The Stories of Vladimir Nabokov (87 page)

BOOK: The Stories of Vladimir Nabokov
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You didn’t find anything remarkable about him, did you? And to be sure—that type has been done to death: throughout a drab youth supported his alcoholic father by giving lessons, and then slowly, obstinately, buoyantly achieved prosperity; for, in addition to the not very profitable hotel, he had flourishing interests in the wine business. But, as I understood later, you were wrong when you said that it was all somewhat dull and that energetic, successful fellows like him always reek of sweat. Actually, I am madly envious now of the early Falter’s basic trait: the precision and power of his “volitional substance,” as—you remember?—poor Adolf put it in a quite different context. Whether sitting in a trench or in an office, whether catching a train or getting up on a dark morning in an unheated room, whether arranging business connections or pursuing someone in friendship or enmity,
Adam Falter not only was always in possession of all his faculties, not only lived every moment cocked like a pistol, but was always certain of unfailingly achieving today’s aim, and tomorrow’s, and the whole gradual progression of his aims, at the same time working economically, for he did not aim high, and knew his limitations exactly. His greatest service to himself was that he deliberately disregarded his talents, and banked on the ordinary, the commonplace; for he was endowed with strange, mysteriously fascinating gifts, which some other, less circumspect person might have tried to put to practical use. Perhaps only in the very beginning of life had he sometimes been unable to control himself, intermixing the humdrum coaching of a schoolboy in a humdrum subject with unusually elegant manifestations of mathematical thought, which left a certain chill of poetry hanging about my schoolroom after he had hurried away to his next lesson. I think with envy that if my nerves were as strong as his, my soul as resilient, my willpower as condensed, he would have imparted to me nowadays the essence of the superhuman discovery he recently made—that is, he would not have feared that the information would crush me; I, on the other hand, would have been sufficiently persistent to make him tell me everything to the end.

A slightly husky voice hailed me discreetly from the promenade, but, as more than a year had passed since our luncheon with Falter, I did not immediately recognize his humble brother-in-law in the person who now cast a shadow on my stones. Out of mechanical politeness I went up to join him on the sidewalk, and he expressed his deepest et cetera: he had happened to stop by at my
pension
, he said, and the good people there had not only informed him of your death, but also indicated to him from afar my figure upon the deserted beach, a figure that had become a kind of local curiosity (for a moment I felt ashamed that the round back of my grief should be visible from every terrace).

“We met at Adam Ilyich’s,” he said, showing the stumps of his incisors and taking his place in my limp consciousness. I must have proceeded to ask him something about Falter.

“Oh, so you haven’t heard?” the prattler said in surprise, and it was then that I learned the whole story.

It happened that the previous spring Falter had gone on business to a particularly viny Riviera town, and, as usual, stopped at a quiet little hotel, whose proprietor was a debtor of his of long standing. One must picture this hotel, tucked up in the feathered armpit of a hill overgrown with mimosa, and the little lane, not fully built up yet, with its half-dozen tiny villas, where radio sets sang in the small human space between the Stardust and the sleeping oleanders, while crickets
zinked the night with their stridulation in the vacant lot under Falter’s open third-story window. After having passed a hygienic evening in a small bordello on the Boulevard de la Mutualité, he returned at about eleven to the hotel, in an excellent mood, clear of head and light of loin, and immediately went up to his room. The star-ashed brow of night; her expression of gentle insanity; the swarming of lights in the old town; an amusing mathematical problem about which he had corresponded the year before with a Swedish scholar; the dry, sweet smell that seemed to loll, without thought or task, here and there in the hollows of the darkness; the metaphysical taste of a wine, well bought and well sold; the news, recently received from a remote, unattractive country, of the death of a half-sister, whose image had long since wilted in his memory—all of this, I imagine, was floating through Falter’s mind as he walked up the street and then mounted to his room; and while taken separately none of these reflections and impressions was in the least new or unusual for this hard-nosed, not quite ordinary, but superficial man (for, on the basis of our human core, we are divided into professionals and amateurs; Falter, like me, was an amateur), in their totality they formed perhaps the most favorable medium for the flash, the unearthly lightning, as catastrophic as a sweepstakes win, monstrously fortuitous, in no way foretold by the normal function of his reason, that struck him that night in that hotel.

About half an hour had passed since his return when the collective slumber of the small white building, with its barely rippling crapelike mosquito netting and wall flowers, was abruptly—no, not interrupted, but rent, split, blasted by sounds that remained unforgettable to the hearers, my darling—those sounds, those dreadful sounds. They were not the porcine squeals of a mollycoddle being dispatched by hasty villains in a ditch, not the roar of a wounded soldier whom a savage surgeon relieves of a monstrous leg—no, they were worse, far worse.… And if, said later the innkeeper, Monsieur Paon, one were going to make comparisons, those sounds resembled most of all the paroxysmal, almost exultant screams of a woman in the throes of infinitely painful childbirth—a woman, however, with a man’s voice and a giant in her womb. It was hard to identify the dominant note amid the storm rending that human throat—whether it was pain, fear, or the clarion of madness, or again, and most likely of all, the expression of an unfathomable sensation, whose very unknowability imparted to the exultation bursting from Falter’s room something that aroused in the hearers a panical desire to put an immediate stop to it. The newlyweds who were toiling in the nearest bed paused, diverting their eyes in parallel and holding their breath; the Dutchman living downstairs scuttled out
into the garden, which already contained the housekeeper and the white shimmer of eighteen maids (only two, really, multiplied by their darting to and fro). The hotel keeper, who, according to his own account, had retained full presence of mind, rushed upstairs and ascertained that the door behind which continued the hurricane of howling, so mighty that it seemed to thrust one back, was locked from within and would yield neither to thump nor entreaty. Roaring Falter, insofar as one could assume it was indeed he that roared (his open window was dark, and the intolerable sounds issuing from within did not bear the imprint of anyone’s personality), spread out far beyond the limits of the hotel, and neighbors gathered in the surrounding darkness, and one rascal had five cards in his hand, all trumps. By now it was completely incomprehensible how anyone’s vocal cords could endure the strain: according to one account, