The Different Girl (2 page)

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Authors: Gordon Dahlquist

BOOK: The Different Girl
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Just we two in the sunset,
Drifting off across the sea.
 

After breakfast we would cross the courtyard to the classroom, but on the way we would take what Irene called a “ten-minute walk.” Robbert’s building was actually right next door, but we always started our trip to school the same way. This meant we could go anywhere we wanted, pick up anything, think of anything, only we had to be at the classroom in ten minutes, and then we had to talk about what we’d done or where we’d been. Sometimes Irene walked with us, which made it strange when we were back in the classroom, because we’d have to describe what we’d done, even though she’d been with us the entire time. But we learned she was listening to
how
we said things, not
what
, and to what we didn’t talk about as much as what we did. Which was how we realized that a difference between could and did was a thing all by itself, separate from either one alone, and that we were being taught about things that were invisible.

When we did a ten-minute walk, we would go to the same place all together—all to the woods, or all peering under the kitchen steps, or all to an anthill.

One day we finished our ten-minute walk and, like always, each took a seat on our own bench. Irene and Robbert told us to pay attention to little things as much as big—at how little things
made
big things—so that morning we stood in the grass, which came to our faces, and paid attention to the insects buzzing around the feathered tops of the stalks, and to the warmth of the sun, and how cool the grass still was around our feet, and that there were different insects down there, hopping. That was what Isobel said, because she went first. The rest of us said the same thing, except Eleanor, who saw a little brown bird fly past, looking for bugs.

Irene said that was very good, and next it was time to take a nap, so we all stretched out on our benches. We could take naps at any time, no matter when or where, and when Irene woke us Robbert was with her, wiping his hands with a towel. She said we were going on another walk, only this would be for thirty minutes. What was more, we would be walking by ourselves. Each one of us had to go to a different place.

We were always excited to do something new, but it turned out to be harder than we thought, because we kept having the same ideas. Irene clapped her hands, and we all went down the stairs into the red dirt yard. I took a step toward the woods and saw that everyone else had, too. We stopped and, then after a moment, Caroline kept going to the woods. The other three of us were still stopped, but then we all stepped toward the cliffs. We stopped again, and Isobel went on to the cliffs. Eleanor and I both stepped to the beach. We stopped and then Eleanor walked to the beach, and I went the other way alone, the last way—toward the dock. I took three steps, then turned around. The other three had all stopped, too. We stood looking at each other. Irene called out that we were going to run out of time. So I got going to the dock.

The path to the dock is the only real path—made of crushed red gravel—on the island, instead of the other paths made by wearing down grass or going through bushes. Robbert and Irene needed it to wheel supplies from the dock with their cart, because some of the boxes could be heavy. The supply boat came once a month, but we never saw it. We never knew when it was scheduled, and it always seemed to come when we were napping. We slept a lot, but that was because we worked a lot. We worked very hard. Irene told us that all the time.

We didn’t visit the dock very often. For one, we had to be very careful about the water, and for two there just wasn’t any reason. The path cut through tall grass and then shorter grass and scrub, and then finally wound down to the shore. The dock stuck out on pilings from a big spur of black rock—there wasn’t any beach—because that was where the water was deep enough for the supply boat. The dock planks had been soaked in creosote and tar but were now bleached by the sun. Walking onto the dock was a little like walking alone into the middle of the ocean, especially when I looked back and saw the island behind me.

The dock had metal cleats for the boat to tie up but no railing, so I was careful to walk in the exact center and stop before reaching the far end, which was the rule to keep everyone safe if they happened to fall down. It took twelve minutes to walk from the buildings to the dock, so I knew that with the return time I had six minutes to stand and look, at the big things and at the little. First, I crouched and studied the wooden planks. I peeled away a splinter and the wood underneath was a different color. I found two boards that had warped enough to open a crack between them, and through it I saw the water. Or I could see shadows, but I knew the shadows
were
the water—which made me think of the difference between water in the sunlight and water in the dark, and whether, since sunlight went
through
the water, they were even the same thing at all, and which had come first. Was dark water somehow more natural? Or was the dark ocean incomplete and the sunny ocean the finished version, like a sandwich with the final layer of mustard? Irene liked mustard on her sandwiches except for peanut butter, but she only ate peanut butter when there wasn’t anything else, which is one way we knew the supply boat would be coming: sandwiches without mustard.

Before I left I looked up and saw two seagulls, so close that I could imagine how soft their feathers would be to touch. I watched until they disappeared around the other side of the island. I knew it would actually take me longer to go uphill than to go down, but still I stayed on the dock, surrounded by the idea of being alone. Another invisible.

When I did get back, the others were waiting on the porch. I waved as soon as I saw them, and they waved back. Irene sent us all inside, but before I reached the door Robbert touched my shoulder. The other three turned, watching through the doorway. Robbert asked if I knew that it had been thirty-five minutes, not thirty. I said I was sorry—I was looking at the water and there had been two birds. He told me to stop talking. Then he asked again, if I knew it had been thirty-five minutes instead of thirty. I told him that yes, I did know, but that I was in the middle of looking at things and thought that the looking was more important than the getting back. Robbert stopped me again. Then he asked me why I thought that—why did I possibly think that was true?

