Read The Complete Fiction of Nella Larsen: Passing, Quicksand, and the Stories Online

Authors: Nella Larsen,Charles Larson,Marita Golden

Tags: #Literature & Fiction, #Literary, #United States, #Contemporary Fiction, #Literary Fiction, #African American, #Psychological

The Complete Fiction of Nella Larsen: Passing, Quicksand, and the Stories (23 page)

BOOK: The Complete Fiction of Nella Larsen: Passing, Quicksand, and the Stories
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“Pie in the sky,” Helga said aloud derisively, forgetting for the moment Miss Hartley’s brisk presence, and so was a little startled at hearing her voice from the adjoining room saying severely: “My goodness! No! I should say you can’t have pie. It’s too indigestible. Maybe when you’re better—”

“That,” assented Helga, “is what I said. Pie—by and by. That’s the trouble.”

The nurse looked concerned. Was this an approaching relapse? Coming to the bedside, she felt at her patient’s pulse while giving her a searching look. No. “You’d better,” she admonished, a slight edge to her tone, “try to get a little nap. You haven’t had any sleep today, and you can’t get too much of it. You’ve got to get strong, you know.”

With this Helga was in full agreement. It seemed hundreds of years since she had been strong. And she would need strength. For in some way she was determined to get herself out of this bog into which she had strayed. Or—she would have to die. She couldn’t endure it. Her suffocation and shrinking loathing were too great. Not to be borne. Again. For she had to admit that it wasn’t new, this feeling of dissatisfaction, of asphyxiation. Something like it she had experienced before. In Naxos. In New York. In Copenhagen. This differed only in degree. And it was of the present and therefore seemingly more reasonable. The other revulsions were of the past, and now less explainable.

The thought of her husband roused in her a deep and contemptuous hatred. At his every approach she had forcibly to subdue a
furious inclination to scream out in protest. Shame, too, swept over her at every thought of her marriage. Marriage. This sacred thing of which parsons and other Christian folk ranted so sanctimoniously, how immoral—according to their own standards—it could be! But Helga felt also a modicum of pity for him, as for one already abandoned. She meant to leave him. And it was, she had to concede, all of her own doing, this marriage. Nevertheless, she hated him.

The neighbors and church folk came in for their share of her all-embracing hatred. She hated their raucous laughter, their stupid acceptance of all things, and their unfailing trust in “de Lawd.” And more than all the rest she hated the jangling Clementine Richards, with her provocative smirkings, because she had not succeeded in marrying the preacher and thus saving her, Helga, from that crowning idiocy.

Of the children Helga tried not to think. She wanted not to leave them—if that were possible. The recollection of her own childhood, lonely, unloved, rose too poignantly before her for her to consider calmy such a solution. Though she forced herself to believe that this was different. There was not the element of race, of white and black. They were all black together. And they would have their father. But to leave them would be a tearing agony, a rending of deepest fibers. She felt that through all the rest of her lifetime she would be hearing their cry of “Mummy, Mummy, Mummy,” through sleepless nights. No. She couldn’t desert them.

How, then, was she to escape from the oppression, the degradation, that her life had become? It was so difficult. It was terribly difficult. It was almost hopeless. So for a while—for the immediate present, she told herself—she put aside the making of any plan for her going. “I’m still,” she reasoned, “too weak, too sick. By and by, when I’m really strong—”

It was so easy and so pleasant to think about freedom and cities, about clothes and books, about the sweet mingled smell of Houbigant and cigarettes in softly lighted rooms filled with inconsequential chatter and laughter and sophisticated tuneless music. It was so hard to think out a feasible way of retrieving all these agreeable, desired
things. Just then. Later. When she got up. By and by. She must rest. Get strong. Sleep. Then, afterwards, she could work out some arrangement. So she dozed and dreamed in snatches of sleeping and waking, letting time run on. Away.

And hardly had she left her bed and become able to walk again without pain, hardly had the children returned from the homes of the neighbors, when she began to have her fifth child.

