William Shakespeare: The Complete Works 2nd Edition (603 page)

Read William Shakespeare: The Complete Works 2nd Edition Online

Authors: William Shakespeare

Tags: #Drama, #Literary Criticism, #Shakespeare

BOOK: William Shakespeare: The Complete Works 2nd Edition
5.91Mb size Format: txt, pdf, ePub
 
Urkowitz, Steven,
Shakespeare’s Revision of ‘King Lear’
(Princeton NJ: Princeton University Press, 1980)
Macbeth
 
Bartholomeusz, Dennis,
‘Macbeth’ and the Players
(Cambridge: Cambridge University Press, 1969)
 
Berger, Harry,
Text against Performance: The Example of ‘Macbeth’
(Norman OK: University of Oklahoma, 1982)
 
Calderwood, James L.,
If It Were Done
:
‘Macbeth’ and Tragic Action
(Amherst MA: University of Massachusetts Press, 1986)
 
Carroll, William C. (ed.),
William Shakespeare, ‘Macbeth’: Texts and Contexts
(Basingstoke: Macmillan, 1999)
 
Kliman, Bernice,
Macbeth
, Shakespeare in Performance (Manchester: Manchester University Press, 1992)
 
Rosenberg, Marvin,
The Masks of ‘Macbeth’
(Berkeley CA: University of California, 1978)
 
Wain, John (ed.),
Shakespeare, ‘Macbeth’,
A Casebook, 2nd edn. (Basingstoke, Macmillan, 1994)
 
Williams, Gordon,
Macbeth
, Text and Performance (Basingstoke: Macmillan, 1985)
Othello
 
Adamson, Jane,
‘Othello’ as Tragedy: Some Problems of Judgement and Feeling
(Cambridge: Cambridge University Press, 1980)
 
Hadfield, Andrew (ed.),
A Routledge Literary Sourcebook on Shakespeare’s ‘Othello’
(London: Routledge, 2003)
 
Hankey, Julie (ed.),
‘Othello’, William Shakespeare
, Plays in Performance (Bristol: Bristol Classical Press, 1987)
 
Honigmann, E. A. J.,
The Texts of ‘Othello’ and Shakespearian Revision
(London: Routledge, 1966)
 
Orlin, Lena Cowen (ed.),
‘Othello’: William Shakespeare
, New Casebooks (Basingstoke: Palgrave Macmillan, 2004)
 
Pechter, Edward,
‘Othello’ and Interpretive Traditions
(Iowa City: University of Iowa Press, 1999)
 
Potter, Lois,
Othello,
Shakespeare in Performance (Manchester: Manchester University Press, 2002)
 
Rosenberg, Marvin,
The Masks of ‘Othello’: The Search for the Identity of Othello, Iago and Desdemona by Three Centuries of Actors and Critics
(Berkeley CA: California University Press, 1961)
 
Vaughan, Virginia Mason,
‘Othello’: A Contextual History
(Cambridge: Cambridge University Press, 1994)
 
Wain, John (ed.),
Shakespeare: ‘Othello’,
A Casebook, rev. edn. (Basingstoke: Macmillan, 1994)
 
Wine, Martin L.,
Othello,
Text and Performance (Basingstoke: Macmillan, 1984)
Romeo and Juliet
 
Evans, Robert O.,
The Osier Cage: Rhetorical Devices in ‘Romeo and Juliet’
(Lexington KY: University of Kentucky Press, 1966)
 
Holding, Peter,
Romeo and Juliet
, Text and Performance (Basingstoke: Macmillan Education, 1992)
 
Jackson, Russell,
Romeo and Juliet,
Shakespeare at Stratford (London: Arden Shakespeare, 2003)
 
Levenson, Jill,
Romeo and Juliet
, Shakespeare in Performance (Manchester: Manchester University Press, 1987)
 
Loehlin, James N.,
Romeo and Juliet
, Shakespeare in Production (Cambridge: Cambridge University Press, 2002)
 
Porter, J. A.,
Shakespeare’s Mercutio: His History and Drama
(Chapel Hill NC: University of North Carolina Press, 1988)
 
White, R. S. (ed.),
‘Romeo and Juliet’: William Shakespeare
, New Casebooks (Basingstoke: Palgrave, 2001)
The First Tetralogy and
King John: Henry VI Parts 1―3, Richard III
 
