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Authors: Alexander Solzhenitsyn

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But some kind of mysterious inner warmth gradually made itself felt, and it was his salvation. He learned to sleep sitting on his stool. They gave him a mug of hot water three times a day; it made him drunk. One of the duty officers, in violation of the rules, pressed a piece of sugar into his ten-and-a-half-ounce bread ration. On the basis of the rations issued him, and by observing the light from some faraway, tiny, labyrinthine window, Kozyrev kept count of the days. His five days had come to an end, but he had not been released. His sense of hearing had be- come extremely acute and he heard whispers in the corridor— having to do with either "the sixth" or "six days." This was a provocation: they were waiting for him to say that his five days were over and that it was time to let him out. That would have constituted unruliness, for which his stay in the punishment cell would have been prolonged. But he sat silent and obedient for another day, and then they let him out, just as if everything had been the way it was supposed to be. (Perhaps the chief of the prison used this method for testing all the prisoners in turn for submissiveness? And then he could sentence all those who weren't yet submissive enough to further terms in the punishment cell.) After the punishment cell the ordinary cell seemed like a palace. Kozyrev became deaf for half a year, and he began to get abscesses in his throat. His cellmate went insane from frequent imprisonment in the punishment cell, and Kozyrev was kept locked up with an insane man for more than a year, with just the two of them there. (Nadezhda Surovtseva recalls many cases of insanity in political isolators—she herself recalls as many as Novorussky totaled up in the whole chronicle of Schlüsselburg. )

Does it not at this point seem to the reader that we have gradually, step by step, mounted to the very point, the peak, of the second horn—and that it is probably really higher than the first? And probably sharper too?

But opinions are divided. With one voice the old camp veterans consider the Vladimir TON of the fifties a
resort
. That is how Vladimir Borisovich Zeldovich, sent there from Abez Station, regarded it, and Anna Petrovna Skripnikova, who was sent there in 1956 from the Kemerovo camps. Skripnikova was particularly astonished at the regular dispatch, every ten days, of petitions and declarations (she even began to write, believe it or not, to the United Nations) and by the excellent library, including books in foreign languages: they used to bring the complete catalogue to the cell and you made out a list for a whole year ahead.

It is also necessary to keep in mind how elastic our law is: thousands of women ("wives") were sentenced to prison, to tyurzak. And then one fine day someone whistled—and they were transferred to camps. (The Kolyma hadn't fulfilled the gold plan.) And so they switched them, without any trial or any court.

In fact, does tyurzak actually
exist
at all, or is it only the vestibule for the camps?

And only here, right here, is where our chapter ought to have begun. It ought to have examined that glimmering light which, in time, the soul of the lonely prisoner begins to emit, like the halo of a saint. Torn from the hustle-bustle of everyday life in so absolute a degree that even counting the passing minutes puts him intimately in touch with the Universe, the lonely prisoner has to have been purged of every imperfection, of everything that has stirred and troubled him in his former life, that has prevented his muddied waters from settling into transparency. How grate- fully his fingers reach out to feel and crumble the lumps of earth in the vegetable garden (but, alas, it is all asphalt). How his head rises of itself toward the Eternal Heavens (but, alas, this is forbidden). And how much touching attention the little bird on the window sill arouses in him (but, alas, there is that "muzzle" there, and the netting as well, and the hinged ventilation pane is locked). And what clear thoughts, what sometimes surprising conclusions, he writes down on the paper issued him (but, alas, only if you buy it in the commissary, and only if you turn it in to the prison office when you have used it up—for eternal safe- keeping . . .).

But our peevish qualifications somehow interrupt our line of thought. The plan of our chapter creaks and cracks, and we no longer know the answer to the question: Is the soul of a person in the New Type Prison, in the Special Purpose Prison (the TON), purified or does it perish once and for all?

