Life in a Medieval Castle (21 page)

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The following year, 1141, King Stephen’s side scored a decisive victory in the war by another extraordinary military tactic, a siege of the besiegers. The Empress Matilda, Stephen’s rival for the throne, and her brother, the earl of Gloucester, laid siege to the castle of the bishop of Winchester. The bishop appealed for help to Stephen’s supporters—Stephen being at the moment a prisoner—and hired knights himself. Stephen’s queen (also named Matilda) brought an army reinforced by troops nearly a thousand strong sent by the city of London. The besieged occupiers of the bishop’s castle flung out firebrands, burning down the greater part of the town, including two abbeys, while Stephen’s forces guarded the roads into the town to prevent provisions being brought to the townspeople, who were soon suffering from famine. By way of diversion, the earl of Gloucester began to fortify the abbey of Wherwell, six miles distant.

But the king’s forces…suddenly and unexpectedly arrived at Wherwell in an irresistible host, and attacking them
vigorously on every side they captured and killed a great many, and at length compelled the rest to give way and take refuge in the church. And when they used the church for defense like a castle, the other side threw in torches from every quarter and made them leave the church…It was indeed a dreadful and wretched sight, how impiously and savagely bodies of armed men were ranging about in a church, a house of religion and prayer, especially as in one place mutual slaughter was going on, in another prisoners were being dragged off bound with thongs, here the conflagration was fearfully ravaging the roofs of the church and the houses, there cries and shrieks rang piercingly out from the virgins dedicated to God who had left their cloisters with reluctance under the stress of the fire.

The Empress Matilda and the earl of Gloucester decided to raise the siege and save their army, but as the besiegers were moving out of Winchester, the alert royal army fell upon it from both sides and routed it. The chronicler reports:

You could have seen chargers finely shaped and goodly to look upon here straying about after throwing their riders, there fainting from weariness and at their last gasp; shields and coats of mail and arms of every kind lying everywhere strewn on the ground; tempting cloaks and vessels of precious metal, with other valuables, flung in heaps, offering themselves to the finders on every side.

Thus the defensive strength of a castle permitted an offensive counterstroke to be launched. Sometimes a castle’s siege was tied into an even more complex strategic pattern. In 1203 one of the few successes of King John in his war against Philip Augustus involved such a pattern. The French king was besieging the great castle of Arques, southeast of Dieppe, held by John’s garrison, while Philip’s ally, Arthur of Brittany, besieged Mirabeau, defended by a force under his own grandmother, John’s mother, Eleanor of Aquitaine. William Marshal and two other Anglo-Nor-man

Battle scene from the thirteenth-century Maciejowski Bible. Note escalade on the right; above the ladder a soldier, with an arrow through his body, flings a missile down from a tower; below, near the center of the picture, a crossbowman is about to fire at his companion, who wields a battle-axe against the climbing attacker. (Pierpont Morgan Library. MS. 638, f. 10v)

man earls were striving to relieve Arques when John struck a successful surprise blow at Arthur’s army outside Mirabeau. Arthur’s defeat exposed Philip to a combined attack by the armies of King John and William Marshal, compelling Philip to raise the siege of Arques without an arrow being fired. In retreat, Philip aimed a blow at William’s small force, but William outdistanced him and escaped to Rouen. The following year John’s inability to divert Philip from the long siege of the Chatêau Gaillard brought the fall of that powerful castle, laying open the Seine valley to Philip and eventually leading to the surrender of Rouen and all Normandy.

Some castles underwent many sieges, others few, and some, like Chepstow, none. Unscathed Chepstow’s history

Ruins of keep at Arques, Normandy, built by Henry I of England about 1125 and besieged by Philip Augustus in 1203. (Archives Photographiques)

underlines the castle’s other military function, as a spring-board for offensive action. Chepstow was deliberately designed as a base for aggression in Wales, and was put to effective use for this purpose by William Fitz Osbern and his Clare successors. On occasion Chepstow also served as a base for operations against the royal power, as in 1074, when William Fitz Osbern’s son Roger and the earl of Norfolk rebelled against the Conqueror.

