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Authors: Matthew Plampin

Tags: #Fiction, #Historical, #Crimean War; 1853-1856, #War correspondents

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BOOK: The Street Philosopher
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‘Allow me to introduce myself, sir,’ the young man said, extending his hand, ‘Robert Styles. Pleased to make your acquaintance, Mr Kitson. Mr O’Farrell assured me that you would be here to meet me, even if Mr Cracknell was indisposed.’

Kitson took Styles’ hand. The skin was oddly smooth against his own callused palm. Standing there, exchanging pleasantries with a fashionable lady and an artist, he was struck by a strange, momentary sense of familiarity, as if his old life in the salons and picture galleries of the Metropolis had somehow followed him to the shores of the Black Sea. ‘Welcome to the Crimea, Mr Styles. May I say how glad I am that you are joining us, sir. Your efforts will doubtless enrich our coverage of the coming conflict enormously.’

Styles smiled nervously. ‘I only hope I do not disappoint, Mr Kitson. Much faith has been placed in me, it seems.’

‘You are too modest, Mr Styles,’ interjected Mrs Boyce gently. She met Kitson’s eye. ‘He is a man of true talent, Mr Kitson. Whilst we were on board the
Arthur
, he took several studies of me, all quite excellent.’

‘Really,
Madame
?’ Kitson looked at the illustrator. Styles was blushing fiercely, intensely pleased by Mrs Boyce’s praise. It was clear enough what had transpired between them. Madeleine Boyce conquered fellows like this Styles without even properly realising that she was doing it. Kitson almost cursed aloud: here was yet another complication to consider. So much, he thought, for my optimism about the arrival of Mr Styles. ‘Is that where you first met one another, may I ask? On the
Arthur
?’

Styles nodded. ‘The vessel made a stop at Varna, sir, and Mrs Boyce came aboard. We were introduced soon after.’

‘Indeed, Mr Styles. What serendipity.’ Kitson turned back to the officer’s wife. She had removed one of her gloves and
was idly studying the exposed hand. ‘Well, I must say that it is good to see you again so soon,
Madame
. We poor
Courier
scribes were resigned to meeting you next upon English soil.’ He cleared his throat pointedly. ‘Mr Cracknell will be especially gratified, I’m sure.’

Suddenly self-conscious, Mrs Boyce pulled her glove back on. ‘And how fares your good senior? He is well, I hope?’

Styles was listening very closely, his brow furrowed. Our young illustrator is no fool, thought Kitson. He saw the change that came over her when I mentioned Cracknell’s name. ‘He perseveres, Mrs Boyce, in his usual manner. His, ah, inexhaustible passion for our task continues to inspire all in his orbit. Myself in particular.’

She smiled at this reply–not the confident smile that charmed and dazzled so many, but a genuine, involuntary expression of deep delight. Kitson looked away.

A small mule-cart was weaving slowly through some Commissariat tents pitched at the rear of the landing zone, heading in their direction. It was driven by a stout infantry sergeant, with a private sat at his side. The brass regimental number on the front of their shako helmets was just visible: these soldiers were from the 99th Foot.

‘I see that your escort approaches,
Madame
,’ Kitson observed, unable to keep a note of relief from his voice. ‘The Lieutenant-Colonel will be most pleased to learn that you have arrived without mishap.’

The dreamy smile vanished. Mrs Boyce inclined her head stiffly in reluctant acknowledgement of her husband’s existence.

‘And we must leave you now, I’m afraid,’ Kitson added apologetically. ‘There are duties we must perform, and certain facts of our present situation with which Mr Styles here must be familiarised. I feel sure, however, that we will encounter one another again in the near future.’

Farewells were exchanged–rather hastily, as Kitson wished to avoid being caught conversing with Mrs Boyce by one of her husband’s non-commissioned officers. It would be reported, various assumptions would be made, and trouble would surely follow. He was starting to feel that trouble was
something with which the nascent Courier team was already too familiar.

Madeleine watched the newspapermen walk away across the stones, taking care to give the cart a wide berth. A minute later, the modest vehicle pulled up close to where she stood. The squat brown mules were shaking their heads and braying, unsettled by the sounds of the teeming landing zone.

‘Mrs Boyce?’ said the sergeant. ‘We’re ’ere t’collect you, ma’am.’ She nodded absently. The two soldiers climbed down from the cart and started towards the chest.

