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Authors: Erik Larson

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BOOK: The Devil in the White City
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No one told Burnham about the fire, no one told him of the cancellations, and no one told him of Murphy’s forecast.

At Last

A
T THREE-THIRTY P.M.
on Wednesday, June 21, 1893, fifty-one days late, George Washington Gale Ferris took a seat on the speakers’ platform built at the base of his wheel. The forty-piece Iowa State Marching Band already had boarded one of the cars and now played “My Country ’Tis of Thee.” Mayor Harrison joined Ferris on the platform, as did Bertha Palmer, the entire Chicago city council, and an assortment of fair officials. Burnham apparently was not present.

The cars were fully glazed, and wire grills had been placed over all the windows so that, as one reporter put it, “No crank will have an opportunity to commit suicide from this wheel, no hysterical woman shall jump from a window.” Conductors trained to soothe riders who were afraid of heights stood in handsome uniforms at each car’s door.

The band quieted, the wheel stopped. Speeches followed. Ferris was last to take the podium and happily assured the audience that the man condemned for having “wheels in his head” had gotten them out of his head and into the heart of the Midway Plaisance. He attributed the success of the enterprise to his wife, Margaret, who stood behind him on the platform. He dedicated the wheel to the engineers of America.

Mrs. Ferris gave him a gold whistle, then she and Ferris and the other dignitaries climbed into the first car. Harrison wore his black slouch hat.

When Ferris blew the whistle, the Iowa State band launched into “America,” and the wheel again began to turn. The group made several circuits, sipping champagne and smoking cigars, then exited the wheel to the cheers of the crowd that now thronged its base. The first paying passengers stepped aboard.

The wheel continued rolling with stops only for loading and unloading until eleven o’clock that night. Even with every car full, the wheel never faltered, its bearings never groaned.

The Ferris Company was not shy about promoting its founder’s accomplishment. In an illustrated pamphlet called the “Ferris Wheel Souvenir” the company wrote: “Built in the face of every obstacle, it is an achievement which reflects so much credit upon the inventor, that were Mr. Ferris the subject of a Monarchy, instead of a citizen of a great Republic, his honest heart would throb beneath a breast laden with the decorations of royalty.” Ferris could not resist tweaking the Exposition Company for not granting him a concession sooner than it did. “Its failure to appreciate its importance,” the souvenir said, “has cost the Exposition Company many thousands of dollars.”

This was an understatement. Had the Exposition Company stood by its original June 1892 concession rather than waiting until nearly six months later, the wheel would have been ready for the fair’s May 1 opening. Not only did the exposition lose its 50 percent share of the wheel’s revenue for those fifty-one days—it lost the boost in overall admission that the wheel likely would have generated and that Burnham so desperately wanted. Instead it had stood for that month and a half as a vivid advertisement of the fair’s incomplete condition.

 

Safety fears lingered, and Ferris did what he could to ease them. The souvenir pamphlet noted that even a full load of passengers had “no more effect on the movements or the speed than if they were so many flies”—an oddly ungracious allusion. The pamphlet added, “In the construction of this great wheel, every conceivable danger has been calculated and provided for.”

But Ferris and Gronau had done their jobs too well. The design was so elegant, so adept at exploiting the strength of thin strands of steel, that the wheel appeared incapable of withstanding the stresses placed upon it. The wheel may not have been unsafe, but it looked unsafe.

“In truth, it seems too light,” a reporter observed. “One fears the slender rods which must support the whole enormous weight are too puny to fulfill their office. One cannot avoid the thought of what would happen if a high wind should come sweeping across the prairie and attack the structure broadside. Would the thin rods be sufficient to sustain not only the enormous weight of the structure and that of the 2,000 passengers who might chance to be in the cars, but the pressure of the wind as well?”

In three weeks that question would find an answer.