Passing

 

 

For Carl Van Vechten
and Fania Marinoff

 

 

One three centuries removed
From the scenes his fathers loved
,
Spicy grove, cinnamon tree
,
What is Africa to me?


COUNTEE CULLEN

Part One
Encounter

 

 

 

One

 

It was the last letter in Irene Redfield’s little pile of morning mail. After her other ordinary and clearly directed letters the long envelope of thin Italian paper with its almost illegible scrawl seemed out of place and alien. And there was, too, something mysterious and slightly furtive about it. A thin sly thing which bore no return address to betray the sender. Not that she hadn’t immediately known who its sender was. Some two years ago she had one very like it in outward appearance. Furtive, but yet in some peculiar, determined way a little flaunting. Purple ink. Foreign paper of extraordinary size.

It had been, Irene noted, postmarked in New York the day
before. Her brows came together in a tiny frown. The frown, however, was more from perplexity than from annoyance; though there was in her thoughts an element of both. She was wholly unable to comprehend such an attitude towards danger as she was sure the letter’s contents would reveal; and she disliked the idea of opening and reading it.

This, she reflected, was of a piece with all that she knew of Clare Kendry. Stepping always on the edge of danger. Always aware, but not drawing back or turning aside. Certainly not because of any alarms or feeling of outrage on the part of others.

And for a swift moment Irene Redfield seemed to see a pale small girl sitting on a ragged blue sofa, sewing pieces of bright red cloth together, while her drunken father, a tall, powerfully built man, raged threateningly up and down the shabby room, bellowing curses and making spasmodic lunges at her which were not the less frightening because they were, for the most part, ineffectual. Sometimes he did manage to reach her. But only the fact that the child had edged herself and her poor sewing over to the farthermost corner of the sofa suggested that she was in any way perturbed by this menace to herself and her work.

Clare had known well enough that it was unsafe to take a portion of the dollar that was her weekly wage for the doing of many errands for the dressmaker who lived on the top floor of the building of which Bob Kendry was janitor. But that knowledge had not deterred her. She wanted to go to her Sunday school’s picnic, and she had made up her mind to wear a new dress. So, in spite of certain unpleasantness and possible danger, she had taken the money to buy the material for that pathetic little red frock.

There had been, even in those days, nothing sacrificial in Clare Kendry’s idea of life, no allegiance beyond her own immediate desire. She was selfish, and cold, and hard. And yet she had, too, a strange capacity of transforming warmth and passion, verging sometimes almost on theatrical heroics.

Irene, who was a year or more older than Clare, remembered the day that Bob Kendry had been brought home dead, killed in a silly
saloon fight. Clare, who was at that time a scant fifteen years old, had just stood there with her lips pressed together, her thin arms folded across her narrow chest, staring down at the familiar pasty-white face of her parent with a sort of disdain in her slanting black eyes. For a very long time she had stood like that, silent and staring. Then, quite suddenly, she had given way to a torrent of weeping, swaying her thin body, tearing at her bright hair, and stamping her small feet. The outburst had ceased as suddenly as it had begun. She glanced quickly about the bare room, taking everyone in, even the two policemen, in a sharp look of flashing scorn. And, in the next instant, she had turned and vanished through the door.

Seen across the long stretch of years, the thing had more the appearance of an outpouring of pent-up fury than of an overflow of grief for her dead father; though she had been, Irene admitted, fond enough of him in her own rather catlike way.

Catlike. Certainly that was the word which best described Clare Kendry, if any single word could describe her. Sometimes she was hard and apparently without feeling at all; sometimes she was affectionate and rashly impulsive. And there was about her an amazing soft malice, hidden well away until provoked. Then she was capable of scratching, and very effectively too. Or, driven to anger, she would fight with a ferocity and impetuousness that disregarded or forgot any danger, superior strength, numbers, or other unfavorable circumstances. How savagely she had clawed those boys the day they had hooted her parent and sung a derisive rhyme, of their own composing, which pointed out certain eccentricities in his careening gait! And how deliberately she had—

Irene brought her thoughts back to the present, to the letter from Clare Kendry that she still held unopened in her hand. With a little feeling of apprehension, she very slowly cut the envelope, drew out the folded sheets, spread them, and began to read.