Turning away, Madeleine gazed inland, past the beach to the farmlands beyond. ‘
Je suis ici
, Richard,’ she whispered, ‘
je suis ici
.’

More cholera cases were being carried down towards the sea from the camps, bound for the
Arthur
. Kitson and Styles pressed themselves against a row of ammunition crates to let them pass. The men already seemed beyond all help, flies clustering around their mouths and eyes in black knots. The illustrator felt a clammy nausea close around him. He was not yet used to such sights.

The new colleagues walked on through a copse of short, small-leafed trees and out into a broad expanse of farmland. An undulating quilt of lavender and wheat stretched away to the horizon, dotted with farmhouses, fruit orchards and wide-bladed windmills. A few rays of sunlight broke through the clouds, dappling the landscape beneath. Soon the diseased soldiers were left behind, and Styles began to recover himself. The Crimean countryside was a welcome change indeed from the open sea, and seemed remarkably peaceful. Even the mass of white military tents pitched off to the east looked like the site of an enormous fair. Red-coated infantry drilled in long lines, the shouts of their sergeants mingling with the jaunty tunes of regimental bands, and the clanking of countless pans and kettles.

Styles asked whether they might stop for a moment, so that he could take in this sight properly–perhaps even make a quick sketch. Kitson continued to stride on ahead at some speed, however, with no sign of having heard him. Hands in his pockets, he was staring down at the ground, entirely
absorbed in private thoughts. The illustrator didn’t repeat his request. He was determined not to prove an annoyance. Kitson’s heavy beard and dusty, discoloured clothes seemed to rebuke him for his late arrival on the campaign, for the months of hardship he had missed–and to demand that he demonstrate his suitability for the task that lay ahead.

Thomas Kitson, also, was someone with whom he felt he had a deep kinship. During the course of his briefings at the
London Courier
, Styles had heard a good deal about the junior correspondent. More than two months after Kitson’s departure, the magazine’s offices on the Strand still hummed with talk about the unaccountable fellow who had abandoned a promising career in art criticism to follow Lord Raglan’s Army. He was exceedingly knowledgeable, these gossips said, and had been expected to rise to the summit of his profession before long–yet he had decided to risk everything, his very life included, to chase after battles with the notoriously unpredictable Richard Cracknell. The verdicts of his former colleagues were harsh–they theorised that Kitson, in the last years of his youth, had developed a craving for glory, for a reputation that anonymous reviews of picture-shows could never bring him. Either that or he had received some sort of hard, disorientating blow to the head.

But one powerful voice had been raised in Kitson’s defence, sending his detractors scuttling for cover: that of old Mr O’Farrell, the
Courier’
s editor-in-chief. ‘The man of whom you speak so dismissively can summon forth images with his pen that none of you wretched inkhorns could ever hope to match,’ he had snapped. ‘He desired a challenge, a subject of import, of
weight
, well away from the vapid commonplaces of Metropolitan conversation–and I was not prepared to deny him it!’

This outburst had heartened Styles enormously. This was his wish as well–to witness something
great
, something that would make him more of a man and more of an artist. He, too, had met with his share of opposition, from fearful relatives and uncomprehending friends, all looking at him in utter mystification when he told them of his contract with the
Courier
. Hearing O’Farrell speak of Kitson in this manner
had made him believe that his decision was justified, that he was off to perform a noble task with like-minded souls. Yet here he was, out on the campaign at last, in Mr Kitson’s company no less, and they had barely exchanged a word beyond their initial greeting. This was not how he had envisioned his first hour as a member of the
Courier
team.

The two men started along a narrow mud track, and the silence stretched until Styles could bear it no longer. ‘May I ask where we are heading, sir?’ he said, loudly and a little plaintively. ‘I’d assumed we’d be going straight to camp in order to commence our duties, but we seem to be heading in the very opposite direction.’

Kitson pointed towards some nearby chimneys, just visible over a bank of brush to their right. ‘Mr Styles,’ he began, a touch of amusement in his voice, ‘you will soon discover that our foremost duty as Mr Cracknell’s juniors is not to draw or write but to secure the
Courier’
s provisions. We will find what we need over there.’

‘Does the army not provide for us?’

