Kinslayer (70 page)

WEAPONS

Daishō
—A paired set of swords, consisting of a katana and wakizashi. The weapons will usually be constructed by the same artisan, and have matching designs on the blades, hilts and scabbards. The daishō is a status symbol, marking the wearer as a member of the samurai caste.

Katana
—A sword with a single-edged, curved, slender blade over two feet in length, and a long hilt bound in criss-crossed cord, allowing for a double-handed grip. Katana are usually worn with shorter blades known as wakizashi.

Nagamaki
—a pole weapon with a large and heavy blade. The handle measures close to three feet, with the blade measuring the same. It closely resembles a naginata, but the weapon’s handle is bound in similar fashion to a katana hilt—cords wrapped in criss-crossed manner.

Naginata
—a pole weapon, similar to a spear, with a curved, single-edged blade at the end. The haft typically measures between five and seven feet. The blade can be up to three feet long, and is similar to a katana.

Ō-yoroi
—suits of heavy samurai armor powered by chi-fueled engines. The armor augments the wearer’s strength, and is impenetrable to most conventional weaponry.

Tantō
—a short, single- or double-edged dagger, between six and twelve inches in length. Women often carry tantō for self-defense, as the knife can easily be concealed inside an obi.

Tetsubo
—a long war club, made of wood or solid iron, with iron spikes or studs at one end, used to crush armor, horses or other weapons in battle. The use of a tetsubo requires great balance and strength—a miss with the club can leave the wielder open to counterattack.

Wakizashi
—a sword with a single-edged, curved, slender blade between one and two feet in length, with a short, single-handed hilt bound in criss-crossed cord. It is usually worn with a longer blade, known as a katana.

RELIGION

Amaterasu
—Goddess of the Sun. Daughter of Izanagi. She was born along with Tsukiyomi, God of the Moon, and Susano-ō, God of Storms, when her father returned from Yomi and washed to purify himself of Yomi’s taint. She is a benevolent deity, a bringer of life, although in recent decades has become seen as a harsh and unforgiving Goddess. She is not fond of either of her brothers, refusing to speak to Tsukiyomi, and constantly tormented by Susano-ō. She is patron of the Phoenix zaibatsu, and is also often venerated by women.

Enma-ō
—one of the nine Yama Kings, and chief judge of all the hells. Enma-ō is the final arbiter of where a soul will reside after death, and how soon it will be allowed to rejoin the wheel of life.

Izanagi
(Lord)—also called Izanagi-no-Mikoto, literally “He who Invites”, the Maker God of Shima. He is a benevolent deity who, with his wife Izanami, is responsible for creating the Shima Isles, their pantheon of Gods and all the life therein. After the death of his wife in childbirth, Izanagi travelled to Yomi to retrieve her soul, but failed to return her to the land of the living.

Izanami
(Lady)—also called the Dark Mother, and the Endsinger, wife to Izanagi, the Maker God. Izanami died giving birth to the Shima Isles, and was consigned to dwell in the Yomi underworld. Izanagi sought to reclaim his wife, but she was corrupted by Yomi’s dark power, becoming a malevolent force and hater of the living. She is mother to the thousand and one oni, a legion of demons who exist to plague the people of Shima.

Hachiman
—the God of War. Originally a scholarly deity, thought of more as a tutor in the ways of war, Hachiman has become re-personified in recent decades to reflect the more violent warlike ways of the Shima government. He is now seen as the embodiment of war, often depicted with a weapon in one hand and a white dove in the other, signifying desire for peace, but readiness to act. He is patron of the Tiger zaibatsu.

The hells
—a collective term for the nine planes of existence where a soul can be sent after death. Many of the hells are places where souls are sent temporarily to suffer for transgressions in life, before moving back to the cycle of rebirth. Before Lord Izanagi commanded the Yama Kings to take stewardship over the souls of the damned in order to help usher them towards enlightenment, Shima had but a single hell—the dark, rotting pit of Yomi.

The hungry dead
—the restless residents of the underworld. Spirits of wicked people consigned to hunger and thirst in Yomi’s dark for all eternity.

Raijin
—God of Thunder and Lightning, son of Susano-ō. Raijin is seen as a cruel God, fond of chaos and random destruction. He creates thunder by pounding his drums across the sky. He is the creator of arashitora, the thunder tigers.

Susano-ō
—the God of Storms. Son of Izanagi, he was born along with Amaterasu, Goddess of the Sun and Tsukiyomi, God of the Moon, when his father returned from Yomi and washed to purify himself of Yomi’s taint. Susano-ō is generally seen as a benevolent God, but he constantly torments his sister, Amaterasu, Lady of the Sun, causing her to hide her face. He is father to the Thunder God, Raijin, the deity who created arashitora—the thunder tigers. He is patron of the Ryu zaibatsu.

