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Authors: Philip Roth

When She Was Good

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Philip Roth
When She Was Good

In 1997 Philip Roth won the Pulitzer Prize for
American Pastoral
. In 1998 he received the National Medal of Arts at the White House and in 2002 the highest award of the American Academy of Arts and Letters, the Gold Medal in Fiction, previously awarded to John Dos Passos, William Faulkner, and Saul Bellow, among others. He has twice won the National Book Award and the National Books Critics Circle Award. He has won the PEN/Faulkner Award three times. In 2005
The Plot Against America
received the Society of American Historians’ prize for “the outstanding historical novel on an American theme” for 2003–2004. In 2006 Roth received PEN’s most prestigious prize, the PEN/Nabokov Award for a “body of work … of enduring originality and consummate craftsmanship.” Roth is the only living American writer to have his work published in a comprehensive, definitive edition by the Library of America. The last of the eight volumes is scheduled for publication in 2013.

Books by Philip Roth

ZUCKERMAN BOOKS

The Ghost Writer
Zuckerman Unbound
The Anatomy Lesson
The Prague Orgy
Exit Ghost

The Counterlife

American Pastoral
I Married a Communist
The Human Stain

ROTH BOOKS

The Facts • Deception
Patrimony • Operation Shylock
The Plot Against America

KEPESH BOOKS

The Breast
The Professor of Desire
The Dying Animal

MISCELLANY

Reading Myself and Others
Shop Talk

OTHER BOOKS

Goodbye, Columbus • Letting Go
When She Was Good • Portnoy’s Complaint • Our Gang
The Great American Novel • My Life as a Man
Sabbath’s Theater • Everyman

FIRST VINTAGE INTERNATIONAL EDITION,
FEBRUARY 1995

Copyright © 1966, 1967 by Philip Roth

All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Vintage Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Originally published in hardcover by Random House, a division of Random House, Inc., New York, in 1966.

Sections of this book have appeared, in slightly different form, in the
Atlantic, Harper’s
, and the
Saturday Evening Post
.

Lyrics from the following songs are used by permission:

“Nature Boy” by Eden Ahbez. Copyright 1948 by Crestview Music Corporation, New York. Sole Selling Agent: Ivan Mogull Music Corporation, New York, N.Y.

“Anniversary Song,” by Al Jolson. Copyright 1946 by Mood Music Co., Inc. N.Y.C. Sole Selling Agent: Shapiro, Bernstein & Co., Inc.

“A Tree in the Meadow,” by Billy Reid. Copyright 1947 by Campbell-Connelly Inc., New York. Sole Selling Agent: Shapiro, Bernstein & Co., Inc.

“It’s Magic,” by Jules Stein. Copyright 1948 by M. Witmark & Sons.

Library of Congress Cataloging-in-Publication Data
Roth, Philip.
When She Was Good/Philip Roth. — 1st Vintage International ed.
p. cm.
eISBN: 978-0-307-78860-3
1. Middle West—Moral conditions—Fiction. 2. Fathers and daughters—Middle West—Fiction. 3. Married women—Middle West—Fiction. I. Title.
PS3568.0855W46 1995
813′.54—dc20    94-31360

v3.1

To my brother Sandy;
to my friends Alison Bishop, Bob Brustein,
George Elliott, Mary Emma Elliott,
Howard Stein, and Mel Tumin;
and to Ann Mudge:
For words spoken and deeds done

Contents
One
1

N
ot to be rich, not to be famous, not to be mighty, not even to be happy, but to be civilized—that was the dream of his life. What the qualities of such a life were he could not have articulated when he left his father’s house, or shack, in the northern woods of the state; his plan was to travel all the way down to Chicago to find out. He knew for sure what he didn’t want, and that was to live like a savage. His own father was a fierce and ignorant man—a trapper, then a lumberman, and at the end of his life, a watchman at the iron mines. His mother was a hard-working woman with a slavish nature who could never conceive of wanting anything other than what she had; or if she did, if she was really other than she seemed, she felt it was not prudent to speak of her desires in front of her husband.

One of Willard’s strongest boyhood recollections is of the time a full-blooded Chippewa squaw came to their cabin with a root for his sister to chew when Ginny was incandescent with scarlet fever. Willard was seven and Ginny was one and the squaw, as Willard tells it today, was over a hundred. The delirious little girl did not die of the disease, though Willard was later to understand his father to believe it would have been better if she had. In only a few years they were to discover that poor little Ginny could not learn to add two and
two, or to recite in their order the days of the week. Whether this was a consequence of the fever or she had been born that way, nobody was ever to know.

