The E. Nesbit Megapack: 26 Classic Novels and Stories (80 page)

Robert had to pretend to be cold at the glittering, many-mirrored restaurant where they ate dinner, with father in evening dress, with a very shiny white shirt-front, and mother looking lovely in her grey evening dress, that changes into pink and green when she moves. Robert pretended that he was too cold to take off his great-coat, and so sat sweltering through what would otherwise have been a most thrilling meal. He felt that he was a blot on the smart beauty of the family, and he hoped the Phoenix knew what he was suffering for its sake. Of course, we are all pleased to suffer for the sake of others, but we like them to know it unless we are the very best and noblest kind of people, and Robert was just ordinary.

Father was full of jokes and fun, and every one laughed all the time, even with their mouths full, which is not manners. Robert thought father would not have been quite so funny about his keeping his over-coat on if father had known all the truth. And there Robert was probably right.

When dinner was finished to the last grape and the last paddle in the finger glasses—for it was a really truly grown-up dinner—the children were taken to the theatre, guided to a box close to the stage, and left.

Father’s parting words were: “Now, don’t you stir out of this box, whatever you do. I shall be back before the end of the play. Be good and you will be happy. Is this zone torrid enough for the abandonment of great-coats, Bobs? No? Well, then, I should say you were sickening for something—mumps or measles or thrush or teething. Goodbye.”

He went, and Robert was at last able to remove his coat, mop his perspiring brow, and release the crushed and dishevelled Phoenix. Robert had to arrange his damp hair at the looking-glass at the back of the box, and the Phoenix had to preen its disordered feathers for some time before either of them was fit to be seen.

They were very, very early. When the lights went up fully, the Phoenix, balancing itself on the gilded back of a chair, swayed in ecstasy.

“How fair a scene is this!” it murmured; “how far fairer than my temple! Or have I guessed aright? Have you brought me hither to lift up my heart with emotions of joyous surprise? Tell me, my Robert, is it not that this,
this
is my true temple, and the other was but a humble shrine frequented by outcasts?”

“I don’t know about outcasts,” said Robert, “but you can call this your temple if you like. Hush! the music is beginning.”

I am not going to tell you about the play. As I said before, one can’t tell everything, and no doubt you saw “The Water Babies” yourselves. If you did not it was a shame, or, rather, a pity.

What I must tell you is that, though Cyril and Jane and Robert and Anthea enjoyed it as much as any children possibly could, the pleasure of the Phoenix was far, far greater than theirs.

“This is indeed my temple,” it said again and again. “What radiant rites! And all to do honour to me!”

The songs in the play it took to be hymns in its honour. The choruses were choric songs in its praise. The electric lights, it said, were magic torches lighted for its sake, and it was so charmed with the footlights that the children could hardly persuade it to sit still. But when the limelight was shown it could contain its approval no longer. It flapped its golden wings, and cried in a voice that could be heard all over the theatre:

“Well done, my servants! Ye have my favour and my countenance!”

Little Tom on the stage stopped short in what he was saying. A deep breath was drawn by hundreds of lungs, every eye in the house turned to the box where the luckless children cringed, and most people hissed, or said “Shish!” or “Turn them out!”

Then the play went on, and an attendant presently came to the box and spoke wrathfully.

“It wasn’t us, indeed it wasn’t,” said Anthea, earnestly; “it was the bird.”

The man said well, then, they must keep their bird very quiet. “Disturbing every one like this,” he said.

“It won’t do it again,” said Robert, glancing imploringly at the golden bird; “I’m sure it won’t.”

“You have my leave to depart,” said the Phoenix gently.

“Well, he is a beauty, and no mistake,” said the attendant, “only I’d cover him up during the acts. It upsets the performance.”

And he went.

“Don’t speak again, there’s a dear,” said Anthea; “you wouldn’t like to interfere with your own temple, would you?”

So now the Phoenix was quiet, but it kept whispering to the children. It wanted to know why there was no altar, no fire, no incense, and became so excited and fretful and tiresome that four at least of the party of five wished deeply that it had been left at home.

What happened next was entirely the fault of the Phoenix. It was not in the least the fault of the theatre people, and no one could ever understand afterwards how it did happen. No one, that is, except the guilty bird itself and the four children. The Phoenix was balancing itself on the gilt back of the chair, swaying backwards and forwards and up and down, as you may see your own domestic parrot do. I mean the grey one with the red tail. All eyes were on the stage, where the lobster was delighting the audience with that gem of a song, “If you can’t walk straight, walk sideways!” when the Phoenix murmured warmly—

“No altar, no fire, no incense!” and then, before any of the children could even begin to think of stopping it, it spread its bright wings and swept round the theatre, brushing its gleaming feathers against delicate hangings and gilded woodwork.