I didn’t know. I’d just done it. I said I was sorry again. He sent me in the classroom with the others. Then he saw the others were watching and got sharp and told us to
all sit down right now
. We did, and stayed there while Irene and Robbert whispered on the porch. Then they came in and Irene asked what we’d seen on our walks.

I went first and told everything: the gravel, the dock, the splinter, the gap in the boards, the water, the sunlight, the sky, the birds—it took a while. When I finished, Irene said I’d done very well. The others just looked at me. Robbert reminded everyone about how dangerous the water was, and that going to the dock, just like going to the beach, shouldn’t be a habit
for
anyone
. Then he looked at me again, like he had on the porch, not quite with a smile—because it wasn’t a smile—but with something.

Then Isobel told about her trip to the cliffs, and everything began to change, like the air in a room getting colder when a door is opened, because I realized that I was looking at Isobel like the others had looked at me. This is part of what she said:

“—one of the black crabs, but it was red on the bottom, bright red like sunburn or like hot sauce, and it was on its back and torn open, with four legs missing and the insides mostly gone, probably from birds except it was also wet, in a way that the cliff rocks
weren’t
wet, like it had been wet since the tide had gone down. So I asked myself how a dead crab got wet on a rock that was dry, and I wondered if one of the birds had dropped it or if the crab had been wet and crawled out and
then
been attacked by a bird, or maybe if—”

And this is part of what Caroline said:

“—so I kicked it—because it was on the ground, like a ball, and it was old and dried out, so I knew it wouldn’t be too heavy, so I
could
kick it—and it bounced off the trunk of the palm tree and rolled into the grass. I kicked it again, only this time farther into the grass, and it made a hole in the grass like a path, so I followed, and then kicked it again, in another direction, and it made another path, and I kept on kicking and walking, just where the coconut had rolled, so it wasn’t me making the path but the coconut, and when I looked back the whole patch of grass looked like the tunnels in an anthill—”

And this is part of what Eleanor said:

“—counting waves, because the waves keep coming, even though each one is different—where it breaks, how high, how fast, how much it’s shaped like the waves before, or the waves after, or how far it comes in or comes out—today the tide was going out—and I looked at how the sand on the beach dried as the tide went away and thought about how long it would take to dry until I could walk on it—”

But I was outside of everything they said, like I listened to their stories through a window. I could imagine everything they said—I understood the words, but the understanding happened in me by myself, not in me with them. We’d done things separately before—Caroline had dreams, or one of us would visit Robbert while the others napped—yet this was different, because we all seemed to enjoy our time alone, but then felt strange when the others talked about
their
times alone, which didn’t make sense.

I also knew that even though Robbert had specifically told me not to, I was going to go back to the dock the very first chance I could.

I couldn’t even say why. There were birds all over. There was water all over. Was it the dock itself—that there could be a boat? But I hadn’t seen any boat and hadn’t thought about one either. Boats were only a bit less dangerous than planes, and they were the last thing I needed to be playing with—just like I didn’t need to be too near the water.

So I asked.

“Why did we go to different places on our walk?”

Irene and Robbert paused, like they hadn’t expected the question.

“So you’d learn about paying attention,” said Irene.

Then it was time for dinner—the day had gone very quickly because of the long nap—and Irene led us from the classroom back to the kitchen. I was last going down the steps. Robbert was behind me and put his hand on my shoulder again, and I stopped. This time the others didn’t notice and kept going. When they were inside the other building, Robbert let go.

“That was a curious question, Veronika.”

I told him I was sorry, but he stopped me. He knelt to look into my eyes, like he wanted to see something on the other side of them.

“It was a good question. Why did you ask it?”

“Because we’re paying attention to things we can’t see.”

He stood up and patted me on the head, and told me to go help Irene. He walked back into the classroom. I thought about following him, but I didn’t.

Irene had the others helping make rice and opening cans of meat, so no one even noticed when I came in. When she saw me, Irene shoved a plastic bottle of mineral water to me, and I unscrewed the cap and then helped get out the plates and napkins and spoons and chopsticks. Robbert came in just before everything was ready and sat down, rubbing his eyes. He rubbed his eyes whenever he took off his glasses. Everyone helped carry things to the table.

After dinner Robbert went back to the classroom, and we sat with Irene on the porch, listening to the ocean and to the parrots, who were pretty loud. She asked us to sing. Eleanor asked what she would like to hear, and Irene told us to choose—she wanted to hear what we wanted to sing.

No one could decide. Irene touched my arm.

“Veronika, you asked a good question in school today, why don’t you choose what to sing?”

She smiled. I started to sing, and the other three sang with me, happy to have it settled.

 

The honeybee flies in a line
That zigs from side to side.
To make its honey nectar wine
It journeys far and wide.
 
No matter where it finds itself
A bee can find its home.
 

We knew many more verses, all about bees—finding flowers, drinking coconut milk, building hives, tending the queen—but all of them have the same chorus about bees finding their way home, no matter where they’ve gone. We kept singing until Irene said that was enough, and we watched the sunset until it was dark. Irene poured her last cup of tea and told us to get ready for sleep. We helped one another untie our smocks and fold them. We climbed onto our cots and waited for Irene to turn out the lights.

After five minutes she still hadn’t come. Caroline turned to me and whispered. “What did Robbert say?”

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