The Visible Man and Other Stories (18 page)

When the scratching at his mind did come again it was hours later, while he was watching an old movie on the Late Show, when he had almost managed to forget. He stiffened, feeling a surge of terror (and feeling something else that he was unable to verbalize), even the half of his mind that had wanted it to come screaming in horror of the unknown now that the impossible had actually happened. He fought down terror, breathing harshly. This couldn’t be happening. Maybe he was crazy. A flicker of abysmal fear. Sweat started on his forehead, armpits, crotch.

Again, the scratching: bright feelings sliding tentatively into his head, failing to catch and slipping out, coming back again—like focusing a split-image lens. He sat back in the easy chair; old springs groaned, the cracked leather felt hot and sticky against his T-shirted back. He squeezed the empty beer can, crumpling it. Automatically he put the empty into the six-pack at the foot of the chair. He picked up another can and sat with it unopened in his lap. The sliding in his head made him dizzy and faintly nauseous—he squirmed uneasily, trying to find a position that would lessen the vertigo. The cushion made a wet sucking noise as he pulled free of it: the dent made by his back in the leather began to work itself back to level, creaking and groaning, only to reform when he let his weight down again. Jarred by motion, the ashtray he’d been balancing on his knee slipped and crashed facedown to the rug in an explosion of ashes.

Mason leaned forward to pick it up, stopped, his attention suddenly caught and fixed by the television again. He blinked at the grainy, flickering black-and-white images; again he felt something that he didn’t know how to say, so strongly that the sliding in his head was momentarily ignored.

It was one of those movies they’d made in the late ’20s–’30s where everything was perfect. The hero was handsome, suave, impeccably dressed; he had courage, he had style, he could fit in anywhere, he could solve any problem—he never faltered, he never stepped on his own dick. He was Quality. The heroine matched him: she was sophisticated, refined, self-possessed—a slender, aristocratic sculpture in ice and moonlight. She was unspeakably lovely. They were both class people, posh people: the ones who ran things, the ones who mattered. They had been born into the right families on the right side of town, gone to the right schools, known the right people—got the right jobs. Unquestioned superiority showed in the way they moved, walked, planted their feet, turned their heads. It was all cool, planned and poised, like a dancer. They knew that they were the best people, knew it without having to think about it or even knowing that they knew it. It was a thing assumed at birth. It was a thing you couldn’t fake, couldn’t put on: something would trip you up every time, and the other ones on top would look through you and see what you really were and draw a circle that excluded you out (never actually saying anything, which would make it worse), and you would be left standing there with your dick hanging out, flushed, embarrassed, sweating—too coarse, doughy, unfinished—twisting your hat nervously between knobby, clumsy hands. But that would never happen to the man and woman on television.

Mason found himself trembling with rage, blind with it, shaking as if he were going to tear himself to pieces, falling apart and not knowing why, amazed and awed by his own fury, his guts knotting, his big horny hands clenching and unclenching at the injustice, the monstrousness, the slime, the millions of lives pissed away, turning his anger over and over, churning it like a murky liquid, pounding it into froth.

They never paid any dues. They never sweated, or defecated. Their bodies never smelled bad, never got dirty. They never had crud under their fingernails, blisters on their palms, blood staining their arms to the elbows. The man never had five o’clock shadow, the woman never wore her hair in rollers like Emma, or had sour breath, or told her lover to take out the garbage. They never farted. Or belched. They did not have sex—they
made love
, and it was all transcendental pleasure: no indignity of thrashing bodies, clumsily intertwining limbs, fumbling and straining, incoherent words and coarse animal sounds; and afterward he would be breathing easily, her hair would be in place, there would be no body fluids, the sheets would not be rumpled or stained. And the world they moved through all their lives reflected their own perfection: it was beautiful, tidy, ordered. Mansions. Vast lawns. Neatly painted, tree-lined streets. And style brought luck too. The gods smiled at them, a benign fate rolled dice that always came up sevens, sevens, sevens. They skated through life without having to move their feet, smiling, untouched, gorgeous, like a parade float: towed by others. They broke the bank of every game in town. Everything went their way. Coincidence became a contortionist to finish in their favor.

Because they had class. Because they were on top.

