William Shakespeare: The Complete Works 2nd Edition (600 page)

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BOOK: William Shakespeare: The Complete Works 2nd Edition
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Coursen, H. R.,
Shakespeare in Production:
Whose History? (Athens OH: University of Ohio Press, 1996)
 
Crowl, Samuel,
Shakespeare Observed: Studies in Performance on Stage and Screen
(Athens OH: University of Ohio Press, 1992)
 
Davies, Anthony,
Filming Shakespeare’s Plays: The Adaptations of Laurence Olivier, Orson Welles, Peter Brook and (
Cambridge: Cambridge University Press, 1988)
 
—and Stanley Wells (eds.),
Shakespeare and the Moving Image: The Plays on Film and Television
(Cambridge: Cambridge University Press, 1994)
 
Donaldson, Peter S.,
Shakespearean Films/Shakespearean Directors
(Boston MA: Unwin Hyman, 1990)
 
Jackson, Russell (ed.),
The Cambridge Companion to Shakespeare on Film
(Cambridge: Cambridge University Press, 2000)
 
Jorgens, Jack J.,
Shakespeare on Film
(Bloomington IN: Indiana University Press, 1977)
 
McKernan, Luke, and Olwen Terris (eds.),
Walking Shadows: Shakespeare in the National Film and Television Archive
(London: British Film Institute, 1994)
 
Manvell, Roger,
Shakespeare and the Film
(London: Dent, 1971)
 
Pilkington, Ace G.,
Screening Shakespeare:
From ‘Richard II’ to
‘Henry
V’ (London: Associated University Presses, 1991)
 
Rosenthal, Daniel,
Shakespeare on Screen
(London: Hamlyn, 2000)
 
Rothwell, Kenneth S.,
A History of Shakespeare on Screen: A Century of Film and Television
, 2nd edn. (Cambridge: Cambridge University Press, 2004)
 
—and Annabelle Henkin Melzer (eds.),
Shakespeare on Screen: An International Filmography and Videography
(London: Mansell, 1990)
 
Shaughnessy, Robert (ed.),
Shakespeare on Film
, New Casebooks (Basingstoke: Macmillan, 1998)
Criticism
 
History of Criticism
 
Bate, Jonathan,
Shakespeare and the English Romantic Imagination
(Oxford: Clarendon Press, 1986)
 
—(ed.).
The Romantics on Shakespeare
(London: Penguin, 1992)
 
Bristol, Michael,
Shakespeare’s America/America’s Shakespeare
(London: Routledge, 1990)
 
Dunn, Esther Cloudman,
Shakespeare in America (New York:
Macmillan, 1939)
 
Eastman, Arthur M.,
A Short History of Shakespearean Criticism
(New York: Random House, 1968)
 
Foakes, R.A.,
Hamlet versus Lear: Cultural Politics and Shakespeare’s Art
(Cambridge: Cambridge University Press, 1993)
 
Grady, Hugh,
The Modernist Shakespeare: Critical Texts in a Material World
(Oxford: Clarendon Press, 1991)
 
Haines, C. M.,
Shakespeare in France: Criticism, Voltaire to Victor Hugo
(London: for the Shakespeare Association by H. Milford, Oxford University Press, 1925)
 
Halpern, Richard
, Shakespeare Among the Moderns
(Ithaca NY: Cornell University Press, 1997)
 
Hattaway, Michael, Boika Sokolova and Derek Roper (eds.),
Shakespeare in the New Europe
(Sheffield: Sheffield Academic Press, 1994)
 
Kolin, Philip C. (ed.),
Shakespeare and Feminist Criticism: An Annotated Bibliography and Commentary
(New York: Garland, 1991)
 
LeWinter, Oswald (ed.),
Shakespeare in Europe
(Harmondsworth: Penguin, 1970)
 
Pascal, R. (ed.),
Shakespeare in Germany: 1740-1815
(Cambridge: Cambridge University Press, 1937)
 
Pechter, Edward,
What Was Shakespeare? Renaissance Plays and Changing Critical Practice
(Ithaca NY: Cornell University Press, 1995)
 