Rising Wave

A
ND SUDDENLY THEY BEGAN
to come. The enthusiasm Olmsted had identified during his travels, though still far from constituting a tidal wave, at last seemed to begin propelling visitors to Jackson Park. By the end of June, even though the railroads still had not dropped their fares, paid attendance at the exposition had more than doubled, the average for the month rising to 89,170 from May’s dismal 37,501. It was still far below the 200,000 daily visitors the fair’s planners originally had dreamed of, but the trend was encouraging. From Englewood to the Loop, hotels at last began to fill. The Roof Garden Café of the Woman’s Building now served two thousand people a day, ten times the number it had served on Opening Day. The resulting volume of garbage overwhelmed its disposal system, which consisted of janitors bumping large barrels of fetid garbage down the same three flights of stairs used by customers. The janitors could not use the elevators because Burnham had ordered them turned off after dark to conserve power for the fair’s nightly illuminations. As stains and stench accumulated, the restaurant’s manager built a chute on the roof and threatened to jettison the garbage directly onto Olmsted’s precious lawns.

Burnham retracted his order.

The fair had become so intensely compelling that one woman, Mrs. Lucille Rodney of Galveston, Texas, walked thirteen hundred miles along railroad tracks to reach it. “Call it no more the White City on the Lake,” wrote Sir Walter Besant, the English historian and novelist, in
Cosmopolitan,
“it is Dreamland.”

Even Olmsted now seemed happy with it, although of course he had his criticisms. He too had wanted to manage the first impressions of visitors by having a central entry point. The failure of this idea, he wrote in a formal critique for
The Inland Architect,
“deducted much” from the fair’s value, although he hastened to add that he was making this criticism “not in the least in a complaining way” but as a professional offering guidance to others who might confront a similar problem. He still wished the Wooded Island had been left alone, and he decried the unplanned proliferation of concession buildings that “intercepted vistas and disturbed spaces intended to serve for the relief of the eye from the too nearly constant demands upon attention of the Exposition Buildings.” The effect, he wrote, “has been bad.”

Overall, however, he was pleased, especially with the process of construction. “Really,” he wrote, “I think that it is a most satisfactory and encouraging circumstance that it could be found feasible for so many men of technical education and ability to be recruited and suitably organized so quickly and made to work together so well in so short a time. I think it a notable circumstance that there should have been so little friction, so little display of jealousy, envy and combativeness, as has appeared in the progress of this enterprise.”

He attributed this circumstance to Burnham: “too high an estimate cannot be placed on the industry, skill and tact with which this result was secured by the master of us all.”

 

Visitors wore their best clothes, as if going to church, and were surprisingly well behaved. In the six months of the fair the Columbian Guard made only 2,929 arrests, about sixteen per day, typically for disorderly conduct, petty theft, and pickpocketing, with pickpockets most favoring the fair’s always-crowded aquarium. The guard identified 135 ex-convicts and removed them from the grounds. It issued thirty fines for carrying Kodaks without a permit, thirty-seven for taking unauthorized photographs. It investigated the discovery on the grounds of three fetuses; a Pinkerton detective “assaulting visitors” at the Tiffany Pavilion; and a “Zulu acting improperly.” In his official report to Burnham Colonel Rice, commander of the Guard, wrote, “With the tens of thousands of employees and the millions of visitors, it must be admitted that our success was phenomenal.”

With so many people packed among steam engines, giant rotating wheels, horse-drawn fire trucks, and rocketing bobsleds, the fair’s ambulances superintended by a doctor named Gentles were constantly delivering bruised, bloody, and overheated visitors to the exposition hospital. Over the life of the fair the hospital treated 11,602 patients, sixty-four a day, for injuries and ailments that suggest that the mundane sufferings of people have not changed very much over the ages. The list included:

 

820 cases of diarrhea;

154, constipation;

21, hemorrhoids;

434, indigestion;

365, foreign bodies in the eyes;

364, severe headaches;

594 episodes of fainting, syncope, and exhaustion;

1 case of extreme flatulence;

and 169 involving teeth that hurt like hell.

