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Authors: John Maddox Roberts

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BOOK: The Temple of the Muses
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“Why do they tolerate him?” I asked Julia’s latest catch, an editor of Homeric works named Neleus.
“They have to. He’s a great favorite of the king. Iphicrates makes toys for him: a pleasure-barge driven by rotating paddles instead of oars, a moving dais in the throne room to elevate the king above the crowd, trifles like that. Last year he devised a new system of awnings for the Hippodrome that can be spread, altered as the sun moves and then rolled up, all from the ground instead of sending sailors up on ropes to haul them around.”
“Makes sense to me,” I said. “If the king is going to finance this Museum, he might as well get some good out of it.”
“But, Decius,” Julia said patiently, “this reduces him to the status of a mere mechanic. It’s unworthy of a philosopher.”
I snorted into my excellent wine. “If it weren’t for ‘mere mechanics,’ you’d be hauling water from the river to your house instead of having it delivered from the mountains by way of an aqueduct.”
“Roman accomplishments in applied philosophy are the marvel of the world,” Neleus said. Greeks may despise us as their intellectual inferiors, but they have to toady to us because we’re powerful, as is fitting.
“Besides,” I said to Julia, “I thought you admired Iphicrates.”
“I do. He is unquestionably the finest mathematician alive.”
“But having met him,” I said, “you find your enthusiasm dimmed?”
“His manner is abrasive,” she confessed. By this time the man was talking with Ataxas, of all people, and keeping his voice down for a change. I couldn’t imagine what those two could find to talk about, but I knew a few Pythagoreans in Rome, and they had contrived the almost inconceivable feat of confusing mathematics and religion. I wondered what monstrous, Minotaur-like cult might emerge from a fusion of Archimedes and Baal-Ahriman.
We finally did encounter Fausta. She was naturally the center of much attention. Everyone wanted to meet the daughter of the
famous Dictator, whose name was still feared throughout much of the world. Julia, as a mere Caesar, was not so assiduously courted. If only they had known.
For this was the year of the famous First Triumvirate. Back in Rome, Caesar, Pompey and Crassus had decided that they owned Rome and the world. People now write as if this were some great, world-shaking event. In fact, nobody was even aware of it save the three involved. It was merely a highly informal agreement among the three to watch out for one another’s interests while one or more of them had to be away from Rome. It was a portent of things to come, though.
But that evening we were blissfully unaware of such intriguing. We were free of tiresome politics, and we had time on our hands and all of Alexandria in which to enjoy ourselves.
“T
HE MUSEUM,” I SAID, “WAS founded in the reign of Ptolemy I, surnamed Soter, ‘the Savior,’ two hundred thirty-five years ago.” I had bribed a tour guide to teach me his spiel, and I now delivered it to Julia as we mounted the steps to the main hall. “It was planned and directed by the first Librarian, Demetrios of Phaleron. The Library, of worldwide fame, is actually an adjunct of the Museum. Since the time of Demetrios, an unbroken chain of Librarians has overseen the institution and its collections. The successors of Demetrios have been Zenodotus of Ephesus, Callimachus of Cyrene, Appolonius of Rhodes, Eratosthenes of Cyrene, Aristophanes of Byzantium, Appolonius the Eidograph, Aristarchus of Samothrace—”
“I can read, Decius.” Julia said, cutting me off in mid-genealogy.
“But I still have a hundred years of Librarians to impart,” I protested. It had been a considerable feat of memorization on short
notice, but we noble youth of Rome had that sort of rote learning flogged into us from an early age.
“I read everything I could find on the Museum and the Library during my journey. You can learn a great deal between bouts of seasickness.”
At the top of the stair one passed between a pair of gigantic obelisks. Beyond them was a courtyard paved with polished purple marble, dominated by beautiful statues of Athena, Apollo and Hermes. The greatest buildings of the Museum complex faced on this courtyard: the Library, the magnificent dining hall of the scholars and the Temple itself, a modest but exquisite structure sacred to the Muses. Beyond these were a good many more buildings: the living quarters, lecture halls, observatories, colonnades and so forth.
Julia did much exclaiming over the architectural marvels. In truth, Rome had nothing to touch it. Only the Capitol had anything like the splendor of the great edifices of Alexandria, although our Circus Maximus was a good deal larger than their Hippodrome. But the Hippodrome was made of marble, where the Circus was still mostly of wood.
“This is sublime!” she said excitedly.
“Exactly the word I would have chosen,” I assured her. “What would you like to see first?”
“The lecture halls and the refectory,” she said. “I want to see the scholars as they go about their philosophical labors.”
Someone must have sent word ahead of us, because Amphytrion appeared at that moment. “I will be most happy to escort our distinguished guests. The Museum is at your disposal.”
