Authors: Joseph McElroy
Her husband would thoughtfully ask all she’d felt. Did he want to know?
Between us, it was what marriage was all about. We suffer alone. We are not alone. There’s life elsewhere. We have each other. Till death do us part.
The baby inside her, had it been speaking all the time? But speaking to her? Why her? Why not anyone? Why not him? But more her than him. For she and the baby had both been inside her and might have come to an old understanding. Yet this felt like how he would think.
She stood, as she’d known she would, in a gown you could see through and held the stem of her glass while a man poured a daiquiri into it and the lime smelled the roots of her mouth which watered. The talk went on, women and men comparing experiences of birth, some in this room probably in the process of losing one another, maybe a woman and a man looking right at each other to see each other. Where? There was a moment of no talk and a woman said, "Sue," and everyone laughed. The pouring ended neatly and the daiquiri at the brim was almost like the first and as she smiled at the man named Marvin or Martin who had filled her glass and who she’d heard from her husband was a free-lance diver who had worked for the police and in oceanography, she heard in the empty moment of silence behind her her husband laugh and say to someone, "Division of labor," and a man laughed.
But at the end when the elbows and hands and bottom and knees came free, slip, blip, grind no bump—and she only much later thought of the gunk draining out then, and nothing seemed to matter except the glistening baby that was younger than last month and was a baby beyond boy or girl, beyond not before, and then without strangeness nothing at all for quite a long moment seemed to matter—or be between them—not even the baby that was O.K., she’d looked at her husband behind the young doctor’s hands and she found tears on her husband’s seedy unshaven cheeks, tears from the wonderful vagueness in his eyes and on his forehead too, as if he had wept upward into his thick, bristly hair. But later she remembered what she could remember, as if she might have receded into her own breathing and part of her was never to be seen again, and knew he told the truth when he said it hurt him to see her in pain, and then she recalled those tears upon his forehead and saw that of course they were sweat. And she knew that while he did not look at her while he waited down there between her legs with the doctor, the tears that he could not keep from running out onto his face were not only for his daughter, because they did not—she was sure, she was sure—fill up his eyes and drop onto his skin until suddenly he had looked up past the appearing baby to look
her
in the eye—us, us—as he had not been able to down there at that end of the delivery table before now.
And so, weeks later, balancing her fresh-brimmed daiquiri against the poor flippancy she’d heard her husband speak behind her, she did not turn to look him angrily in the eye.
BETWEEN US: A BREATHER AT THE BEGINNING
We already remember what’s been going on. How is another question.
Isn’t that a large shadow on the road running parallel to us or our dream? Is it loaded?—it’s approaching in some opposite direction too, looking for its light. Check it out. It is to be shared, and with us, we think. Do we deserve to know what is outside coming near? We really forget if it was in the prophecies, there is so much to do now.
Once a mother who did not tell stories sent her two sons away. To be human, she told one of them certainly. But each son felt that the leaving had been hers, not his. Though his own future motion was real enough: hence relative to hers as hers to his.
To go on, once there was a power vacuum. An as yet unfixed emptiness simply asking power to rush in. This much was agreed. By people sitting down together, all their legs near one another under a table. The table took shape from month to month, year to year—round oblong oval round—century to century, we heard—while under the table the legs of all the people developed protocol. A new kind of leg work. High energy, was the report. And aren’t they your responsibility too? we asked each other—and answered, The
legs
or the
people? (Legwork,
one called.) But while some of this was to be tabled, power vacuum was generally agreed a possibility. Like the human thigh, it had evolved in the mind. Like
femur
for "thigh." But power vacuum: think of it.
The words took hold. In them a daughter had a name for Father. But in the midst of a time that would rush us into bastardy, why we had a name for us period that got us off the ground bam bam whoosh thank-U-Dad; for Power Vac was just the label to market our dream. So take this trip, a leg of it anyway, to market, babe. Power Vacuum was all the handle we need.
Oh handle for what?
I know what’s been going on, an unknown child says to a changing grownup. Like, don’t think I don’t know.
Handle with care. The shadow on the road, the high road, is a Wide Load, its sign says it is, and this Wide Load (a house or other container) which we took to be running parallel to us we can’t seem to pass or not pass. Yet after it has been arduously and dangerously passed, isn’t it ahead of us again? That’s correct. Could it not stop for us, as we could not for it? It had windows and half-open blinds. It had signs on it
WIDE LOAD,
and the back that we remember so well we can almost see it facing us was as wide as the dark scenery we passed through in our native, late-model vehicle, our bicycles on the sun roof fixed mountainous flashing their spokes like this Wide Load vehicle’s great double wheels now up ahead and spinning slowly backward as reflected in the mirror-faced low offices of an insurance-type firm at the outskirts of a new village.
We remember what’s been going on. Already remember what’s been here with us so long we had the time to see but now seem to have been waiting to remember. For who are we not to? Yet give ourselves permission also to forget.
Now, a thinker of the century in question, twentieth among many late centuries surrounding it that were on occasion repelled by the twentieth, said Meaning something is like going up to someone. If so, what is this that we mean to get over, and while we’ve got one another here, who is this someone we mean to share, we who were probably not here first yet who are no less natives at least of this motion. We deserve to know what approaches us.
Is there a break here? Or is it our breath together? It’s what’s between us, or we share. A relation, which we are all. And what a time for a breath
or
break. Before we’ve half begun. Which we are always doing, aren’t we? It’s the best time. A breather now.
For hear us falling. Toward the horizon albeit oblique, for we imagine it isn’t our natural state. We are some power to be here and to have changed toward life even to think distinct from these angels lately to be heard speculating in us as if they were learning to hope. We deserve to know what is in us.
