The Shelters of Stone (82 page)
Behind and toward the right of the main Summer Meeting camp, the limestone hills formed the general shape of a large scooped-out shallow bowl curving around on the sides, but open in front. The base of the curved slopes converged to a small, relatively level field, which had been evened out with stones and packed earth over the many years the location had been used for meetings. The grass-covered hillsides within the partial bowl depression rose up in a gradual, irregular slope with dips and hills, less steep areas that had been made more level to provide places for family groups or even some entire Caves to sit together with a good view of the open space below. The sloped area was sufficiently large to hold the entire Summer Meeting camp of more than two thousand people.
In a wooded copse near the rugged crest of the slope, a spring rose that filled a small pool, then spilled down the middle of the bowl-shaped slope, through the flattened area at the bottom, and eventually into the larger stream of the camp. The spring-fed creek was so small that people stepped over it easily, but the clear, cold pool at the top provided a constant source of clean drinking water.
Ayla walked uphill toward the trees, along a path beside the shallow creek that painted a sheen of water over a bed of cobbled stones. She stopped to get a drink at the spring, then turned around. Her eyes were drawn by the glimmering creek trickling downhill. She observed it run into the stream, which flowed through the large crowded camp and on to The River and the valley beyond. It was a landscape contoured by the deep relief of high hills, limestone cliffs, and river-cut valleys.
Her attention was caught by the sound that funneled up the rounded incline from the camp. It was a sound unlike anything she had ever heard: the combined voices of a large camp full of people, talking, channeled into one sound. The merging of the babble of voices was like a muted roar punctuated
by occasional outcries, calls, and whoops. It was not the same, but it reminded her of a large hive of bees or a bawling herd of aurochs in the distance, and she was rather glad to be alone for the moment.
Well, not entirely alone. She watched Wolf poking his nose into every little crack and cranny, and smiled. Ayla was glad he was with her. Although she was unaccustomed to so many people, especially all at one time and in one place, she didn’t really want to be alone. She’d had her fill of that in the valley she found after she left the Clan, and she wasn’t sure she could have stood it if she hadn’t had Whinney and, later, Baby for company. Even with them it had been lonely, but she knew how to obtain food and make the things she needed, and she had learned the joy of utter freedom—and its consequences. For the first time, she could do whatever she wanted, even adopt a baby horse or lion. Living alone, dependent entirely on herself, had taught her that one person could live, for a while, in reasonable comfort if she was young, and healthy, and strong. It was only when she became seriously ill that she realized how completely vulnerable she was.
It was then that Ayla fully understood that she would not be alive if the Clan had not allowed an injured and weak little girl, orphaned by an earthquake, to live with them, though she had been born to the ones they knew as the Others. Later, when she and Jondalar lived with the Mamutoi, she came to realize that living with a group, any group, even one that believed the wishes and desires of individuals were important, limited individual freedom, because the needs of the community were equally important. Survival depended upon a cooperative unit, a Clan or a Camp or a Cave, a group who would work together and help each other. There was always a struggle between the individual and the group, and finding a workable balance was a constant challenge, but not without benefits.
The cooperation of the group provided more than essentials for individuals. It also granted leisure time to devote to more enjoyable tasks, which among the Others allowed an aesthetic sense to bloom. The art they created wasn’t so much
art for itself as it was an inherent part of living, part of their daily existence. Nearly every member of a Zelandonii Cave enjoyed pride of workmanship and, in varying degrees, appreciated the results of one another’s skills. From the time they were young, each child was allowed to experiment to find the area in which they excelled, and practical crafts were not considered more important than artistic talents.
Ayla remembered that Shevonar, the man who died during the bison hunt, had been a spear-maker. He was not the only person of the Ninth Cave who could make a spear, but specialization of a craft developed greater skill, which gave status to the individual who made it, often economic status. Among the Zelandonii, and most other people she had met or lived with, food was shared, though the hunter or gatherer who supplied it gained standing for giving it. A man or woman could survive without ever foraging for food, but without some specialized craft or particular talent that gave a person prestige, no one could live well.