Willard never forgot the brutality of that occurrence, which for him lay in the fact that nothing was to be done, for all that what was happening was happening to a one-year-old child. What was happening—this was more his sense of it at the time—was even deeper than his eyes … In the process of discovering his personal attractiveness, the seven-year-old had lately discovered that what someone had at first denied him would sometimes be conceded if only he looked into the other’s eyes long enough for the honesty and intensity of his desire to be appreciated—for it to be understood that it wasn’t just something he wanted but something he
needed
. His success, though meager at home, was considerable at the school in Iron City, where the young lady teacher had taken a great liking to the effervescent, good-humored and bright little boy. The night Ginny lay moaning in her crib Willard did everything he could to catch his father’s attention, but the man only continued spooning down his dinner. And when finally he spoke, it was to tell the child to stop shuffling and gaping and to eat his food. But Willard could not swallow a single mouthful. Again he concentrated, again he brought all his emotion up into his eyes, wished with all his heart—and a pure selfless wish too, nothing for himself; never would he wish anything for himself again—and fixed his plea on his mother. But all she did was to turn away and cry.

Later, when his father stepped out of the shack and his mother took the dishes to the tub, he moved across the darkened room to the corner where Ginny lay. He put his hand into the crib. The cheek he touched felt like a sack of hot water. Down by the baby’s burning toes he found the root the Indian woman had brought to them that morning. Carefully he wrapped Ginny’s fingers around it, but they unbent the moment he let go. He picked up the root and pressed it to her lips. “Here,” he said, as though beckoning to an animal to eat from his hand. He was forcing it between her
gums when the door opened. “You—let her be, get away,” and so, helpless, he went off to his bed, and had, at seven, his first terrifying inkling that there were in the universe forces even more immune to his charm, even more remote from his desires, even more estranged from human need and feeling, than his own father.

Ginny lived with her parents until the end of her mother’s life. Then Willard’s father, an old hulk of a thing by this time, moved into a room in Iron City, and Ginny was taken to Beckstown, off in the northwestern corner of the state, where the home for the feeble-minded used to be. It was nearly a month before the news of what his father had done reached Willard. Over his own wife’s objections, he got into the car that very evening and drove most of the night. At noon the following day he returned home with Ginny—not to Chicago, but to the town of Liberty Center, which is a hundred and fifty miles down the river from Iron City, and as far south as Willard had gotten when at the age of eighteen he had decided to journey out into the civilized world.

Since the war the country town that Liberty Center used to be has given way more and more to the suburb of Winnisaw it will eventually become. But when Willard first came to settle, there was not even a bridge across the Slade River connecting Liberty Center on the east shore to the county seat on the west; to get to Winnisaw, you had to take a ferry ride from the landing, or in deep winter, walk across the ice. Liberty Center was a town of small white houses shaded by big elms and maples, with a bandstand in the middle of Broadway, its main street. Bounded on the west by the pale flow of river, it opens out on the east to dairy country, which in the summer of 1903, when Willard arrived, was so deeply green it reminded him—a joke for the amusement of the young—of a fellow he once saw at a picnic who had eaten a pound of bad potato salad.

Until he came down from the north, “outside of town” had always meant to him the towering woods rolling up to Canada,
and the weather roaring down, waves of wind, of hail, of rain and snow. And “town” meant Iron City, where the logs were brought to be milled and the ore to be dumped into boxcars, the clanging, buzzing, swarming, dusty frontier town to which he walked each schoolday—or in winter, when he went off in a raw morning dimness, ran—through woods aswarm with bear and wolf. So at the sight of Liberty Center, its quiet beauty, its serene order, its gentle summery calm, all that had been held in check in him, all that tenderness of heart that had been for eighteen years his secret burden, even at times his shame, came streaming forth. If ever there was a place where life could be less bleak and harsh and cruel than the life he had known as a boy, if ever there was a place where a man did not have to live like a brute, where he did not have to be reminded at every turn that something in the world either did not like mankind, or did not even know of its existence, it was here. Liberty Center! Oh, sweet name! At least for him, for he was indeed free at last of that terrible tyranny of cruel men and cruel nature.

BOOK: When She Was Good
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