The Collected Novels of José Saramago (407 page)

IT MAY BE THAT A VERY GENTEEL UPBRINGING, OF THE KIND
that is becoming increasingly rare, along, perhaps, with the almost superstitious respect that the written word can instill into certain timid souls, has prevented readers, although they are more than justified in showing signs of ill-contained impatience, from interrupting this long digression and demanding to be told what death has been up to since the fateful night when she announced her return. Now given the important role that the eventide homes, the hospitals, the insurance companies, the maphia and the catholic church played in these extraordinary events, it seemed only fitting to explain in fulsome detail how they reacted to this sudden and dramatic turn of events, but unless, of course, death, taking into account the enormous numbers of corpses that would have to be buried in the hours immediately following her announcement, had decided, in an unexpected and praiseworthy gesture of sympathy, to prolong her absence for a few more days in order to give life time to return to its old axis other, newly dead people, that is, those who died during the first few days of the restoration of the old regime would have been forced to join the unfortunates who had, for months, been hovering between here and there, and then, as is only logical, we would have been obliged to speak of those new deaths too. However, that is not what happened, Death was not so generous. The week-long pause, during which no one died and which, initially, created the illusion that nothing had, in fact, changed, came about simply because of the new rules governing the relationship between death and mortals, namely that everyone would receive prior warning that they still had a week to live until, shall we say, payment was due, a week in which to sort out their affairs, make a will, pay their back taxes and say goodbye to their family and to their closest friends. In theory, this seemed like a good idea, but practice would soon show that it was not. Imagine a person, the sort who enjoys splendid good health, who has never suffered from so much as a headache, an optimist both on principle and because he has clear and objective reasons for being so, and who, one morning, leaving his house on his way to work, meets his local and very helpful postman, who says, Lucky I caught you, mr. so-and-so, I’ve got a letter for you, and the man receives in his hands a violet-colored envelope to which he might pay no particular attention, after all, it’s probably just more junk mail from those direct marketing fellows, except that his name on the envelope is written in a strange hand, exactly like the writing on the famous facsimile published in the newspaper. If, at that moment, his heart gives a startled leap, if he’s filled by a grim presentiment of some inevitable misfortune and he tries to refuse the letter, he won’t be able to, it will be as if someone, gently holding his elbow, were guiding him down the steps to avoid slipping on a discarded banana skin, helping him round the corner so that he doesn’t trip over his own feet. It will be pointless, too, trying to tear the envelope into pieces, because everyone knows that letters from death are, by definition, indestructible, not even an acetylene blowtorch at full blast could do away with them, and the ingenuous trick of pretending that he has dropped it would prove equally useless because the letter won’t allow itself to fall, it will stay as if glued to his fingers, and even if, by some miracle, the impossible should happen, you can be sure that some good-hearted citizen would immediately pick it up and run after the person who was busily pretending not to have noticed and say, This letter is yours, I believe, it might be important, and the man would have to reply sadly, Yes, it is important, thank you very much for your pains. But that could only have happened at the beginning, when very few people knew that death was using the public postal service as a messenger for her funereal letters of notification. In a matter of days, the color violet would become the most hated of all colors, even more so than black, despite the fact that black represented mourning, but then this is perfectly understandable when you consider that mourning is worn by the living, not the dead, although the latter do tend to be buried wearing black. Imagine, then, the bewilderment, fear and perplexity of that man setting off to work and seeing death suddenly step into his path in the shape of a postman who will definitely not ring twice, for, if he hadn’t chanced to meet the addressee in the street, he would simply have put the letter through the relevant mailbox or slipped it under the door. The man is standing there, in the middle of the pavement, with his superb health, his solid head, so solid that even now, despite the terrible shock, it still doesn’t ache, suddenly the world has ceased to belong to him or he to the world, they have merely been lent to each other for seven days and not a day longer, according to this violet-colored letter he has just reluctantly opened, his eyes so full of tears that he can barely read what’s written there, Dear sir, I regret to inform you that in a week your life will end, irrevocably and irremissibly. Please make the best use you can of the time remaining to you, yours faithfully, death. The signature has a lower-case d, which, as we know, acts, in some way, as its certificate of origin. The man hesitates, the postman called him mr. so-and-so, which means, as we can see for ourselves, that he’s of the male sex, the man wonders whether to go home and tell his family of this irrevocable sentence or if, on the contrary, he should bite back his tears and continue on his way to where his work awaits him and fill up what days remain to him, then feel able to ask, Death where is thy victory, knowing, however, that he will receive no reply, because death never replies, not because she doesn’t want to, but because she doesn’t know what to say in the face of the greatest of human sorrows.

