The Commitments (8 page)

—Not true, Brother. Real Soul Brothers say No to the weed. All drugs. ——Soul says No.

—Wha’ abou’ Marvin Gaye?

—Wha’ abou’ him? said Jimmy.

—He died of an overdose.

—His da shot him, yeh fuckin’ sap.

—A bullet overdose, said Billy.

—Sam Cooke then, said Deco.

—I don’t know wha’ happened him. ——Joey?

—Died under very mysterious circumstances, said Joey The Lips. —A lady.

—Enough said.

—I’m sure he was lookin’ for it, said Imelda.

—Phil Lynott, said Deco.

—Fuck off, said Jimmy. —He wasn’t soul.

—He was black.

—Ah, fuck off an’ don’t annoy me. ——Get ou’ o’ my life. ——Annyway, do yis agree abou’ the hash? An’ the heroin, like?

—Yeah

They all nodded or stayed quiet.

—Can we smoke it after the rehearsal, Jimmy? Billy asked.

—Yeah, sure. No problem.

*   *   *

It was another week later.

James was late so Joey The Lips was going to put Deco through a new song, James Brown’s Out of Sight.

—You’re sure you know it now?

—O’ course I’m sure.

—Okay then. Off you go. ——A one ——

Deco put his hands to his ears.

Outspan nudged Derek.

—Fuckin’ tosser.

Deco sang.

—YOU GOT YOUR HIGH HEELED SNEAKERS ON ——

  YOUR STUFF IS NEW ——

  YOU GOT YOUR HIGH HEELED SNEAKERS ON ——

  SIMON HARTS —

  YOUR GEAR IS NEW ——

  YOU’RE MORE THAN ALRIGH — HI — HIGH’ ——

  YEH KNOW —

  YOU’RE OU’ O’ SIGH’ —— Fuck!

Jimmy had come in and made it obvious he wanted The Commitments to notice him when he threw an empty 7-up can at Deco’s head.

—Wha’ was tha’ for? Deco shouted.

—I don’t like yeh, said Jimmy. —An’ I’ve a bit o’ news for yis.

—So yeh hit ME?

—It didn’t hurt, an’ neither will me bit o’ news.

—Ooh! said Imelda. —Sounds good.

—It is, ’melda, it is indeed. An’ you’re lookin’ lovely tonigh’.

—Thank you, Jimmy. An’ you’re lookin’ horrible as ever.

—The news, said Joey The Lips.

—Are we goin’ to have The Angelus first or somethin’? said Outspan.

James came in.

—Sorry. ——Puncture.

—Jimmy’s got news, James, said Bernie.

—But he’s keepin’ it to himself, said Imelda. (And she sang this bit.) —BECAUSE HE’S A BOLLIX.

—Are yis ready?

—Ah stop, Jimmy.

—Well, I’ve been busy for the last couple o’ nights.

—Yeh dirty man, said Deco.

Billy thumped him.

—I’ve been negotiatin’, said Jimmy.

—Janey!

—That’ll make yeh deaf.

They laughed, but only for a little while.

—I’ve got us a venue for our first gig.

—Fuckin’ great!

There were cheers and grins.

—When?

—Tomorrow week.

—Fuckin’ hell!

—It has to be then, said Jimmy. —Because the bingo caller——yeh know Hopalong ——him, he’s goin’ into hospital for the weekend to get a tap put into his kidneys or somethin’, so it’s the only nigh’ the place is free.

—The community centre?

—Yeah.

—Tha’ kip!

—From little acorns, Brothers and Sisters, said Joey The Lips.

—Barrytown Square Garden, wha’, said Outspan.

—Hang on, said Derek. —No slaggin’. It’ll do for a start. ——Thanks, Jimmy.

—Yeah. Thanks, Jim.

—No sweat.

—We bring the music to the people, said Joey The Lips. —We go to them. We go to their community centre. That’s soul.

—No one goes there, Joey, said Outspan. —’cept the oul’ ones tha’ play the bingo.

—An’ the soccer. They change there, said Derek. —An’ the operetta society, an’ the Vinny de Paul.

—An’ Hopalong, said Natalie.

—He’s stickin’ it into your woman from the shop, Colette, did yis know tha’?

—He is NOT, said Bernie.

—He fuckin’ is.

—Good Jesus, that’s disgustin’.

—No wonder he limps, wha’.

—Our first gig, said Dean. ——Our first gig.

—Who did yeh have to talk to abou’ the hall, Jimmy? James asked.

—Father Molloy.

—Oh fuck! Father Paddy, said Outspan. —The singin’ priest, he explained to the lads who weren’t from Barrytown.

Derek began to sing.