This prompted a sarcastic laugh. ‘The army, my friend, can hardly provide for its own. On the first night here the soldiers had no
tents
, let alone sufficient rations–and this was in heavy rain. Sir George Brown, commander of the Light Division, was obliged to take shelter under a cart. We newspapermen are a long way down the list of priorities.’ Kitson waved a thin forefinger in the air. ‘The first lesson of life on campaign, sir: make your own arrangements!’

The track wound around a low hill to bring them before a large manor house with a walled yard. It was a smart residence indeed, built from even blocks of pale stone. Heavy shutters, painted dark green, covered every window; the house’s owners had clearly left to escape the approaching war. The wide, cobbled yard was fringed with outbuildings and stables, somewhat cruder in style but all coated with a creamy whitewash that made them glow warmly against the surrounding hedgerows.

Kitson headed confidently across the yard. A handful of peasants stood behind carts and barrows that had been arranged to form improvised market-stalls, upon which a
small selection of produce from the surrounding fields had been laid out for purchase. These peasants resembled the Arabs Styles had seen at Constantinople, but with a touch of the Orient about their eyes. All were male, and most were bearded; they wore mud-stained smocks made from sackcloth and canvas, and brimless fur caps upon their heads. Every one of them was watching the Englishmen closely. A couple made observations in a guttural language Styles was pretty sure wasn’t Russian.

‘Crim Tartars,’ murmured Kitson. ‘The original inhabitants of this peninsula, here long before Catharine the Great took it under her dominion. They are serfs, effectively. They’ve taken to congregating outside this place–the seat of a squire, I believe, or the Crimean equivalent–with whatever wares they can scrape together. The French Commissariat has been coming over here to purchase food for their senior officers, but these fellows will happily sell to us as well.’ He took out some coins and jangled them together in his palm. ‘They are careful to keep their distance from the camps, though. The private soldier on campaign is not known for his courteous dealings with locals.’

‘Did they not think to flee?’

‘It would seem not. Some are no doubt hoping that their Russian masters will be defeated, and they will be able to reclaim a portion of this land for themselves. Others, the more loyal ones, are standing guard.’

The illustrator looked about him at the ramshackle market and the shuttered manor house. ‘Guarding
what
, sir? Nothing of any value has been left behind, surely?’

Kitson approached a stall and began inspecting some misshapen loaves. ‘You would be surprised, Mr Styles. The rich men of the Crimea left their homes in some haste. Ancient volumes, pictures, objects of
virtu
–all have been ferreted away in the slight hope that the storm of war will leave them unmolested.’

He bought one of the loaves with a large copper coin. As he took the money, the stall-holder nodded to the
Courier
man as if in recognition. ‘I have tried to draw attention to this matter, but I’m afraid that Cracknell isn’t particularly
interested, so nothing will come of it. Our good senior is many things, Mr Styles, but he cannot be called a man of culture.’

Mention of Cracknell’s name caused Styles to remember Mrs Boyce’s singular, unsettling smile back on the beach. It was unlike any look of hers he had seen before–and he had studied her closely, with a devoted eye. ‘What is Mr Cracknell really like, Mr Kitson?’ he asked suddenly. ‘So much is said of him back in London. The most unsavoury stories …’

Kitson chuckled. ‘Don’t believe all that you hear, Mr Styles. Richard Cracknell can be somewhat … provocative, it is true, but he is an accomplished correspondent, and a man possessed of a truly fearsome determination. We are fortunate indeed to be with him. He wishes to take this unprecedented chance to experience war at first-hand, and wring everything out of it that he can.’

‘And how did you both come to be acquainted with Mrs Boyce?’ Styles tried to keep his voice level. ‘Why were you so surprised to see her here?’

The correspondent headed for another stall. Upon it was a wicker basket stuffed with scrawny, clucking chickens. ‘Mrs Boyce has a rare beauty, does she not?’ Kitson’s expression was unreadable.

He has detected my attachment, Styles thought quickly; and despite his casual tone, he disapproves. This is why he was so quiet after our meeting. He has been biding his time before delivering his admonition, trying to catch me off-guard, to chide me as if I were an infatuated schoolboy. Styles felt a defiant anger well up inside him. He would not disavow his feelings, nor would he apologise for them. He loved the divine Mrs Boyce with all his soul. They were fast friends, confidantes even, and he was certain that in time they would become much more–regardless of what Mr Kitson might think about it.