If the first thing you see each and every morning is the eyes of your cellmate who has gone insane, how then shall you save yourself during the coming day? Nikolai Aleksandrovich Kozyrev, whose brilliant career in astronomy was interrupted by his arrest, saved himself only by thinking of the eternal and in- finite: of the order of the Universe—and of its Supreme Spirit; of the stars; of their internal state; and what Time and the pass- ing of Time really are.

And in this way he began to discover a new field in physics. And only in this way did he succeed in surviving in the Dmi- trovsk Prison. But his line of mental exploration was blocked by forgotten figures. He could not build any further—he had to have a lot of figures. Now just where could he get them in his solitary- confinement cell with its overnight kerosene lamp, a cell into which not even a little bird could enter? And the scientist prayed: "Please, God! I have done everything I could. Please help me! Please help me continue!"

At this time he was entitled to receive one book every ten days (by then he was alone in the cell). In the meager prison library were several different editions of Demyan Bedny's
Red Concert
, which kept coming around to each cell again and again. Half an hour passed after his prayer; they came to ex- change his book; and as usual, without asking anything at all, they pushed a book at him. It was entitled
A Course in Astro- physics!
Where had it come from? He simply could not imagine such a book in the prison library. Aware of the brief duration of this coincidence, Kozyrev threw himself on it and began to mem- orize everything he needed immediately, and everything he might need later on. In all, just two days had passed, and he had eight days left in which to keep his book, when there was an unscheduled inspection by the chief of the prison. His eagle eye noticed immediately. "But you are an astronomer?" "Yes." "Take this book away from him!" But its mystical arrival had opened the way for his further work, which he then continued in the camp in Norilsk.

And so now we should begin the chapter on the conflict be- tween the soul and the bars.

But what is this? The jailer's key is rattling brazenly in the lock. The gloomy block superintendent is there with a long list. "Last name, first name, patronymic? Date of birth? Article of the Code? Term? End of term? Get your
things
together. Be quick about it!"

Well, brothers, a prisoner transport! A prisoner transport! We're off to somewhere! Good Lord, bless us! Shall we gather up our bones?

Well, here's what: If we are still alive, then we'll finish this story another time. In Part IV. If we are still alive . . .

END OF PART I

Chapter 1
The Ships
of the Archipelago

Scattered from the Bering Strait almost to the Bosporus are thousands of islands of the spellbound Archipelago. They are invisible, but they exist. And the invisible slaves of the Archipel- ago, who have substance, weight, and volume, have to be trans- ported from island to island just as invisibly and uninterruptedly.

And by what means are they to be transported? On what?

Great ports exist for this purpose—transit prisons; and smaller ports—camp transit points. Sealed steel ships also exist: railroad cars especially christened
zak cars
("prisoner cars"). And out at the anchorages, they are met by similarly sealed, versatile
Black Marias
rather than by sloops and cutters. The
zak cars
move along on regular schedules. And, whenever necessary, whole caravans—trains of red cattle cars—are sent from port to port along the routes of the Archipelago.

All this is a thoroughly developed system! It was created over dozens of years—not hastily. Well-fed, uniformed, unhurried people created it. The Kineshma convoy waits at the Moscow Northern Station at 1700 hours on odd-numbered days to accept Black Marias from the Butyrki, Krasnaya Presnya, and Taganka prisons. The Ivanovo convoy has to arrive at the station at 0600 hours on even-numbered days to receive and hold in custody transit prisoners for Nerekhta, Bezhetsk, and Bologoye.

All this is happening right next to you, you can almost touch it, but it's invisible (and you can shut your eyes to it too). At the big stations the loading and unloading of the dirty faces takes place far, far from the passenger platform and is seen only by switchmen and roadbed inspectors. At smaller stations a blind alleyway between two warehouses is preferred, into which the Black Marias can back so that their steps are flush with the steps of the zak car. The convict doesn't have time to look at the station, to see you, or to look up and down the train. He gets to look only at the steps. (And sometimes the lower step is waist- high, and he hasn't the strength to climb up on it.) And the con- voy guards, who have blocked off the narrow crossing from the Black Maria to the zak car, growl and snarl: "Quick, quick! Come on, come on!" And maybe even brandish their bayonets.