Pembroke Castle, on the southwest tip of Wales, provides an even more striking example than Chepstow of the aggressive role of the castle. In 1093, during the reign of William Rufus, Arnulph de Montgomery, a Norman baron, arrived at Pembroke by water, built a motte-and-bailey castle on a rocky peninsula on the site of an old Roman
camp, and set about subduing the countryside. When Arnulph rebelled against Henry I in 1102, the king seized Pembroke Castle; in 1138 King Stephen granted it to Gilbert Strongbow de Clare, who fortified it; Gilbert’s son Richard Strongbow used it as a base for the conquest of Ireland. Later William Marshal further strengthened the castle by building the great keep and hall. His son William Marshal II, reversing the procedure of Strongbow, brought a force from Ireland, where he served as justiciar, and employed Pembroke as a base for crushing the rebellious Welsh.

It was often the offensive capabilities of the castle that provoked sieges, but it was its incomparable defensive strength that conferred its military importance. Always ready, requiring little maintenance and repair, demanding scant advance notice of impending attack, the castle remained the basic center of power throughout the Middle Ages.

XI
The Castle Year

F
OR THOSE WHO LIVED IN AND AROUND
the medieval castle, the seasons of the year were marked by a succession of feast days consecrated by the Church but with pagan origins reaching far back in time. Four seasons, somewhat differently distributed from those of the modern calendar, were marked by ancient agricultural festivals in Christian guise.

Winter was the season from Michaelmas (September 29) to Christmas when wheat and rye were sown. From the end of the Christmas holidays to Easter was the season when spring crops were sown: oats, peas, beans, barley, and vetches. From the end of Easter week to Lammas (August 1) was summer, and from Lammas to Michaelmas was harvest, or autumn.

Christmas and Easter were the most important of the season-marking holidays, while Pentecost or Whitsunday, in Maytime (the seventh Sunday after Easter), was of almost equal moment. Each of these three great festivals
was celebrated by a feast of the Church followed by a week or more of vacation, followed by another feast, not of the Church but of the people, to mark the resumption of work. Lesser religious holidays had unmistakable roots in husbandry: Candlemas (February 2), when tillage was resumed; Hocktide, at the end of Easter week, the beginning of summer; the three smaller Maytime feasts, Mayday, the Rogation Days, and Ascension; Midsummer, or St. John’s Day, June 24; Lammas, the feast of St. Peter ad Vincula; and finally Michaelmas following the harvest.

Michaelmas marked not only the beginning of winter but the beginning of the castle’s fiscal year. As the villagers opened the hedges to allow cattle to enter the harvested fields and graze on the stubble, and as plowing and harrowing began on the previously fallow fields, the castle stewards and manorial officers totaled up their accounts.

November was slaughter time, the “blood month” of the Anglo-Saxon calendar. Feed was too scarce to keep most of the animals through the winter, and smoked and salted meat was essential for human survival. The month began with the ancient feast of All Hallows, originally for the propitiation of evil spirits from the dead, but adapted by the Church as All Saints, followed next day by All Souls. Martinmas, or St. Martin’s Day (November 11), marked another Christianized traditional holiday, the feast of the plowman—celebrated, at least in later days, with cakes, pasties, and
frumenty
, a pudding made of wheat boiled with milk, currants, raisins, and spices.

The dreary fortnight from Christmas Eve to Epiphany, or Twelfth Day (January 6), when the fields were drowned with rain or bound with frost, was transformed into the longest holiday of the year, a fourteen- or fifteen-day vacation. Services required of villeins were suspended, and the manorial servants—the hayward, the lord’s plowman, the shepherd, swineherd, and oxherd—received their “per-quisites,”
bonuses such as food, clothing, drink, and firewood, that were their traditional Christmas due.

