The Color of Water (4 page)

“Then who's my grandparents?”

“Your grandpa Nash died and so did your grandma Etta.”

“Who were they?”

“They were your father's parents.”

“Where were they from?”

“From down south. You remember them?”

I had a faint recollection of my grandmother Etta, an ancient black woman with a beautiful face who seemed very confused, walking around with a blue dress and a fishing pole, the bait, tackle, and line dragging down around her ankles. She didn't seem real to me.

“Did you know them, Ma?”

“I knew them very, very well.”

“Did they love you?”

“Why do you ask so many questions?”

“I just want to know. Did they love you? Because your own parents didn't love you, did they?”

“My own parents loved me.”

“Then where are they?”

A short silence. “My mother died many, many years ago,” she said. “My father, he was a fox. No more questions tonight.
You want some coffee cake?” Enough said. If getting Mommy's undivided attention for more than five minutes was a great feat in a family of twelve kids, then getting a midnight snack in my house was a greater thrill. I cut the questions and ate the cake, though it never stopped me from wondering, partly because of my own growing sense of self, and partly because of fear for her safety, because even as a child I had a clear sense that black and white folks did not get along, which put her, and us, in a pretty tight space.

In 1966, when I was nine, black power had permeated every element of my neighborhood in St. Albans, Queens. Malcolm X had been killed the year before and had grown larger in death than in life. Afros were in style. The Black Panthers were a force. Public buildings, statues, monuments, even trees, met the evening in their original bland colors and reemerged the next morning painted in the sparkling “liberation colors” of red, black, and green. Congas played at night on the streets while teenyboppers gathered to talk of revolution. My siblings marched around the house reciting poetry from the Last Poets, a sort of rap group who recited in-your-face poetry with conga and fascinating vocal lines serving as a musical backdrop, with songs titled “Niggers Are Scared of Revolution” and “On the Subway.” Every Saturday morning my friends and I would pedal our bicycles to the corner of Dunkirk Street and Ilion Avenue to watch the local drag racers near the Sun Dew soft drink factory,
trying to see who could drive the fastest over a dip in the road that sent even the slowest-moving car airborne. My stepfather hit that dip at fifteen miles an hour in his ‘64 Pontiac and I bounced high in my seat. These guys hit it at ninety and their cars flew like birds, barreling through the air and landing fifteen feet away, often skidding out of control, sometimes smacking against the wall of the Sun Dew factory before wobbling away in a pile of bent metal, grilles, and fenders. Their cars had names like “Smokin' Joe” and “Miko” and “Dream Machine” scrawled on the hoods, but our favorite was a gleaming black, souped-up GTO with the words “Black Power” written in smooth white script across the hood and top. It was the fastest and its driver was, of course, the coolest. He drove like a madman, and after leaving some poor Corvette in the dust, he'd power his mighty car in a circle, wheel it around, and do a victory lap for us, driving by at low speed, one muscled arm angling out the window, his car rumbling powerfully, while we whistled and cheered, raising our fists and yelling, “Black power!” He'd laugh and burn rubber for us, tires screeching, roaring away in a burst of gleaming metal and hot exhaust, his taillights flashing as he disappeared into the back alleyways before the cops had a chance to bust him. We thought he was God.

But there was a part of me that feared black power very deeply for the obvious reason. I thought black power would be the end of my mother. I had swallowed the white man's
fear of the Negro, as we were called back then, whole. It began with a sober white newsman on our black-and-white television set introducing a news clip showing a Black Panther rally, led by Bobby Seale or Huey Newton or one of those young black militant leaders, screaming to hundreds and hundreds of angry African-American students, “Black power! Black power! Black power!” while the crowd roared. It frightened the shit out of me. I thought to myself,
These people will kill Mommy
. Mommy, on the other hand, seemed unconcerned. Her motto was, “If it doesn't involve your going to school or church, I could care less about it and my answer is no whatever it is.”

