Authors: G.K. Chesterton
“
Yes;
they’re all here. I noticed it myself,” cried the young duke, pushing his boyish
face into the inmost ring. “Always count ’em as I come in; they look so queer
standing up against the wall.”
“
But
surely one cannot exactly remember,” began Mr. Audley, with heavy hesitation.
“
I
remember exactly, I tell you,” cried the duke excitedly. “There never have been
more than fifteen waiters at this place, and there were no more than fifteen tonight,
I’ll swear; no more and no less.”
The
proprietor turned upon him, quaking in a kind of palsy of surprise. “You say — you
say,” he stammered, “that you see all my fifteen waiters?”
“
As
usual,” assented the duke. “What is the matter with that!”
“
Nothing,”
said Lever, with a deepening accent, “only you did not. For one of zem is dead upstairs.”
There
was a shocking stillness for an instant in that room. It may be (so supernatural
is the word death) that each of those idle men looked for a second at his soul,
and saw it as a small dried pea. One of them — the duke, I think — even said
with the idiotic kindness of wealth: “Is there anything we can do?”
“
He
has had a priest,” said the Jew, not untouched.
Then,
as to the clang of doom, they awoke to their own position. For a few weird seconds
they had really felt as if the fifteenth waiter might be the ghost of the dead
man upstairs. They had been dumb under that oppression, for ghosts were to them
an embarrassment, like beggars. But the remembrance of the silver broke the
spell of the miraculous; broke it abruptly and with a brutal reaction. The
colonel flung over his chair and strode to the door. “If there was a fifteenth
man here, friends,” he said, “that fifteenth fellow was a thief. Down at once
to the front and back doors and secure everything; then we’ll talk. The
twenty-four pearls of the club are worth recovering.”
Mr.
Audley seemed at first to hesitate about whether it was gentlemanly to be in such
a hurry about anything; but, seeing the duke dash down the stairs with youthful
energy, he followed with a more mature motion.
At
the same instant a sixth waiter ran into the room, and declared that he had found
the pile of fish plates on a sideboard, with no trace of the silver.
The
crowd of diners and attendants that tumbled helter-skelter down the passages divided
into two groups. Most of the Fishermen followed the proprietor to the front
room to demand news of any exit. Colonel Pound, with the chairman, the vice-president,
and one or two others darted down the corridor leading to the servants’
quarters, as the more likely line of escape. As they did so they passed the dim
alcove or cavern of the cloak room, and saw a short, black-coated figure, presumably
an attendant, standing a little way back in the shadow of it.
“
Hallo,
there!” called out the duke. “Have you seen anyone pass?”
The
short figure did not answer the question directly, but merely said: “Perhaps I have
got what you are looking for, gentlemen.”
They
paused, wavering and wondering, while he quietly went to the back of the cloak room,
and came back with both hands full of shining silver, which he laid out on the
counter as calmly as a salesman. It took the form of a dozen quaintly shaped
forks and knives.
“
You
— you —” began the colonel, quite thrown off his balance at last. Then he peered
into the dim little room and saw two things: first, that the short, black-clad
man was dressed like a clergyman; and, second, that the window of the room
behind him was burst, as if someone had passed violently through. “Valuable
things to deposit in a cloak room, aren’t they?” remarked the clergyman, with
cheerful composure.
“
Did
— did you steal those things?” stammered Mr. Audley, with staring eyes.
“
If
I did,” said the cleric pleasantly, “at least I am bringing them back again.”
“
But
you didn’t,” said Colonel Pound, still staring at the broken window.
“
To
make a clean breast of it, I didn’t,” said the other, with some humour. And he seated
himself quite gravely on a stool. “But you know who did,” said the colonel.
“
I
don’t know his real name,” said the priest placidly, “but I know something of his
fighting weight, and a great deal about his spiritual difficulties. I formed
the physical estimate when he was trying to throttle me, and the moral estimate
when he repented.”
“
Oh,
I say — repented!” cried young Chester, with a sort of crow of laughter.
Father
Brown got to his feet, putting his hands behind him. “Odd, isn’t it,” he said, “that
a thief and a vagabond should repent, when so many who are rich and secure
remain hard and frivolous, and without fruit for God or man? But there, if you
will excuse me, you trespass a little upon my province. If you doubt the penitence
as a practical fact, there are your knives and forks. You are The Twelve True
Fishers, and there are all your silver fish. But He has made me a fisher of
men.”
“
Did
you catch this man?” asked the colonel, frowning.
Father
Brown looked him full in his frowning face. “Yes,” he said, “I caught him, with
an unseen hook and an invisible line which is long enough to let him wander to the
ends of the world, and still to bring him back with a twitch upon the thread.”
There
was a long silence. All the other men present drifted away to carry the recovered
silver to their comrades, or to consult the proprietor about the queer
condition of affairs. But the grim-faced colonel still sat sideways on the
counter, swinging his long, lank legs and biting his dark moustache.
At
last he said quietly to the priest: “He must have been a clever fellow, but I think
I know a cleverer.”
“
He
was a clever fellow,” answered the other, “but I am not quite sure of what other
you mean.”
“
I
mean you,” said the colonel, with a short laugh. “I don’t want to get the fellow
jailed; make yourself easy about that. But I’d give a good many silver forks to
know exactly how you fell into this affair, and how you got the stuff out of
him. I reckon you’re the most up-to-date devil of the present company.”
Father
Brown seemed rather to like the saturnine candour of the soldier. “Well,” he said,
smiling, “I mustn’t tell you anything of the man’s identity, or his own story,
of course; but there’s no particular reason why I shouldn’t tell you of the
mere outside facts which I found out for myself.”
He
hopped over the barrier with unexpected activity, and sat beside Colonel Pound,
kicking his short legs like a little boy on a gate. He began to tell the story as
easily as if he were telling it to an old friend by a Christmas fire.
