The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins (5 page)

BOOK: The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins
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Twentieth-century scholarship, advancing the modern human conceit, conspired against our ability to notice the divergent, layered, and conjoined projects that make up worlds. Entranced by the expansion of certain ways of life over others, scholars ignored questions of what else was going on. As progress tales lose traction, however, it becomes possible to look differently.

The concept of
assemblage
is helpful. Ecologists turned to assemblages to get around the sometimes fixed and bounded connotations of ecological “community.” The question of how the varied species in a species assemblage influence each other—if at all—is never settled: some thwart (or eat) each other; others work together to make life possible; still others just happen to find themselves in the same place. As
semblages are open-ended gatherings. They allow us to ask about communal effects without assuming them. They show us potential histories in the making. For my purposes, however, I need something other than organisms as the elements that gather. I need to see lifeways—and nonliving ways of being as well—coming together. Nonhuman ways of being, like human ones, shift historically. For living things, species identities are a place to begin, but they are not enough: ways of being are emergent effects of encounters. Thinking about humans makes this clear. Foraging for mushrooms is a way of life—but not a common characteristic of all humans. The issue is the same for other species. Pines find mushrooms to help them use human-made open spaces. Assemblages don’t just gather lifeways; they make them. Thinking through assemblage urges us to ask: How do gatherings sometimes become “happenings,” that is, greater than the sum of their parts? If history without progress is indeterminate and multidirectional, might assemblages show us its possibilities?

Patterns of unintentional coordination develop in assemblages. To notice such patterns means watching the interplay of temporal rhythms and scales in the divergent lifeways that gather. Surprisingly, this turns out to be a method that might revitalize political economy as well as environmental studies. Assemblages drag political economy inside them, and not just for humans. Plantation crops have lives different from those of their free-living siblings; cart horses and hunter steeds share species but not lifeways. Assemblages cannot hide from capital and the state; they are sites for watching how political economy works. If capitalism has no teleology, we need to see what comes together—not just by prefabrication, but also by juxtaposition.

Other authors use “assemblage” with other meanings.
8
The qualifier “polyphonic” may help explain my variant. Polyphony is music in which autonomous melodies intertwine. In Western music, the madrigal and the fugue are examples of polyphony. These forms seem archaic and strange to many modern listeners because they were superseded by music in which a unified rhythm and melody holds the composition together. In the classical music that displaced baroque, unity was the goal; this was “progress” in just the meaning I have been discussing: a unified coordination of time. In twentieth-century rock-and-roll, this unity takes the form of a strong beat, suggestive of the listener’s heart;
we are used to hearing music with a single perspective. When I first learned polyphony, it was a revelation in listening; I was forced to pick out separate, simultaneous melodies
and
to listen for the moments of harmony and dissonance they created together. This kind of noticing is just what is needed to appreciate the multiple temporal rhythms and trajectories of the assemblage.

For those not musically inclined, it may be useful to imagine the polyphonic assemblage in relation to agriculture. Since the time of the plantation, commercial agriculture has aimed to segregate a single crop and work toward its simultaneous ripening for a coordinated harvest. But other kinds of farming have multiple rhythms. In the shifting cultivation I studied in Indonesian Borneo, many crops grew together in the same field, and they had quite different schedules. Rice, bananas, taro, sweet potatoes, sugarcane, palms, and fruit trees mingled; farmers needed to attend to the varied schedules of maturation of each of these crops. These rhythms were their relation to human harvests; if we add other relations, for example, to pollinators or other plants, rhythms multiply. The polyphonic assemblage is the gathering of these rhythms, as they result from world-making projects, human and not human.

The polyphonic assemblage also moves us into the unexplored territory of the modern political economy. Factory labor is an exemplar of coordinated progress time. Yet the supply chain is infused with polyphonic rhythms. Consider the tiny Chinese garment factory studied by Nellie Chu; like its many competitors, it served multiple supply lines, constantly switching among orders for local boutique brands, knock-off international brands, and generic to-be-branded-later production.
9
Each required different standards, materials, and kinds of labor. The factory’s job was to match industrial coordination to the complex rhythms of supply chains. Rhythms further multiply when we move out of factories to watch foraging for an unpredictable wild product. The farther we stray into the peripheries of capitalist production, the more coordination between polyphonic assemblages and industrial processes becomes central to making a profit.

As the last examples suggest, abandoning progress rhythms to watch polyphonic assemblages is not a matter of virtuous desire. Progress felt great; there was always something better ahead. Progress gave us the “progressive” political causes with which I grew up. I hardly know how
to think about justice without progress. The problem is that progress stopped making sense. More and more of us looked up one day and realized that the emperor had no clothes. It is in this dilemma that new tools for noticing seem so important.
10
Indeed, life on earth seems at stake.
Chapter 2
turns to dilemmas of collaborative survival.

Conjuring time, Yunnan. The matsutake embroidered on this Yi market goer’s vest performs the promise of wealth and well-being. The vest codifies (Yi) ethnicity and (fungal) species. making these units available for a moment of action within shifting histories of encounter
.

2

Contamination as Collaboration

I wanted someone to tell me things were going to be fine, but no one did.

