Sunbird (39 page)

^{I tried all the tricks, forcing myself to sit at the typewriter until I had completed 10,000 words or rising at midnight to try and shake loose a flow of words from my stalled brain.}

^{The address remained unwritten, and I found myself mooning about my office polishing the great battle-axe until it gleamed and glittered, painful to the eye, or strumming fitfully on my guitar and composing new songs which all seemed sad and mournful. At other times I would sit for hours before the painting of the white king, dreaming and withdrawn, or I would wander all day along the cliffs, oblivious of the sun and the heat, and it seemed that often a little bird-like presence was near me, moving like a mischievous brown sprite just beyond the fringe of my vision. Or again, 1 would sit alone in the dim depths of the archives, deep in a trance of despair as I remembered the hatred in Timothy's smoky eyes as he glared at me across the water-course where the dead men lay. Neither Timothy nor I were all of what we seemed to be, there were dark and ugly depths in both of us. I remembered the savagely mauled bodies of the tiny bushmen left lying for the birds, and my own screaming madness as I cut down the running men on the white sand of the river-bed. I do not know how long my despondency might have lasted except for the discovery which uncovered the answer to so many of the mysteries that still shrouded our city.}

^{Eldridge's team had been countering my apathy by an accelerated advance through the scrolls. Practice had sharpened Sally's grasp of the language, until she was as quick and as fluent as Eldridge himself. Even Leslie was now able to make an appreciable contribution to the work, while Eldridge had arrived by a process of trial and error at the most suitable method of unrolling and preserving our scrolls and he was now saving a great deal of time in this procedure.}

^{At breakfast, which seemed to be the only time we spent together these days, Eldridge asked me to resume the work of removing the pottery jars from the archives. To be truthful I welcomed the excuse not to have to face the blank accusing stare of the sheet of paper in my typewriter, and Ral seemed as pleased to have a change from his fruitless search of the cliffs.}

^{In the cool, peaceful gloom of the archives we worked in our established routine, photographing and marking the position of each jar after we had labelled it and entered it in the master notebook. The work was unexacting, and Ral did most of the talking for my mood of lethargy still persisted. Ral lifted down another of the jars from its slab, and then he peered curiously into the space beyond where the wall opened into a square stone cupboard.}

^{'Hello,' Ral exclaimed. 'What's this?' And I felt my lethargy fall away like a discarded article of clothing. I hurried across to him and I had a feeling of pre-knowledge as I stared at the row of smaller, squatter jars of the same pottery which had been hidden away in this carefully prepared recess. I knew that we had made another major advance, a significant step forward in our search for the ancient secrets. This idea came into my mind fully formed, it was as though I had simply mislaid these small jars and now I had rediscovered them.}

^{Ral moved the arc-light to obtain a better lighting of the recess, and immediately we noticed another unusual feature. Each of the jars that we could see was sealed - a loop of plaited gold wire linked lid and body of the jar, and a clay seal bore the imprinted figure of a bird. I leaned forward and gently blew away the dust that obscured the impression on the seal. It was the crouching vulture, the classical soapstone bird of the Zimbabwe culture with its base of sun discs and rays. It came as a distinct shock to find this emblem of modern Rhodesia upon a seal of indisputably Punic origin 2,000 years old, as it would be to find the lion and unicorn of the British coat of arms in an Egyptian tomb of the twentieth dynasty.}

^{We worked as quickly as was reconcilable with accuracy; labelling and photographing the large jars which obscured the recess, and when we lifted them down we discovered that there were five of the smaller jars concealed behind them. All this time my excitement had been increasing, my hope of a major discovery becoming more certain. The concealment of the jars, and the seals indicated their importance. It was as though I had been marking time, waiting for these jars, and my spirits surged. When finally we were ready to remove them from the recess, I reserved this honour for myself despite Ral's protests of, 'But I found them!'}

^{Balancing on the top rungs of the step-ladder, I reached in and attempted to lift the first of them.}

^{'It's stuck,' I said, as the jar sat immovably on its slab of stone. 'They must have bolted it down.' And I leaned farther into the recess and carefully groped behind the jar for the fixings which held it in place. I was surprised to find that there were none.}

^{'Try one of the others,' Ral suggested, breathing heavily on the back of my neck from his lofty perch atop those lanky legs. 'Can I give you a hand?'}

^{'Look, Ral, if you don't give me a bit of room you're going to suffocate me.'}

^{'Sorry, Doc,' he muttered, moving back a full quarter of an inch.}

^{I tried the next jar and found that it was also solidly anchored to the shelf, as were the next three.}

^{'That's very odd,' Ral understated the position, and I returned to the first jar, and bracing my elbows on the edge of the shelf I began to twist it in an anti-clockwise direction. It required my full strength, and the muscles bulged and knotted in my forearms before the jar moved. It slid towards me an inch, and immediately I realized that the jar was held down on the slab not by bolts but by its own immense weight. It was fifty times heavier than the jars twice its size.}

^{'Ral,' I said. 'You are going to have to give me a hand, after all.'}

^{Between us we moved the jar to the front edge of the shelf, and then I cradled it in my arms like a new-born infant and lifted it down. Later we found that it weighed 122 pounds avoirdupois, and was not much bigger than a magnum of champagne.}

^{Gently Ral helped me to settle it into the fibreglass cradle we had designed for transporting the jars. We each took a handle and carried it down the archives, out through the access tunnel and past the guard post at the entrance. I was surprised to find it was already dark, and the stars were pricks of light in the high opening above the emerald pool.}