“
You
see, colonel,” he said, “I was shut up in that small room there doing some writing,
when I heard a pair of feet in this passage doing a dance that was as queer as
the dance of death. First came quick, funny little steps, like a man walking on
tiptoe for a wager; then came slow, careless, creaking steps, as of a big man
walking about with a cigar. But they were both made by the same feet, I swear,
and they came in rotation; first the run and then the walk, and then the run
again. I wondered at first idly and then wildly why a man should act these two
parts at once. One walk I knew; it was just like yours, colonel. It was the
walk of a well-fed gentleman waiting for something, who strolls about rather
because he is physically alert than because he is mentally impatient. I knew
that I knew the other walk, too, but I could not remember what it was. What
wild creature had I met on my travels that tore along on tiptoe in that extraordinary
style? Then I heard a clink of plates somewhere; and the answer stood up as
plain as St. Peter’s. It was the walk of a waiter — that walk with the body
slanted forward, the eyes looking down, the ball of the toe spurning away the
ground, the coat tails and napkin flying. Then I thought for a minute and a
half more. And I believe I saw the manner of the crime, as clearly as if I were
going to commit it.”
Colonel
Pound looked at him keenly, but the speaker’s mild grey eyes were fixed upon the
ceiling with almost empty wistfulness.
“
A
crime,” he said slowly, “is like any other work of art. Don’t look surprised; crimes
are by no means the only works of art that come from an infernal workshop. But
every work of art, divine or diabolic, has one indispensable mark — I mean,
that the centre of it is simple, however much the fulfilment may be complicated.
Thus, in Hamlet, let us say, the grotesqueness of the grave-digger, the flowers
of the mad girl, the fantastic finery of Osric, the pallor of the ghost and the
grin of the skull are all oddities in a sort of tangled wreath round one plain
tragic figure of a man in black. Well, this also,” he said, getting slowly down
from his seat with a smile, “this also is the plain tragedy of a man in black.
Yes,” he went on, seeing the colonel look up in some wonder, “the whole of this
tale turns on a black coat. In this, as in Hamlet, there are the rococo
excrescences — yourselves, let us say. There is the dead waiter, who was there
when he could not be there. There is the invisible hand that swept your table
clear of silver and melted into air. But every clever crime is founded
ultimately on some one quite simple fact — some fact that is not itself
mysterious. The mystification comes in covering it up, in leading men’s
thoughts away from it. This large and subtle and (in the ordinary course) most
profitable crime, was built on the plain fact that a gentleman’s evening dress
is the same as a waiter’s. All the rest was acting, and thundering good acting,
too.”
“
Still,”
said the colonel, getting up and frowning at his boots, “I am not sure that I understand.”
“
Colonel,”
said Father Brown, “I tell you that this archangel of impudence who stole your forks
walked up and down this passage twenty times in the blaze of all the lamps, in
the glare of all the eyes. He did not go and hide in dim corners where suspicion
might have searched for him. He kept constantly on the move in the lighted
corridors, and everywhere that he went he seemed to be there by right. Don’t
ask me what he was like; you have seen him yourself six or seven times tonight.
You were waiting with all the other grand people in the reception room at the
end of the passage there, with the terrace just beyond. Whenever he came among
you gentlemen, he came in the lightning style of a waiter, with bent head,
flapping napkin and flying feet. He shot out on to the terrace, did something
to the table cloth, and shot back again towards the office and the waiters’
quarters. By the time he had come under the eye of the office clerk and the
waiters he had become another man in every inch of his body, in every instinctive
gesture. He strolled among the servants with the absent-minded insolence which
they have all seen in their patrons. It was no new thing to them that a swell
from the dinner party should pace all parts of the house like an animal at the
Zoo; they know that nothing marks the Smart Set more than a habit of walking
where one chooses. When he was magnificently weary of walking down that
particular passage he would wheel round and pace back past the office; in the
shadow of the arch just beyond he was altered as by a blast of magic, and went
hurrying forward again among the Twelve Fishermen, an obsequious attendant. Why
should the gentlemen look at a chance waiter? Why should the waiters suspect a
first-rate walking gentleman? Once or twice he played the coolest tricks. In
the proprietor’s private quarters he called out breezily for a syphon of soda
water, saying he was thirsty. He said genially that he would carry it himself,
and he did; he carried it quickly and correctly through the thick of you, a waiter
with an obvious errand. Of course, it could not have been kept up long, but it
only had to be kept up till the end of the fish course.
“
His
worst moment was when the waiters stood in a row; but even then he contrived to
lean against the wall just round the corner in such a way that for that important
instant the waiters thought him a gentleman, while the gentlemen thought him a
waiter. The rest went like winking. If any waiter caught him away from the
table, that waiter caught a languid aristocrat. He had only to time himself two
minutes before the fish was cleared, become a swift servant, and clear it
himself. He put the plates down on a sideboard, stuffed the silver in his
breast pocket, giving it a bulgy look, and ran like a hare (I heard him coming)
till he came to the cloak room. There he had only to be a plutocrat again — a
plutocrat called away suddenly on business. He had only to give his ticket to
the cloak-room attendant, and go out again elegantly as he had come in. Only —
only I happened to be the cloak-room attendant.”
“
What
did you do to him?” cried the colonel, with unusual intensity. “What did he tell
you?”
“
I
beg your pardon,” said the priest immovably, “that is where the story ends.”
“
And
the interesting story begins,” muttered Pound. “I think I understand his professional
trick. But I don’t seem to have got hold of yours.”
“
I
must be going,” said Father Brown.
They
walked together along the passage to the entrance hall, where they saw the fresh,
freckled face of the Duke of Chester, who was bounding buoyantly along towards
them.