Besides conviviality, carol singing, and entertainment, the Christmas holidays brought a suspension of everyday standards of behavior and status. On the eve of St. Nicholas’ Day (December 6), the cathedrals chose “boy bishops” who presided over services on the Feast of the Holy Innocents (December 28), assisted by schoolboys and choirboys. On January 1, in the Feast of the Fools, priests and clerks wore masks at mass, sang “wanton songs,” censed with smoke from the soles of old shoes, and ate sausages before the altar. During the boisterous Christmas season the lord often appointed a special force of watchmen for the twelve nights in anticipation of rioting. Tenants on a manor belonging to St. Paul’s cathedral, London, were bound to watch at the manor house from Christmas to Twelfth Day, their pay “a good fire in the hall, one white loaf, one cooked dish, and a gallon of ale [per day].”

During the Christmas season “every man’s house, as also their parish churches, was decked with holme [holly], ivy, bay, and whatsoever the season of the year afforded to be green,” wrote William Fitzstephen in his description of London in the twelfth century. On Christmas Eve the Yule log was brought in—a giant section of tree trunk which filled the hearth, and was kept burning throughout the twelve nights.

Christmas brought celebration to the castle population from bottom to top. Tenants on the manors owed special rents but also enjoyed special privileges. Usually they owed the lord bread, hens, and ale, which they brewed themselves, while in return he gave them Christmas dinner, consisting mainly of the food they had provided; the lord thus organized Christmas dinner at little cost to himself, the tenants often even providing their own fuel, dishes, and napkins. A group of three prosperous villeins on a manor

A puppet show. (Bodleian Library. MS. Bod. 264, f. 54v)

belonging to Wells Cathedral in the early fourteenth century received “two white loaves, as much beer as they will drink in the day, a mess of beef and of bacon with mustard, one of browis [stew] of hen, and a cheese, fuel to cook their food…and to burn from dinner time till even and afterwards, and two candles.” Another villein who held less land was to have Christmas dinner, “but he must bring with him…his own cloth, cup and trencher, and take away all that is left on his cloth, and he shall have for himself and his neighbors one wastel [loaf] cut in three for the ancient Christmas game to be played with the said wastel.” The “ancient Christmas game” may have been a version of “king of the bean,” in which a bean was hidden in a cake or loaf, and the person who found it became king of the feast. Many of the manors of Glastonbury Abbey gave Christmas feasts in the manor hall to which the tenant brought firewood and his own dish, mug, and napkin “if he wanted to eat off a cloth.” Bread, broth, and beer were served, and two kinds of meat, and the villeins were entitled to sit drinking after dinner in the manor hall.

At the upper end of the scale, baron and king entertained their knights and household with a feast and with gifts of “robes” (outfits comprising tunic, surcoat, and mantle) and
jewels. In 1251 Matthew Paris complained that Henry III not only economized on his Christmas expenditures but exacted gifts from his subjects:

At this most celebrated feast, the king (being perhaps saving in his anxiety about his pilgrimage) did not distribute any festive dresses to his knights and his household, although all his ancestors had made a practice from times of old of giving away royal garments and costly jewels. The usual richness and hospitality of the royal table was also diminished; and he now, without shame, sought his lodgings and his meals with abbots, priors, clerks, and men of low degree, staying with them and asking for gifts. And those persons were not considered courteous who did not, besides affording hospitality and splendid entertainments to him and his household, honor him and the queen, Prince Edward and the courtiers, separately with great and noble presents; indeed, he did not blush to ask for them, not as a favor, but as though they were his due…Nor did the courtiers and royal household appreciate any presents unless they were rich and expensive; such as handsome palfreys, gold or silver cups, necklaces with choice jewels, imperial girdles, or such-like things.