Clemen, Wolfgang,
A Commentary on Shakespeare’s ‘Richard III’,
English version by Jean Bonheim (London: Methuen, 1968) (First published in German 1957)
 
Colley, Scott,
Richard’s Himself Again: A Stage History of ‘Richard III’
(New York: Greenwood Press, 1992)
 
Cousin, Geraldine,
King John
, Shakespeare in Performance (Manchester: Manchester University Press, 1994)
 
Curren-Aquino, Deborah T. (ed.),
‘King John’
:
New Perspectives
(London: Associated University Presses, 1989)
 
Day, Gillian,
King Richard III,
Shakespeare at Stratford (London: Arden Shakespeare, 2002)
 
Hankey, Julie (ed.),
‘Richard III’ by William Shakespeare
, 2nd edn., Plays in Performance (Bristol: Bristol Classical Press, 1988)
 
Hassel, R. Chris,
Songs of Death: Performance, Interpretation and the Text of ‘Richard III’
(Lincoln NE: University of Nebraska Press, 1987)
 
Montgomery, William, ‘The Original Staging of the
First Part of the Contention
(1594)’,
Shakespeare Survey
, 41 (1989), 13-22
 
Pendleton, Thomas A. (ed.),
Henry VI: Critical Essays
(London: Routledge, 2001)
 
Richmond, Hugh M.,
King Richard III,
Shakespeare in Performance (Manchester: Manchester University Press, 1989)
 
Riggs, David,
Shakespeare’s Heroical Histories
:
‘Henry VI’ and Its Literary Tradition
(Cambridge MA: Harvard University Press, 1971)
 
Shakespeare, William,
The Tragedy of King Richard the Third: Parallel Texts of the First Quarto and First Folio with Variants of the Early Quartos
, ed. Kristian Smidt (Oslo: Universitetsforlaget, 1969)
 
Taylor, Gary, ‘Shakespeare and Others: The Authorship of
Henry the Sixth, Part One’, Medieval and Renaissance Drama in England,
7 (1995), 145―205
 
Walton, J. K.,
Copy for the Folio Text of ‘Richard III’
with a Note on the Copy of the Folio Text of
‘King Lear
’ (Auckland NZ: Auckland University College, 1955)
The Second Tetralogy:
Richard II, Henry IV Parts 1 and 2, Henry V
 
Brennan, Anthony,
Henry V
, Harvester New Critical Introductions to Shakespeare (Hemel Hempstead: Harvester Wheatsheaf, 1992)
 
Campbell, Lily B.,
Shakespeare’s ‘Histories’: Mirrors of Elizabethan Policy
(San Marino CA: Huntington Library, 1968) (First published 1947)
 
Hodgdon, Barbara,
Henry IV
,
Part Two
, Shakespeare in Performance (Manchester: Manchester University Press, 1993)
 
—(ed.),
‘The First Part of King Henry the Fourth’: Texts and Contexts
(Basingstoke: Macmillan, 1997)
 
Loehlin, James N.,
Henry V
, Shakespeare in Performance (Manchester: Manchester University Press, 1996)
 
McAlindon, Tom,
Shakespeare’s Tudor History: A Study of ‘Henry IV, Parts 1 and 2
’ (Aldershot: Ashgate, 2001)
 
McMillin, Scott,
Henry IV, Part One
, Shakespeare in Performance (Manchester: Manchester University Press, 1991)
 
Meron, Theodor,
Henry’s Wars and Shakespeare’s Laws: Perspectives on the Law of War in the Later Middle Ages
(Oxford: Clarendon Press, 1993)
 
Page, Malcolm,
Richard II
, Text and Performance (Basingstoke: Macmillan Education, 1987)
 
Prosser, Eleanor,
Shakespeare’s Anonymous Editors: Scribe and Compositor in the Folio Text of ‘2 Henry IV’
(Stanford CA: Stanford University Press, 1981)
 
Shewring, Margaret,
King Richard II
, Shakespeare in Performance (Manchester: Manchester University Press, 1996)
 
Smith, Emma (ed.),
King Henry V
, Shakespeare in Production (Cambridge: Cambridge University Press, 2002)
 