Stavisky, A. Y.,
Shakespeare and the Victorians: Roots of Modern Criticism (
Norman OK: University of Oklahoma Press, 1969)
 
Stříbrný, Zděnek,
Shakespeare and Eastern Europe
(Oxford: Oxford University Press, 2000)
 
Taylor, Michael,
Shakespeare Criticism in the Twentieth Century
(Oxford: Oxford University Press, 2001)
 
Thompson, Ann, and Sasha Roberts (eds.),
Women Reading Shakespeare, 1660-1900; An Anthology of Criticism
(Manchester: Manchester University Press, 1997)
 
Vickers, Brian,
Appropriating Shakespeare: Contemporary Critical Quarrels
(New Haven CT: Yale University Press, 1993)
 
—(ed.),
Shakespeare: The Critical Heritage,
6 vols (London: Routledge, 1974-81)
 
Zhang, Xiao Yang,
Shakespeare in China: A Comparative Study of Two Traditions and Cultures
(London: Associated University Presses, 1996)
General
 
Alexander, Catherine M. S., and Stanley Wells (eds.),
Shakespeare and Race
(Cambridge: Cambridge University Press, 2000)
 
—
Shakespeare and Sexuality
(Cambridge: Cambridge University Press, 2001)
 
Atkins, G. Douglas, and David M. Bergeron,
Shakespeare and Deconstruction
(New York: Peter Lang, 1988)
 
Berger, Harry,
Imaginary Audition: Shakespeare on Stage and Page
(Berkeley CA: University of California Press, 1989)
 
—
Making Trifles of Terrors: Redistributing Complicities in Shakespeare
, ed. Peter Erickson (Stanford CA: Stanford University Press, 1997)
 
Bristol, Michael D.,
Big-time Shakespeare
(London: Routledge, 1996)
 
Cavell, Stanley,
Disowning Knowledge in Six Plays of Shakespeare
(Cambridge: Cambridge University Press, 1987)
 
Coleridge, Samuel Taylor,
Coleridge’s Criticism of Shakespeare: A Selection,
ed. R. A. Foakes (London: Athlone, 1989)
 
Danson, Lawrence,
Shakespeare’s Dramatic Genres
(Oxford: Oxford University Press, 2000)
 
De Grazia, Margreta, and Stanley Wells (eds.),
The Cambridge Companion to Shakespeare
(Cambridge: Cambridge University Press, 2001)
 
Desmet, Christy,
Reading Shakespeare’s Characters: Rhetoric, Ethics, and Identity
(Amherst MA: University of Massachusetts Press, 1992)
 
Dollimore, Jonathan, and Alan Sinfield (eds.),
Political Shakespeare: Essays in Cultural Materialism,
2nd edn. (Manchester: Manchester University Press, 1994)
 
Drakakis, John (ed.),
Alternative Shakespeares I
(London: Methuen, 1985)
 
Eagleton, Terry, William Shakespeare (Oxford: Blackwell, 1986)
 
Evans, Malcolm,
Signifying Nothing: Truth’s True Contents in Shakespeare’s Text
, 2nd edn. (Hemel Hempstead: Harvester Wheatsheaf, 1989)
 
Frye, Northrop,
Northrop Frye on Shakespeare,
ed. Robert Sandler (New Haven CT: Yale University Press, 1986)
 
Garber, Marjorie,
Shakespeare’s Ghost Writers: Literature as Uncanny Causality
(London: Methuen, 1987)
 
Gillies, John,
Shakespeare and the Geography of Difference
(Cambridge: Cambridge University Press, 1994)
 
Greenblatt, Stephen,
Renaissance Self-fashioning: From More to Shakespeare
(Chicago IL: University of Chicago Press, 1980)
 
—
Shakespearean Negotiations
:
The Circulation of Social Energy in Renaissance England
(Oxford: Clarendon Press, 1988)
 
Hawkes, Terence,
That Shakespeherian Rag: Essays
on
a Critical Process
(London: Methuen, 1986)
 