This episode in the street, only possible in a small place where everyone knows everyone else, speaks volumes about the inconvenience of the communication system instituted by death for the termination of the temporary contract which we call life or existence. It could be seen as a display of sadistic cruelty, like so many others we see every day, but death has no need to be cruel, taking people’s lives is more than enough. She simply hadn’t thought it through. And now, absorbed as she must be in reorganizing her support services after a long hiatus of more than seven months, she has neither eyes nor ears for the cries of despair and anguish uttered by the men and women who, one by one, are being warned of their imminent death, feelings of despair and anguish which, in some cases, are having precisely the opposite effect to the one she had foreseen, because the people condemned to disappear are not sorting out their affairs, they are not writing wills, they are not paying back taxes, and as for saying their farewells to family and close friends, they are leaving that to the last minute, which, of course, is not enough even for the most melancholy of farewells. Ill-informed about the true nature of death, whose other name is fate, the newspapers have outdone themselves in furious attacks on her, calling her pitiless, cruel, tyrannical, wicked, bloodthirsty, disloyal and treacherous, a vampire, the empress of evil, a dracula in skirts, the enemy of humankind, a murderess and, again, a serial killer, and there was even one weekly magazine, of the humorous kind, which, squeezing every ounce of sarcasm out of its copywriters, managed to come up with the term daughter-of-a-bitch. Fortunately, in some newspapers, good sense continued to reign. One of the most respected papers in the kingdom, the doyen of the national press, published a wise editorial in which it called for a frank and open dialogue with death, holding nothing back, with hand on heart and in a spirit of fraternity, always assuming, of course, that they could find out where she lived, her cave, her lair, her headquarters. Another paper suggested that the police authorities should investigate stationer’s shops and paper manufacturers, because human users of violet-colored envelopes, if ever there were any, and they would always have been very few, would be sure to have changed their epistolary tastes in view of recent events, and it would thus be as easy as pie to catch the macabre customer when she turned up to refresh her supplies. Another newspaper, a bitter rival of the latter, was quick to describe this idea as both crass and stupid, because only an arrant fool could think that death, who, as everyone knew, was a skeleton draped in a sheet, would set out, bony heels clattering along the pavement, to mail her letters. Not wishing to lag behind the press, the television advised the interior minister to have policemen guard mailboxes and pillar boxes, apparently forgetting that the first letter addressed to the director-general of television had appeared in his office when the door was double-locked and no window panes broken. Floor, walls and ceilings revealed not a crack, not even one tiny enough to slip a razor blade through. Perhaps it really was possible to persuade death to show more compassion toward the poor unfortunates condemned to die, but to do that, they would have to find her and no one knew how or where.

It was then that a forensic scientist, well informed about everything that related, directly or indirectly, to his profession, had the idea of inviting over a celebrated foreign expert in the reconstruction of faces from skulls, this expert, basing himself on representations of death in old paintings and engravings, especially those showing her bare cranium, would try to replace any missing flesh, restore the eyes to their sockets, add, in just proportions, hair, eyelashes and eyebrows, as well as appropriate touches of color to the cheeks, until before him appeared a perfect, finished head of which a thousand photographic copies would then be made so that the same number of investigators could carry it in their wallets to compare with the many women they would see. The trouble was that, when the foreign expert had concluded his work, only someone with a very untrained eye would have said that the three chosen skulls were identical, and this obliged the investigators to work with not just one photograph, but three, which would obviously hinder the death-hunt, as the operation had, rather ambitiously, been called. Only one thing had been proved beyond doubt, and about which even the most rudimentary iconography, the most complicated nomenclature, and the most abstruse symbolism had all been correct. Death, in her features, attributes and characteristics, was unmistakably a woman. As you will doubtless remember, the eminent graphologist who studied death’s first letter had clearly reached the same conclusion when he referred to the writer of the letter as its authoress, but that might have been pure habit, given that, with the exception of a very few languages, which, for some unknown reason, opt for the masculine or the neuter, death has always been a person of the female gender. Now we have given this information before, but, lest you forget, it would be as well to insist on the fact that the three faces, all of them female and all of them young, did differ from each other in certain ways, despite the clear similarities that everyone saw in them. The existence of three different deaths, for example, working in shifts, was simply not credible, so two of them would have to be excluded, although, just to complicate matters still further, it might well be that the skeletal model of the real and true death did not correspond to any of the three who had been selected. It was, as the saying goes, a question of firing a shot in the dark and hoping that benevolent chance had time to place the target in the bullet’s path.

The investigation began, as it had to, in the archives of the official identification service in which were gathered photographs of all the country’s inhabitants, both indigenous and foreign, classified and ordered according to certain basic characteristics, the dolichocephalic to one side, the brachycephalic to the other. The results were disappointing. At first, of course, since, as we said before, the models chosen for the facial reconstruction had been taken from old engravings and paintings, no one really hoped to find the humanized image of death in these modern identification systems, instituted just over a century ago, but, on the other hand, bearing in mind that death has always existed and since there seems no reason to suppose that she would have needed to change her face over the ages, and not forgetting that it must be difficult for her to carry out her work properly and safe from suspicion while living in clandestinity, it is therefore perfectly logical to accept the hypothesis that she might have put herself down in the civil registry under a false name, for as we know all too well, nothing is impossible for death. Whatever the truth of the matter, the fact is that, despite asking for help from those gifted in information technology and data exchange, the investigators found not a single photograph of any identifiable woman who looked anything like the three virtual images of death. As had already been foreseen, there was, then, no alternative but to return to the classic investigatory methods, to the policemanly craft of piecing together snippets of information and sending forth those one thousand agents so that, by going from house to house, from shop to shop, from office to office, from factory to factory, from restaurant to restaurant, from bar to bar, and even visiting those places reserved for the onerous exercise of sex, they could inspect all the women in the land, excluding adolescents and those of mature or advanced years, because the three photographs they had in their pocket made it quite clear that death, if ever she were found, would be a woman of about thirty-six and very beautiful indeed. According to the model they had been given, any of them could have been death, although none of them was. After enormous effort, after trudging miles and miles along streets, roads and paths, after going up flights of stairs which, placed end to end, would have carried them up to the skies, the agents managed to identify two of these women, who differed from the existing photographs in the archives only because they had benefited from cosmetic surgery, which, by an astonishing coincidence, by a strange happenstance, had emphasized the similarities of their faces to the reconstructed faces of the models. However, a meticulous examination of their respective biographies ruled out, with no margin for error, any possibility that they had once dedicated themselves, even in their spare time, to the deadly activities of death, either professionally or as mere amateurs. As for the third woman, identified only from family albums, she had died the previous year. By a simple process of elimination, someone who had been the victim of death could not also be death. And needless to say, while the investigations were going on, and they lasted some weeks, the violet-colored envelopes continued to arrive at the homes of their addressees. It was clear that death would not budge from her agreement with humanity.