He could not deny, however, that Kitson’s familiar conversation with Mrs Boyce back on the beach had disturbed him a little. Kitson was no rival, of that Styles was certain; his manner, coolly polite to the point of irony, had indicated this
clearly enough. Something disquieting had been there, though–a sense of shared history between Mrs Boyce and the
Courier
correspondents, an earlier chapter Styles was not party to. He had to know more.

‘She does indeed,’ Styles replied forcibly. ‘Beyond any other I have seen.’

Kitson made no reaction to this bold declaration. He pointed out a bird to the stall-holder. The Tartar plucked it from the basket, wrung its neck with practised efficiency, and then exchanged it for two more of the correspondent’s coins.

‘She was to be sent home, you know, by her husband.’ Kitson’s tone was matter-of-fact. ‘Due to the danger of disease. God alone knows how she managed to change his mind. I only hope that her presence here doesn’t prove too problematic.’

Styles frowned. ‘What do you mean?’

Kitson tucked the chicken into a capacious pocket. Its scaly feet stuck out, still twitching spasmodically. ‘She told you of her husband, I take it? Of how things stand between them?’

‘She did.’

Over the course of the voyage from Varna, Mrs Boyce had spoken of her husband at great length. Styles had heard of every trouble visited upon her by Lieutenant-Colonel Nathaniel Boyce–who, by his wife’s account, was a despicable, prideful boor given to all manner of senseless cruelty. Intoxicated by the intimacy that had developed so rapidly between them, Styles had sworn to himself that he would free her, that he would bring this precious lady the happiness she so richly deserved.

Kitson regarded him doubtfully. ‘One must be very careful, my friend, in trying to build an acquaintance with Mrs Boyce, no matter how, ah,
innocent
it might be. Countless young gentlemen, you understand, have lost themselves in those ebony eyes, nurtured torturous dreams of lying in the tresses of that luxuriant, perfumed hair, and so forth.’ He paused, the slightest suggestion of a smile on his lips. ‘The Lieutenant-Colonel is famously zealous in dispatching his rivals. They
say that he has even shot several of them, in duels or elsewhere, to convince them to desist.’

Styles studied Kitson’s face again. Was this a warning? Or was it mockery? Either way, he decided that he would hear no more. ‘Are you trying to
frighten me
, Mr Kitson? Because if so, I must state that Mrs Boyce and I—’

‘Mr Styles,’ Kitson interrupted firmly, ‘enough games. There are some things you should know about Madeleine Boyce.’

But before he could say any more, a ripple of apprehension ran through the Tartar stall-holders gathered in the yard. They began to talk urgently, gesturing beyond the wall. Styles heard the sound of several score of boots marching in time, approaching the farm at a steady speed. The
Courier
men turned together to face the gate, their conversation forgotten.

‘Damn it,’ Kitson muttered. ‘Soldiers.’

There was a hard bark of martial instruction, and the first line of an infantry company wheeled into sight. Guided by their corporals, the square of redcoats advanced to the centre of the yard and stamped to attention. The faces beneath their shakos were sallow and lean, and menacing in their impassivity. A sergeant-major appeared behind them, three silver chevrons shining on his arm. Walking slowly towards the manor house, a hand on the hilt of his sword, he made a careful, contemptuous survey of the stalls. Seeing Kitson and Styles, he paused, narrowing his eyes. Kitson touched the brim of his hat with a forefinger. The sergeant-major did not reciprocate.

Styles noticed the soldiers’ regimental numeral. ‘The 99th. Isn’t that Boyce’s regiment?’

Kitson nodded. ‘And best avoided by us
Courier
men if at all possible. Come, we should buy what else we need and be gone.’

The correspondent made for a hand-cart piled with flaccid wineskins. Its owner managed to pull one out and exchange it for the remaining four of Kitson’s coins without once taking his eyes off the redcoats. Slinging this latest purchase over his arm, Kitson indicated that they should make good their escape. Before they had gone more than a few feet, however,
two mounted officers entered the yard, riding across the cobblestones at a canter. Cutting in front of the soldiers, they came to a noisy halt at the manor house’s door, climbed down from their horses and tethered them to a stone water trough.

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