The sound and the fury (32 page)

     "You might hand me my bible."  
     "I give hit to you dis mawnin, befo I left."  
     "You laid it on the edge of the bed. How long did you expect it to stay there?"  
     Dilsey crossed to the bed and groped among the shadows beneath the edge of it and found the bible, face down. She smoothed the bent pages and laid the book on the bed again. Mrs Compson didn't open her eyes. Her hair and the pillow were the same color, beneath the wimple of the medicated cloth she looked like an old nun praying. "Dont put it there again," she said, without opening her eyes. "That's where you put it before. Do you want me to have to get out of bed to pick it up?"  
     Dilsey reached the book across her and laid it on the broad side of the bed. "You cant see to read, noways," she said. "You want me to raise de shade a little?"  
     "No. Let them alone. Go on and fix Jason something to eat."  
     Dilsey went out. She closed the door and returned to the kitchen. The stove was almost cold. While she stood there the clock above the cupboard struck ten times. "One oclock," she said aloud. "Jason aint comin home. Ise seed de first en de last," she said, looking at the cold stove. "I seed de first en de last." She set out some cold food on a table. As she moved back and forth she sang, a hymn. She sang the first two lines over and over to the complete tune. She arranged the meal and went to the door and called Luster, and after a time Luster and Ben entered. Ben was still moaning a little, as to himself.  
     "He aint never quit," Luster said.  
     "Y'all come on en eat," Dilsey said. "Jason aint comin to dinner." They sat down at the table. Ben could manage solid food pretty well for himself, though even now, with cold food before him, Dilsey tied a cloth about his neck. He and Luster ate. Dilsey moved about the kitchen, singing the two lines of the hymn which she remembered. "Y'all kin g'awn en eat," she said. "Jason aint comin home."  
     He was twenty miles away at that time. When he left the house he drove rapidly to town, overreaching the slow sabbath groups and the peremptory bells along the broken air. He crossed the empty square and turned into a narrow street that was abruptly quieter even yet, and stopped before a frame house and went up the flower bordered walk to the porch.  
     Beyond the screen door people were talking. As he lifted his hand to knock he heard steps, so he withheld his hand until a big man in black broadcloth trousers and a stiff bosomed white shirt without collar opened the door. He had vigorous untidy iron-gray hair and his gray eyes were round and shiny like a little boy's. He took Jason's hand and drew him into the house, still shaking it.  
     "Come right in," he said. "Come right in."  
     "You ready to go now?" Jason said.  
     "Walk right in," the other said, propelling him by the elbow into a room where a man and a woman sat. "You know Myrtle's husband, dont you? Jason Compson, Vernon."  
     "Yes," Jason said. He did not even look at the man, and as the sheriff drew a chair across the room the man said,  
     "We'll go out so you can talk. Come on, Myrtle."  
     "No, no," the sheriff said. "You folks keep your seat. I reckon it aint that serious, Jason? Have a seat."  
     "I'll tell you as we go along," Jason said. "Get your hat and coat."  
     "We'll go out," the man said, rising.  
     "Keep your seat," the sheriff said. "Me and Jason will go out on the porch."  
     "You get your hat and coat," Jason said. "They've already got a twelve hour start." The sheriff led the way back to the porch. A man and a woman passing spoke to him. He responded with a hearty florid gesture. Bells were still ringing, from the direction of the section known as Nigger Hollow. "Get your hat, Sheriff," Jason said. The sheriff drew up two chairs.  
     "Have a seat and tell me what the trouble is."  
     "I told you over the phone," Jason said, standing. "I did that to save time. Am I going to have to go to law to compel you to do your sworn duty?"  
     "You sit down and tell me about it," the sheriff said. "I'll take care of you all right."  
     "Care, hell," Jason said. "Is this what you call taking care of me?"  
     "You're the one that's holding us up," the sheriff said. "You sit down and tell me about it."  
 Jason told him, his sense of injury and impotence feeding upon its own sound, so that after a time he forgot his haste in the violent cumulation of his self justification and his outrage. The sheriff watched him steadily with his cold shiny eyes.  
     "But you dont know they done it," he said. "You just think so."  