—MOR —

NIN’ HAS —

    BROKE —

      EN —

  LIKE THE FIRST MOR —

HOR — HOR — NIN’ —

  BLACK BIRD ON —

TREE TOP —

  HAS HAD ITS FIRST CRAP —

—The folk mass, Outspan explained to the lads. —Fuckin’ desperate.

—Oh yeah, said Billy. —Is tha’ the one you got flung ou’ of?

—That’s it, said James.

—Did he brown yeh, Jimmy? Outspan asked.

—No. He just ran his fingers through me curly fellas.

—Aah!! Stop tha’! said Natalie.

—How much is it goin’ to cost? Deco asked.

—Nothin’.

—That’s super.

—How come?

—I told him it was part o’ the Anti-Heroin Campaign.

—Yeh fuckin’ chancer, yeh.

They all stood back and admired Jimmy.

—Well, it is, said Jimmy. —We’ll have our Heroin Kills banner. Me little brother, Darren ——he’s an awful little prick ——he’s goin’ to do it in school. An art project, like. An’ a few posters for the walls an’ things.

—Good man, Jimmy.

—There’s one thing but, said Jimmy. —I told Father Molloy we’d do a folk mass for him.

—No way!

—Only messin’. ——Northside News are sendin’ someone ou’ to see us. An’ a photographer.

—How come?

—I told them abou’ it. Phoned them up.

—Jaysis, fair play to yeh.

—I’ll be scarleh, said Bernie.

—I haven’t saved enough for me suit, said Derek.

—We can hire them for this one, said Jimmy. —
We’ll get the bread back on the door.

—Bread! said Billy. —Yeh fuckin’ hippy.

—Fuck up.

—Well, Brothers and Sisters, said Joey The Lips. —Let’s hear it for our manager, Brother J. Rabbitte, and let’s hear it for Brother Hopalong’s kidneys too.

The Commitments clapped.

—Brother Hopalong’s kidneys are soul.

*   *   *

The Commitments rehearsed every night of the last week. They began to shout and throw the head when someone made a mistake and they had to start all over again. But Joey The Lips kept them short of panic stations. He said Stay Cool a lot during the week.

—Stay cool, my man, said Joey The Lips.

Deco had just roared at Billy who had just knocked over the snare drum.

—He’s a fuckin’ eejit, Joey, Deco shouted.

—Joey, said Billy. —I said it before, it’s one o’ the risks yis have to take. It’s part o’ me style. These sort o’ accidents are likely to happen. I told yis tha’.

He now addressed Deco.

—An’ here, you, George Michael. If yeh ever call me a fuckin’ eejit again you’ll go home with a drumstick up your hole. The one yeh don’t sing ou’ of.

He started to pick up the drum.

—The one yeh talk ou’ of.

—That’ll be the day, pal.

—It’s comin’. I’m tellin’ yeh.

—Maybe.

—Yeh’d want to have your vaseline with yeh the
next time. ——Can we continue now, can we, please?

He began to play.

—THU— CUDADUNG CUDADUNG CUDADUNG

THU — CUDADUNG CUDADUNG CUDADUNG

The horns: — DUUH — DU DUHH —

   DUUH DU DUHH —

   DEH —

              DU DU DUUH —

Outspan and Derek followed that.

—DONG CADDA DONG CADDA DONG CADDA DONG —

The horns: — DUUH — DU DUHH —

   DUUH DU DUHH —

  DEH —

        DU DU DUUH —

—OOH WHEN YEH FEE — IL LIKE YEH CAN’T GO —

     OH ON —

The Commitmentettes: — CAN’T GO OHON —

—JUST COS ALL O’ YOUR HOPE IS —

        GOHON

—Ah fuck! Wha’ now?

—Me string’s gone again, said Outspan.

—Fuck you an’ your string.

—Stay cool, said Joey The Lips.

*   *   *

There was a little saxophone in each corner of the poster.

—Saturday, 24 March, it said across the top. —In The Community Centre, The Hardest Working Band
In The World, The Saviours Of Soul, The Commitments. Admission: £2, (Unwaged: £1). Bringing The People’s Music To The People.

*   *   *

—I hate him, said Billy.

—We all do, for fuck sake, said Jimmy.

—Really, I mean. ——I really hate him.

—We all do, I’m tellin yeh.

—Enough to kill him?

——Maybe not tha’ much.

—I’d fuckin’ kill him. I fuckin’ would.

—Who’d do the singin’ then?

——Good thinkin’.

*   *   *

—It’s a pity we don’t do anny songs of our own, isn’t it? said Outspan, during a break.

—Yeah.

—A song belongs to no man, said Joey The Lips.

—The Lord holds copyright on all songs.

—Me arse, said Outspan.

—We have the Dublin bits, said Derek.

—True.

*   *   *

—We’ll need a Brother to do the mix, said Joey The Lips.

—We have one, said Jimmy.

—Who?

—Me.

