The Thing About Thugs (14 page)

And has any of them gone as far as John May has? It is a good thing he does not believe in ghosts. It is a good thing that he has stuffed animals. It is good that he knows how much more beastly than animals a human being can be. Like that Thing there, staring at him. That head, that skull, that Thing that belongs to a white woman who was as depraved, as obscene, as any nigger or lascar. More perhaps. Surely, more. Why should he, John May, self-made man, be afraid of that ugly bolus of skin, flesh, blood, hair and bone? Why should he let it turn him to stone?

Amir Ali retires to his ‘room’, the scullery, as soon as he is dismissed from the polite company in the drawing room. It is a bare room with a tiled floor, a counter, a sink and a copper for the laundry. Unlike many other sculleries, it has a small fireplace too. It is also used less often than the other sculleries that Amir has seen, as Captain Meadows’ house is rather large and has a pantry in which the pans and dishes are washed.

Because it is hardly in use, and has its own supply of water and a fireplace, the scullery was imposed on Amir Ali by Nelly, though only after some resistance from the Captain, who first offered him one of the servant rooms in the attic. But Nelly was adamant. It is bad enough to have him hulking in the scullery next to the kitchen all day, Amir Ali overheard her telling the Captain; she does not want her nights disturbed by the knowledge that he is sleeping on the same floor as her and the young girls who are, after all, her wards in a manner of speaking.

The fire in the little fireplace has burnt low and the room is chilly, despite the warm smell of cooking from the kitchen. By now Amir has become used to the overbearing smells of London houses, especially around the kitchen: the odours, he feels, are stronger and more basic — burnt meat, boiled vegetables — than in respectable houses in his village, which are open to the cleansing air, purified by agarbattis.

In the little light afforded by the fire, which is augmented by a candle stub, Amir sits writing in his journal. He is penning one of the letters that he has been writing to Jenny in the elaborate and silenced strokes of cursive Farsi. The letters she will not, cannot read. The letters which, more than a century later, across continents and seas, will be read, with some difficulty and assistance, by a teenager in his grandfather’s library in a whitewashed house. Jaanam, he begins.

Jaanam,

There are days when I wait for you, sometimes outside, sometimes in the scullery. The kitchen I avoid, for I have no desire to increase the ill-will that Nelly bears towards me. It is not that I am afraid for myself, I am more afraid for you: Nelly is no fool, I think she has noticed that we like each other, though she may not have imagined more, so alien am I to her and her world. Still, I do not want her to inflict on you the cruelties and indignities which, if it were not for the Captain, she would inflict on me.

As for me, I have only a few nights left in the Captain’s house. I have completed the narrative that I have been providing him with and I could leave tomorrow, if I wished to. I have already arranged to rent a small place not far from Qui Hy’s at the Mint. It is dilapidated and vermin-infested, but it is cheap and will provide me with enough space to allow Gunga and his jahaajbhais to join me. Now that Gunga has lost his job — he ran into trouble with some guild or union — I can hardly do anything else. I cannot let them stay on in that damp little room in the East End with so many others, at least three of them seriously ill. Even more seriously ill than Karim who, I fear, is slowly dying of consumption.

As you know, jaanam, I can afford to rent the house. The Captain is a man of his word. Not only has he paid me regularly for the months I have been with him, today he also paid me — as he had promised — for the voyage back. I have most of the money sewn into my English coat, the one you helped me buy from that pedlar on Chick Lane. The Captain has gone even further: he has given me a statement of character, vouching that I am an honest and reformed person and may be employed on his recommendation. How many people would do that? Not one of the men who probed my skull in the drawing room tonight; not one of the women who chirruped and exclaimed over me.

Over the months that I have spent with the Captain, I have grown fond of him. I concede that. And I dare say he has grown fond of me too. In some ways, we are so similar, we are people who have grown up with others and yet alone. There are moments
when I feel guilty about the stories I have embroidered for him. No, I would not say I have lied to him, for I have told him what he wanted to hear, stitching together a colourful garment from the threads and patches of stories heard here and there, in my village and in Patna. I believe that we are lied to only to the extent that we want to believe in the lies.

