Authors: James Alan Gardner
After which...
Jode would say, "Oh darling, let's go see the sights."
"Oh darling, I've got a surprise for you."
"Oh darling, someone said there's something interesting to visit over here."
Jode would invent an excuse to get Sebastian... where? To have him do what?
Whatever it was, it wouldn't be long now. If Sebastian and Jode had arrived in town mid-afternoon, they'd take an hour or two or three to wallow in connubial bliss.
That would get them to nightfall. And whatever skullduggery Jode intended, the Lucifer would probably prefer to do it after dark.
I looked out the tavern's west window and saw the sky washed with red fading into purple. The sun had fully set. Alien Jode would soon make its move.
There was another window to the north, this one looking out on the city. As I watched, a streetlight came on. Then another. Then another and another. Some were mercury blue, others sodium orange.
OldTech electric lights. Powered by the hydro-electric station that tapped energy from thousands of tons of falling water. A station tended by the Holy Lightning, but secretly supported by the Sparks.
The tavern door swung open and Bing entered, shuffling his feet to scrape mud off his boots. "You folks decided where you want to go?"
"No," said Impervia.
"Not a clue," said Pelinor.
"Not a
fucking
clue," said the Caryatid under her breath.
"I know where they're going," I said.
The others turned to me in surprise.
The target had to be the generating station. Nothing else fit.
If the Sparks supported the station, they didn't do it from blissful generosity; they must be using the power for purposes of their own. And the Falls gave them
prodigious
amounts of power—at one time, Niagara's electrical grid supplied energy to millions of people. Millions of
OldTech
people, with all their refrigerators, stoves, and computers (not to mention factories, office towers, and neon-bright casinos). Now the generators supplied only Niffles itself... and the power lines didn't even reach the city's outskirts, as evidenced by The Captured Peacock's kerosene lanterns.
So: enormous generating plant, minuscule public consumption. Where was the rest of the energy going? How was it being used?
I didn't know. But Dreamsinger did. And when she realized Sebastian had the psionic potential to threaten the generators, the Sorcery-Lord took off like a firecracker. Now she'd be guarding the power station; and if Sebastian or Jode got near the place, they'd both end up as sorcerous shish-kebab.
Or would they? Why did I think Dreamsinger would be victorious, given that Sebastian had top-notch psychic abilities and Jode had already killed one Spark? It wasn't at all certain the Sorcery-Lord would win. Then again, Dreamsinger
had
the advantage of twelve hours to prepare a defense, building on whatever fortifications the power station already possessed. (You could bet if the station was truly vital to the Sparks, they'd have done their best to make it impregnable.) Dreamsinger also knew she was dealing with a Lucifer; she wouldn't be taken by surprise like her unlucky brother. And even if the Sorcery-Lord got defeated, it didn't mean Sebastian was safe—Spark Royal would then cry vengeance, and
no one
could win a fight against the entire Spark family (plus the League of Peoples backing them).
So to save Sebastian, we had to reach the power plant ahead of him. Intercept the boy before he came into Dreamsinger's sights. We'd then have to persuade him his bride wasn't the real Rosalind... after which we'd thrash the Lucifer, take Sebastian home, and pray the whole thing would blow over.
Sure. Simple.
On the other hand, if I hadn't been in Niffles risking my life, I'd be home in my stifling don's suite, marking geometry tests and bemoaning how little I'd made of my intellectual potential.
Was tedium better than facing death? I honestly couldn't tell. Someone else in my position might suddenly realize geometry tests weren't so bad after all. Others might say, "Compared to being a teacher, I'd rather fight alien shapeshifters any day!"
But I couldn't say which I feared more—which I
hated
more. Quests or tests. Death or monotony.
So it's come to this. And hasn't it been a long way down.
Supper was finished. Darkness had fallen. Outside The Captured Peacock, we waited for Bing to fetch the coach.
Pelinor and the Caryatid huddled together, talking in low voices. Impervia paced back and forth some distance away, surrounding herself with the air of someone who didn't want her solitude interrupted. Annah stood by my elbow, close but not touching.
