Authors: Lamar Waldron
article. Justice Fortas also stated that he personally would be glad to line
up a publication or publishing house through which a book or article
could be handled.” The mind boggles at the conflicts of interest the
Fortas-FBI meeting represented. LBJ’s use of a Supreme Court justice
for such errands and back-channel dealings was a sign of the problems
that would soon force Fortas from the Court.10
Dealing with a Supreme Court Justice about attacking critics was
far from the most egregious action Hoover and his men took in that
regard. According to Bud Fensterwald and Michael Ewing, “Senate
investigators [later] established that FBI Director Hoover not only had
prepared secret ‘derogatory dossiers’ on the critics of the Warren Com-
mission over the years, but had even ordered the preparation of similar
‘damaging’ reports about staff members of the Warren Commission.”
One member of the Commission, Louisiana congressman Hale Boggs,
would later charge on the floor of Congress that “certain FBI agents had
tapped his own telephone, as well as the phones of certain other mem-
bers of the House and Senate.” After Boggs’s death, his son would tell
the
Washington Post
that “the FBI leaked to his father damaging material
on the personal lives of critics of its investigation into John F. Kennedy’s
assassination.”11
Hoover’s investigation into the private lives of the critics had begun
while the Warren Commission was still conducting its investigation.
Fensterwald and Ewing, both veteran Congressional investigators,
wrote that “Mark Lane . . . uncovered a February 24, 1964, Warren
Commission memorandum [that] revealed that FBI agents had Lane’s
movements and lectures under surveillance, and were forwarding their
reports to the Warren Commission.” At that time, Lane was trying to rep-
resent the interests of Oswald and Oswald’s mother to the Commission.
Even in early 1967, “the official list of secret Commission documents
then being held in a National Archives vault included at least seven FBI
files on Lane, which were classified on supposed grounds of ‘national
security.’ Among these secret Bureau reports were ‘Mark Lane, Buffalo
appearances.’”12
However, Hoover had the FBI do far more than just monitor Lane’s
travels. Fensterwald and Ewing point out that in 1975, Senator Richard
Schweiker, of the Intelligence Committee, would reveal “new informa-
tion from a November 8, 1966, memorandum by J. Edgar Hoover, relat-
ing to . . . the critics [in which] ‘Seven individuals [were] listed, some
of their files . . . not only included derogatory information, but sex pic-
tures.’” Senator Schweiker found other FBI files from two months later
showing “an ongoing campaign to personally derogate [critics of] the
Warren Commission.”13
Hoover’s firm support of the “lone nut, magic bullet” conclusion of
the Warren Report would far outlive him. Even decades later, when FBI
agents question people about new evidence in the JFK assassination,
they often refer to the Warren Report as the only officially accepted
version of events, ignoring the 1979 conspiracy conclusion of the House
Select Committee on Assassinations. However, the FBI wasn’t alone
in its quest to prevent broader investigations of conspiracy in JFK’s
assassination, since other federal agencies also had investigative and
intelligence failures to hide.14
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LEGACY OF SECRECY
CIA Director Richard Helms would have been alarmed by the growing
surge of JFK assassination books and articles questioning the Warren
Commission’s conclusions. Helms had to protect not only Almeida and
the CIA’s ongoing operations against Cuba, but also his own unauthor-
ized Castro assassination plots that had backfired against JFK. But in
the fall of 1966, his Deputy Director for Plans, Desmond FitzGerald, was
in declining health, and David Atlee Phillips was still serving as CIA
Station Chief in the Dominican Republic. So Helms turned to someone
else who had every incentive to prevent the intelligence failures from
1963 from coming to light: E. Howard Hunt.
In the summer of 1966, Richard Helms ordered Hunt to return to the
US from Spain and resume Hunt’s important role in the CIA’s dealings
with publishers and the press. Hunt’s and Helms’s efforts would impact
not only the CIA’s response to the mounting media attacks on the War-
ren Commission, but also the unfolding coverage of Jim Garrison’s JFK
investigation, articles tying Johnny Rosselli and Joseph Milteer to JFK’s
murder, and coverage of the assassinations of Martin Luther King and
Bobby Kennedy. The actions of Helms and Hunt in dealing with the
press and leaks would lead to both men’s involvement in Watergate,
eventually landing Hunt in prison and costing Helms his position as
CIA Director.
The emerging skepticism of the press and public regarding the War-
ren Report was a double-edged sword for E. Howard Hunt. It increased
his value to Richard Helms, but raised the possibility that a journalist
might come across Harry Williams or someone else who could implicate
Hunt’s associates in the events surrounding JFK’s assassination. For the
next six years, Helms made sure that Hunt was in a good position to
keep that from happening.
Once the fallout from Cubela’s trial had subsided in 1966, Hunt
returned to the US, marking what he called “the beginning of the period
that would make [him] a household name.” During Cubela’s public trial
in Havana, Cubela had named Artime and the CIA’s Madrid Station
Chief as part of the plot, but neither Cubela nor any other witness had
mentioned Hunt’s real name or his code name, “Eduardo.” Escaping
notice, Hunt remained valuable to Helms and returned to the US appar-
ently expecting great things and a very bright future.15
Hunt bought an estate twenty minutes from CIA headquarters that
he described as a “sprawling horse ranch.” Tad Szulc notes that its cost
was “reported to have been $200,000,” more than a million dollars in
today’s money. Szulc points out that “even with income from books
and his CIA salary . . . Hunt could not have afforded that much.” Szulc
didn’t realize that Hunt had profited from selling Artime’s multimillion-
dollar trove of CIA-supplied arms and supplies. Hunt’s lavish lifestyle
apparently didn’t arouse the interest of the usually extremely observant
CIA Counter-Intelligence Chief James Angleton, possibly because Hunt
enjoyed CIA Director Helms’s patronage and support.16
Hunt’s primary objective for Helms, which he would maintain
for the next six years, was to ensure that Helms’s unauthorized 1963
Castro assassination attempts (primarily the CIA-Mafia plots, but also
the CIA’s backing for Cubela’s plot and QJWIN) didn’t become known
to the press, public, or Congress—that would have destroyed both of
their careers. Hunt’s likely role in the CIA’s continuing support for Com-
mander Almeida’s family outside Cuba provided a national-security
basis for his actions. However, Hunt’s role with Almeida was known
only to a relative handful of CIA officials and wasn’t a full-time job, so
Hunt needed a more traditional position once he returned to the US to
“officially” rejoin the CIA. (Hunt’s phony resignation before going to
Spain had been just a matter of paperwork, to provide cover.)
