Viriconium (27 page)

“I’ll go no further on this bloody road,” cried Hornwrack, “until you tell me why, Alstath Fulthor! What have I ever had here but disappointments?”

Above him, closer now, it seemed, the fish eagle screamed. Its cries caused a kind of elation to spill through him, briefly anaesthetising the ache of his wounds and strengthening him if need be for another murder.

“I’ve not ridden this road for eighty years. I know you, Fulthor. Give me a reason why I should come with you now!”

But a chill went through him as he spoke, and though his words were for the Reborn Man, he found himself staring into the parchment face of his impassive hostage. The old man had spoken not once since his cryptic greeting of the dawn in Hornwrack’s rooms—not once in all that long ride across the city—but now he opened his mouth and gave vent to a sudden mewing wail, a cry with no speech in it at all, which rose inhumanly into the sky and fled away like an ancient bird. This done, he became still again, his lips dry and bluish, his rheumy eyes fixed vacantly on the empty air. The queer geometrical embroidery on his robe seemed to settle itself slowly, as if a moment before it had been in violent and independent motion.

Hornwrack clung tightly to him and shuddered, as the victim clings to his assassin. His wounds hurt him suddenly. He felt sick and he felt very old.

Alstath Fulthor, caught between one tepid nightmare and the next:

For two days a scene from his previous life had hung at the outside edge of perception, giving him the impression that he was accompanied everywhere by one or two partly visible companions. They were tall and whitish—candle-like figures resembling the drawings of the insane—and whenever he turned his head they vanished immediately. At unexpected moments the scene would submerge him completely, and he would become aware that they were walking in some sort of sunken ornamental garden planted with flowers whose names he could not remember and filled with a smell of horsehair and mint which varied in intensity with the wind from beyond the walls. Across it floated the voices of his companions, engaged in some half-serious philosophical or religious dispute. His relationship to them, whilst not precisely sexual, could be described in only the most complex and emotional of terms, and his constant attempts to see them more clearly had given his head a slight sideways tilt, and lent to his expression an even more withdrawn quality than was usual.

It was symptomatic, perhaps, of a sudden self-doubt. The old man in the embroidered robe—guarded as to his immediate origins, secretive of purpose though evidently benign—had issued from the recent history of Viriconium with all the force of a living myth. And on that high path under the brow of Hollin Low Moor, less than a week before (night coming on, the sweat drying on him, and the distant shriek of a fish eagle making alien the bleating of the autumn flocks), Alstath Fulthor had relinquished to him what he secretly saw as the stewardship of the empire. He did not quite understand how this had come about. Only that he had fought so long against the quicksand of his Afternoon memories (because after the passing of tegeus-Cromis and the vanishing of Tomb the Iron Dwarf, who else was left to advise the Queen?) and now the fight was failing and he was tired to death. Only that the old man’s charisma was immense, his frail old figure looming somehow over every foreseeable future, a warning or a threat.

So, even before the appearance at his house in the early hours of the woman Fay Glass, incoherent and alone, he had begun to act in a stupor, consumed by the feeling that there was nothing to choose between the fevers of his skull and those of the world outside it. When he closed his eyes strange waxen figures moved through a garden; when he opened them again he found that he had allowed the girl (like some demented diviner) to lead him halfway across the city in search of a cheap assassin. Somewhere along the way he had collected the old man, who now watched him sardonically and offered him no assistance—“I can connect nothing with nothing. . . .” The tenement in the Rue Sepile filled him with disgust for the people among whom he must now make his life. Its stairways wound like a tedious argument, luring part of his brain along with them until he found himself thinking, apropos of nothing, If the dead have a city it is like this one, and it smells of rats and withered geraniums. . . .

“But look how the leaves fall . . .” While his boy bled him patiently, the assassin groaned and whispered from the disordered bed. Fulthor eyed the process with distaste, noting how the boy’s face, delicate and womanish in the unsteady light, filled with a strange detached sympathy. Later, watching the assassin dress, he felt only impatience at the Low City swagger of him, and missed the hidden knife. . . .