     "Dont know?" Jason said. "When I spent two damn days chasing her through alleys, trying to keep her away from him, after I told her what I'd do to her if I ever caught her with him, and you say I dont know that that little b-- "  
     "Now, then," the sheriff said. "That'll do. That's enough of that." He looked out across the street, his hands in his pockets.  
     "And when I come to you, a commissioned officer of the law," Jason said.  
     "That show's in Mottson this week," the sheriff said.  
     "Yes," Jason said. "And if I could find a law officer that gave a solitary damn about protecting the people that elected him to office, I'd be there too by now." He repeated his story, harshly recapitulant, seeming to get an actual pleasure out of his outrage and impotence. The sheriff did not appear to be listening at all.  
     "Jason," he said. "What were you doing with three thousand dollars hid in the house?"  
     "What?" Jason said. "That's my business where I keep my money. Your business is to help me get it back."  
     "Did your mother know you had that much on the place?"  
     "Look here," Jason said. "My house has been robbed. I know who did it and I know where they are. I come to you as the commissioned officer of the law, and I ask you once more, are you going to make any effort to recover my property, or not?"  
     "What do you aim to do with that girl, if you catch them?"  
     "Nothing," Jason said. "Not anything. I wouldn't lay my hand on her. The bitch that cost me a job, the one chance 1 ever had to get ahead, that killed my father and is shortening my mother's life every day and made my name a laughing stock in the town. I wont do anything to her," he said. "Not anything."  
     "You drove that girl into running off, Jason," the sheriff said.  
     "How I conduct my family is no business of yours," Jason said. "Are you going to help me or not?"  
     "You drove her away from home," the sheriff said. "And I have some suspicions about who that money belongs to that I dont reckon I'll ever know for certain."  
     Jason stood, slowly wringing the brim of his hat in his hands. He said quietly: "You're not going to make any effort to catch them for me?"  
     "That's not any of my business, Jason. If you had any actual proof, I'd have to act. But without that I dont figger it's any of my business."  
     "That's your answer, is it?" Jason said. "Think well, now."  
     "That's it, Jason."  
     "All right," Jason said. He put his hat on. "You'll regret this. I wont be helpless. This is not Russia, where just because he wears a little metal badge, a man is immune to law." He went down the steps and got in his car and started the engine. The sheriff watched him drive away, turn, and rush past the house toward town.  
     The bells were ringing again, high in the scudding sunlight in bright disorderly tatters of sound. He stopped at a filling station and had his tires examined and the tank filled.  
     "Gwine on a trip, is you?" the negro asked him. He didn't answer. "Look like hit gwine fair off, after all," the negro said.  
     "Fair off, hell," Jason said. "It'll be raining like hell by twelve oclock." He looked at the sky, thinking about rain, about the slick clay roads, himself stalled somewhere miles from town. He thought about it with a sort of triumph, of the fact that he was going to miss dinner, that by starting now and so serving his compulsion of haste, he would be at the greatest possible distance from both towns when noon came. It seemed to him that in this circumstance was giving him a break, so he said to the negro:  
     "What the hell are you doing? Has somebody paid you to keep this car standing here as long as you can?"  
     "Dis here ti' aint got no air a-tall in hit," the negro said.  
     "Then get the hell away from there and let me have that tube," Jason said.  
     "Hit up now," the negro said, rising. "You kin ride now."  
     Jason got in and started the engine and drove off. He went into second gear, the engine spluttering and gasping, and he raced the engine, jamming the throttle down and snapping the choker in and out savagely. "It's going to rain," he said. "Get me half way there, and rain like hell." And he drove on out of the bells and out of town, thinking of himself slogging through the mud, hunting a team. "And every damn one of them will be at church." He thought of how he'd find a church at last and take a team and of the owner coming out, shouting at him and of himself striking the man down. "I'm Jason Compson. See if you can stop me. See if you can elect a man to office that can stop me," he said, thinking of himself entering the courthouse with a file of soldiers and dragging the sheriff out. "Thinks he can sit with his hands folded and see me lose my job. I'll show him about jobs." Of his niece he did not think at all, nor of the arbitrary valuation of the money. Neither of them had had entity or individuality for him for ten years; together they merely symbolised the job in the bank of which he had been deprived before he ever got it.  