Mason sat up, gasping. He had left the ashtray on the floor. Numbly, he set the beer can down beside it. His hand was trembling. He felt like he had been kicked in the stomach.
They
had quality. He had nothing. He could see everything now: everything he’d been running from all his life. He was shit. No way to deny it. He lived in a shithouse, he worked in a shithouse. His whole world was a vast shithouse: dirty black liquid bubbling prehistorically; rich feisty odors of decay. He was surrounded by shit, he wallowed in it. He
was
shit. Already, he realized, it made no difference that he had ever lived. You’re nothing, he told himself, you’re shit. You ain’t never been anything but shit. You ain’t never going to be anything but shit. Your whole life’s been nothing but shit.

No.

He shook his head blindly.

No.

There was only one thing in his life that was out of the ordinary, and he snatched at it with the desperation of a drowning man.

The sliding, the scratching in his head that was even now becoming more insistent, that became almost overwhelming as he shifted his attention back to it. That was strange, wasn’t it? That was unusual. And it had come to him, hadn’t it? There were millions and millions of other people in the world, but it had picked
him
—it had come to him. And it was real, it wasn’t a dream. He wasn’t crazy, and if it was just a dream he’d have to be. So it was real, and the girl was real. He had somebody else inside his head. And if that was real, then that was something that had never happened to anybody else in the world before—something he’d never even heard about before other than some dumb sci-fi movies on TV. It was something that even
they
had never done, something that made him different from every man in the world, from every man who had ever lived. It was his own personal miracle.

Trembling, he leaned back in the chair. Leather creaked. This was his miracle, he told himself, it was good, it wouldn’t harm him. The bright feelings themselves were good: somehow they reminded him of childhood, of quiet gardens, of dust motes spinning in sunlight, of the sea. He struggled for calm. Blood pounded at his throat, throbbed in his wrists. He felt (the memory flooding, incredibly vivid—ebbing) the way he had the first time Sally Rogers had let him spread her meaty, fragrant thighs behind the hill during noon class in the seventh grade: lightheaded, scared, shaking with tension, madly impatient. He swallowed, hesitating, gathering courage. The television babbled unnoticed in the background. He closed his eyes and let go.

Colors swallowed him in a rush.

She waited for him there, a there that became
here
as his knowledge of his physical environment faded, as his body ceased to exist, the soothing blackness broken only by random after-images and pastel colors scurrying in abstract, friendly patterns.

She was
here
—simultaneously
here
and very far away. Like him, she both filled all of
here
and took up no space at all—both statements were equally absurd. Her presence was nothing but that: no pictures, no images, nothing to see, hear, touch or smell. That had all been left in the world of duration. Yet somehow she radiated an ultimate and catholic femininity, an archetypal essence, a quicksilver mixture of demanding fire and an ancient racial purpose as unshakable and patient as ice—and he knew it was the (girl? woman? angel?) of his previous “dream,” and no other.

There were no words
here
, but they were no longer needed. He understood her by empathy, by the clear perception of emotion that lies behind all language. There was fear in her mind—a rasp like hot iron—and a feeling of hurtling endlessly and forlornly through vast, empty desolation, surrounded by cold and by echoing, roaring darkness. She seemed closer tonight, though still unimaginably far away. He felt that she was still moving slowly toward him, even as they met and mingled
here
, that her body was careening toward him down the path blazed by her mind.

She was zeroing in on him: this was the theory his mind immediately formed, instantly and gratefully accepted. He had thought of her from the beginning as an angel—now he conceived of her as a lost angel wandering alone through Night for ages, suddenly touched by his presence, drawn like an iron filing to a magnet, pulled from exile into the realms of light and life.

He soothed her. He would wait for her, he would be a beacon—he would not leave her alone in the dark, he would love her and pull her to the light. She quieted, and they moved together, through each other, became one.

He sank deeper into Night.

He floated in himself: a Moebius band.

In the morning, he woke in the chair. A test pattern hummed on the television. The inside of his pants was sticky with semen.

Habit drives him to work. Automatically he gets up, takes a shower, puts on fresh clothes. He eats no breakfast; he isn’t hungry—he wonders, idly, if he will ever be hungry again. He lets his feet take him to the bus stop, and waits without fretting about whether or not he’d remembered to lock the door. He waits without thinking about anything. The sun is out; birds are humming in the concrete eaves of the housing project. Mason hums too, quite unconsciously. He boards the bus for work, lets the driver punch his trip ticket, and docilely allows the incoming crowd to push and jostle him to an uncomfortable seat in the back, over the wheel. There, sitting with his knees doubled up in the tiny seat and peering around with an unusual curiosity, the other passengers give him the first bad feeling of the day. They sit in orderly rows, not talking, not moving, not even looking out the window. They look like department store dummies, on their way to a new display. They are not there at all.