It was, she saw at once, what she had expected since learning from the postmark that Clare was in the city. An extravagantly phrased wish to see her again. Well, she needn’t and wouldn’t, Irene told herself, accede to that. Nor would she assist Clare to realize her
foolish desire to return for a moment to that life which long ago, and of her own choice, she had left behind her.

She ran through the letter, puzzling out, as best she could, the carelessly formed words or making instinctive guesses at them.

“… For I am lonely, so lonely … cannot help longing to be with you again, as I have never longed for anything before; and I have wanted many things in my life…. You can’t know how in this pale life of mine I am all the time seeing the bright pictures of that other that I once thought I was glad to be free of…. It’s like an ache, a pain that never ceases….” Sheets upon thin sheets of it. And ending finally with, “and it’s your fault, ’Rene dear. At least partly. For I wouldn’t now, perhaps, have this terrible, this wild desire if I hadn’t seen you that time in Chicago….”

Brilliant red patches flamed in Irene Redfield’s warm olive cheeks.

“That time in Chicago.” The words stood out from among the many paragraphs of other words, bringing with them a clear, sharp remembrance in which even now, after two years, humiliation, resentment, and rage were mingled.

Two

This is what Irene Redfield remembered.

Chicago. August. A brilliant day, hot, with a brutal staring sun pouring down rays that were like molten rain. A day on which the very outlines of the buildings shuddered as if in protest at the heat. Quivering lines sprang up from baked pavements and wriggled along the shining car tracks. The automobiles parked at the curbs were a dancing blaze, and the glass of the shopwindows threw out a blinding radiance. Sharp particles of dust rose from the burning sidewalks, stinging the seared or dripping skins of wilting pedestrians. What small breeze there was seemed like the breath of a flame fanned by slow bellows.

It was on that day of all others that Irene set out to shop for the
things which she had promised to take home from Chicago to her two small sons, Brian junior and Theodore. Characteristically, she had put it off until only a few crowded days remained of her long visit. And only this sweltering one was free of engagements till the evening.

Without too much trouble she had got the mechanical airplane for Junior. But the drawing book, for which Ted had so gravely and insistently given her precise directions, had sent her in and out of five shops without success.

It was while she was on her way to a sixth place that right before her smarting eyes a man toppled over and became an inert crumpled heap on the scorching cement. About the lifeless figure a little crowd gathered. Was the man dead or only faint? someone asked her. But Irene didn’t know and didn’t try to discover. She edged her way out of the increasing crowd, feeling disagreeably damp and sticky and soiled from contact with so many sweating bodies.

For a moment she stood fanning herself and dabbing at her moist face with an inadequate scrap of handkerchief. Suddenly she was aware that the whole street had a wobbly look and realized that she was about to faint. With a quick perception of the need for immediate safety, she lifted a wavering hand in the direction of a cab parked directly in front of her. The perspiring driver jumped out and guided her to his car. He helped, almost lifted her in. She sank down on the hot leather seat.

For a minute her thoughts were nebulous. They cleared.

“I guess,” she told her Samaritan, “it’s tea I need. On a roof somewhere.”

“The Drayton, ma’am?” he suggested. “They do say as how it’s always a breeze up there.”

“Thank you. I think the Drayton’ll do nicely,” she told him.

There was that little grating sound of the clutch being slipped in as the man put the car in gear and slid deftly out into the boiling traffic. Reviving under the warm breeze stirred up by the moving cab, Irene made some small attempts to repair the damage that the heat and crowds had done to her appearance.

BOOK: The Complete Fiction of Nella Larsen: Passing, Quicksand, and the Stories
13.32Mb size Format: txt, pdf, ePub
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