All over Europe the twelve days of Christmas brought the appearance of the mummers, bands of masked pantomimists who paraded the streets and visited houses to dance and dice. A fourteenth-century mummery in London for the entertainment of Prince Richard (later Richard II), son of Edward the Black Prince, was described by John Stow:

In the night, one hundred and thirty citizens, disguised and well-horsed, in a mummery, with sounds of trumpets, sackbuts [medieval trombones], cornets, shalmes [reed pipes], and other minstrels and innumerable torchlights of wax, rode to Kennington, near Lambeth, where the young Prince remained with his mother. In the first rank did ride forty-eight in likeness and habit of squires, two and two together, clothed in red coats and gowns of sendai [silk], with comely visors [masks] on their faces. After them came

Woman dancer. (Trustees of the British Museum. MS. Harl. 4951, f. 300v)

forty-eight knights, in the same livery. Then followed one richly arrayed, like an emperor; and after him some distance, one stately attired, like a pope, whom followed twenty-four cardinals; and after them eight or ten with black visors, not amiable, as if they had been legates from some foreign princes.

These maskers after they had entered the manor of Kennington alighted from their horses and entered the hall on foot; which done, the Prince, his mother, and the lords came out of the chamber into the hall, whom the mummers did salute, showing, by a pair of dice upon the table, their desire to play with the young Prince, which they so handled that the Prince did always win when he cast them…After which they were feasted and the music sounded, the Prince and lords danced on the one part with the mummers, who did also dance; which jollity being ended, they were again made to drink, and then departed in order as they came.

In England, plays accompanied the mumming. The earliest of these “mummers’ plays” now extant apparently date to the sixteenth century, but undoubtedly they had medieval ancestors. Mummers’ plays appeared in many variations, and sometimes included a sword dance or a St.-George-and-the-dragon play, but always had a common theme, probably with a ritual origin, symbolizing the death and coming to life of all growing things: a fight in which a champion was killed and brought back to life when a doctor gave him a magic pill. Stock characters in the plays were a fool and a man dressed as a woman.

New Year’s, like Christmas, was an occasion for gift giving, and Matthew Paris noted that in 1249 Henry III exacted from London citizens “one by one, the first gifts, which the people are accustomed superstitiously to call New Year’s gifts.” “First gifts” were omens of success for the coming year. So was the first person who entered the house after midnight, the “first-foot,” who determined the fortunes of the family for the year. In some places this portentous
visitor had to be a dark-complexioned man or boy, in others light-haired, while elsewhere it was considered desirable for him to be flat-footed.

On the manors, the resumption of work after the Christmas holidays was marked with special ceremonies honoring the plow and the “rock,” the distaff. A feature of Plow Monday, the first Monday after Epiphany, was a plow race, beginning at sunrise, among the freemen of the village, who plowed part of the common pasture which was to be cultivated for the coming year, with each man trying to draw a furrow in as many different strips as he could; the ridges that he marked he could sow that year. A custom of later times that probably dated from even before the Middle Ages was that of the “fool-plow,” hauled through the village by a group of young plowmen who asked for pennies from door to door. If anyone refused, they plowed up the ground before his door. Their leader was dressed as an old woman called Bessy, with a bullock’s tail under his gown; sometimes they were accompanied by a man wearing a fox’s skin as a hood and by a fool with a stick and bladder.

Little real plowing was done until Candlemas (February 2), a holiday formally known as the Feast of the Purification of the Virgin. It commemorated Mary’s “churching,” the ceremony of purification after childbirth in which the new mother donned her wedding gown and entered the church carrying a lighted candle. The village celebrated with a procession carrying candles. Candlemas was followed by Shrove Tuesday, a profane holiday dedicated to games and sports.

Throughout Lent the sanctuaries of the castle chapel as well as of the parish church were hung with veils, the cross and images shrouded. On Palm Sunday the parishioners carried yew or willow twigs in procession, following the Host and the Cross around the churchyard. On Good Friday the Cross was unveiled and set on the steps of the altar, the congregation coming forward to kiss it, kneeling
and bowing low—“creeping to the Cross.” Then the Cross and Host were buried in a special “Easter sepulchre” in the walls of the church or in a chapel, surrounded with candles. On Easter Eve all the fires and candles were extinguished, a new fire ceremonially kindled, and the great Paschal candle lit during an all-night vigil in the church. On Easter morning the sepulchre was opened and the Cross and Host carried to the altar.

BOOK: Life in a Medieval Castle
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