The Quiet Game (5 page)

My father's prediction about media attention proves prescient. Within forty-eight hours of my arrival, calls about interviews join the ceaseless ringing of patients calling my father. My mother has taken messages from the local newspaper publisher, radio talk-show hosts, even the TV station in Jackson, the state capital, two hours away. I decide to grant an interview to Caitlin Masters, the publisher of the Natchez
Examiner
, on two conditions: that she not ask questions about Arthur Lee Hanratty's execution, and that she print that I will be vacationing in New Orleans until after the execution has taken place. Leaving Annie with my mother—which delights them both—I drive Mom's Nissan downtown in search of Biscuits and Blues, a new restaurant owned by a friend of mine but which I have never seen.

It was once said of American cities that you could judge their character by their tallest buildings: were they offices or churches? At a mere seven stories, the Eola Hotel is the tallest commercial structure in Natchez. Its verdigris-encrusted roof peaks well below the graceful, copper-clad spire of St. Mary Minor Basilica. Natchez's “skyline” barely rises out of a green canopy of oak leaves: the silver dome of the synagogue, the steeple of the Presbyterian church, the roofs of antebellum mansions and stately public buildings. Below the canopy, a soft and filtered sunlight gives the sense of an enormous glassed-in garden.

Biscuits and Blues is a three-story building on Main, with a large second-floor balcony overlooking the street. A young woman stands talking on a cell phone just inside the door—where Caitlin Masters promised to meet me—but I don't think she's the newspaper publisher. She looks more like a French tourist. She's wearing a tailored black suit, cream silk blouse, and black sandals, and she is clearly on the sunny side of thirty. But as I check my watch, she turns face on to me and I spot a hardcover copy of
False Witness
cradled in her left arm. I also see that she's wearing nothing under the blouse, which is distractingly sheer. She smiles and signals that she'll be off the phone in a second, her eyes flashing with quick intelligence.

I acknowledge her wave and wait beside the door. I'm accustomed to
young executives in book publishing, but I expected something more conventional in the newspaper business, especially in the South. Caitlin Masters stands with her head cocked slightly, her eyes focused in the middle distance, the edge of her lower lip pinned by a pointed canine. Her skin is as white as bone china and without blemish, shockingly white against her hair, which is black as her silk suit and lies against her neck like a gleaming veil. Her face is a study in planes and angles: high cheekbones, strong jawline, arched brows, and a straight nose, all uniting with almost architectural precision, yet somehow escaping hardness. She wears no makeup that I can see, but her green eyes provide all the accent she needs. They seem incongruous in a face that almost cries out for blue ones, making her striking and memorable rather than merely beautiful.

As she ends her call, she speaks three or four consecutive sentences, and a strange chill runs through me. Ivy League Boston alloyed with something softer, a Brahmin who spent her summers far away. On the telephone this morning I didn't catch it, but coupled with her face, that voice transforms my suspicion to certainty. Caitlin Masters is the woman I spoke to on the flight to Baton Rouge. Kate . . .
Caitlin
.

She holds out her hand to shake mine, and I step back. “You're the woman from the plane. Kate.”

Her smile disappears, replaced by embarrassment. “I'm surprised you recognize me, dressed like I was that day.”

“You lied to me. You told me you were a lawyer. Was that some kind of setup or what?”

“I didn't tell you I was a lawyer. You assumed I was. I told you I was a First Amendment specialist, and I am.”

“You knew what I thought, and you let me think it. You lied, Ms. Masters. This interview is over.”

As I turn to go, she takes hold of my arm. “Our meeting on that plane was a complete accident. I want an interview with you, but it wouldn't be worth that kind of trouble. I was flying from Atlanta to Baton Rouge, and I happened to be sitting across the aisle from you. End of story.”

“And you
happened
to be reading one of my novels?”

“No. I've been trying to get your number from your parents for a couple of months. A lot of people in Mississippi are interested in you. When the Hanratty story broke, I picked up one of your books in the airport. It's that simple.”