—(ed.),
Alternative Shakespeares 2
(London: Routledge, 1996)
 
Hazlitt, William,
Characters of Shakespeare’s Plays
, with an introduction by Sir Arthur Quiller-Couch, World’s Classics (London: Oxford University Press, 1952) (First published 1817)
 
Howard, Jean E., and Marion F. O’Connor (eds.),
Shakespeare Reproduced: The Text in History and Ideology
(London: Methuen, 1987)
 
Howard, Jean E., and Scott Cutler Shershow (eds.),
Marxist Shakespeares
(New York and London: Routledge, 2001)
 
Jardine, Lisa,
Reading Shakespeare Historically
(London: Routledge, 1996)
 
Johnson, Samuel,
Samuel Johnson on Shakespeare
, ed. with an introduction and notes by Henry Woudhuysen (London: Penguin, 1989)
 
Jones, Emrys, Scenic
Form
in Shakespeare (Oxford: Clarendon Press, 1971)
 
Kastan, David Scott, Shakespeare and the Shapes of Time (London: Macmillan, 1982)
 
Kernan, Alvin B., The Playwright as Magician: Shakespeare’s Image of the Poet in the English
Public Theater
(New Haven CT: Yale University Press, 1979)
 
Knapp, Robert S., Shakespeare: The Theater and the Book (Princeton: Princeton University Press, 1989)
 
Knights, L. C., ‘How Many Children Had Lady Macbeth? An Essay in the Theory and Practice of Shakespeare Criticism’, in his Explorations: Essays in Criticism, Mainly on the Literature of the Seventeenth Century (London: Chatto and Windus, 1946)
 
Kott, Jan, Shakespeare Our Contemporary, trans. Boleslaw Taborski, 2ndedn. (London: Methuen, 1967)
 
Loomba, Ania, and Martin Orkin (eds.),
Post-Colonial
Shakespeares (London: Routledge, 1998)
 
Marcus, Leah, Puzzling Shakespeare: Local Reading and its Discontents (Berkeley CA: University of California Press, 1988)
 
Neely, Carol Thomas, Broken Nuptials in Shakespeare’s Plays (New Haven CT: Yale University Press, 1985)
 
Parker, Patricia, and Geoffrey Hartman (eds.), Shakespeare and the Question of Theory (London: Methuen, 1985)
 
Patterson, Annabel, Shakespeare and the Popular Voice (Oxford: Blackwell, 1989)
 
Rabkin, Norman,
Shakespeare and the Problem of Meaning
(Chicago IL: Chicago University Press, 1981)
 
Rossiter, A. P., Angel with Horns: Fifteen Lectures on Shakespeare, ed. Graham Storey; reissued with an introduction by Peter Holland (London: Longman, 1989)
 
Schwartz, Murray M., and Coppélia Kahn (eds.), Representing Shakespeare: New Psychoanalytic Essays (Baltimore MD: Johns Hopkins University Press, 1980)
 
Shapiro, James, Shakespeare and the Jews (New York: Columbia University Press, 1996)
 
Shaw, George Bernard, Shaw on Shakespeare, ed. with an introduction by Edwin Wilson (Harmondsworth: Penguin, 1969)
 
Taylor, Gary, Moment by Moment by Shakespeare (London: Macmillan, 1985)
 
Weimann, Robert, Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and
Function,
trans. Robert Schwartz (Baltimore MD: Johns Hopkins University Press, 1978)
Gender
 
Adelman, Janet,
Suffocating
Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays,
‘Hamlet’
to ’The Tempest’ (London: Routledge, 1992)
 
Barker, Deborah, and Ivo Kamps (eds.), Shakespeare and Gender:
A History
(London: Verso, 1995)
 
Dusinberre, Juliet, Shakespeare and the Nature of Women, 2nd edn. (Basingstoke: Macmillan, 1996)
 
Erickson, Peter, Patriarchal Structures in Shakespeare Drama (Berkeley CA: University of California Press, 1985)
 
Kahn, Coppélia, Man’s Estate: Masculine Identity in Shakespeare (Berkeley CA: University of California, 1981)

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