In one sense, the barter was fair enough: He got his thug; I got my revenge. For, when I approached Captain Meadows in the Patna hospital, he did not just interrogate me and examine my skull, he also instructed the authorities to confirm my story. But my story was simple enough. The mound with the dead bodies was exactly where I had described it; Mirza Habibullah and his men just where I had said they would be.

Oh, the Company is efficient, jaanam; we all know that in India. It swooped on Habibullah and his men and rounded them up before they knew what had hit them. On being arrested and interrogated — and not just with words, jaanam — the men broke down and confessed to the murders. Of course, they attributed it to enmity and a feud over land. But I had already anticipated that. I had told the Captain that thugs, on being arrested, try to attribute the murders they have committed to mundane causes, as they expect to be let off more easily then. And neither the Captain, with his story to tell, nor the authorities, with their new crusade against thugs, were in the mood to believe the blustering Habibullah.

I am told that two of Habibullah’s relatives and three of his henchmen were awarded the dreaded sentence of Kalapani, but Habibullah managed to get his sentence commuted to ten years in jail by paying his henchmen to lie about his involvement. I was never confronted with them. I pleaded terror of the gang, and the Company authorities only asked me for a signed statement. After that I was free to go — except that there was nowhere I could go. To return to the village might have embroiled Hamid Bhai and his family in the matter: it was best that no one fully
discovered the role I had played in the arrest and prosecution of Habibullah. The Company worked in mysterious, incomprehensible ways, and it was safest to let the mystery remain undisturbed So, when Captain Meadows offered me service and a free passage to England in lieu of my ‘history’, I accepted his offer.

But when I had spun him a story about Habibullah being a thug, I had not realized I was spinning myself into a web of my own making. Stories, true or false, are difficult to escape from, jaanam. Especially the stories we tell about ourselves. In some ways, all of us become what we pretend to be.

[WILLIAM T. MEADOWS, NOTES ON A THUG: CHARACTER AND CIRCUMSTANCES, 1840]

‘I fear, O sahib, that I have wearied you with the minute relation of my history. But I have told all, and I have not concealed from you one thought, one feeling, much less any act which at this distance of time and place I can recall and that I feel may have a bearing on the moral of my history.

With these words, Amir Ali, the Thug, ended his narration, the long account of which I have here presented to you, revered reader, in the hope that it would weary you as little as it wearied me. For man is such a beast of wonder that even in his mistakes, errors and lies, even in his darkest manifestations, even when he follows devilish rites and false gods, there is much to learn and even more to hope for. May this account, then, offer to you, indulgent reader, the story of the reclamation of not just one benighted heathen, but through him, evidence of the civilizing of entire cultures and nations. Nay, I would say more: the promise, so dear to any Christian heart, of salvation of the human soul, of mercy and redemption.

The gilded wooden cherub of the Prize of War is difficult to face alone. John May has dragged Shields along for moral support, and also because he does not want to carry the canvas bag containing the polished, gleaming, knotty skull of the old woman. It has taken him almost a week to prepare the skull, a week of sleeplessness.

Handing the Thing to M’lord is not any easier. He meets M’lord in the parlour of the house, as usual: a carpeted room with potted plants, cheap coloured prints of various queens and royal consorts, and a number of stuffed animals. The two foxes and the otter look particularly ravenous to John May. He feels alone and naked, raked by M’lord’s eyes through the slits of a new mask, his guilt transparent to anyone who cares to look him in the eye. He wishes for a mask. He wishes he could bring Shields into the room, but that, of course, is not possible. He would lose M’lord’s patronage in a second. M’lord likes to believe that the skulls materialize, cleaned and polished, in John May’s hands out of nowhere, without the aid of any stratagem, accomplice, or even undue labour.

And M’lord does not see through John May this time either. In fact, he hardly sees John May. All he has eyes for is the skull. A superb specimen, he utters, as if in a trance. A superb example of the structural traces of depravity, my man; structural traces, not a minor matter of wrinkles and upturned lips that Combians like Captain Meadows fool around with. Look at the superciliary ridge, the narrow eyes, the indentures, ridges... You have done a good job, Mr May.

