The Mordida Man (31 page)

Keeling grunted. “If we can't get in, I guess we'll have to get them to come out.”

Keeling turned and watched as the other three men crawled toward them. After each of them had taken a quick peek over the top of the wall, Keeling looked at Reese and said, “Remember that time I was telling you about in Luanda?”

Reese nodded. “Want me to try it?”

“Why not?”

Reese picked up the bullhorn. “I'm going to try to talk them out.”

He put the bullhorn up to his lips. “You, inside the house!”

Reese's bass voice seemed to thunder out of the bullhorn. “This is the U.S. government. You are surrounded. If you throw out your arms and come out with your hands up, you will not be harmed. I repeat. Throw out your arms and come out with your hands up. You have three minutes.”

Halfway through Reese's invitation the lights in the farmhouse went out. They were thick candles stuck into saucers and it was Ko Yoshikawa who blew them out. “Can you see anything?” he said.

Bernt Diringshoffen was already kneeling at a shuttered window, peering through the cracks. In his left hand was a Kalash-nikov assault rifle. “Nothing,” he said.

“I told you,” Françoise Leget whispered fiercely into the dark. “I told you it was a trap. Now they're going to kill us. I dreamed it night before last. I told you then what was going to happen.”

“Shut up, Françoise,” Ko said wearily.

“They're not going to kill me,” she said. “No. Not me. I'm not going to let them kill me like they killed Felix.”

There was a thump. Ko looked around. There was no light. He used a disposable cigarette lighter to see what Francoise was doing.

The thump had come from the lid of the suitcase that she had thrown back against a wall. She was pawing through the suitcase, looking for something. Her rifle lay discarded on the floor beside her.

“What the hell are you doing, Françoise?” Ko said, the weariness in his tone overlaid by disgust.

“They're not going to kill me. I don't want to die. I can't die. I'm going out. Don't try to stop me. I'm going out and then I'll explain everything to them. They will understand.”

“Let her go,” Diringshoffen said from the window. “She's crazy.”

“I'm not crazy. You're the crazies. You can stay here and get killed. I'm going to live. That's important—to live.”

She stood up. Even in almost total darkness, Ko could see the white blouse she held in her hand. It was her flag of surrender.

“I will explain everything,” she said. “They will understand.”

“They'll kill you,” Ko said.

“No. Not me. I will surrender and then explain everything and they will understand. And I will live.”

She started toward the door. “So long, Françoise,” Ko said.

Dunjee watched as the farmhouse door swung open. Something white was being waved.

Reese put the bullhorn back to his lips. “We see your white flag. We will respect it. Just come out slowly with your hands high in the air.”

Jack Spiceman put his M-16 up to his cheek and took careful aim at the doorway.

“You think it's a trick?” Dunjee said.

“Who knows?”

All five men watched as Françoise Leget stepped slowly through the farmhouse door, her arms straight up above her head. In her left hand was the white blouse.

She walked slowly toward the stone wall. When she was twenty yards away, Jack Spiceman shot her in the left knee. Francoise Leget crumpled to the ground. Then the screams began.

32

After Françoise Leget's screams had gone on without interruption for nearly five minutes, Dunjee asked Franklin Keeling, “Why don't you finish her off?”

“That's what you'd do, isn't it?” Keeling said.

“I don't know,” Dunjee said.

“Well, the reason I don't have Spiceman finish her off is because in about two minutes, they're going to do something stupid.”

“Like kill their hostages?”

Keeling shook his head as he peered over the top of the stone wall. Next to him Spiceman had removed one of the stones after working it loose. It afforded him a perfect loophole through which he aimed his rifle.

“Tell him, Jack,” Keeling said.

Spiceman didn't take his eyes from the sights of his rifle, which were aimed at the farmhouse door. He barely moved his lips when he spoke. “They're not going to kill their hostages now. The hostages are their only way off this rock. But by shooting the woman, we shook 'em up. They're confused. And because they're confused, they'll probably do something stupid.” Spiceman was silent for a moment until he added, “Of course, maybe they've already filled their stupidity quota for the day. Maybe they've already killed McKay and his girl friend. Before we got here.”

