Vintage Ford (15 page)

He assumed Léo to be asleep down the hall and that he could simply leave well enough alone there. But when he'd sat leafing through French
Vogue
for perhaps twenty minutes he heard a door open, and seconds later Léo appeared at the corner of the hall, looking confused and drugged in his BIG-TIME AMERICAN LUXURY shirt with the big red Cadillac barging off the front. He still had his little shoes on.

Léo rubbed his eyes and looked pitiful. Possibly Joséphine had given him something to knock him out—the sort of thing that wouldn't happen in the States. But in France, he thought, adults treated children differently. More intelligently.

“Bon soir,”
Austin said in a slightly ironic voice and smiled, setting the
Vogue
down.

Léo eyed him sullenly, still suspicious about hearing French spoken by this person who wasn't the least bit French. He scanned the room quickly for his mother's presence. Austin considered a plan of reintroducing the slightly discredited paisley egg but decided against it. He glanced at the clock on the bookcase: fortyfive minutes would somehow need to be consumed before Joséphine returned. But how? How could the time be passed in a way to make Léo happy and possibly impress his mother? The Cubs idea wouldn't work—Léo was too young. Austin didn't know any games or tricks. He knew nothing about children, and, in fact, was sorry the boy was awake, sorry he was here at all.

But he thought of the park—the Jardin du Luxembourg— available just outside the window. A nice walk in the park could set them on the right course. He wasn't able to talk to the child, but he could watch him while he enjoyed himself.

“Voulez-vous aller au parc?”
Austin smiled a big, sincere smile.
“Maintenant? Peut-être? Le parc? Oui?”
He pointed at the open window and the cool, still evening air where swallows soared and flittered.

Léo frowned at him and then at the window, still dazed. He fastened a firm grip on the front of his shorts—a signal Austin recognized—and did not answer.

“Whatta ya say? Let's go to the park,” Austin said enthusiastically, loudly. He almost jumped up. Léo could understand it well enough.
Parc.
Park.

“Parc?”
Léo said, and more cravenly squeezed his little weenie.
“Maman?”
He looked almost demented.

“Maman est dans le parc,”
Austin said, thinking that from inside the park they would certainly see Joséphine on her way back from the lawyer's, and that it wouldn't turn out to be a complete lie— or if it did, Joséphine would eventually come back and take control of things before there was a problem. It was even possible, he thought, that he'd never see this kid after that, that Joséphine might come back and never want to see
him
again. Though a darker thought entered his mind: of Joséphine
never
coming back, deciding simply to disappear somewhere en route from the lawyer's. That happened. Babies were abandoned in Chicago all the time and no one knew what happened to their parents. He knew no one she knew. He knew no one to contact. It was a nightmarish thought.

Inside of five minutes he had Léo into the bathroom and out again. Happily, Léo attended to his own privacy while Austin stood outside the door and stared at the picture of Bernard's stuffed, bulbous face on the wall of the boy's room. He was surprised Joséphine would let it stay up. He'd suppressed an urge to tell her to stick it to Bernard, to get him in the shorts if she could, though later he'd felt queasy for conspiring against a man he didn't know.

As they were leaving the apartment, Austin realized he had no key, neither to the downstairs nor to the apartment itself, and that once the door closed he and Léo were on their own: a man, an American speaking little French, alone with a four-year-old French child he didn't know, in a country, in a city, in a park, where he was an absolute stranger. No one would think this was a good idea. Joséphine hadn't asked him to take Léo to the park—it was his own doing, and it was a risk. But everything felt like a risk at the moment, and all he needed to do was be careful.

They walked out onto rue Férou and around the corner, then down a few paces and across a wide street to a corner gate into the Luxembourg. Léo said nothing but insisted on holding Austin's hand and leading the way as if he were taking Austin to the park because he didn't know what else to do with him.