Carried away by M’lord’s enraptured praise, John May volunteers another skull as distinctive, as precious to his Lordship’s precise physical science as this one, and that too within a month — at a slightly higher price, if I may, sir. And M’lord accepts the price with a generous wave of his hand.

Now, sharing a beer with Shields, John May is both thrilled and worried by his offer. Unusual skulls are not altogether impossible to find in London. Difficult, true, but not impossible. He often comes across a gypsy here, a cockney there, whose skull would be welcome in M’lord’s collection. The problem is that all these people are vigorously alive. They are not even old, like the woman in the opium den. And, give or take a few whores, it is difficult to justify their death on moral grounds: they might be niggers, they are poor, but these attributes are not really sins.

The pinched publican stands with his elbow on the counter and looks at the two.

‘His Lordship didn’t pay’, he observes to John May.

‘Oh no, he did. He paid splendidly’, replies Shields, the half-drunk fool, before John May can kick him.

‘Why so glum, then, my friend?’ the barman asks John May.

There is something about barmen that makes you want to open up to them, thinks John May. Perhaps it is because they are good at echoing your words, sometimes even your thoughts. It is a little like going through a tunnel: one feels tempted to shout into it and hear one’s voice echoing, changing shape and sound, and still remaining identifiable. John May resists the temptation.

He knows his soul is oppressed by the need to shout into some tunnel. But he also knows that there always are people listening at the other end of a tunnel. He wishes he could at least take his confusion out on Shields as he used to in the past, by swearing at the smaller man, running him down, even cuffing him on occasion. But the night in the den has changed all that: now he cannot afford to make an enemy of Shields; he has to be reasonably polite to the uncouth man, he has to ply him with drinks.

Luckily, the temptation of the tunnel-barman is removed due to a brawl that erupts in a far corner of the pub. By the time the barman and his helpers have coped with it, by tossing one side out and providing a round of free drinks to the other side, John May and Shields have moved to a corner table, out of reach of the barman.

They are soon joined by One-eyed Jack. This is the other consequence of that night of enterprise at the opium den: Jack has penetrated the more intimate corners of John May’s existence; he seldom uses ‘guv’nor’ or ‘sir’ to address them now.

John May actually welcomes the gaunt man’s company this evening; unlike Shields, who is not drunk enough to blur the horror of their acts that recent night, Jack is unperturbed, calm. Smelling of alcohol and opium, and dressed in worn hand-me-downs and a battered hat, his gingery hair falling on his shoulders in lanky lumps, Jack is probably the blind tunnel John May craves. After another drink, he broaches the topic indirectly.

‘Some people say it is wrong to take a life’, John May says to the two.

Shields grows pale; he is still not drunk enough to be recklessly brave and blasphemous.

Jack does not even look up. ‘Bloody Budderists’, he growls into his mug.

‘Who?’

‘Budderists. Hindoos. Them that don’t eat meat, they say.’

‘But what do you think, Jack?’ John May asks him.

‘Me?’

‘You.’

‘What do I think?’

‘Yes.’

‘I think... well, I think if God didn’t want ’em slaughtered, he wouldn’t’ve made ’em sheep.’

‘That’s a thought, isn’t it, Shields’, replies John May.

‘Sure is, sure is’, says Shields, drinking desperately and hoping that something will happen to break off the trail of this discussion. It does, for it is a Saturday evening. The publican hops on to the bar
counter and bangs a pan for silence. It does not manage to curtail all the conversations in the room. Shut up, gentlemen, shut up, sirs, will you, the publican roars into the hubbub, banging harder with a ladle on the metal pan. Conversation subsides. It’s time; it’s time, announces the publican, and further conversation is made impossible by the loud singing of men as the ‘free-and-easy’ starts in the pub.

Major Grayper sat in the cooling room of a Turkish bath, assiduously jotting down and checking the points of the ‘opium den beheading’ case in a covered pocketbook. He looked up when Daniel Oates, in the Major’s view a godforsaken hack who shared not only his acquaintance with Captain Meadows but, more sadly, also his club, lounged in and swung himself into an adjacent chair. He was cupping a drink in his hands and crumbs of bread adhered to his robe.