Silent. Breathing the cool night air.
Stars had begun to appear, plus a few satellites tracking brightly across the blackness at speeds faster than any natural body. Most of the satellites were abandoned and defunct—OldTech derelicts waiting for their orbits to decay—but I wondered if some of those eyes-on-high belonged to Spark Royal: relay stations for ghost-smoke tubes that carried the Lords anywhere on the planet.
Trust the Sparks to have their own private satellites while the rest of Earth couldn't even re-create the Industrial Revolution.
Annah nudged my arm. "What are you looking at?"
"Oh, just the stars."
"Making a wish?"
"One wish isn't enough. We need at least a dozen if we hope to see the dawn."
"Or we could just go home."
I turned toward her, but she'd focused her eyes on the stars and the dark. "Haven't we been through this?" I asked. "Didn't we decide to drink life to the lees?"
"I've been thinking of other ways you and I could do that. Besides dying."
She looked up at me, eyes white in her dark face. I could see she wanted to kiss me; and I wanted to kiss her. Strange that neither of us made a move.
"I've been thinking of such things too," I said. "But if we just ran off and found a honeymoon suite instead of sticking with our friends..."
She nodded.
"I could not love thee, dear, so much, lov'd I not honor more."
"All these years," I said, "and I never knew you liked quoting poetry."
"I don't, really." She laughed. "I suppose it's because we're on a quest. Poetry just springs to the lips."
The word "lips" made me want to kiss her again. But I didn't. "This isn't a quest," I said. "It's real."
"The best quests
are
real. Isn't that the point? Myths are everyday life in disguise. Slaying the Jabberwock means facing your
own
monsters; searching for the Holy Grail means pursuing some goal you've previously shied away from. But it would be sappy to say that in so many words. That's why poets sing about battling gigantic beasts instead of fending off boredom. And why they sing about finding the Holy Grail rather than... oh, the things you can get only when you give up the nonsense that holds you back."
"What kind of nonsense?" I asked.
"Habits. Inhibitions. A flawed self-image." Annah's eyes glistened. "You know what I'm talking about, Phil."
"I do indeed." I still didn't kiss her. "When I get rid of those, that's when I find the Holy Grail?"
"When you get rid of those, the Holy Grail finds you." She let out her breath, as if she'd been holding it. "Or so the poets say. Grails can be awfully damned slow in getting the message."
She took my face in her hands and pulled me down to her mouth.
When Bing arrived with the coach, everyone piled inside without a word—even Pelinor, who'd decided to forego the driver's seat. Supposedly, he was sitting with us so we could talk "strategy"... but I couldn't help noticing how close he tucked himself against the Caryatid. Not just due to the narrowness of the bench. Annah had obviously been right about the Caryatid and Pelinor; with danger soon approaching, they didn't want to be apart.
But they didn't indulge in any last-minute whispering. No one did. Nor any talk of strategy. We all gazed wordlessly out the windows into the dark, like soldiers withdrawing into themselves before the call to arms.
Five minutes after we left The Captured Peacock, we reached the first of the city streetlights: a garish silver-blue bulb on an OldTech lamp standard that tilted fifteen degrees to the right. The pole's concrete support had tipped sideways over the past four centuries, and no one had bothered to correct the slippage. As the horses clopped past, I thought the slanted pole was a perfect symbol of our modern age. Some Keeper of Holy Lightning had worked long hours to construct the lightbulb by hand, yet had ignored the less complicated job of straightening the pole. Why? Perhaps because making the bulb seemed important and special, while straightening a pole wouldn't impress anyone. Or perhaps because the Keeper thought making lightbulbs was his job and straightening poles wasn't.
There were other lamp standards on the road into town—all tilted, some badly—but only one in four was actually lit. I wondered if the Keepers couldn't make enough bulbs or if they'd decided our modern eyes didn't need as much illumination as the OldTechs had. We're far more accustomed to darkness than our spoiled ancestors; they were obsessed with expelling shadows. If they had to live by candlelight the way we do, they'd soon fall to pieces: trembling at the dark beyond the door. They'd probably see this roadway as poorly lit and creepy... whereas the truth was we had ample illumination to keep our horses on the straight and narrow, so why did we need more?
