We See a Different Frontier: A Postcolonial Speculative Fiction Anthology (18 page)

Down a narrow, stinking alley I find the door I am looking for. I lift my head at the same moment that I raise my hand to press the call-bell and I see the sky lightening for first sun, pale pink. I think of blood just under thin skin, warm and alive.

The door opens and the sky seems to fall away again.

She is missing an arm like my body-sire is, but there the resemblance of their scars ends: her face is practically half gone, twisted with scar tissue, hairless and purple and swollen. One of her eyes is not there at all. The scars wind down her long neck and vanish under her worn tunic but I know they continue. She is stooped with pain that never goes away. Her ghosts are vengeful and they tear at everything that comes near, including her.

“Shairoven,” she says. She sounds unsurprised to see me. I incline my head; I am not sure how much respect is due to her, and again my heart says one thing while my raising says another. She is lower than a beggar, lower than a criminal, because she has committed the unforgivable sin of inhospitality to those who have, in the end, observed the proper rites and dues, and paid the owed blood price.

And what I cannot tell anyone, not even her, is that my heart tells me that she is braver than anyone I have ever met.

“Jaishevkin,” I say. With clear effort, she stands aside from the door and invites me in.

Inside is dim and cramped and smelling strongly of old rotting grass. I can barely see the chair she motions me into. Thin light seeps in through the threadbare curtains that cover her single window. She sinks down onto the cot that serves as her bed and leans over her knees. Whenever she moves I am freshly reminded of how thin she is, as though she is already one of the dried corpses in the houses of the dead, animated by the sheer magnitude of her indignation. Whereas they remain quietly and unobtrusively dead, as is right.

“You have come to ask me to meet them,” she says. I am not astonished that she should guess this; there is really no other reason for me to be here. So I nod.

“Before, you ran away.” She has only one remaining eye but it is like a knife, cutting away pieces of me and letting them fall to the floor. I cannot move under its edge. “Every time you run away. Will you run now?”

I am not sure how to answer that. The directness, the bluntness—close to brutality. No delicacy in her approach. It has been cut and burned out of her.

“I don’t wish to run,” I say finally. My hands are turning over and over each other in my lap, as though I am washing them.

“You all run,” she says. At last she looks away from me, turning her horribly scarred face to that thin light. “They run too, even if they think they do not. They study and they write and they talk, and they congratulate themselves on their bravery, but they are still running. And they are putting it all into little boxes with clear tops, so they can look at it without feeling any pain or dirtying their hands. They don’t
feel
.”

She turns back to me and her single eye is blazing. “None of you feel. You have forgotten how. We remember. And we frighten you.”

I did not come here for this. I came here to ask her to accompany me back to the hotel, and to offer her payment for her time and her effort. Now I am not sure why I am here at all. I am sitting under a knife; I am drowning in a river of old blood; I am buried under the pieces of myself and I cannot breathe, and I was never even part of this, does she understand that? I bear no scars.
When it happened I was not even born.

I open my mouth to say
I am sorry that I disturbed you. If you will not come with me I will go now.
And then I think
I am running again,
and
I don’t wish to,
and what comes out of my mouth instead is, “Why?”

Jaishevkin looks at me for a long time. I cannot read her face under the scars and this is only part of why I have never felt easy around her. But her eye is still a heated knife and I am still trapped under its edge.

And, strangely, part of me is content to be so.

“They have very many reasons, don’t they?” she says at last. The words are accusing but all the bile has gone out of her voice and now she sounds only sad and very, very tired. I think that I have never been as tired as that. But I am beginning to feel how one becomes so. “They say that it was land restrictions. They say that talks broke down. They say that it was many accumulated
cultural misunderstandings
.” And there again is the bile, the bite, just for a moment and gone again, like something emerging briefly from black water before sinking back out of sight. “I have heard them say that it was the delayed mental strain of encountering a new sentient species. I have heard them say that it was simple fear, that they thought that we would attack them and so they struck at us first. I have heard every reason, Shairoven. I have heard them all.”