She insisted on absolute privacy, excellent school grades, and trusted no outsiders of either race. We were instructed never to reveal details of our home life to any figures of authority: teachers, social workers, cops, storekeepers, or even friends. If anyone asked us about our home life, we were taught to respond with, “I don't know,” and for years I did just that. Mommy's house was an entire world that she created. She appointed the eldest child at home to be “king” or “queen” to run the house in her absence and we took it from there, creating court jesters, slaves, musicians, poets, pets, and clowns. Playing in the street was discouraged and often forbidden and if you did manage to slip out, “Get your butt in this house before dark,” she would warn, a rule she enforced to the bone. I often played that rule out to its
very edge, stealing into the house at dusk, just as the last glimmer of sunlight was peeking over the western horizon, closing the door softly, hoping Mommy had gone to work, only to turn around and find her standing before me, hands on hips, whipping belt in hand, eyes flicking angrily back and forth to the window, then to me, lips pursed, trying to decide whether it was light or dark outside. “It's still light,” I'd suggest, my voice wavering, as my siblings gathered behind her to watch the impending slaughter.

“That looks like light to you?” she'd snap, motioning to the window.

“Looks pretty dark,” my siblings would chirp from behind her. “It's definitely dark, Ma!” they'd shout, stifling their giggles. If I was lucky a baby would wail in another room and she'd be off, hanging the belt on the doorknob as she went. “Don't do it again,” she'd warn over her shoulder, and I was a free man.

But even if she had any interest in black power, she had no time to talk about it. She worked the swing shift at Chase Manhattan Bank as a typist, leaving home at three
P.M.
and returning around two
A.M.
, so she had little time for games, and even less time for identity crises. She and my father brought a curious blend of Jewish-European and African-American distrust and paranoia into our house. On his end, my father, Andrew McBride, a Baptist minister, had his doubts about the world accepting his mixed family. He always
made sure his kids never got into trouble, was concerned about money, and trusted the providence of the Holy Father to do the rest. After he died and Mommy remarried, my stepfather, Hunter Jordan, seemed to pick up where my father left off, insistent on education and church. On her end, Mommy had no model for raising us other than the experience of her own Orthodox Jewish family, which despite the seeming flaws—an unbending nature, a stridency, a focus on money, a deep distrust of all outsiders, not to mention her father's tyranny—represented the best and worst of the immigrant mentality: hard work, no nonsense, quest for excellence, distrust of authority figures, and a deep belief in God and education. My parents were nonmaterialistic. They believed that money without knowledge was worthless, that education tempered with religion was the way to climb out of poverty in America, and over the years they were proven right.

Yet conflict was a part of our lives, written into our very faces, hands, and arms, and to see how contradiction lived and survived in its essence, we had to look no farther than our own mother. Mommy's contradictions crashed and slammed against one another like bumper cars at Coney Island. White folks, she felt, were implicitly evil toward blacks, yet she forced us to go to white schools to get the best education. Blacks could be trusted more, but anything involving blacks was probably slightly substandard. She disliked
people with money yet was in constant need of it. She couldn't stand racists of either color and had great distaste for bourgeois blacks who sought to emulate rich whites by putting on airs and “doing silly things like covering their couches with plastic and holding teacups with their pinkies out.” “What fools!” she'd hiss. She wouldn't be bothered with parents who bragged about their children's accomplishments, yet she insisted we strive for the highest professional goals. She was against welfare and never applied for it despite our need, but championed those who availed themselves of it. She hated restaurants and would not enter one even if the meals served were free. She actually preferred to be among the poor, the working-class poor of the Red Hook Housing Projects in Brooklyn, the cement mixers, bakers, doughnut makers, grandmothers, and soul-food church partisans who were her lifelong friends. It was with them that she and my father started the New Brown Memorial Baptist Church, a small storefront church which still stands in Red Hook today. Mommy loves that church and to this day still loves Red Hook, one of the most dangerous and neglected housing projects in New York City. On any given day she'll get up in the morning, take the New Jersey Transit train from her home in Ewing, New Jersey, to Manhattan, then take the subway to Brooklyn, and wander around the projects like the Pope, the only white person in sight, waving to friends, stepping past the drug addicts, smiling at the young mothers
pushing their children in baby carriages, slipping into the poorly lit hallway of 80 Dwight Street while the young dudes in hooded sweatshirts stare balefully at the strange, bowlegged old white lady in Nikes and red sweats who slowly hobbles up the three flights of dark, urine-smelling stairs on arthritic knees to visit her best friend, Mrs. Ingram in apartment 3G.