I step away from the door to let a pair of middle-aged women through. “Then why not tell me who you were?”

“Because when I was waiting to board, I was sitting by the pay phones. I
heard you tell someone you didn't want to talk to reporters for any reason. I knew if I told you I was a newspaper publisher, you wouldn't talk to me.”

“Well, I guess you got your inside scoop on how I killed Hanratty's brother.”

She draws herself erect, offended now. “I haven't printed a word of what you told me, and I don't plan to. Despite appearances to the contrary, my journalistic ethics are beyond reproach.”

“Why were you dressed so differently on the plane?”

She actually laughs at this. “I'd just given a seminar to a group of editors in Atlanta. My father was there, and I try to be a bit more conventional when he's around.”

I can see her point. Not many fathers would approve of the blouse she's wearing today.

“Look,” she says, “I could have had that story on the wire an hour after you told it to me. I didn't tell a soul. What better proof of trustworthiness could anyone give you?”

“Maybe you're saving it for one big article.”

“You don't have to tell me anything you don't want to. In fact, we could just eat lunch, and you can decide if you want to do the interview another time or not.”

Her candid manner strikes a chord in me. Perhaps she's manipulating me, but I don't think so. “We came to do an interview. Let's do it. The airplane thing threw me, that's all.”

“Me too,” she says with a smile. “I liked Annie, by the way.”

“Thanks. She liked you too.”

As we step into the main dining space of the restaurant, a smattering of applause starts, then fills the room. I look around to see whose birthday it is, then realize that the applause is for me. A little celebrity goes a long way in Mississippi. I recognize familiar faces in the crowd. Some belong to guys I went to school with, now carrying twenty or thirty extra pounds—as I did until Sarah's illness—others to friends of my parents or simply well-wishers. I smile awkwardly and give a little wave to cover the room.

“I told you,” says Caitlin. “There's a lot of interest.”

“It'll wear off. As soon as they realize I'm the same guy who left, they'll be yawning in my face.”

When we arrive at our table, she stands stiffly behind her chair, her eyes twinkling with humor. “You're not going to pull my chair out for me?”

“You didn't look the type.”

She laughs and takes her seat. “I wasn't before I got here. Pampering corrupts you fast.”

While we study the menus, a collection of classic Cajun dishes, I try to fathom how Caitlin Masters wound up in the job she has. The
Examiner
has
always been a conservative paper, owned when I was a boy by a family that printed nothing that reflected negatively upon city worthies. Later it was sold to a family-owned newspaper chain which continued the tradition of offending as few citizens as possible, especially those who bought advertising space. In Natchez the gossip mills have always been a lot more accurate than anything you could find in the
Examiner
. Caitlin seems an improbable match, to say the least.

She closes her menu and smiles engagingly. “I'm younger than you thought I'd be, aren't I?”

“A little,” I reply, trying not to look at her chest. In Mississippi, wearing a blouse that sheer without a bra is practically a request to be arrested.

“My father owns the chain. I'm doing a tour of duty down here to learn the ropes.”

“Ah.”
One mystery cleared up.

“Okay if we go on the record now?”

“You have a tape recorder?”

“I never use them.”

I take out a Sony microcassette recorder borrowed from my father. “The bitter fruit of experience.”

Our waitress appears and takes our orders (crawfish beignets and iced tea for us both), then stands awkwardly beside the table as though waiting for something. She looks about twenty and, though not quite in Caitlin Masters's league, is quite lovely. Where Masters is angles and light, the waitress is round and brown and sultry, with the guarded look of the Cajun in her eyes.

“Yes?” Caitlin says, looking up at her.

“Um, I was wondering if Mr. Cage would sign a book for me.”

“Sure,” I tell her. “Do you have one with you?”

“Well—I live over the restaurant.” Her voice is hesitant and terribly self-conscious. “Just temporarily, you know. I have all your books up there.”

“Really? I'd be glad to sign them for you.”