^{Our disparity of heights made it awkward carrying the cradle, but we hurried down the rock passage and down towards the camp. I was relieved to see that lights still burned in the repository. When Ral and I carried in our precious burden the others hardly glanced up from their work.}

^{I winked at Ral, and we carried the jar to the main workbench. Concealing it with our bodies, we lifted it out of the cradle and stood it in the centre of the bench. Then I turned back to the three bent heads across the room.}

^{'Eldridge, would you mind having a look at this one.'}

^{'One moment.' Eldridge went on poring over an unrolled scroll with his magnifying glass, and Ral and I waited patiently until at last he laid the glass aside and looked up. Like I had, he reacted immediately. I saw the glitter of his spectacles, the rosy glow suffuse his bald pate like sunset on the dome of the Taj Mahal. He came quickly to the bench.}

^{'Where did you find it? How many are there? It's sealed!' His hand was actually trembling as he touched the clay tablet. His tone alerted the girls and they almost ran to join us. We stood about the jar in a reverent circle,}

^{'Open it.' Sally broke the short silence.}

^{'It's almost dinnertime.' I glanced at my watch. 'We had better leave it until tomorrow,' I suggested mildly, and both girls turned on me furiously.}

^{'We can't,' Sally began, then she saw my expression, and relief flooded her face. 'You shouldn't joke about things like that,' she told me sternly.}

^{'Well, Professor Hamilton, what are we waiting for?' I asked.}

^{'What indeed?' he demanded, and the two of us went to work on the seal. We used a pair of side-cutters to nip the gold wire, and then carefully worked the seal loose. The lid lifted easily, and there was the usual linen-wrapped cylinder. However, there was not a suggestion of the unpleasant leathery odour. Eldridge, whose arms are like a pair of thin white candles, was unable to lift the jar. I tilted it carefully onto its side, and while he steadied it I withdrew the weighty roll.}

^{The wrapping was well preserved and folded off in one piece.}

^{Nobody spoke as we stared at the exposed cylinder. I had guessed what it would contain. There is only one material which is that heavy, but it was still a delicious thrill to have my expectations realized.}

^{It was another writing scroll, but it was not of leather. This scroll was a continuous rolled sheet of pure gold. It was one-sixteenth of an inch thick, eighteen inches wide and a fraction aver twenty-eight feet long. It weighed 1,954 fine ounces with an intrinsic value of over $85,000. There were five of them -$425,000, but this was a fraction of the value of the contents.}

^{The beautifully mellow metal unrolled readily as though eager to impart its ancient secrets to us. The characters had been cut with a craftsman's skill into the metal with a sharp engraver's tool, but the reflected light from its surface dazzled the reader.}

^{We all watched with complete fascination as Eldridge spread lamp-black across the blinding surface and then carefully wiped off the excess. Each character stood out now, etched in black against the golden background. He adjusted his spectacles, and pored deliberately over the cramped lines of Punic. He started making noncommittal grunts and murmurs, while we crowded closer, like children at story-time.}

^{I think I spoke for all of us when at last I blurted out, 'For God's sake, read the bloody thing!'}

^{Eldridge looked up, and grinned wickedly at me. 'This is very interesting.' He kept us all in aching suspense for a few seconds longer while he lit a cigarette. Then he began to read. It was immediately clear that we had chosen the first scroll in a series, and that Eldridge was reading the author's note.}

^{'Go thou unto my store and take from thence five hundred fingers of the finest gold of Opet. Fashion therefrom a scroll that will not corrupt, that these songs may live for ever. That the glory of our nation may live for ever in the words of our beloved Huy, son of Amon, High Priest of Baal and favourite of Astarte, bearer of the cup of life and Axeman of all the Gods. Let men read his words and rejoice as I have rejoiced, let men hear his songs and weep as I have wept, let his laughter echo down all the years and his wisdom live for ever.}

^{'Thus spoke Lannon Hycanus, forty-seventh Gry-Lion of Opet, King of Punt and the four kingdoms, ruler of the southern seas and keeper of the waterways, lord of the plains of grass and the mountains beyond.'}

^{Eldridge stopped reading, and looked about the circle of our intent faces. We were all silent. This was something far removed from the dry accounts, the list of trade and the Council orders. This scroll was imbued with the very breath, the essence of a people and a land.}

^{'Wow!' Ral whispered. 'They had a pretty good press agent.' And I felt irritation scratch across my nerves at this irreverence.}

^{'Go on,' I said, and Eldridge nodded. He crushed out the stub of his cigarette in the ashtray at his elbow and began to read again. Pausing only to unroll and lamp-black each new turn of the scroll, he read on steadily while we listened, completely entranced. The hours fled on nimble feet, as we heard the poems of Huy Ben-Amon sung again after 2,000 years.}

^{Opet had produced her first philosopher and historian. As I listened to the words of this long-dead poet, I felt a curious kinship of the spirit with him. I understood his pride and petty conceits, I admired his bold vision, forgave his wilder flights of fancy and his more obvious exaggerations, and was held captive by the story-web he wove about me.}

^{His story began with Carthage surrounded by the wolves of Rome, besieged and bleeding, as the legions of Scipio Aemilianus pressed forward on her walls to the chant of 'Carthage must die'.}

^{He told us how Hasdrubal sent a swift ship flying along the shore of the Mediterranean to where Hamilcar, the last scion of the Barcas, a family long since fallen from power and politics, lay with a war fleet of fifty-seven great ships off Hippo on the north African coast.}