side; while round her neck, and falling low upon her flat young chest, she had a double chain of amber beads. It must be added that, in spite of her melodramatic appearance, there was no symptom that her performance, whatever it was, would be of a melodramatic character. She was very quiet now, at least (she had folded her big fan), and her father continued the mysterious process of calming her down. Ransom wondered whether he wouldn’t put her to sleep; for some minutes her eyes had remained closed; he heard a lady near him, apparently familiar with phenomena of this class, remark that she was going off. As yet the exhibition was not exciting, though it was certainly pleasant to have such a pretty girl placed there before one, like a moving statue. Doctor Tarrant looked at no one as he stroked and soothed his daughter; his eyes wandered round the cornice of the room, and he grinned upward, as if at an imaginary gallery. “Quietly—quietly,” he murmured, from time to time. “It will come, my good child, it will come. Just let it work—just let it gather. The spirit, you know; you’ve got to let the spirit come out when it will.” He threw up his arms at moments, to rid himself of the wings of his long waterproof, which fell forward over his hands. Basil Ransom noticed all these things, and noticed also, opposite, the waiting face of his cousin, fixed, from her sofa, upon the closed eyes of the young prophetess. He grew more impatient at last, not of the delay of the edifying voice (though some time had elapsed), but of Tarrant’s grotesque manipulations, which he resented as much as if he himself had felt their touch, and which seemed a dishonour to the passive maiden. They made him nervous, they made him angry, and it was only afterwards that he asked himself wherein they concerned him, and whether even a carpet-bagger hadn’t a right to do what he pleased with his daughter. It was a relief to him when Verena got up from her chair; with a movement which made Tarrant drop into the background as if his part were now over. She stood there with a quiet face, serious and sightless; then, after a short further delay, she began to speak.

She began incoherently, almost inaudibly, as if she were talking in a dream. Ransom could not understand her; he thought it very queer, and wondered what Doctor Prance would have said. “She’s just arranging her ideas, and trying to get in report; she’ll come out all right.” This remark he heard dropped in a low tone by the mesmeric healer; “in report” was apparently Tarrant’s version of en
rapport.
^p
His prophecy was verified, and Verena did come out, after a little; she came out with a great deal of sweetness—with a very quaint and peculiar effect. She proceeded slowly, cautiously, as if she were listening for the prompter, catching, one by one, certain phrases that were whispered to her a great distance off, behind the scenes of the world. Then memory, or inspiration, returned to her, and presently she was in possession of her part. She played it with extraordinary simplicity and grace; at the end of ten minutes Ransom became aware that the whole audience—Mrs. Farrinder, Miss Chancellor, and the tough subject from Mississippi—were under the charm. I speak of ten minutes, but to tell the truth the young man lost all sense of time. He wondered afterwards how long she had spoken; then he counted that her strange, sweet, crude, absurd, enchanting improvisation must have lasted half an hour. It was not what she said; he didn’t care for that, he scarcely understood it; he could only see that it was all about the gentleness and goodness of women, and how, during the long ages of history, they had been trampled under the iron heel of man. It was about their equality—perhaps even (he was not definitely conscious) about their superiority. It was about their day having come at last, about the universal sisterhood, about their duty to themselves and to each other. It was about such matters as these, and Basil Ransom was delighted to observe that such matters as these didn’t spoil it. The effect was not in what she said, though she said some such pretty things, but in the picture and figure of the half-bedizened
^q
damsel (playing, now again, with her red fan), the visible freshness and purity of the little effort. When she had gained confidence she opened her eyes, and their shining softness was half the effect of her discourse. It was full of school-girl phrases, of patches of remembered eloquence, of childish lapses of logic, of flights of fancy which might indeed have had success at Topeka; but Ransom thought that if it had been much worse it would have been quite as good, for the argument, the doctrine, had absolutely nothing to do with it. It was simply an intensely personal exhibition, and the person making it happened to be fascinating. She might have offended the taste of certain people—Ransom could imagine that there were other Boston circles in which she would be thought pert; but for himself all he could feel was that to his starved senses she irresistibly appealed. He was the stiffest of conservatives, and his mind was steeled against the inanities she uttered—the rights and wrongs of women, the equality of the sexes, the hysterics of conventions, the further stultification of the suffrage, the prospect of conscript mothers in the national Senate. It made no difference; she didn’t mean it, she didn’t know what she meant, she had been stuffed with this trash by her father, and she was neither more nor less willing to say it than to say anything else; for the necessity of her nature was not to make converts to a ridiculous cause, but to emit those charming notes of her voice, to stand in those free young attitudes, to shake her braided locks like a naiad rising from the waves, to please every one who came near her, and to be happy that she pleased. I know not whether Ransom was aware of the bearings of this interpretation, which attributed to Miss Tarrant a singular hollowness of character; he contented himself with believing that she was as innocent as she was lovely, and with regarding her as a vocalist of exquisite faculty, condemned to sing bad music. How prettily, indeed, she made some of it sound!