Tsukiyomi
—the God of the Moon. Son of Izanagi. He was born along with Amaterasu, Goddess of the Sun, and Susano-ō, God of Storms, when his father returned from Yomi and washed to purify himself of Yomi’s taint. Tsukiyomi angered his sister, Amaterasu, when he slaughtered Uke Mochi, the Goddess of Food. Amaterasu has refused to speak to him since, which is why the Sun and Moon never share the same sky. He is a quiet God, fond of stillness and learning. He is the patron of the Kitsune zaibatsu.

Yomi
—the deepest level of the hells, where the evil dead are sent to rot and suffer for all eternity. Home of demons, and the Dark Mother, Lady Izanami.

ACKNOWLEDGMENTS

Jay Kristoff would like to offer Big Scary Hugs to the following outstanding human beings:

Amanda, for the throwaway line that planted the seed for the entire book, reading it seventeen thousand times, being generally wonderful and forgiving of my silence, surliness and sarcasm.

Pete Wolverton, Julie Crisp and Anne Brewer, for handing me the hacksaw and blowtorch, and helping make this book something I’m truly proud of.

Brunch Bitch, Sharkgrrl, KK and The KitKat for telling me the parts that sucked and saying OMFG in all the right places. I love youse guys.

Matt Bialer and LT Ribar for shooting straight, changing my diapers and wiping the dribble away from my bubbling lips.

The fantabulous Cassie Galante, Rachel Howard and the PR/Marketing posse at St. Martin’s Press, Bella Pagan, Louise Buckley and all at Tor UK, Charlotte “Don’t call me Reetard” Ree, Hayley Crandell, Praveen Naidoo and crew @ PanMacMillan Aus. You people are awesome, and the energy you put into pimping my sorry ass is nothing short of amazing. Much love.

Scott Westerfeld, Pat Rothfuss, K. W. Jeter, Stephen Hunt, Marissa Meyer and Kevin “Droogie” Hearne for not only reading but pimping my warez.

Lance Hewett, Narita Misaki, Sudayama Aki and Paul Cechner for being my gurus in all things Japanese.

The mighty Kira Ostrovska for laying the smackdown on my Russki. “Imperatritsa dvenatseti stolits!”

Brad Carpenter, the web-mastah of disastah, the ayatollah of rock and rollah.

Marc, B-Money, Rafe, Weez, Surly Jim, Burglar, Eli, Beiber, The Dread Pirate Glouftis, Bertie, Tom, Steve, Mini, Chris, Gav and all other members of my nerd posse, past and present, for getting me out of the godsdamn house occasionally.

The inimitable Doctor Sam Bowden, for the hasty class on tension pneumothorax, and dragging his fiiiine self all the way across the country for my book launch.

Eamon Kenny, for setting me straight on all things radio (even though we cut 90 percent of it in edits).

Kristy Echeverria for
allllll
the gory details.

Araki Miho, once again, for her beautiful calligraphy.

Jimmy the Orrsome for our clan logos (shoulda charged a percentage, man), and Sir Christopher Tovo for the lurrrve on film.

Jason Chan, holy shit, dude. You can be my wingman anytime.

The book bloggers—too many to mention, never too many to remember—who did so much to get this thing’s clockwork wings off the ground. You people are so very, very metal. You know who you are. I know who you are. Never stop being awesome.

The incredible people who made me poetry or music or paintings or reviews, who took this thing I created and created something themselves. That, more than anything on this strange little ride, has struck me as extraordinary.

My family for never really changing, despite the distance and the years.

And last but far from least:

You.

ALSO BY JAY KRISTOFF

Stormdancer

ABOUT THE AUTHOR

JAY KRISTOFF grew up in the most isolated capital city on earth and fled at his earliest convenience, although he’s been known to trek back for weddings of the particularly nice and funerals of the particularly wealthy. Being the holder of an arts degree, he has no educaiton to speak of. He is six feet seven inches and has approximately 13,250 days to live.

He lives in Melbourne with his wife and the world’s laziest Jack Russell terrier. Visit him online at
www.JayKristoff.com
.

This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.

THOMAS DUNNE BOOKS.

An imprint of St. Martin’s Press.

KINSLAYER.
Copyright © 2013 by Jay Kristoff. All rights reserved. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010.

www.thomasdunnebooks.com

www.stmartins.com

Map artwork © David Atkinson:
handmademaps.com

Kanji designs: Araki Miho:
ebisudesign.com

Clan logo design: James Orr

Cover design by Young Jin Lim

Cover illustration by Jason Chan

The Library of Congress has cataloged the print edition as follows:

Kristoff, Jay.

    Kinslayer / Jay Kristoff. — First Edition.

            p. cm.

    ISBN 978-1-250-00141-2 (hardcover)

    ISBN 978-1-250-02294-3 (e-book)

  1.  Steampunk fiction.   I.  Title.

    PR9619.4.K74K56 2013

    823
'
.92—dc23

                                                2013016734

e-ISBN 9781250022943

Simultaneously published in Great Britain by Tor, an imprint of Pan Macmillan, a division of Macmillan Publishers Limited

First U.S. Edition: September 2013