And you, hurrying along the platform with your children, your suitcases, and your string bags, are too busy to look closely: Why is that second baggage car hitched onto the train? There is no identification on it, and it is very much like a baggage car —and the gratings have diagonal bars, and there is darkness behind them. But then why are soldiers, defenders of the Father- land, riding in it, and why, when the train stops, do two of them march whistling along on either side and peer down under the car?

The train starts—and a hundred crowded prisoner destinies, tormented hearts, are borne along the same snaky rails, behind the same smoke, past the same fields, posts, and haystacks as you, and even a few seconds sooner than you. But outside your window even less trace of the grief which has flashed past is left in the air than fingers leave in water. And in the familiar life of the train, which is always exactly the same—with its slit- openable package of bed linen, and tea served in glasses with metal holders—could you possibly grasp what a dark and sup- pressed horror has been borne through the same sector of Euclidean space just three seconds ahead of you? You are dis- satisfied because there are four of you in your compartment and it is crowded. And could you possibly believe—and will you possibly believe when reading these lines—that in the same size compartment as yours, but up ahead in that zak car, there are fourteen people? And if there are twenty-five? And if there are thirty?

The
zak car
—what a foul abbreviation it is! As, for that matter, are all the executioners' abbreviations. They meant to indicate that this was a railroad car for prisoners—for
zaklyuchennye
. But nowhere, except in prison documents, has this term caught on and stuck. The prisoners got used to calling this kind of rail- road car a
Stolypin
car, or, more simply, just a
Stolypin
.

As rail travel was introduced more widely in our Fatherland, prisoner transports changed their form. Right up to the nineties of the last century the Siberian prisoner transports moved on foot or by horse cart. As far back as 1896, Lenin traveled to Siberian exile in an ordinary third-class passenger car (with free people all around him) and shouted to the train crew that it was intolerably crowded. The painting by Yaroshenko which everyone knows,
Life Is Everywhere
, shows a fourth-class pas- senger car re-equipped in very naive fashion for prisoner trans- port: everything has been left just as it was, and the prisoners are traveling just like ordinary people, except that double grat- ings have been installed on the windows. Cars of this type were used on Russian railroads for a very long time. And certain people remember being transported as prisoners in just such cars in 1927, except that the men and women were separated. On the other hand, the SR Trushin recalls that even during Tsarist times he was transported as a prisoner in a "Stolypin" car, except that —once again going back to legendary times—there were six people in a compartment.

Probably this type of railroad car really was first used under Stolypin, in other words before 1911. And in the general Cadet revolutionary embitterment, they christened it with his name. However, it really became the favorite means of prisoner transport only in the twenties; and it became the universal and exclusive means only from 1930 on, when everything in our life became uniform. Therefore it would be more correct to call it a
Stalin
car rather than a
Stolypin
car. But we aren't going to argue with the Russian language here.

The Stolypin car is an ordinary passenger car divided into compartments, except that five of the nine compartments are allotted to the prisoners (here, as everywhere in the Archipelago, half of everything goes to the auxiliary personnel, the guards), and compartments are separated from the corridor not by a solid barrier but by a grating which leaves them open for inspection. This grating consists of intersecting diagonal bars, like the kind one sees in station parks. It rises the full height of the car, and because of it there are not the usual baggage racks projecting from the compartments over the corridor. The windows on the cor- ridor sides are ordinary windows, but they have the same diagonal gratings on the outside. There are no windows in the prisoners' compartments—only tiny, barred blinds on the level of the second sleeping shelves. That's why the car has no exterior win- dows and looks like a baggage car. The door into each compart- ment is a sliding door: an iron frame with bars.

BOOK: The Gulag Archipelago
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