Now Hornwrack closed on his victim like a rat trap.

There was a sudden hiss of indrawn breath. A flurry of hooves. The knife flickered out from somewhere, a blemished steel tongue in the grey light. The old man gasped once and was silent. They remained locked together for a long moment, like lovers. Above them, somewhere up in the dark morning, a huge bird shrieked. The madwoman began to ride round them in circles, whimpering and waving her arms. Hornwrack laughed madly. “I’ll go no further, Fulthor! I’ve been this way before. It’s a road to nothing!” Suddenly he stared into the face of his hostage as if he saw his own death there. “What?” Fear stretched his thin brutalised features.

The old man opened his throat, retched, squawked inhumanly, then seemed to smile.

“Oh! Oh! Oh!” cried Fay Glass, staring upward.

Alstath Fulthor, his brain an empty beach across which were scattered the bones of understanding, felt, rather than saw, something detach itself from the racing clouds above.

It fell slowly at first, toppling languidly off one great wing, giving vent to a high wailing cry (thus do the fish eagles of the Southern Marches plummet almost lazily a thousand yards into the cold salt water of their native sea lochs: but this one was fully five feet from wingtip to wingtip, and of an odd grey colour); plunged quicker and quicker until Fulthor was sure it must bury itself in the paving of the Circuit; then in the final instant shot horizontally across his field of vision in a rush of displaced air, to smash into the assassin’s rib cage with a noise like an axe going into an oak door. Shouting in rage and fright, Hornwrack fell backwards off his horse. He lost his hold on the old man, hit the wet road, and was bowled over in a mist of blood and feathers.

Relieved—if astonished—at this turn of events, Fulthor drew his powered blade and cursed his horse in close, found that he could get a clear stroke at neither assassin nor bird, and swept the old man up to safety instead. This gave him the illusion, at least, of participation.

In the immediate aftermath of its strike the hawk had the advantage of momentum: with its talons fastened in his face, Hornwrack went rolling and bellowing about the roadway, knife arm flailing while he tried with the other to protect his eyes and throat. There was little to choose between them for ferocity. The bird shrieked and croaked; the man groaned and wept; rain fell on them both. Alstath Fulthor stared, appalled. Eventually, blood streaming from his face and forearms, the man wriggled into a kneeling position. He grasped the bird by its neck and pulled it off him. Time after time he drove the knife into its body, but it was like stabbing a brick wall. The huge wings buffeted him. Their faces were inches apart, and both of them were screaming now as if they had finally recognised one another from some other country and were continuing a quarrel begun there long ago. . . . Suddenly the man threw his knife away, transferred both hands to the bird’s neck, and twisted it once.

They raised their bloody heads and shrieked together. The man choked. The bird was still.

Fulthor rode over, dismounted, and watched Hornwrack get unsteadily to his feet. His cloak was ripped, his shoulders a mantle of blood. He looked round him like an idiot, empty-eyed. “Yours, I suppose,” he said to Fulthor, his voice thick and dull. He hardly seemed to notice the powered blade flickering and spitting at his throat. He held out the dead bird. “Some bloody thing dug up out of the ground.”

The Reborn Man stared at it in silence. It was a perfect image of
a bird
made all in metal
: a fantasy with armoured wings, every feather beaten from wafer-thin iridium, the fierce raptorial beak and talons forged from steel and graven with strange delicate designs. It hung from Hornwrack’s hand, though, like anything newly dead—loose of limb, open-mouthed, and vulnerable (as if in the moment of death it had been surprised by some truth which made nothing of beaks and claws), one great wing hanging in a slack double curve. He shook his head stupidly and turned away.

The old man seemed little the worse for his adventure, though the strain seemed to have accentuated something not quite human in the set of his features, the way his almost-saffron skin clung to cheekbone and jaw, taut as an oiled-silk lampshade. “You had better tell him why we need him, Alstath Fulthor,” he whispered hoarsely. He massaged his scraggy neck and chuckled. “I believe he will not come except of his own accord. And I would rather he destroyed no more of my property.”

