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Authors: Dante

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BOOK: Purgatorio
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‘gathers in the heart and carries

               
formative power to all members, like the blood

42
           
that, flowing through, becomes a part of them.

               
‘Again digested, it descends where silence

               
is more fit than speech and from there later

45
           
drops into the natural vessel on another’s blood.

               
‘There the one is mingled with the other,

               
one fitted to be passive and the other active,

48
           
owing to the perfect place from which it springs,   

               
‘and this one, so conjoined, begins to function,

               
first coagulating, then quickening that which,

51
           
as its future matter, it has already thickened.

               
‘The active force, having now become a soul—   

               
like a plant’s but differing in this: it is still

54
           
on the way, while the plant has come to shore—

               
‘next functions, moving now and feeling,

               
like a sea-sponge, and from that goes on, producing   

57
           
organs for the faculties of which it is the seed.

               
‘Now unfurls, now spreads the force, my son,

               
that comes straight from the heart of the begetter,

60
           
there where nature makes provision for all members.

               
‘But how from animal it turns to human   

               
you do not see as yet. This is the point   

63
           
at which a wiser man than you has stumbled

               
‘in that his teaching rendered separate

               
the possible intellect from the soul,

66
           
because he could not find the organ it could live in.

               
‘Open your heart to the truth that follows   

               
and know that, once the brain’s articulation

69
           
in the embryo arrives at its perfection,

               
‘the First Mover turns to it, rejoicing

               
in such handiwork of nature, and breathes

72
           
into it a spirit, new and full of power,

               
‘which then draws into its substance

               
all it there finds active and becomes a single soul

75
           
that lives, and feels, and reflects upon itself.

               
‘And, that you may be less bewildered by my words,   

               
consider the sun’s heat, which, blended with the sap

78
           
pressed from the vine, turns into wine.

               
‘When Lachesis runs short of thread, the soul   

               
unfastens from the flesh, carrying with it

81
           
potential faculties, both human and divine.

               
‘The lower faculties now inert,

               
memory, intellect, and the will remain

84
           
in action, and are far keener than before.

               
‘Without pausing, the soul falls, miraculously,   

               
of itself, to one or to the other shore.

87
           
There first it comes to know its road.

               
‘As soon as space surrounds it there,

               
the formative force radiates upon it,

90
           
giving shape and measure as though to living members.

               
‘And as the air, when it is full of rain,

               
is adorned with rainbow hues not of its making

93
           
but reflecting the brightness of another,

               
‘so here the neighboring air is shaped

               
into that form the soul, which stays with it,

96
           
imprints upon it by its powers.

               
‘And, like the flame that imitates its fire,

               
wherever that may shift and flicker,

99
           
its new form imitates the spirit.

               
‘A shade we call it, since the insubstantial soul   

               
is visible this way, which from the same air forms

102
         
organs for each sense, even that of sight.

               
‘Through this we speak and through this smile.

               
Thus we shed tears and make the sighs

105
         
you may have heard here on the mountain.

               
‘And, as we feel affections or desires,

               
the shade will change its form, and this

108
         
is the cause of that at which you marvel.’

               
But now we had come to the final circling   

               
and, turning to the right,

111
         
we were attentive to another care.

               
There the bank discharges surging flames   

               
and where the terrace ends, a blast of wind shoots up

114
         
which makes the flames recoil and clear the edge,

               
so that we had to pass along the open side,

               
one by one, and here I feared the fire

117
         
but also was afraid I’d fall below.

               
My leader said: ‘Along this path

               
a tight rein must be kept upon the eyes,

120
         
for here it would be easy to misstep.’

               
‘Summae Deus clementiae’
I then heard sung   

               
in the heart of that great burning,

123
         
which made me no less eager to turn back,

               
and I saw spirits walking in the flames,

               
so that I watched them and my footsteps,

126
         
dividing my attention, now there, now here.

               
After the hymn was sung through to its end

               
they cried aloud:
‘Virum non cognosco,’
   

129
         
then, in softer tones, began the hymn again.

               
When it was finished, next they cried:   

               
‘Diana kept to the woods and drove Callisto out

132
         
for having felt the poisoned sting of Venus.’

               
Then they again began to sing,   

               
calling on wives and husbands who were chaste,

135
         
even as virtue and matrimony urge.

               
And this way they go on, I think,

               
for as long as the fire burns them.

               
With such treatment and with just such diet   

139
         
must the last of all the wounds be healed.

OUTLINE: PURGATORIO XXVI

III. The penitents in Lust

1–3
   
Virgil’s only spoken words in the canto: “be careful”
4–6
   
from the angle of the lowering sun, it is late afternoon
7–15
   
the shades are drawn to Dante’s shadow, which darkens the flame between them and the sun

IV. The speakers

16–24
   
Guido Guinizzelli
’s question: “are you alive?”
25–30
   
Dante would have answered, except that he sees a second group of penitents moving in a counter direction
31–36
   
simile: ants touching faces with others in their band and kissing visages of all in these two bands

V. Exemplars of Lust

37–42
   
homosexuals:
Sodom and Gomorrah
; heterosexuals:
Pasiphaë
43–48
   
simile: cranes flying north and south and sinners moving on in former directions; they all sing “Summae Deus clementiae” and of Mary and Diana, while each group also cries out either “Sodom and Gomorrah” or “Pasiphaë”

IV. The speakers
(continued)

49–51
   
the souls return their attention to Dante
52–66
   
Dante says he is here in body, protected by a lady, and wants to know who these present and the others are
67–70
   
simile: the peasant from the mountains wondering at the city and the penitent heterosexuals looking at Dante
71–81
   
Guido: blessèd are you who, to die better, visit our realm; the other group shared in Caesar’s homosexuality
82–87
   
these, on the other hand, were “hermaphrodite”
88–93
   
Guido: it would take too long to say who the others are; he identifies himself, saying he repented before he died
94–96
   
simile: two sons finding Hypsipyle and Dante finding Guido
97–105
   
Dante is greatly moved, seeing his “father” in poetry
106–111
   
Guido will remember his love past Lethe; but if he is Dante and here in body, why does he care about Guido?
112–114
   
Dante: because of Guido’s sweet poetry
115–126
   
Guido: [Arnaut Daniel] was a better craftsman in the vernacular than I, but not Giraud de Borneil, nor Guittone
127–132
   
Guido: if you are really going to heaven, say a Paternoster there for me
133–135
   
Guido disappears like a fish diving to the bottom
136–138
   
Dante peers into the flames at the next poet
139–148
   
Arnaut Daniel:
his contrition and request for prayers
PURGATORIO XXVI

               
One before the other, we walked along the edge,

               
and often the good master said to me:

3
             
‘Careful now, pay attention to my warnings.’   

               
The sun was beating down on my right shoulder,   

               
for now its beams were changing

6
             
the aspect of the west from blue to white,

               
and as my shadow made the flames appear   

               
more glowing, I saw that many of the shades,

9
             
as they went past, took note of that faint sign.

               
It was this that made them speak of me,

               
and they began by telling one another:

12
           
‘This man’s body does not seem made of air.’   

BOOK: Purgatorio
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