It seemed to have made but one circular wing-sweep, such as you may see a gull make over grey water on a stormy day. Next moment it was perched again on the chair-back—and all round the theatre, where it had passed, little sparks shone like tinsel seeds, then little smoke wreaths curled up like growing plants—little flames opened like flower-buds. People whispered—then people shrieked.

“Fire! Fire!” The curtain went down—the lights went up.

“Fire!” cried every one, and made for the doors.

“A magnificent idea!” said the Phoenix, complacently. “An enormous altar—fire supplied free of charge. Doesn’t the incense smell delicious?”

The only smell was the stifling smell of smoke, of burning silk, or scorching varnish.

The little flames had opened now into great flame-flowers. The people in the theatre were shouting and pressing towards the doors.

“Oh, how
could
you!” cried Jane. “Let’s get out.”

“Father said stay here,” said Anthea, very pale, and trying to speak in her ordinary voice.

“He didn’t mean stay and be roasted,” said Robert. “No boys on burning decks for me, thank you.”

“Not much,” said Cyril, and he opened the door of the box.

But a fierce waft of smoke and hot air made him shut it again. It was not possible to get out that way.

They looked over the front of the box. Could they climb down?

It would be possible, certainly; but would they be much better off?

“Look at the people,” moaned Anthea; “we couldn’t get through.”

And, indeed, the crowd round the doors looked as thick as flies in the jam-making season.

“I wish we’d never seen the Phoenix,” cried Jane.

Even at that awful moment Robert looked round to see if the bird had overheard a speech which, however natural, was hardly polite or grateful.

The Phoenix was gone.

“Look here,” said Cyril, “I’ve read about fires in papers; I’m sure it’s all right. Let’s wait here, as father said.”

“We can’t do anything else,” said Anthea bitterly.

“Look here,” said Robert, “I’m
not
frightened—no, I’m not. The Phoenix has never been a skunk yet, and I’m certain it’ll see us through somehow. I believe in the Phoenix!”

“The Phoenix thanks you, O Robert,” said a golden voice at his feet, and there was the Phoenix itself, on the Wishing Carpet.

“Quick!” it said. “Stand on those portions of the carpet which are truly antique and authentic—and—”

A sudden jet of flame stopped its words. Alas! the Phoenix had unconsciously warmed to its subject, and in the unintentional heat of the moment had set fire to the paraffin with which that morning the children had anointed the carpet. It burned merrily. The children tried in vain to stamp it out. They had to stand back and let it burn itself out. When the paraffin had burned away it was found that it had taken with it all the darns of Scotch heather-mixture fingering. Only the fabric of the old carpet was left—and that was full of holes.

“Come,” said the Phoenix, “I’m cool now.”

The four children got on to what was left of the carpet. Very careful they were not to leave a leg or a hand hanging over one of the holes. It was very hot—the theatre was a pit of fire. Every one else had got out.

Jane had to sit on Anthea’s lap.

“Home!” said Cyril, and instantly the cool draught from under the nursery door played upon their legs as they sat. They were all on the carpet still, and the carpet was lying in its proper place on the nursery floor, as calm and unmoved as though it had never been to the theatre or taken part in a fire in its life.

Four long breaths of deep relief were instantly breathed. The draught which they had never liked before was for the moment quite pleasant. And they were safe. And every one else was safe. The theatre had been quite empty when they left. Every one was sure of that.

They presently found themselves all talking at once. Somehow none of their adventures had given them so much to talk about. None other had seemed so real.

“Did you notice—?” they said, and “Do you remember—?”

When suddenly Anthea’s face turned pale under the dirt which it had collected on it during the fire.

“Oh,” she cried, “mother and father! Oh, how awful! They’ll think we’re burned to cinders. Oh, let’s go this minute and tell them we aren’t.”

“We should only miss them,” said the sensible Cyril.

“Well—
you
go then,” said Anthea, “or I will. Only do wash your face first. Mother will be sure to think you are burnt to a cinder if she sees you as black as that, and she’ll faint or be ill or something. Oh, I wish we’d never got to know that Phoenix.”

“Hush!” said Robert; “it’s no use being rude to the bird. I suppose it can’t help its nature. Perhaps we’d better wash too. Now I come to think of it my hands are rather—”

No one had noticed the Phoenix since it had bidden them to step on the carpet. And no one noticed that no one had noticed.