Once through the gold-topped gate, though, and onto the pale gravel paths that ran in mazes through the shrubberies and trees and planted beds where daffodils were already blooming, Léo went running straight in the direction of a wide concrete pond where ducks and swans were swimming and a group of older boys was sailing miniature sailboats. Austin looked back to see which building was Joséphine's, and from which window he'd stood looking down at this very park. But he couldn't distinguish the window, wasn't even sure if from Joséphine's window he could see this part of the park. For one thing, there hadn't been a pond, and here there were plenty of people walking in the cool, sustained evening light—lovers and married people both, by the looks of them, taking a nice stroll before going home for dinner. Probably it was part of the park's plan, he supposed, that new parts always seemed familiar, and vice versa.

Austin strolled down to the concrete border of the pond and sat on a bench a few yards away from Léo, who stood raptly watching the older boys tend their boats with long, thin sticks. There was no wind and only the boys' soft, studious voices to listen to in the air where swallows were still darting. The little boats floated stilly in the shallows with peanut shells and popcorn tufts. A number of ducks and swans glided just out of reach, eyeing the boats, waiting for the boys to leave.

Austin heard tennis balls being hit nearby, but couldn't see where. A clay court, he felt certain. He wished he could sit and watch people playing tennis instead of boys tending boats. Female voices were laughing and speaking French and laughing again, then a tennis ball was struck once more. A dense wall of what looked like rhododendrons stood beyond a small expanse of well-tended grass, and behind that, he thought, would be the courts.

Across the pond, seated on the opposite concrete wall, a man in a tan suit was having his photograph taken by another man. An expensive camera was being employed, and the second man kept moving around, finding new positions from which to see through his viewfinder.
“Su-perbe,”
Austin heard the photographer say.
“Très, très, très bon.
Don't move now. Don't move.” A celebrity, Austin thought; an actor or a famous writer—somebody on top of the world. The man seemed unaffected, not even to acknowledge that his picture was being taken.

Léo unexpectedly turned and looked at Austin, as if he—Léo— wanted to say something extremely significant and exciting about the little boats. His face was vivid with importance. Though when he saw Austin seated on the bench, the calculation of who Austin was clouded his pale little features and he looked suddenly deviled and chastened and secretive, and turned quickly back, inching closer to the water's edge as if he intended to wade in.

He was just a kid, Austin thought calmly, a kid with divorced parents; not a little ogre or a tyrant. He could be won over with time and patience. Anyone could. He thought of his own father, a tall, patient, good-hearted man who worked in a sporting goods store in Peoria. He and Austin's mother had celebrated their fiftieth anniversary two years before, a big to-do under a tent in the city park, with Austin's brother in from Phoenix, and all the older cousins and friends from faraway states and decades past. A week later his father had had a stroke watching the news on TV and died in his chair.

His father had always had patience with his sons, Austin thought soberly. In his father's life there'd been no divorces or sudden midnight departures, yet his father had always tried to understand the goings-on of the later generation. Therefore, what would he think of all this, Austin wondered. France. A strange woman with a son. An abandoned house back home. Lies. Chaos. He'd certainly have made an attempt to understand, tried to find the good in it. Though ultimately his judgment would've been harsh and he'd have sided with Barbara, whose success in real estate he'd admired. He sought to imagine his father's very words, his verdict, delivered from his big lounger in front of the TV—the very spot where he'd breathed his last frantic breaths. But he couldn't. For some reason he couldn't re-create his father's voice, its cadences, the exact tenor of it. It was peculiar not to remember his father's voice, a voice he'd heard all his life. Possibly it had not had that much effect.

Austin was staring at the man in the tan suit across the lagoon, the man having his photograph taken. The man was up on the concrete ledge now, with his back turned, the shallow pond behind him, his legs wide apart, his hands on his hips, his tan jacket in the crook of his elbow. He looked ridiculous, unconvincing about whatever he was supposed to seem convincing about. Austin wondered if he himself would be visible in the background, a blurry, distant figure staring from across the stale lagoon. Maybe he would see himself someplace, in
Le Monde
or
Figaro
, newspapers he couldn't read. It would be a souvenir he could laugh about at some later date, when he was where? With who?