Even so, we
got
more. Five minutes later, we reached a stretch of road where every
third
streetlamp was lit instead of every fourth. The poles were straighter too. Most houses on the block showed nothing but the flicker of candles or the glow of an open hearth, but one or two displayed a single electric bulb burning with conspicuous wattage: in an uncurtained window or as a bright glow behind a vividly colored blind. I suspected these families owned only one lightbulb which they carried from room to room as needed... but at least they
had
the bulb, and they wanted their neighbors to know.
Another five minutes closer to downtown, and the true gaudy-show began. There were bulbs in every streetlamp now... and ahead of us, giant hotel towers with artificial light shining from every aperture. A dazzling electrical showcase.
Newlyweds would surely talk about the spectacle for months when they returned to whatever village they called home. Flashing marquees. Bulbs in yellow and crimson. Casinos always bright as the sun, even at midnight. And when a bulb burned out, it was sent to the nearest souvenir shop and sold to some goober who'd take it home to tell his friends, "You should have seen this when it was alive."
At every hotel, music played from electric speakers mounted over the sidewalk—sometimes amplifications of live performances, sometimes recordings from OldTech times. The OldTech music was always unpleasant, discordant noise... not because the OldTechs had wretched musical taste, but because the truly
good
selections had disintegrated long ago: tapes and disks and platters got played so often they literally fell apart. The only usable records left were the ones so bad nobody had played them while palatable music still worked—tuneless, rhythmless crap with self-important lyrics, just plain embarrassing four centuries after the fact.
It didn't matter. Hotels had to play the ugly noise to prove they had electricity. And they'd play it long and loud, till the tapes tore, the disks cracked, and the ridges on the platters wore down flat as glass. People congregating on the sidewalks would listen to this garbage as attentively as they once listened to much better—marveling at these sounds from the past, and believing they were hearing the heartbeat of OldTech spirit—when in fact, they were wasting their time with drab dingy ditties that had survived only because they were unlikable.
The horses snorted and shuddered as they clopped past. Animals are always good critics.
The ruckus didn't fade—the clamor of bad music, plus people walking and talking, carriages rattling, the evening more busy than daylight—but all lesser noises gradually submerged beneath a greater thunder: hundreds of tons of water plunging every second into a deep echoing gorge. A roaring rumble that put the pathetic music to shame.
The Falls.
There were two separate cataracts, but the largest by far was the one coming into sight outside the coach's windows: Horseshoe Falls, a great pouring arc whose sheets of water were illuminated by searchlights mounted along the walls of the gorge. The lights were tinted (green, gold, blue), projecting through the perpetual mist to shine on the Falls themselves. Despite the chill of the evening, dozens of couples lined the rail along the gorge, gaping at the display as their clothes grew wet from spray.
I glanced at my companions and was glad to see them staring in wonder too—even Impervia, who tried to remain unmoved by anything others found impressive. The water, the light, the roar: it's easy to be cynical from a distance, but not when you're right there, peering through darkness at one of the marvels of our planet. There are taller falls in the world and wider ones, cascades that pour more water per second or glisten more brightly in the sunlight... but there's no other place where natural grandeur presents such a perfect view.
We passed in silence, craning our necks to keep the panorama in sight as long as possible—all along the road that rimmed the gorge, until we finally came level with the edge of the Falls and lost sight of the cataract at the point of maximum thunder and spray.
When we turned our heads back to the road, the generating station lay in front of us.
The station was
old:
covered with so many snarls of vines the concrete beneath was barely visible, even in leafless winter. Perhaps the vines held the building together; four hundred years of wind and snow had been shut out by tendrils that bulged like varicose veins. The Keepers of Holy Lightning made no effort to cut back the growth—crisscrossing strands of vegetation even covered the stone steps leading up to the front entrance. The only break was a bare patch down the middle. During my last visit to the Falls, I'd been told that the path was worn clear by the feet of the single acolyte who went out daily to deliver lightbulbs and other electrical goods to the citizens of Niagara.