Fulthor failed to hide his surprise. “You made the bird?” he said.

“Long ago. There may be a few more left”—he looked up into the grey sky—“but they have grown shy since the war. They are less dependable, and no longer speak.” He nodded to himself, remembering something. Then: “Tell him why we need him.”

Fulthor could think of nothing to say. He looked from the old man to the ruined bird and back again, then at Hornwrack (who, far from showing any further signs of fight, had begun to shiver volcanically).

“The girl,” he began. “She was sent here with a message, we think, vital to the city, to the empire. To all of us in these peculiar times. But look at her! The rest of her party must have wandered off somewhere between here and the Great Brown Waste: they are far along the road to the Past in her village, and it is hard for them to concentrate for long on what they judge to be nine-tenths dream.” (Waxen figures were at that moment processing through his own skull, carrying something wrapped in a fantastically decorated sheet, all of them leaning at thirty degrees to the vertical; they were singing. Nine-tenths dream! He had placed her by the weave of her cloak. He could find the place, but would he ever leave it again?) “You must know what they are like out there.”

The assassin seemed preoccupied. With the hem of his cloak he was dabbing at his lips, his cheeks; the lobe had been torn off his left ear. He fought off a fresh bout of shivering (looked for a second hunted and afraid, like a man who suspects in himself a fatal disease). “She said nothing to me. Nothing but gibberish.” He touched white bone where his jawline had been laid open, winced. “Look at me! I am already bleeding for her. Three times now she has brought me to this, though that bastard Verdigris had his dirty hands in the matter.” He sneered. “ ‘The face of the ewe lamb bone white in the meadows’! Gibberish!”

Fulthor could follow little of this. He thought privately that the man was mad.

“It is not what she has said,” he explained carefully, “but what she brought with her, that is of significance. Had she anything with her? I thought as much! You are the only one who saw it. We must know. You owe us this, if only because you were the cause of its loss!”

This seemed to enrage the assassin.

“Then ask her, Reborn!” he shouted. He spat blood into the road at Fulthor’s feet. “It is I who am owed. I killed five of the Sign last night on her behalf and my palm is empty. One of them at least would have fetched twenty pounds of steel in the open market. Martin Fierro under my knife! That was a black madness. Here!” He stuck out his cupped right hand. “Black bloody madness! I am sick of doing the work of the High City and reaping only their sanctimonious stares!” He turned away disgustedly and made to pick up his knife. When Fulthor’s weapon pricked the small of his back, he froze. He looked back over his shoulder, a sneer spreading across his lacerated face. “Are you frightened of a steel knife now, up there in the High City? You could chop me like an onion with that thing if I had fifty knives like this!” He bent down quickly and snatched it up. “Look, blunted at the tip.” It had vanished under his cloak before Fulthor could protest. He had sensed now to what extent he was needed; to what extent safe.

“She cannot tell us, Hornwrack,” said Fulthor tiredly. “You can. That is why she brought us to you. It was her only means of communication. At least come to the palace to discuss it. I agree that you may have been treated unfairly.”

Hornwrack ignored him. He shook the carcass of the metal bird. He put it to his ear. “It hums still. It hummed even as I strangled it.” His hands trembled, then stilled. “I feel my death in all this.” He walked off a few paces and stared up at the palace, a mile distant and misty through the blowing rain. “Methven’s hall!” they heard him say. He seemed to be listening. “I was once one of you,” he said. “I was one of the rulers. I chose to become one of the ruled.” Then: “To hell with all of you,” he said. “I’ll come because you have the weight of that behind you”—pointing to the palace—“and because you have the
baan
. But I’ll tell you nothing.” He regarded Fulthor with a cold smile, drew his ragged sleeve across his red-daubed face. “You had better watch me, Reborn Man,” he threatened. “You had better watch me all the time.”

I would rather be a ghost than play such hollow games, thought Alstath Fulthor.

Hornwrack:

The horse had run off and he refused to try and catch it on foot.

“Then walk,” the Reborn Man told him.