—Good good.

—Wha’ do you know abou’ it? said Outspan.

—Fuck all, said Jimmy. —But I got an honour in science in me Inter.

*   *   *

Deco had bought his suit. He bought the shirt and bow on the Thursday before the gig. The other Commitments managed to get into town to hire their suits.

Joey The Lips got one of his dress suits dry-cleaned. Dean crawled in under his bed and found the one he’d flung under there. He soaked the jacket till the muck was nearly all gone. Then he brought it down to the cleaners.

Black shoes were polished or bought or borrowed.

*   *   *

Friday was a dress rehearsal.

Joey The Lips was already dressed when The Commitments got there.

—Oh my Jaysis, Joey, wha’! said Outspan.

—Yeh look like Dickie Davis, said Dean.

—I don’t know the dude, said Joey The Lips. —But I accept the compliment. Thank you, Brother.

—Yeh look gorgeous, Joey, said Imelda.

—Joey? said Outspan. —How do yeh get your hankie to go like tha’? I can’t get mine like tha’.

Joey The Lips let the girls into the kitchen to change. The lads changed in the garage. There was a lot of slagging of underpants and so on. None of them played football so it was a good while since they’d dressed in this way. They enjoyed it.

—Jaysis, look at those skid marks.

—Fuck off.

—Come here till I ride yeh, yeh lovely young fella, yeh.

—Fuck off, will yeh.

—Where’s it gone? said Outspan.

—Wha’?

—Me knob. ——I could’ve sworn I tucked it into me sock before I came ou’.

James joined in the crack too.

—Do yeh know wha’ the Latin is for tha’ weapon yeh have on yeh there?

The small door to the kitchen was knocked.

—Can we come in? Imelda asked.

The lads cheered, and thumped and kicked each other.

Deco cupped his crotch in both hands (although one could have done) and roared:—I’ve a bugle here yeh can blow on, ’melda.

—Fuck yourself, Natalie roared.

—Jaysis, Cuffe, take it easy. For fuck sake!

—I’ve an arse here yeh can kiss, Imelda shouted back from behind the door. —Can we come in?

—No.

—Enter, Sisters.

—Well, we’re comin’.

Deco cheered.

Imelda was first (—Good fuck!), then Natalie (—Fair fuckin’ play to yis, girls), then Bernie.

—I’m scarleh, said Bernie.

The girls were stunning; very tight black skirts to just above the knee with an extension at the back so they could walk, black sleeveless tops, hair held up, except the fringe, as near to the Ronettes as they could
manage, black high heels, loads of black eye shadow, very red lipstick.

They were blushing.

Joey The Lips applauded.

Jimmy spoke. —Well, as James says, It don’t mean nothin’ without a woman or a girl.

—I never said tha’, said James.

—James Brown, yeh dick.

The girls admired the suits. There was lots of giggling and redners.

Joey The Lips did their breast pocket hankies for them.

One of Billy’s trouser legs was longer than the other.

—Ah, fuck tha’, he said.

He looked very disappointed.

—You’ll be behind the drums.

—They’ll still see me legs.

—I’ll fix it up for yeh tomorrow, said Natalie.

—Will yeh? —Thanks.

They played better in the suits. They were more careful, and considerate. Deco’s suit seemed to pin him more to one spot. This was good. In his track-suit he hopped around the garage and got in the way and on the nerves. Dean swapped jackets with Jimmy. (—Why have you got a suit? Outspan asked Jimmy.

—Soul is dignity, said Jimmy.

—This is a great fuckin’ group, said Outspan. —I must say. Even the skivvies wear fuckin’ monkey suits.

—I’m no skivvy, said Jimmy. —I’m your fuckin’ manager, pal.

—An’ don’t you forget it, said James.

—Fuckin’ righ’, said Jimmy.) There was more room in Jimmy’s jacket so Dean could still lift the sax up high. Billy didn’t knock over any drums.

Joey The Lips showed Jimmy how to use the mixer.

—So all I have to do is push these lads up or down a bit when the sound’s a bit gammy?

—That’s correct, said Joey The Lips.

—That’s great, said Jimmy. —There’s nothin’ to it. Anny fuckin’ dope could do tha’. I might even pull a few birds this way, wha’. Wha’ d’yeh think? Blind them with science, wha’.

—It works, my man. ——It works.

They finished early, got back into their civvies, and went for a drink.

*   *   *

Kick-off was at half-seven.

The Commitments said they’d meet at the hall at six. Jimmy was there at five, his dress suit hidden by a snorkel jacket he hadn’t worn since he’d left school.

Billy arrived soon after with Dean. Billy had his van from work. They got the gear out but they left Joey The Lips’ mother’s piano in the van until some more arrived to help them.

At half-five the caretaker appeared out of a door beside the stage.