“Thanks a lot. Um, I'll get your iced tea now.”

As she walks away, Caitlin gives me a wry smile. “What does a few years of that do for your ego?”

“Water off a duck's back. Let's start.”

She gives me a look that says,
Yeah, right,
then picks up her notebook. “So, are you here for a visit, or is this something more permanent?”

“I honestly have no idea. Call it a visit.”

“You've obviously been living a life of emotional extremes this past year. Your last book riding high on the best-seller list, your wife dying. How—”

“That subject's off limits,” I say curtly, feeling a door slam somewhere in my soul.

“I'm sorry.” Her eyes narrow like those of a surgeon judging the pain of a probe. “I didn't mean to upset you.”

“Wait a minute. You asked on the plane if my wife was traveling with me. Did you know then that she was dead?”

Caitlin looks at the table. “I knew your wife had died. I didn't know how recently. I saw the ring. . . .” She folds her hands on the table, then looks up, her eyes vulnerable. “I didn't ask that question as a reporter. I asked it as a woman. If that makes me a terrible person, I apologize.”

I find myself more intrigued than angered by this confession. This woman asked about my wife to try to read how badly I miss her by my reaction. And I believe she asked out of her own curiosity, not for a story. “I'm not sure what that makes you. Are you going to focus on that sort of thing in your article?”

“Absolutely not.”

“Let's go on, then.”

“What made you stop practicing law and take up writing novels? The Hanratty case?”

I navigate this part of the interview on autopilot, probably learning more about Caitlin Masters than she learns about me. I guessed right about her education: Radcliffe as an undergrad, Columbia School of Journalism for her master's. Top of the line, all the way. She is well read and articulate, but her questions reveal that she knows next to nothing about the modern South. Like most transplants to Natchez, she is an outsider and always will be. It's a shame she holds a job that needs an insider's perspective. The lunch crowd thins as we talk, and our waitress gives such excellent service that our concentration never wavers. By the time we finish our crawfish, the restaurant is nearly empty and a busboy is setting the tables for dinner.

“Where did you get your ideas about the South?” I ask gently.

At last Caitlin adjusts the lapels of her black silk jacket, covering the shadowy edge of aureole that has been visible throughout lunch. “I was born in Virginia,” she says with a hint of defensiveness. “My parents divorced when I was five, though. Mother got custody and spirited me back to Massachusetts. For the next twelve years, all I heard about the South was her trashing it.”

“So the first chance you got, you headed south to see for yourself whether we were the cloven-hoofed, misogynistic degenerates your mother warned you about.”

“Something like that.”

“And?”

“I'm reserving my judgment.”

“That's kind of you. Do you like Natchez?”

“I do. It's not sterilized or Disneyfied like Williamsburg. It's still funky. Gossip, sex, whisky, and eccentricity, all behind a gossamer veil of Southern gentility.”

I chuckle. “A woman I grew up with decided to move back here after working ten years as a film producer in Los Angeles. When I asked why, she told me she was worried that she was losing her mind, and knew that if she did it in Natchez, no one would notice.”

Caitlin laughs. “That's exactly it! What about you? Do you like it?”

“That's like asking someone if they like their mother. I've been away for years, but no one who grows up here ever really leaves this town behind.”

She makes a note on her pad. “I was surprised it's such a haven for gays. But the contrasts are disturbing. You've got a real race problem here.”

“So does Los Angeles.”

“But this is a purely white-black race problem.”

“And your paper contributes to it.”

She reddens. “Would you care to elaborate on that?”

“Sure. The
Examiner
has never dug beneath the surface, never urged people toward their better natures. It was always too afraid to upset the white elite.”

“You think I don't know that?”

“You talk like you don't.”

“Trust me, I do. Let me ask you something. I've been following local politics pretty closely, and there's something funny going on.”

“Like?”

“You'd think Shad Johnson, the black candidate, would be making race a major issue, trying to mobilize every black vote.”