“And which do you believe?” My voice is very soft. Suddenly I feel breathless. I am afraid. I am on the edge of a great unknown expanse. I am spreading my arms because I am just mad enough to think that I might fly.

“I believe all of them,” she says. “Or I believe that
they
believe them. And now I think you will ask me what I really believe.”

Jaishevkin gets slowly to her feet and makes her way over to the little window, pushing aside the ragged curtains with her remaining hand. In the brightening light of first sun the scars on her face are sharper, darker, but their jagged lines are also smoothed out into something almost beautiful.

I wait. I don’t ask.

“I don’t know why,” she says softly. “I have thought and read and argued and I do not know. There are all the reasons. And then there is what happened. And in between…” She falls silent.

And I am silent. I am trying to understand this. I have taken this—the Not Knowing—for granted, because while I have asked the question I have never seriously pursued an answer. It has never until now occurred to me that perhaps there is no answer, no one answer, that any one person can find.

And now I am wondering about the questions. About the right ones.

“Will it happen again?”

Again, she does not answer at once. Her fingers move across the curtains, dancing in a vague kind of pattern—it seems strangely appropriate that the hand they left her would be entirely unmarked, graceful, lovely.

“That all depends,” she says at last, “on how we remember.”

I want to ask more, because now I am full of new questions. How we remember? How should we remember? In the human way? In our way? In the houses of the dead or in their studies and writing? In the ghosts that float in the river Laijan and dance on their banks? In the flesh of my body-sire? In that black spike stabbing always up into the sky? In the way we make it so heavy and so big with our careful silence and our smiles and bows? In the way that I fear it might crush us one day, once it is too big and too angry at being ignored?

How do we remember?

But Jaishevkin is already shaking her head. “No more questions.” She turns away from the window and she is blanketed in shadows. “I will not meet with your humans.”

Everything in me sinks in disappointment. I am confused, I am breathless with fear, and I feel as though everything is slipping away from me and whirling into a mess of color and time, but I had hoped to at least be able to fulfill the
jodenja klimenji
and bring my guests what they want. I was holding to the idea of it like the one solid thing I can see. “I understand, Jaishevkin,” I say. “I will—”

“You should meet them instead.”

I stare at her. I do not understand this at all. Have I not already met with them? Have I not been meeting with them every day for over a week? Have we not spoken, do they not know my name and the pertinent details of my personal history, have I not given them all the information they require?

“You should meet with them,” Jaishevkin says again. “You should meet them as you are. You should let yourself
feel
.”

Our farewell is mostly silent. I am so confused as I make my way back through the dirty streets that I barely see them at all and more than once I nearly make a wrong turning. That I should meet with the humans? That I should
meet
them? I think about everything that Jaishevkin said, about what she might have said if she had agreed to meet them after all. About their writing. About how they smile at me.

About how they remember.

And I think,
My body-sire will never be whole again.

I listen to the soft padding sound of my feet against the pavement and I think about that sound multiplied a hundred-fold, a thousand-fold, as we all ran for the river. For Laijan, for life, with death following behind.

When it happened, I was not yet born. From what I know of human lifespans, neither were Aaron and Jacob. We are looking back behind us at the death that follows us wherever we go, and we have all three been told
here is how you are to look at so much death so that it never catches you and here is what you are never to do. And here is how you should look at the ghosts.

And here is how you should look at each other.

They smile at me that way because they are trying very hard to not see me at all.

When I am home I am still the only one awake. I bathe myself and dress in my formal
klimenjiani
clothing, light and softly hued. I do not know exactly what I will say or how I will find the words to tell what I feel. I do not know what my body-sire will say when she hears of it, and I do not know if I will be allowed to remain a
klimenjiani.
I do not know what will happen after today. I do not know if my body-sire will ever be whole, or if I will ever be whole, or if any of us will. I do not know what Aaron and Jacob will say to me. I do not know if the death that follows us will catch us someday, or if Laijan will carry life, or if the ghosts that surround us will ever truly be seen.