Not, in all probability, Joséphine Belliard. Something about her had bothered him this afternoon. Not her reluctance to kiss him. That was an attitude he could overcome, given time. He was good at overcoming reluctances in others. He was a persuasive man, with the heart of a salesman, and knew it. From time to time, this fact even bothered him, since given the right circumstances he felt he could persuade anybody of anything—no matter what. He had no clear idea what this persuasive quality was, though Barbara had occasionally remarked on it, often with the unflattering implication that he didn't believe in very much, or at least not in enough. It always made him uneasy that this might be true, or at least be thought of as true.

He
had
believed that he and Joséphine could have a different kind of relationship. Sexual, but not sexual at its heart. But rather, a new thing, founded on realities—the facts of his character, and hers. With Barbara, he'd felt he was just playing out the end of an old thing. Less real, somehow. Less mature. He could never really
love
Joséphine; that he had to concede, since in his deepest heart he loved only Barbara, for whatever that was worth. Yet he'd for a moment felt compelled by Joséphine, found her appealing, considered even the possibility of living with her for months or years. Anything was possible.

But seeing her in her apartment today, looking just as he knew she would, being exactly the woman he expected her to be, had made him feel unexpectedly bleak. And he was savvy enough to know that if he felt bleak now, at the very beginning, he would feel only bleaker later, and that in all likelihood life would either slowly or quickly become a version of hell for which he would bear all responsibility.

His thumb still vaguely ached. The women were laughing again on the tennis courts beyond the flowering rhododendrons. Austin could actually see a pair of woman's calves and tennis shoes, jumping from side to side as though their owner was striking a ball first forehand, then backhand, the little white feet dancing over the red surface. “
Arrête!
Stop!” a woman yelled, and sighed a loud sigh.

Frenchwomen, Austin thought, all talked like children: in high-pitched, rapid-paced, displeasingly insistent voices, which most of the time said,
“Non, non, non, non, non,”
to something someone wanted, some likely as not innocent wish. He could hear Joséphine saying it, standing in the living room of her little apartment the only other time he'd visited there—a week ago—speaking on the phone to someone, spooling the white phone cord around her finger as she said into the receiver,
“Non, non, non, non, non, non.
C'est incroyable. C'est in-croy-a-ble!” It was terrifically annoying, though it amused him now to think of it—at a distance.

Barbara had absolutely no use for Frenchwomen and made no bones about it. “Typical Froggies,” she'd remark after evenings with his French clients and their wives, and then act disgusted. That was probably what bothered him about Joséphine: that she seemed such a typical bourgeois little Frenchwoman, the kind Barbara would've disliked in a minute—intractable, preoccupied, entirely stuck in her French life, with no sense of the wider world, and possibly even ungenerous if you knew her very long (as her husband found out). Joséphine's problem, Austin thought, looking around for little Léo, was that she took everything inside her life too seriously. Her motherhood. Her husband's ludicrous book. Her boyfriend. Her bad luck. She looked at everything under a microscope, as if she were always waiting to find a mistake she could magnify big enough that she'd have no choice but to go on taking life too seriously. As if that's all adulthood was— seriousness, discipline. No fun. Life, Austin thought, had to be more lighthearted. Which was why he'd come here, why he'd cut himself loose—to enjoy life more. He admired himself for it. And because of that he didn't think he could become the savior in Joséphine's life. That would be a lifelong struggle, and a lifelong struggle wasn't what he wanted most in the world.

When he looked around again, Léo was not where he'd been, standing dreamily to the side of the older boys, watching their miniature cutters and galleons glide over the still pond surface. The older boys were there, their long tending sticks in their hands, whispering among themselves and smirking. But not Léo. It had become cooler. Light had faded from the crenellated roofline of the École Supérieure des Mines, and soon it would be dark. The man having his picture taken was walking away with the photographer. Austin had been engrossed in thought and had lost sight of little Léo, who was, he was certain, somewhere nearby.