Now, sent away by a mother who herself appeared to have been the one who left, those two remembered sons were secretly one as well as two. That is, we go on but we do not go on; go away but are still there. Mayn was the name, and of the two sons the one who eventually did go away was James.
And to go on: a personalized power vacuum a daughter found in place of father before she had ever even heard of a power vacuum out in the hinterlands stayed with her all along and into later life something of an inspiration. What would she have done with a more definite father? Call her Grace Kimball and she will hear.
Hear us all falling toward the horizon. It’s the wind the other side of an obstacle that draws us toward it. But the wind is our wind as was the obstacle we heard only as a prelude to whatever lay beyond. Hear what is in the wind. A song, says someone (grownup, to be sure). But, built into the song, hear the noise. The noise, it is a city in itself where not everybody knows everybody else. And each century is a person coming to that city. Like, for future reference, an ever-young, once-wed, once-divorced woman without children but with a following, by name Grace Kimball, who was bound to be heard from; and from another angle, for future reference (read
residence),
a family man and traveler, also once wed, once divorced, a man named Mayn, James Mayn, hear the noise. And should they never meet, we have been invited no less: like we are the news either way—meeting or not meeting—as we are the relations between them. And have we not felt we are more?
The angels to be heard at times in all this or in us were not here first. Sometimes we really don’t know what they are.
Once long ago a mother told one of her two sons he should go away and he was still very young, though a strong, manly boy. But then
she
left before he had the chance, and so he felt the leaving was hers, not his.
She never told stories, but his grandmother did, and his grandmother’s were made up out of an adventure she had really had in an earlier day, earlier century in fact. These old reports could sound sometimes a little like what was going on now in the grandson’s life, but he shrugged it off, trusting his grandmother’s little histories.
He belongs to all this which does not easily tell love and separation apart and is about both together. Unhappily he left his wife and his children. Yet did he not live, then, somewhat as he had always lived? It is a time of such changes. Life change is much the cry and we hear it and he probably more than gives it its true weight, which means he must take a longish view— maybe too dumb to be afraid, he jokes. Some brief, important people coming and going here more or less known to him—are they like parts of the work he does? are they news?—of birth, being in love, tenancy, privacy, children? To all this belongs also a woman he may never quite meet. Except through some of these same others. Unlike him she does think of these others as her work: aren’t they discovering body-selves? aren’t they designing their lives? exploring options? For all the world like traders coming and going around her. History passing through her helping hands and voice revealed to her twenty-four hours a day so that in the women’s groups she created and makes her living from in the mid-seventies of the century she runs things with a faith that comes from power more than the other way around. She can be fooled but not for long.
All of this speaks. In many bodies or, as our leaders have said, on an individual basis. Speaks also, we understand, in this "we" that we have heard. What is it? some community? Ours. Operating less than capacity then suddenly also beyond itself. So that in the zone between we have this voice of relations— is that it?—of possible relations too.
A truth here is that angels exist in thought. In great numbers as the case may be, and in small compass we understand. But as angels are summoned to be guardians or messengers, vascular go-betweens or light for its own sake, they seem granted more power than potential. Still, do not angels have rights or anyway abilities to be unprecedentedly other than themselves, or less, or more, since they are lodged in thought? What if they edge in, infiltrate, graft, find real being already present along the curve of the human said to be their arc of new evolution—though into us or into the angels they
can
be?
Are these merely our angels? They angle into and out of our speech like some advanced listening advice we recognize because we remember from somewhere. And what
is
this community—this large
We
we ourselves voice? It will be a community for one thing and capable of accommodating even angels real enough to grow by human means.
God the interference! Can’t hear the interference like we used to, what we once heard—the god relieving himself, blowing tubes, like our weather ship beneath her Coast Guard white paint.
Himself,
did one hear? The god
himself!
Blowing rather his or
her
tubes; his or
her
nose; or noise—our noise. The news. But it was all news. Wind that we mouth into sounds of caves. Sounds on skin. We knew it, sound of bones living below the surface, visible like ankle and jaw, and then all that’s between connecting the neck bones to the thigh bones which masculine or feminine are the same old femora beneath the skin. May we not together likewise find, say, one question to comprehend two or more answers? Is there not breath enough for all of us to take one here?
Now if male is to female, then moral be to femoral, if we hadn’t instantly had our heads slung beyond these things to where, listening at the very thigh of the divine (flesh no obstacle) we pick up—the less hard we listen, the better we pick up—vibrations of a better way of doing things—costed, cost-risked—we pick up what else but the will of a slow worm in there. In the divine thigh (make it flesh).
We pick up only however the tapeworm’s track, but echo track of the headway it’s making elsewhere quite a ways from here. Vibes coming from up in the belly area actually where the worm is hooked in, yea up beyond the vaulted groin’s divide.
And this tapeworm in its steady state takes in along a multiplicity of small-scale units that are its nervous system’s segments a homogenized menu of the godly diet—read
sacred
—
divine
—read
diva
suddenly which is opera for goddess. But wait: what diet is this? We have to know. Oh it is food digested by her the tapeworm’s host then processed by the worm her guest plus helpings of a new para-placenta that lines the linings of this diva’s—read
songbird’s
—read
opera singer’s
—gut: so as the worm makes its way, and its way makes the worm, the diva gets hers, her way, which eats up her surplus and empowers her to shed really a lot of weight, sundry reported amounts upwards of a hundred foolish pounds. The better then, with her amazing range, to go on as the sinewy dramatic soprano that she is, as mother, lover, barmaid, princess, or herself, to music—if you call that music real noise.