Taylor, Gary, ‘The Fortunes of Oldcastle’,
Shakespeare Survey
, 38 (1985), 85―100
 
—‘Three Studies in the Text of
Henry V’.
in Stanley Wells and Gary Taylor,
Modernizing Shakespeare’s Spelling, with Three Studies in the Text of ‘Henry V’
(Oxford: Clarendon Press, 1979)
 
Wharton, T. F.,
Henry the Fourth, Parts 1 and 2
, Text and Performance (London: Macmillan, 1983)
Edward III
and
Sir Thomas More
 
The Book of Sir Thomas Moore
, Tudor Facsimile Texts (London: issued for subscribers by the editor of the Tudor Facsimile Texts, 1910)
 
Howard-Hill, T. H. (ed.),
Shakespeare and ‘Sir Thomas More’: Essays on the Play and its Shakespearian Interest
(Cambridge: Cambridge University Press, 1989)
 
McMillin, Scott,
The Elizabethan Theatre and ‘The Book of Sir Thomas More’
(Ithaca NY: Cornell University Press, 1987)
 
Metz, G. Harold,
Four Plays Ascribed to Shakespeare, An Annotated Bibliography: ‘The Reign of King Edward III’, ‘Sir Thomas More’, ‘The History of Cardenio’, and ‘The Two Noble Kinsmen’
(New York: Garland, 1982)
 
Pollard, Alfred, and others,
Shakespeare’s Hand in ‘The Play of Sir Thomas More’: Papers by Alfred W. Pollard, W. W. Greg, E. Maunde Thompson, J. Dover Wilson and R. W. Chambers, with the text of the III May Day Scenes, edited by W. W. Greg
(Cambridge: Cambridge University Press, 1923)
 
Proudfoot, Richard,
‘The Reign of King Edward the Third
(1596)
and Shakespeare’, in British Academy Shakespeare Lectures 1980―89
, introduced by E. A. J. Honigmann (Oxford: Oxford University Press for The British Academy, 1993)
Timon of Athens
 
Butler, Francelia,
The Strange Critical Fortunes of Shakespeare’s ‘Timon of Athens’
(Ames IA: Iowa State University Press, 1966)
 
Nuttall, A. D.,
Timon of Athens
, Harvester Critical Introductions to Shakespeare (Hemel Hempstead: Harvester Wheatsheaf, 1989)
 
Soellner, Rolf,
‘Timon of Athens’
:
Shakespeare’s Pessimistic Tragedy,
with a Stage History by Gary J. Williams (Columbus OH: Ohio State University Press, 1979)
Afterlife
 
Bate, Jonathan,
The Genius of Shakespeare
(London: Picador, 1997)
 
Cohn, Ruby, Modern Shakespeare Offshoots (Princeton NJ: Princeton University Press, 1976)
 
Dobson, Michael,
The Making of the National Poet: Shakespeare, Adaptation, and Authorship 1660―1769
(Oxford: Clarendon Press, 1992)
 
Gager, Valerie L.,
Shakespeare and Dickens: The Dynamics of Influence
(Cambridge: Cambridge University Press, 1996)
 
Gross, John (ed.),
After Shakespeare: An Anthology
(Oxford: Oxford University Press, 2002)
 
Hartnoll, Phyllis (ed.),
Shakespeare in Music
(London: Macmillan, 1964)
 
Holderness, Graham (ed.),
The Shakespeare Myth
(Manchester: Manchester University Press, 1988)
 
Merchant, Moelwyn W.,
Shakespeare and the Artist
(London: Oxford University Press, 1959)
 
Schmidgall, Gary,
Shakespeare and Opera
(Oxford: Oxford University Press, 1990)
 
Shutte, William M.,
Joyce and Shakespeare: A Study in the Meaning of ‘Ulysses’
(New Haven: Yale University Press, 1957)
 
Taylor, Gary,
Reinventing Shakespeare: A Cultural History from the Restoration to the Present
(London: Hogarth, 1989)

Other books

Gone with the Wool by Betty Hechtman
Bursting with Confidence by Amanda Lawrence Auverigne
Desert Solitaire by Edward Abbey
To the Indies by Forester, C. S.
The Big Necessity by Rose George
Into the Shadows by Jason D. Morrow