—Mai Neng
M
oua, “Along the Way to the Mekong”

H
ow DOES A GATHERING BECOME A “HAPPENING,”
that is, greater than a sum of its parts? One answer is contamination. We are contaminated by our encounters; they change who we are as we make way for others. As contamination changes world-making projects, mutual worlds—and new directions—may emerge.
1
Everyone carries a history of contamination; purity is not an option. One value of keeping precarity in mind is that it makes us remember that changing with circumstances is the stuff of survival.

But what is survival? In popular American fantasies, survival is all about saving oneself by fighting off others. The “survival” featured in U.S. television shows or alien-planet stories is a synonym for conquest and expansion. I will not use the term that way. Please open yourself to
another usage. This book argues that staying alive—for every species—requires livable collaborations. Collaboration means working across difference, which leads to contamination. Without collaborations, we all die.

Popular fantasies are hardly the whole problem: one-against-all survival has also engaged scholars. Scholars have imagined survival as the advancement of individual interests—whether “individuals” are species, populations, organisms, or genes—human or otherwise. Consider the twin master sciences of the twentieth century, neoclassical economics and population genetics. Each of these disciplines came to power in the early twentieth century with formulations bold enough to redefine modern knowledge. Population genetics stimulated the “modern synthesis” in biology, uniting evolutionary theory and genetics. Neoclassical economics reshaped economic policy, creating the modern economy of its imagination. While practitioners of each have had little to do with each other, the twins set up similar frames. At the heart of each is the self-contained individual actor, out to maximize personal interests, whether for reproduction or wealth. Richard Dawkins’s “selfish gene” gets across the idea, useful at many life scales: It is the ability of genes (or organisms, or populations) to look out for their own interests that fuels evolution.
2
Similarly, the life of
Homo economicus
, economic man, is a series of choices to follow his best interests.

The assumption of self-containment made an explosion of new knowledge possible. Thinking through self-containment and thus the self-interest of individuals (at whatever scale) made it possible to ignore contamination, that is, transformation through encounter. Self-contained individuals are not transformed by encounter. Maximizing their interests, they use encounters—but remain unchanged in them.
Noticing
is unnecessary to track these unchanging individuals. A “standard” individual can stand in for all as a unit of analysis. It becomes possible to organize knowledge through logic alone. Without the possibility of transformative encounters, mathematics can replace natural history and ethnography. It was the productiveness of this simplification that made the twins so powerful, and the obvious falsity of the original premise was increasingly forgotten.
3
Economy and ecology thus each became sites for algorithms of progress-as-expansion.

The problem of precarious survival helps us see what is wrong. Precarity is a state of acknowledgment of our vulnerability to others. In order to survive, we need help, and help is always the service of another, with or without intent. When I sprain my ankle, a stout stick may help me walk, and I enlist its assistance. I am now an encounter in motion, a woman-and-stick. It is hard for me to think of any challenge I might face without soliciting the assistance of others, human and not human. It is unselfconscious privilege that allows us to fantasize—counterfactually—that we each survive alone.

If survival always involves others, it is also necessarily subject to the indeterminacy of self-and-other transformations. We change through our collaborations both within and across species. The important stuff for life on earth happens in those transformations, not in the decision trees of self-contained individuals. Rather than seeing only the expansion-and-conquest strategies of relentless individuals, we must look for histories that develop through contamination. Thus, how might a gathering become a “happening”?

Collaboration is work across difference, yet this is not the innocent diversity of self-contained evolutionary tracks. The evolution of our “selves” is already polluted by histories of encounter; we are mixed up with others before we even begin any new collaboration. Worse yet, we are mixed up in the projects that do us the most harm. The diversity that allows us to enter collaborations emerges from histories of extermination, imperialism, and all the rest. Contamination makes diversity.

This changes the work we imagine for names, including ethnicities and species. If categories are unstable, we must watch them emerge within encounters. To use category names should be a commitment to tracing the assemblages in which these categories gain a momentary hold.
4
Only from here can I return to meeting Mien and matsutake in a Cascades forest. What does it mean to be “Mien” or to be “forest”? These identities entered our meeting from histories of transformative ruin, even as new collaborations changed them.

Oregon’s national forests are managed by the U.S. Forest Service, which aims to conserve forests as a national resource. Yet the conservation status of the landscape has been hopelessly confused by a hundred-year history of logging and fire suppression. Contamination creates forests,
transforming them in the process. Because of this, noticing as well as counting is required to know the landscape.

Oregon’s forests played a key role in the U.S. Forest Service’s early-twentieth-century formation, during which foresters worked to find kinds of conservation that timber barons would support.
5
Fire suppression was the biggest result: Loggers and foresters could agree on it. Meanwhile, loggers were eager to take out the ponderosa pines that so impressed white pioneers in the eastern Cascades. The great ponderosa stands were logged out by the 1980s. It turned out that they could not reproduce without the periodic fires the Forest Service had stopped. But firs and spindly lodgepole pines were flourishing with fire exclusion—at least if flourishing means spreading in ever denser and more flammable thickets of live, dead, and dying trees.
6
For several decades, Forest Service management has meant, on the one hand, trying to make the ponderosas come back, and, on the other, trying to thin, cut, or otherwise control flammable fir and lodgepole thickets. Ponderosa, fir, and lodgepole, each finding life through human disturbance, are now creatures of contaminated diversity.

BOOK: The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins
11.87Mb size Format: txt, pdf, ePub
ads

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