The last thing I wanted was to have some dusty old Greek coming between me and Julia, but she clapped and exclaimed what a privilege this was. Thus robbed of a graceful way to sidestep his unwanted intrusion, I followed the two into the great building. In the entrance peristyle he gestured toward the rows of names carved into the walls.
“Here you see the names of all the Librarians, and of the
famous scholars and philosophers who have ornamented the Museum since its founding. And here are the portrait busts of the greatest of them.” Beyond the peristyle was a graceful colonnade surrounding a pool in which stood a sculptural group depicting Orpheus calming the wild beasts with his song.
“The colonnade of the Peripatetic philosophers,” Amphytrion explained. “They prefer to converse and expound while walking, and this colonnade is provided for their convenience. The Orpheus was sculpted by the same hand that created the famous
Giganto-machia
at the altar of Zeus in Pergamum.”
This I was prepared to admire to the fullest. It was an example of that flowering of late Greek sculpture that I have always preferred to the effete stuff of Periclean Athens, with its wilting Apollos and excessively chaste Aphrodites. Orpheus, caught in mid-note, was the very embodiment of music as he strummed his lyre. The beasts, obviously stopped at the moment they were about to spring, were carved with wondrous detail. The lion’s fanged mouth was just relaxing from a terrifying snarl, the wolf lapsing into doglike friendliness, the bear standing on his hind legs looking puzzled. In real life no one is ever attacked simultaneously by such a varied menagerie, but this was myth, and it was perfect.
But Julia wanted to see the philosophers at their labors, so we went in search of some. The problem was that, when they aren’t talking, philosophers aren’t doing much at all. Mostly they stand around, or sit around, or in the case of the Peripatetics, walk around, pondering matters and looking wise.
We found Asklepiodes in a lecture hall, speaking to a large audience of physicians about his discoveries concerning the superiority of stitching lacerations rather than searing them with a hot iron. One of the attendees ventured to question whether this was properly the concern of physicians, and Asklepiodes parried him neatly.
“Before even the divine Hippocrates, there was the god of healing, Asklepios. And do we not read in the
Iliad
that his own son, Machaon, with his own hands tended the wounds of the Greek
heroes, even withdrawing an arrowhead in one instance?” I applauded this point vigorously, and there were learned murmurs that this was a valid point.
From the lecture halls we passed into a large courtyard filled with enigmatic objects of stone: tall spindles, slanted ramps, circles with gradations marked off in inscribed lines. A few of the smaller instruments I recognized as similar to the
gnomon
that engineers use to lay out building sites or camps for the legions.
“Welcome to my observatory,” said a man I recognized as Sosigenes, the astronomer. He grinned engagingly as Julia went through her now-customary gush of enthusiasm.
“I shall be most happy to explain something of my studies, my lady,” he said, “but I confess that there are few things more useless than an astronomer in the daytime.” And this he proceeded to do. Sosigenes had a redeeming sense of humor that was notably absent in most of the philosophers there. I found myself actually listening attentively as he explained the purpose of his instruments, and the importance of recording the movements of the stars and planets in calculating positions in navigation, and in determining the real date as opposed to the slippery dates of conventional calendars. The reliable calendar we now use was the invention of Sosigenes, although Caesar took the credit by making it the legal calendar through his authority as Pontifex Maximus. I resolved to return to the observatory some night when he could explain more effectively the mysteries of the stars.
In another courtyard we found the redoubtable Iphicrates of Chios, bossing a crew of carpenters and metal workers as they assembled a complicated model of stone, wood and cable. At our arrival he turned frowning, but smiled and bowed when he saw that Rome had come calling.
“And what do you work on now, Iphicrates?” Amphytrion asked.
“His Majesty has asked me to solve the long-standing problem of silting in the great canal that links the Mediterranean with the Red Sea,” he proclaimed proudly.
“A daunting prospect,” I said. “But its solution would do much to facilitate traffic between the West and India.”
“It’s good to see that someone from outside these walls has a grasp of geography,” he said.
“It’s one of the things we Romans find important,” I answered. “What is your solution?”
“The basis of the problem is that the canal is at sea level, and therefore a noticeable current flows through it from west to east, just as water enters the Mediterranean from the Ocean through the Gates of Heracles, and from east to west through the Hellespont.” In explaining the mysteries of his art, his voice lost its accustomed belligerence and he actually communicated a bit of his own excitement at solving these thorny natural problems.
“I have designed a series of waterproof gates and dry docks at each end of the waterway. By means of these, the dry docks can be flooded to raise or lower shipping to the proper level, and it can sail, row or be towed the intervening distance without a constant current. The amount of silt admitted will be minimal, and the waterway will need to be dredged no more often than every fourth or fifth year.”