Helms’s position as CIA Director allowed him to give Hunt a pres-
tigious title and assignments, and Hunt’s official position would soon
be “chief of covert action for Western Europe,” a key battleground in
the Cold War. As he had in 1963, Hunt had an additional role as well:
Congressional investigators found that Helms put Hunt “in charge of
contacts with US publishers in the late 1960s.” While much information
was withheld from those investigators, they were able to discover a few
examples of Hunt’s handiwork, such as when Hunt arranged “a book
review for an Agency book which appeared in the
New York Times
[that]
was written by a CIA writer under contract.”17
Not only are CIA operations targeting citizens inside the US forbid-
den by its charter, but also, since 1948, American laws have forbidden
federal agencies from spreading propaganda inside the US. However,
as one of Desmond FitzGerald’s men later told
Newsweek
editor Evan
Thomas, when it came to targeting the US news media, “we were not
the least inhibited by the fact that the CIA had no internal security role
in the U.S.”18
After Watergate later triggered a series of Congressional investiga-
tions, Helms and the CIA would do a masterful spin job of downplaying
Hunt’s roles at the CIA, successfully depicting him as a bumbling loser
whom Helms barely knew. Helms (and later, CIA officials) also down-
played the serious nature of much of Hunt’s work by withholding from
360
LEGACY OF SECRECY
Congress Hunt’s important work on the JFK-Almeida coup plan, appar-
ently on the grounds that it was an ongoing CIA operation because of
Almeida’s family. While we don’t want to overstate Hunt’s importance
within the CIA, it’s clear from the now available historical records that
he retained Helms’s trust and continued to perform important tasks
for the Agency until Watergate. After Hunt’s arrest in that matter, the
American publishers and press Hunt had dealt with previously had
no incentive to tout their own ties to Hunt, especially if they wanted to
maintain their own reputations with the public or their relationships
with the CIA.19
Hunt justified his CIA work with the media by saying the CIA “had
a very real public relations problem within the U.S.” Aside from a few
exceptions, like
The
Invisible Government
, the CIA seemed to get most of
what it wanted from the American news media until late 1966. Then,
the flood of books and articles questioning the Warren Commission
coincided with the start of a gradual shift in the mainstream media away
from unwavering support for the war in Vietnam. At the same time, the
illegal activities of the CIA, FBI, and other federal agencies were starting
to be exposed in progressive publications like
Ramparts
magazine.20
For Richard Helms, having Hunt working again with the press and
publishers in 1966 offered him many of the same benefits it had in 1963.
It gave Helms a trusted subordinate who could monitor books and
the press for any leaks about Almeida’s secret work for JFK, as well as
any stories hinting at Helms’s unauthorized Castro assassination plots
involving Rosselli, Trafficante, and others. Hunt was the logical choice
for Helms and Desmond FitzGerald, since Hunt had participated in
those operations and it was in Hunt’s personal and professional interest
to make sure those matters weren’t made public. By using Hunt, Richard
Helms didn’t have to make other CIA officials aware of the potentially
career-ending information about his unauthorized Castro assassination
operations.
Almeida remained in place and unexposed, and of potential benefit to
the CIA if anything happened to Fidel Castro. Given Counter-Intelligence
Chief James Angleton’s concern about a “Monster Plot” involving pos-
sible Soviet moles in the CIA’s upper echelons, it made little sense to tell
additional CIA officials about Almeida or about Helms’s unauthorized
Castro assassination plots. That is why Helms continued to use the same
small group of knowledgeable people (Hunt, Phillips, Morales, etc.) for
certain sensitive operations, and continued drawing from that same
small pool even though their results were often mixed (and disastrous
or fatal for their targets).
The CIA continued a broad program of intelligence gathering and
some covert action against Fidel Castro, and Hunt had the background
and contacts to know whether any press or publishing plans might
impact those operations. Hunt could also try to present a more posi-
tive view of the CIA in print, just as the Agency’s image was starting to
come under attack. According to Senate investigators, approximately
250 books written in English “were produced, subsidized, or sponsored
by the CIA before the end of 1967.” The investigators found that some
of the books “were written by witting Agency assets” with access to
“actual case materials,” and at times, “the publisher was unaware” of
the CIA’s involvement.21
E. Howard Hunt actually wrote a few of those books, and two of
his writing projects in particular are important in that regard. The first
was Hunt’s nonfiction take on the Bay of Pigs, called
Give Us This Day
,
which Hunt began writing in 1966. Hunt claims he wrote the detailed,
emotional account simply for his own pleasure, with no plans to have
it published. However, Hunt’s manuscript reads like a CIA response to
the 1964 Kennedy-sympathetic book
The Bay of Pigs
, written by Haynes