     The air brightened, the running shadow patches were now the obverse, and it seemed to him that the fact that the day was clearing was another cunning stroke on the part of the foe, the fresh battle toward which he was carrying ancient wounds. From time to time he passed churches, unpainted frame buildings with sheet iron steeples, surrounded by tethered teams and shabby motorcars, and it seemed to him that each of them was a picket-post where the rear guards of Circumstance peeped fleetingly back at him. "And damn You, too," he said. "See if You can stop me," thinking of himself, his file of soldiers with the manacled sheriff in the rear, dragging Omnipotence down from his throne, if necessary; of the embattled legions of both hell and heaven through which he tore his way and put his hands at last on his fleeing niece.  
     The wind was out of the southeast. It blew steadily upon his cheek. It seemed that he could feel the prolonged blow of it sinking through his skull, and suddenly with an old premonition he clapped the brakes on and stopped and sat perfectly still. Then he lifted his hand to his neck and began to curse, and sat there, cursing in a harsh whisper. When it was necessary for him to drive for any length of time he fortified himself with a handkerchief soaked in camphor, which he would tie about his throat when clear of town, thus inhaling the fumes, and he got out and lifted the seat cushion on the chance that there might be a forgotten one there. He looked beneath both seats and stood again for a while, cursing, seeing himself mocked by his own triumphing. He closed his eyes, leaning on the door. He could return and get the forgotten camphor, or he could go on. In either case, his head would be splitting, but at home he could be sure of finding camphor on Sunday, while if he went on he could not be sure. But if he went back, he would be an hour and a half later in reaching Mottson. "Maybe I can drive slow," he said. "Maybe I can drive slow, thinking of something else...."  
     He got in and started. "I'll think of something else," he said, so he thought about Lorraine. He imagined himself in bed with her, only he was just lying beside her, pleading with her to help him, then he thought of the money again, and that he had been outwitted by a woman, a girl. If he could just believe it was the man who had robbed him. But to have been robbed of that which was to have compensated him for the lost job, which he had acquired through so much effort and risk, by the very symbol of the lost job itself, and worst of all, by a bitch of a girl. He drove on, shielding his face from the steady wind with the corner of his coat.  
     He could see the opposed forces of his destiny and his will drawing swiftly together now, toward a junction that would be irrevocable; he became cunning. I cant make a blunder, he told himself. There would be just one right thing, without alternatives: he must do that. He believed that both of them would know him on sight, while he'd have to trust to seeing her first, unless the man still wore the red tie. And the fact that he must depend on that red tie seemed to be the sum of the impending disaster; he could almost smell it, feel it above the throbbing of his head.  
     He crested the final hill. Smoke lay in the valley, and roofs, a spire or two above trees. He drove down the hill and into the town, slowing, telling himself again of the need for caution, to find where the tent was located first. He could not see very well now, and he knew that it was the disaster which kept telling him to go directly and get something for his head. At a filling station they told him that the tent was not up yet, but that the show cars were on a siding at the station. He drove there.  
     Two gaudily painted pullman cars stood on the track. He reconnoitred them before he got out. He was trying to breathe shallowly, so that the blood would not beat so in his skull. He got out and went along the station wall, watching the cars. A few garments hung out of the windows, limp and crinkled, as though they had been recently laundered. On the earth beside the steps of one sat three canvas chairs. But he saw no sign of life at all until a man in a dirty apron came to the door and emptied a pan of dishwater with a broad gesture, the sunlight glinting on the metal belly of the pan, then entered the car again.  
     Now I'll have to take him by surprise, before he can warn them, he thought. It never occurred to him that they might not be there, in the car. That they should not be there, that the whole result should not hinge on whether he saw them first or they saw him first, would be opposed to all nature and contrary to the whole rhythm of events. And more than that: he must see them first, get the money back, then what they did would be of no importance to him, while otherwise the whole world would know that he, Jason Compson, had been robbed by Quentin, his niece, a bitch.