 

One of the delights of the fair was never knowing who might turn up beside you at the chocolate Venus de Milo or at the hearse exhibit or under the barrel of Krupp’s monster, or who might sit at the table next to yours at the Big Tree Restaurant or the Philadelphia Café or the Great White Horse Inn, a reproduction of the public house described by Dickens in
The Pickwick Papers
; or who might suddenly clutch your arm aboard the Ferris Wheel as your car began its ascent. Archduke Francis Ferdinand, described by an escort as being “half-boor, half-tightwad,” roamed the grounds incognito—but much preferred the vice districts of Chicago. Indians who had once used hatchets to bare the skulls of white men drifted over from Buffalo Bill’s compound, as did Annie Oakley and assorted Cossacks, Hussars, Lancers, and members of the U.S. Sixth Cavalry on temporary furlough to become actors in Colonel Cody’s show. Chief Standing Bear rode the Ferris Wheel in full ceremonial headdress, his two hundred feathers unruffled. Other Indians rode the enameled wooden horses of the Midway carousel.

There were Paderewski, Houdini, Tesla, Edison, Joplin, Darrow, a Princeton professor named Woodrow Wilson, and a sweet old lady in black summer silk flowered with forget-me-not-blue named Susan B. Anthony. Burnham met Teddy Roosevelt for lunch. For years after the fair Burnham used the exclamation, “Bully!” Diamond Jim Brady dined with Lillian Russell and indulged his passion for sweet corn.

No one saw Twain. He came to Chicago to see the fair but got sick and spent eleven days in his hotel room, then left without ever seeing the White City.

Of all people.

 

Chance encounters led to magic.

Frank Haven Hall, superintendent of the Illinois Institution for the Education of the Blind, unveiled a new device that made plates for printing books in Braille. Previously Hall had invented a machine capable of typing in Braille, the Hall Braille Writer, which he never patented because he felt profit should not sully the cause of serving the blind. As he stood by his newest machine, a blind girl and her escort approached him. Upon learning that Hall was the man who had invented the typewriter she used so often, the girl put her arms around his neck and gave him a huge hug and kiss.

Forever afterward, whenever Hall told this story of how he met Helen Keller, tears would fill his eyes.

 

One day as the Board of Lady Managers debated whether to support or oppose opening the fair on Sunday, an angry male Sabbatarian confronted Susan B. Anthony in the hall of the Woman’s Building to challenge her contention that the fair should remain open. (Anthony was not a lady manager and therefore despite her national stature could not participate in the board’s meeting.) Deploying the most shocking analogy he could muster, the clergyman asked Anthony if she’d prefer having a son of hers attend Buffalo Bill’s show on Sunday instead of church.

Yes, she replied, “he would learn far more. . . .”

To the pious this exchange confirmed the fundamental wickedness of Anthony’s suffragist movement. When Cody learned of it, he was tickled, so much so that he immediately sent Anthony a thank-you note and invited her to attend his show. He offered her a box at any performance she chose.

At the start of the performance Cody entered the ring on horseback, his long gray hair streaming from under his white hat, the silver trim of his white jacket glinting in the sun. He kicked his horse into a gallop and raced toward Anthony’s box. The audience went quiet.

He halted his horse in a burst of dirt and dust, removed his hat, and with a great sweeping gesture bowed until his head nearly touched the horn of his saddle.

Anthony stood and returned the bow and—“as enthusiastic as a girl,” a friend said—waved her handkerchief at Cody.

The significance of the moment escaped no one. Here was one of the greatest heroes of America’s past saluting one of the foremost heroes of its future. The encounter brought the audience to its feet in a thunder of applause and cheers.

The frontier may indeed have closed at last, as Frederick Jackson Turner proclaimed in his history-making speech at the fair, but for that moment it stood there glittering in the sun like the track of a spent tear.

 

There was tragedy. The British draped their elaborate ship model of the H.M.S.
Victoria
in black bunting. On June 22, 1893, during maneuvers off Tripoli, this marvel of naval technology had been struck by the H.M.S.
Camperdown.
The
Victoria
’s commander ordered the ship to proceed full speed toward shore, intending to ground her there in accord with standing fleet orders meant to make it easier to raise a sunken ship. Ten minutes later, her engines still at full steam, the cruiser heeled and sank with many of her crew still trapped belowdecks. Others lucky enough to have jumped free now found themselves mauled by her whirling propellers or burned to death when her boilers exploded. “Screams and shrieks arose, and in the white foam appeared reddened arms and legs and wrenched and torn bodies,” a reporter said. “Headless trunks were tossed out of the vortex to linger a moment on the surface and sink out of sight.”

BOOK: The Devil in the White City
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