All were partially clean, and Cyril was just plunging into his great-coat to go and look for his parents—he, and not unjustly, called it looking for a needle in a bundle of hay—when the sound of father’s latchkey in the front door sent every one bounding up the stairs.

“Are you all safe?” cried mother’s voice; “are you all safe?” and the next moment she was kneeling on the linoleum of the hall, trying to kiss four damp children at once, and laughing and crying by turns, while father stood looking on and saying he was blessed or something.

“But how did you guess we’d come home,” said Cyril, later, when every one was calm enough for talking.

“Well, it was rather a rum thing. We heard the Garrick was on fire, and of course we went straight there,” said father, briskly. “We couldn’t find you, of course—and we couldn’t get in—but the firemen told us every one was safely out. And then I heard a voice at my ear say, ‘Cyril, Anthea, Robert, and Jane’—and something touched me on the shoulder. It was a great yellow pigeon, and it got in the way of my seeing who’d spoken. It fluttered off, and then some one said in the other ear, ‘They’re safe at home’; and when I turned again, to see who it was speaking, hanged if there wasn’t that confounded pigeon on my other shoulder. Dazed by the fire, I suppose. Your mother said it was the voice of—”

“I said it was the bird that spoke,” said mother, “and so it was. Or at least I thought so then. It wasn’t a pigeon. It was an orange-coloured cockatoo. I don’t care who it was that spoke. It was true and you’re safe.”

Mother began to cry again, and father said bed was a good place after the pleasures of the stage.

So every one went there.

Robert had a talk to the Phoenix that night.

“Oh, very well,” said the bird, when Robert had said what he felt, “didn’t you know that I had power over fire? Do not distress yourself. I, like my high priests in Lombard Street, can undo the work of flames. Kindly open the casement.”

It flew out.

That was why the papers said next day that the fire at the theatre had done less damage than had been anticipated. As a matter of fact it had done none, for the Phoenix spent the night in putting things straight. How the management accounted for this, and how many of the theatre officials still believe that they were mad on that night will never be known.

Next day mother saw the burnt holes in the carpet.

“It caught where it was paraffiny,” said Anthea.

“I must get rid of that carpet at once,” said mother.

But what the children said in sad whispers to each other, as they pondered over last night’s events, was—

“We must get rid of that Phoenix.”

CHAPTER 12

THE END OF THE END

“Egg, toast, tea, milk, tea-cup and saucer, egg-spoon, knife, butte
r—that’s all, I think,” remarked Anthea, as she put the last touches to mother’s breakfast-tray, and went, very carefully up the stairs, feeling for every step with her toes, and holding on to the tray with all her fingers. She crept into mother’s room and set the tray on a chair. Then she pulled one of the blinds up very softly.

“Is your head better, mammy dear?” she asked, in the soft little voice that she kept expressly for mother’s headaches. “I’ve brought your brekkie, and I’ve put the little cloth with clover-leaves on it, the one I made you.”

“That’s very nice,” said mother sleepily.

Anthea knew exactly what to do for mothers with headaches who had breakfast in bed. She fetched warm water and put just enough eau de Cologne in it, and bathed mother’s face and hands with the sweet-scented water. Then mother was able to think about breakfast.

“But what’s the matter with my girl?” she asked, when her eyes got used to the light.

“Oh, I’m so sorry you’re ill,” Anthea said. “It’s that horrible fire and you being so frightened. Father said so. And we all feel as if it was our faults. I can’t explain, but—”

“It wasn’t your fault a bit, you darling goosie,” mother said. “How could it be?”

“That’s just what I can’t tell you,” said Anthea. “I haven’t got a futile brain like you and father, to think of ways of explaining everything.”

Mother laughed.

“My futile brain—or did you mean fertile?—anyway, it feels very stiff and sore this morning—but I shall be quite all right by and by. And don’t be a silly little pet girl. The fire wasn’t your faults. No; I don’t want the egg, dear. I’ll go to sleep again, I think. Don’t you worry. And tell cook not to bother me about meals. You can order what you like for lunch.”

Anthea closed the door very mousily, and instantly went downstairs and ordered what she liked for lunch. She ordered a pair of turkeys, a large plum-pudding, cheese-cakes, and almonds and raisins.

Cook told her to go along, do. And she might as well not have ordered anything, for when lunch came it was just hashed mutton and semolina pudding, and cook had forgotten the sippets for the mutton hash and the semolina pudding was burnt.

When Anthea rejoined the others she found them all plunged in the gloom where she was herself. For every one knew that the days of the carpet were now numbered. Indeed, so worn was it that you could almost have numbered its threads.