Though it was still a difficult concept for her, Ayla had been learning how goods and services were bartered by the Zelandonii. Nearly everything that was made or done had value, even though its practical worth was not always obvious. The value was generally agreed upon by consensus or individual bargaining. The result was that truly fine workmanship was rewarded over and above the ordinary, partly because people preferred it, which created demand, and partly because it often took longer to make or do something well. Both talent and workmanship were highly valued, and most members of a Cave had a well-developed aesthetic sense within their own canon.
A well-made spear that was beautifully decorated had more value than an equally well-made spear that was only functional, but that had infinitely more value than a poorly made spear. A basket that was clumsily woven might serve as well as a basket that was carefully made with subtle textures and patterns or colored in various tones, but it was not nearly as desirable. The barely serviceable one might be used for roots just dug from the ground, but once the roots were
cleaned or dried, a more beautiful basket might be preferred to store them. Expedient tools and objects that served an immediate need were often made and then discarded, while one that was beautiful and well made was usually kept.
It wasn’t only handicrafts that were valued. Entertainment was considered essential. Long, cold winters often kept people confined to their dwellings within the shelter for long periods of time, and they needed ways to alleviate the pressures of close quarters. Dancing and singing were enjoyed both as individual efforts and as community participation, and those who could play a flute well were as highly valued as those who made spears or baskets. Ayla had already learned that Story-Tellers were especially esteemed. Even the Clan had storytellers, Ayla recalled. They had particularly enjoyed the retelling of stories they knew.
The Others also liked hearing the stories retold, but they liked novelty, too. Riddles and word games were enthusiastically played by young and old alike. Visitors were welcomed, if only because they usually brought new stories. They were urged to tell about their lives and adventures, whether or not they had dramatic narration skills, because it added a measure of interest and gave people something to discuss for long hours as they sat around winter fires. Although almost anyone could weave an interesting tale, those who showed a real talent for it were urged, coaxed, and cajoled to pay visits to neighboring Caves, which was the impetus that gave rise to the traveling Story-Tellers. Some of them spent their Uves, or at least several years, traveling from Cave to Cave, carrying news, bringing messages, and telling stories. No one was more welcomed.
Most people could be quickly identified by the designs on their clothing, and the necklaces and other jewelry they wore, but over time the Story-Tellers had adopted a distinctive style of clothing and design that announced their profession. Even young children knew when they arrived, and almost all other activities stopped when one or more of the traveling entertainers made an appearance. Even planned hunting trips were often canceled. It would be a time for
spontaneous feasts, and although many could, no Story-Teller ever had to hunt or forage to survive. They were always given gifts as an encouragement to return, and when they grew too old or tired of traveling, they could settle down with any Cave they chose.
Sometimes several Story-Tellers traveled together, often with their families. Particularly talented groups might include singing and dancing or the playing of instruments: various kinds of percussions, rattles, rasps, flutes, and occasionally tightened strings that were struck or plucked. A local Cave’s musicians, singers, dancers, and those who had stories to tell and liked to tell them often participated as well. Stories were often dramatized as well as narrated, but no matter how it was expressed, the story and the teller were always the focal point.
Stories could be anything: myths, legends, histories, personal adventures, or descriptions of far-off or imaginary places, people, or animals. A part of every Story-Teller’s repertoire, because it was always in demand, were the personal happenings of neighboring Caves, gossip, whether funny, serious, sad, real, or invented. Everything and anything was fair game, as long as it was well told. The traveling Story-Tellers also carried private messages, from a person to a friend or relative, from a leader to a leader, from one Zelandoni to another, although such private communication could be very sensitive. A Story-Teller had to prove very trustworthy before being entrusted with particularly confidential or esoteric messages between leaders or the zelandonia, and not all Were.