Keeling shook his head. “No way. If they'd already killed 'em, they wouldn't still be here.” He looked at his watch. “She's sure a screamer, isn't she?”

Inside the farmhouse, Bernt Diringshoffen looked through one of the shuttered windows. “If you could keep their heads down for five seconds, perhaps six, I could get her.”

“No,” Ko Yoshikawa said.

“Five seconds, no more.”

“No.”

“It would work,” Diringshoffen insisted. “Two seconds out, three seconds back. I could drag her with my left arm, fire with my right. That'd help keep their heads down.”

“No.”

They listened to Françoise Leget scream. Diringshoffen turned to look at the dark shape of Ko kneeling by the other window. “It's over, isn't it?”

“Almost.”

“I'm not going to let her die like that.”

“You're crazy,” Ko said. “You're as crazy as she is.”

“I'm going,” Diringshoffen said. “Will you help?”

Ko sighed. “All right.”

“Two seconds out, three seconds back.”

“Sure,” Ko said.

Diringshoffen went out the farmhouse door fast. He was bent over low and firing as he ran. Everyone ducked down behind the stone wall as Ko Yoshikawa sprayed it with his own rifle. Everyone ducked but Jack Spiceman, who shot Diringshoffen nine times before he reached the screaming woman. There was a silence. Then Spiceman took careful aim and shot Françoise Leget twice through the head.

“She was getting on my nerves,” he said.

Franklin Keeling turned to Reese. “Give him a little more razzmatazz on the bullhorn, Reese.”

The bald-headed man put the bullhorn up to his lips, thought a moment, and said, “You in there. The last one left. You have one chance. Send out the hostages. I repeat, send out the hostages. It's your only chance.”

Ko Yoshikawa listened as the bass voice rumbled out of the bullhorn. He thought almost indifferently for a moment about the hostages. He had grown to like Bingo McKay. He had liked his quick mind and his wit and his style. The one-eared man had had great style. But despite that, Bingo McKay had been the enemy. Not the real enemy, of course. The real enemy was out there in the dark behind the stone wall. But you could argue with Bingo McKay. And Ko had. Wonderful, wide-ranging arguments about politics and life and art and the future of mankind.

But it was useless to send out the hostages now. Completely useless. He wondered if those out there behind the wall realized that. It didn't matter. It was almost over. All of it. Ko slapped a fresh magazine into his rifle and used its muzzle to bang open the shutters. He rested the rifle's barrel on the sill and emptied the magazine at the stone wall. There was a silence.

Last words, Ko thought as he shoved a new magazine up into the rifle. Something memorable. No, not something memorable. Something their mentality can understand.

He cupped his left hand around his mouth and screamed at them, the American enemy. “Come and get me, copper!”

Behind the wall, Keeling turned to look at Dunjee. “What'd he say?”

“He said, ‘Come and get me, copper,' I believe.”

“Well, now. I guess that's what you're going to have to do, hero.”

“Me?” Dunjee said.

“Sure. You.”

“What a splendid idea,” Timble said.

“We'll give you plenty of covering fire,” Spiceman said. “He'll never know what hit him.”

“No,” Dunjee said.

Keeling sighed and moved his rifle so that it was aimed at Dun-jee's chest. “You can either be a dead nobody here or a live hero inside the house. Which is it?”

“Well, shit,” Dunjee said and turned to look over the wall. He ducked back down immediately as Ko again raked the wall with a full magazine. Dunjee lay against the wall, trying to think of a way to keep from being killed.

Ko began screaming again. It was the scream of his ancestors. Dunjee turned to listen.

“Banzai, you motherfuckers!” Ko screamed from the open window. “Babe Ruth eats shit!”

“Jesus,” Reese said. “He's gone crackers.”

Keeling turned to Dunjee. “All right, hero.”

Dunjee checked his rifle carefully. He hadn't fired it yet. “I want you to keep him down behind that window,” he said. “I don't want you to stop firing. I'm going in through the door. Just keep firing. Don't stop.”

“When do we start?” Spiceman asked.