As a boy, I often found Mommy's ease among black people surprising. Most white folks I knew seemed to have a great fear of blacks. Even as a young child, I was aware of that. I'd read it in the paper, between the lines of my favorite sport columnists in the
New York Post
and the old
Long Island Press
, in their refusal to call Cassius Clay Muhammad Ali, in their portrayal of Floyd Patterson as a “good Negro Catholic,” and in their burning criticism of black athletes like Bob Gibson of the St. Louis Cardinals, whom I idolized. In fact I didn't even have to open the paper to see it. I could see it in the faces of the white people who stared at me and Mommy and my siblings when we rode the subway, sometimes laughing at us, pointing, muttering things like, “Look at her with those little niggers.” I remember when a white man shoved her angrily as she led a group of us onto an escalator, but Mommy simply ignored him. I remember two black women pointing at us, saying, “Look at that white bitch,” and a white man screaming at Mommy somewhere in Manhattan, calling her a “nigger lover.” Mommy ignored
them all, unless the insults threatened her children, at which time she would turn and fight back like an alley cat, hissing, angry, and fearless. She had a casual way of ignoring affronts, slipping past insults to her whiteness like a seasoned boxer slips punches. When Malcolm X, the supposed demon of the white man, was killed, I asked her who he was and she said, “He was a man ahead of his time.” She actually liked Malcolm X. She put him in nearly the same category as her other civil rights heroes, Paul Robeson, Jackie Robinson, Eleanor Roosevelt, A. Philip Randolph, Martin Luther King, Jr., and the Kennedys—any Kennedy. When Malcolm X talked about “the white devil” Mommy simply felt those references didn't apply to her. She viewed the civil rights achievements of black Americans with pride, as if they were her own. And she herself occasionally talked about “the white man” in the third person, as if she had nothing to do with him, and in fact she didn't, since most of her friends and social circle were black women from church. “What's the matter with these white folks?” she'd muse after reading some craziness in the
New York Daily News
. “They're fighting over this man's money now that he's dead. None of them wanted him when he was alive, and now look at them. Forget it, honey”—this is Mommy talking to the newspaper—“your husband's dead, okay? He's dead—poop! You had your chance. Is money gonna bring him back? No!” Then she'd turn to us and deliver the invariable lecture: “You don't
need money. What's money if your mind is empty! Educate your mind! Is this world crazy or am I the crazy one? It's probably me.”

Indeed it probably was—at least, I thought so. I knew of no other white woman who would board the subway in Manhattan at one o'clock every morning and fall asleep till she got to her stop in Queens forty-five minutes later. Often I could not sleep until I heard her key hit the door. Her lack of fear for her safety—particularly among blacks, where she often stuck out like a sore thumb and seemed an easy target for muggers—had me stumped. As a grown man, I understand now, understand how her Christian principles and trust in God kept her going through all her life's battles, but as a boy, my faith was not that strong. Mommy once took me to Harlem to visit my stepsister, Jacqueline, whom we called Jack and who was my father's daughter by a previous marriage and more like an aunt than a sister. The two of them sat in Jack's parlor and talked into the night while Jack cooked big plates of soul food, macaroni and cheese, sweet potato pies, and biscuits for us. “Take this home to the kids, Ruth,” Jack told Ma. We put the food in shopping bags and took it on the subway without incident, but when we got off the bus in St. Albans near our house, two black men came up behind us and one of them grabbed Mommy's purse. The shopping bag full of macaroni and cheese and sweet potato pies burst open and food flew everywhere as
Mommy held on to her purse, spinning around in a crazy circle with the mugger, neither saying a word as they both desperately wrestled for the purse, whirling from the sidewalk into the dark empty street like two ballerinas locked in a death dance. I stood frozen in shock, watching. Finally the mugger got the purse and ran off as his buddy laughed at him, and Mommy fell to the ground.