Beyond the crest, which was a high point of the area for some distance around, the land dropped down, then leveled out. Ayla climbed over the top ridge and started down, traversing at an angle along a faint trail that had been recently cleared through the hillside of dense brambles and a few scraggly pines. She veered away from the path at the bottom of the hill where the sloping canebrake of berry vines gave way to sparse grass. At an ancient dry streambed, whose
tightly packed stones gave little space to establish new growth, she turned and followed it uphill.
Wolf seemed especially curious. It was new territory to him, too, and he was diverted by every pile and pocket of earth that offered his nose a new smell. They started up the rocky riverbed that had cut through the limestone in the days when water rushed along it, then he bounded ahead and disappeared behind a hill of rubble. Ayla expected him to reappear any moment, but after what seemed to be an unusually long time, she became concerned. She stood near the mound of rocks, looked all around, and finally whistled the sharp, distinctive tones that she had specifically developed to call the wolf. Then she waited. It was some time before she saw the overgrown brambles behind the mound moving and heard him scrabbling out from under the thorny briar.
“Where have you been, Wolf?” she said as she bent down to look into his eyes. “What is under all these berry vines that it took you so long to get here?”
She decided to try to find out and took off her pack to get out the small axe Jondalar had made for her. She found it at the bottom of the pack. It was not the most effective tool for hacking through the long woody stems full of thorns, but she managed to create an opening that allowed her to see, not the ground, as she had expected, but a dark, empty space. Now, she was curious.
She worked at the vines some more and enlarged the opening enough for her to force her way through it with only a few scratches. The ground sloped down into what was obviously a cave with a comfortably wide entrance. With daylight coming through the hole she had made, she continued down, using the counting words to name her steps. When she reached thirty-one, she noticed that the slope leveled out and the corridor had widened. Faint daylight still filtered into the cave from the entrance, and with eyes adjusted to the near darkness, she saw that she had entered a much larger area. She looked around, then made a decision and headed back outside.
“I wonder how many people know about this cave, Wolf?”
She used her axe to widen the opening a little more, then went out and scanned the area. A short distance away, but surrounded by prickly briars, was a pine tree with needles that were brown. It appeared to be dead. With the small stone axe, she hacked her way through the tough woody vines a short distance, then tested a low branch to see if it was brittle enough to break. Though she’d had to hang on it with all her weight, she finally managed to snap off a section of a branch. Her hand felt sticky, and she smiled when she looked at the branch and saw some dark blobs of pitch. The pitchy branch would make a good enough torch without additional materials, once she got it lit.
She collected some dry twigs and bark from the dead pine, then walked to the middle of the rocky dry streambed. She got her fire kit out of her backpack and, using the crushed bark and twigs as tinder, and her firestone and a striking flint, she soon had a little fire started. From it, she lit the pine branch torch. Wolf watched her, and when he saw her heading back toward the cave, he raced ahead over the pile of rocks and wriggled his way in as he had the first time, under the hole Ayla had cut through the tangle of blackberry vines. Long before, when the dry bed was the river that had created the cave, the roof had extended farther out, but it had since collapsed, creating the pile of rubble that was in front of the present opening in the side of the hill.
She climbed the rocky mound and eased through the opening she had made. With the light from the flickering torch, she proceeded down the rather slick ramp of moist sandy-clay soil, again naming her steps with the counting words. This time it took only twenty-eight steps before the ground leveled out; with a torch to show the way, her stride was longer. The wide entry gallery opened onto a large, roundish, U-shaped room. She held the torch high, looked up, and caught her breath.
The walls, glinting with crystallized calcite, were nearly white, a pure, clean, resplendent surface. As she moved
slowly into the cave, the light from the flickering torch” sent animated shadows of the natural relief chasing each other over the walls as though they were alive and breathing. She walked closer to the white walls, which started a little below her chin—about five feet up from ground level—with a rounded ledge of brownish stone, and extended up in a curve that arced inward to the roof. She would not have thought of it before her visit to the deep cave of Fountain Rocks, but she could imagine what an artist like Jonokol might do in a cave like this.