“Most ingenious,” I acknowledged. “Worthy of the successor to Archimedes.”
“I thank you,” he said with poor grace. “But the revered Archimedes did not fare so well at the hands of the Romans.” Greeks are always carrying some sort of grudge.
“Yes, well, it was an unfortunate incident, but it was his own fault. You see, when Roman soldiers have just broken into your city after a lengthy siege, and are rampaging about, looting the city and massacring anyone who shows resistance, why, the last thing you want to do is speak insolently to them. If he had just kept his mouth shut and abased himself, he would have been spared. As it was, Marcellus felt awfully bad about it and he gave the old boy a very nice tomb.”
“Just so,” Iphicrates said through gritted teeth.
“But, learned Iphicrates,” Julia said hastily, “what other marvelous
works occupy your mind? In your books you have said that you always have a number of projects under study at any time.”
“If you will come this way,” he said, ushering us into a spacious room adjoining the courtyard where the workmen assembled his water gate. The room was full of cupboards and tables, and the tables were littered with models in varying stages of assembly. Most of the machines, as he explained them, had something to do with raising weights or water. I pointed at one that displayed a long, counterweighted arm tipped with a sling.
“A catapult?” I inquired.
“No, I never design engines of war. That is an improved crane for lifting great stones. A number of your Roman engineers have shown interest in it. It will prove most helpful in your great bridge and aqueduct projects.”
While he spoke to Julia and the Librarian, I wandered about the room, admiring his amazingly lucid drawings and diagrams, every one of them applying geometry and mathematics to the accomplishment of some specific task. This was a sort of philosophy that I could appreciate, even if I found the man himself odious. The open cupboards were filled with more papyri and scrolls. On one table was an oversized scroll of dark, oiled olive wood, its handles stained vermilion. Even a glance told me that it was not made of Egyptian papyrus, but of the skin-paper of Pergamum. I picked up the massive scroll and began to unroll it, but Iphicrates made a massive, throat-clearing sound.
“Excuse me, Senator,” he said, hastily taking it from my hands. “This is the unfinished work of a colleague, lent to me on the understanding that no one else should see it until he has finished it and made it public.” As he locked the thing in an ornate cupboard, I wondered what sort of colleague would trust Iphicrates of Chios with anything.
“That scroll reminds me,” Julia said, adroitly smoothing things over. “I have yet to see the famous Library. And who better to show it to me than the Librarian himself?” We bade farewell to
the difficult mathematician and received his churlish goodbyes in return.
I had already toured the Library, and once you have seen one tremendous warehouse of books, you have seen them all. Besides, it was a noisy place, with hundreds of scholars reading at the top of their lungs. Romans read at a polite, dignified murmur, but not Greeks or, worse, Asiatics. I left Julia and Amphytrion to the dubious pleasures of the Library while I idled about in the great outer courtyard, admiring the splendid statues. I had been there no more than a few minutes when my slave Hermes appeared bearing the most welcome of sights: a bulging wineskin and a pair of cups. I had left him with our litter with strict orders to stay where he was. Naturally, he had ignored me. He was an unregenerate young criminal, but he made up for it by anticipating my needs with mystical precision.
“Didn’t think you’d be able to take too much culture at once,” he said, pouring me a cup. “I went out to a wineshop and picked us up some first-rate Lesbian.”
I took the cup gratefully. “Remind me to flog you sometime for disobedience.” I raised the cup in toast to the statue of Sappho that stood just inside the portico of the Temple. She had this place of honor because the old Greeks had named her “the tenth Muse.” I took a long drink and addressed the statue.
“Now I know what your inspiration was, old girl.” The many tourists made scandalized noises to see someone drinking in such a place. That was all right. A Roman Senator can do whatever he likes, and we’re used to snooty foreigners calling us barbarians. Hermes poured himself a cup.
“I trust you have some valuable information for me,” I said. “There are limits to the insolence I will tolerate.”
“I got this straight from the queen’s personal maids,” he assured me. “She’s pregnant again.” This was one of the ways that Hermes served me.
“Another royal brat!” I said. “This is going to complicate
things, especially if it turns out to be a boy. Another princess won’t matter much, with three already underfoot.”
“They say Pothinus, the Number One Eunuch, is not pleased.” Hermes was privy to more privileged information than the whole diplomatic corps.
“No reason why he should be. It just complicates his life, too. Not to mention that eunuchs as a rule don’t take much satisfaction in human fertility. How far along is she?”
“Three months. Berenice is furious, Cleopatra seems to be happy about it and Arsinoe’s too young to care. As far as I know, young Ptolemy hasn’t been told yet.”
BOOK: The Temple of the Muses
8.75Mb size Format: txt, pdf, ePub
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