“I'll move straight toward the left corner of the house. That's five seconds, maybe four. Then I'll work my way to the door. When I start for the corner of the house, you start. And don't stop. If you stop, I get my head blown off.”

“Good luck, Mr. Dunjee,” Timble said.

“Fuck off,” Dunjee said and started crawling toward the left end of the wall. He crouched there for a moment, taking deep breaths. He remembered the mechanics of what he had to do. Fast forward, down and roll. But that was the trouble, of course. He had to remember what once had been almost instinct.

“Well, hell,” Dunjee whispered and started for the left corner of the stone farmhouse. He went fast and low—bent over almost double. He could hear them firing. At least they were doing that. He went into the roll six feet from the farmhouse and finished up lying pressed against the round stones. He found himself wanting to stay there—to hug the stone and not move.

He made himself move. He crawled. The door was a mile away, possibly two. It took him three hours to get there. It should all be coming back to you, he thought. It should be just chock full of déjà vu. But it isn't. It's just crawling along a wall in the dirt toward a door. It's the way you earn your living. It's your profession.

When he reached the door he didn't hesitate. He knew if he hesitated, he wouldn't go through it. Diringshoffen had left the door open almost a foot when he came out to die. Nobody had closed it.

Dunjee slammed the door back. He went through it in a leap, spinning in midair and firing at the space just below the win-dowsill where the dark shape should have been crouched, but wasn't.

Behind you, Dunjee thought. He's behind you at the other window. He whirled around. The shutters of the other window were now wide open. Ko had just emptied a magazine through the window at the stone wall. He was in the midst of changing magazines, his eyes wide and staring at Dunjee.

Full automatic, Dunjee thought. You had it on full automatic. Now it's empty. There was a time when he could have done it in less than a second. Release the taped-together magazines, reverse them, and ram them home.

He didn't think about how to do it now. He let his hands do it. They seemed to remember. He heard the magazine click into place just as Ko brought the muzzle of his own rifle up. Dunjee was surprised when Ko, kneeling, started to slump forward. There were red gobbets all over Ko's shirt, made by Dunjee's tumbling .223-caliber bullets. Ko's face was gone. He fell forward.

Dunjee looked down at the M-16 rifle. His forefinger was still wrapped tightly around the trigger. He couldn't remember firing. He couldn't remember the sound the shots had made. Dunjee started over toward the dead Ko but stopped at the sound of the bullhorn.

“Dunjee!” the bullhorn said. “Hey, Dunjee!”

Dunjee went to the door. “What?” he yelled.

“We're coming in,” the bullhorn said. “Okay?”

“Okay,” Dunjee yelled back.

The first thing they did when they came in was to take Dunjee's rifle away from him. Spiceman looked almost apologetic when he said, “It's sort of the end of the line. You understand?”

“Sure,” Dunjee said, not understanding anything.

“Use the Jap's gun on him, Jack,” Keeling said. “Make it all nice and tidy.”

Spiceman was bending over the dead Ko Yoshikawa to pick up the rifle when the first two came through the far window. They were dressed all in black—black pants, black shirts, black stocking caps, black sneakers, and faces that had been smeared with black. They came through like wraiths, smoothly, silently. Two more came through the other window and one of them kicked Ko's rifle out of Spiceman's hands. It seemed to be a hard kick, well practiced, as if he had done it often before.

The final two flowed in through the door. All of them had submachineguns. The submachineguns, of Czech manufacture, were also black. The two who came in through the door seemed to be the leaders. One of them made a motion with his submachinegun. The message was clear. Keeling and Reese put their weapons down slowly on the floor. When they straightened up they raised their hands above their heads. A very frightened Leland Timble did the same thing. Timble's eyes were wide and staring and his mouth was a small round hole. Through it he kept saying, “Oooh, oooh, oooh,” until Spiceman told him to shut up. Only Dunjee didn't raise his hands above his head.

One of the men with the submachineguns found the candles that Ko had blown out and lit them. Then he turned toward the door, as if waiting to be told what else to do.

He didn't have to wait long. Faraj Abedsaid strolled through the door, wearing a smart gray suit, with a rolled-up newspaper tucked under his arm something like a swagger stick.