Mason decided to call her Lilith—provisionally at least, until the day, soon now, when he could learn her real name from her own lips. The name drifted up from his subconscious, from the residue of long, forgotten years of Sunday school—not so much because of the associations of primeval love carried by the name (although those rang on a deeper level), but because as a restless child suffering through afternoons of watered-down theology he’d always imagined Lilith to be rather pretty and sympathetic, the kind who might wink conspiratorially at him behind the back of the pious, pompous instructor: a girl with a hint of illicit humor and style, unlike the dumpy, clay-faced ladies in the Bible illustrations. So she became Lilith. He wondered if he would be able to explain the name to her when they met, make her laugh with it.

He fussed with these and other details throughout the day, turning it over in his mind—he wasn’t crazy, the dream was real, Lilith was real, she was his—the same thoughts cycling constantly. He was happy in his preoccupation, self-sufficient, only partly aware of the external reality through which he moved. He contributed only monosyllabic grunts to the usual locker-room conversations about sports and Indochina and pussy, he answered questions with careless shrugs or nods, he completely ignored the daily gauntlet of hellos, goodbyes, how’re they hangings and other ritual sounds. During lunch he ate very little and let Russo finish his sandwich without any of the traditional exclamations of amazement about the wop’s insatiable appetite—which made Russo so uneasy that he was unable to finish it after all. Kaplan came in and told Russo and Mason in hushed, delighted tones that old Hamilton had finally caught the clap from that hooker he’d been running around with down at Saluzzio’s. Russo exploded into the expected laughter, said
no shit?
in a shrill voice, pounded the table, grinned in jovial disgust at the thought of that old bastard Hamilton with VD. Mason grunted.

Kaplan and Russo exchanged a look over his head—their eyes were filled with the beginnings of a reasonless, instinctive fear: the kind of unease that pistons in a car’s engine might feel when one of the cylinders begins to misfire. Mason ignored them; they did not exist; they never had. He sat at the stone table and chain-smoked with detached ferocity, smoking barely half of each cigarette before using it to light another and dumping the butt into his untouched coffee to sizzle and drown. The dixie cup was filled with floating, jostling cigarette butts, growing fat and mud-colored as they sucked up coffee: a nicotine logjam. Kaplan and Russo mumbled excuses and moved away to find another table; today Mason made them feel uneasy and insignificant.

Mason did not notice that they had gone. He sat and smoked until the whistle blew, and then got up and walked calmly in to work. He worked mechanically, raising the hammer and bringing it down, his hands knowing their job and doing it without any need of volition, the big muscles in his arms and shoulders straining, his legs braced wide apart, sweat gleaming—an automaton, a clockwork golem. His face was puckered and preoccupied, as if he were constipated. He did not see the blood; his brain danced with thoughts of Lilith.

Twice that day he thought he felt her brush at his mind, the faintest of gossamer touches, but there were too many distractions—he couldn’t concentrate enough. As he washed up after work, he felt the touch again: a hesitant, delicate, exploratory touch, as if someone were groping through his mind with feather fingers.

Mason trembled, and his eyes glazed. He stood, head tilted, unaware of the stream of hot water against his back and hips, the wet stone underfoot, the beaded metal walls; the soap drying on his arms and chest, the smell of heat and wet flesh, the sharp hiss of the shower jets and the gargle of water down the drain; the slap of thongs and rasp of towels, the jumbled crisscross of wet footprints left by men moving from the showers to the lockers, the stuffiness of steam and sweat disturbed by an eddy of colder air as someone opened the outer door; the rows of metal lockers beyond the showers with
Playboy
gatefolds and Tijuana pornography and family snapshots pinned to the doors, the discolored wooden benches and the boxes of foot powder, the green and white walls of the dressing room covered with company bulletins and joke-shop signs . . . Everything that went into the making of that moment, of his reality, of his life. It all faded, became a ghost, the shadow of a shadow, disappeared completely, did not exist. There was only
here
, and Lilith
here
. And their touch, infinitely closer than joined fingers. Then the world dragged him away.