But I am going to meet the humans.

Fleet

Sandra McDonald

When I officially became a girl, I took the new name of Isa. At the time I was nine years old. In the Umatac village records I’m still a male named Magahet Joseph Howard USN. It’s good luck to be given the name of an ancestor from Before Silence. My brother calls me Shithead, because he’s my brother. But most people call me Bridge, because the governors gave me that. Someone in every village is appointed to stand with one dusty foot in the past and the other planted in the Great Future, ready to take action when ships appear on the blue horizon.

Sounds important. Don’t be fooled. We’re not some backwards cargo cult, building mock radio towers in the magical hope of luring back civilization. Civilization will come again regardless. We’re sure of it.

It’s hot today, late afternoon. I’m sitting on the beach and thinking hard about taking a nap. A dozen yards offshore, blue waves roll around Fouha Rock, where the gods created mankind. No kidding: it’s a giant limestone phallus jutting out of the sea.

“What are you staring at, Shithead?” my brother Rai shouts when the canoes return.

“Your tiny shriveled-up balls,” I yell back.

The men laugh. Among them is my husband Pulan Robert, who comes to me at night with reverence and good humor. He has a second wife, Kami Brittany, who bears him our children and hopes that one day I’ll be gored to death by a boonie pig. She can’t say that too loudly, though, for fear I’ll call down upon her a vengeful taotaomo’na. Those are the spirits that slink through the nunu trees under moonlight, and moan during storms as if in great pain, and brush their invisible cold hands over your nape when you least expect it.

She’s right to worry. I know the names of seven thousand taotaomo’na. Seven thousand ancestors who perished here in the After Silence. There’s a man in Yigo who knows twelve thousand. The oldest woman on the island lives in Dededo, and she knows fifteen thousand. The governors gave them to her, just like they gave them to me, through white caps clamped to our skulls.

I try not to think about the white caps too much.

The men beach the canoes and haul out their catches. Pulan Robert smiles at me and waves over to where Kami waits with our youngest daughter bouncing on her hip. A moment later his smile dims. Our visitors have arrived. Four men, tall and lean, with walking sticks wrapped in copper wire and the green ribbons of Agat village.

Rai stops beside me and frowns. “They’re late.”

“They’re on time.”

“Late,” he insists. “They’ll slow us down tomorrow.”

“Two days to get there,” I tell him. “Then you’ll see Angelina again.”

At sunset our entire village dines on roasted fruit bats, fresh rabbit fish, breadfruit, cakes, and tuba. The musicians play nose flutes and drums for the children dancing around the bonfire. Three of the men from Agat know of me, but the fourth keeps sliding glances my way. Beneath my blouse, my bra is stuffed with soft grass. I wear a wig of long hair, dark and straight.

“Babae?” he asks his companions in Tagalog. Many Filipinos clustered in Agat in the After Silence.

“Oo,” his friends say.

He wants to know if I’m a girl. Yes, they say. But he looks at me doubtfully. Wondering what’s under my skirt, maybe wondering if he can put his hands under there to squeeze and rub.

Pulan Robert puts his arm around my shoulder. He smells like salt and fish and Kami.

“You should stay here,” he says that night, in our bed, as we stare up at the tin and thatch ceiling. Kami’s hut is bigger, but mine is closer to the cooling ocean breeze. Mosquitoes nibble on our arms.

“I have to go. Someone has to remember the dead,” I remind him.

“I’ll come along and keep you company.”

“Rai is coming.”

“Rai is too impatient. He won’t pay attention.”

I kiss his nose. “Rai will always pay attention to me.”

Rai’s impatient because it’s been six months since he’s held his wife in his arms. In the morning, he’s awake before anyone else. At breakfast, somber Irao speaks quietly to his crying children. The fourth from our village is Husto, who has spent the last week pleading to our little governor that he should be excused from this duty. She stands firm. The lottery is fair and the gods have picked him to take his turn digging. I wonder if we’re going to have to physically lift Husto in the air and carry him away, but finally he pries himself away from his weeping mother.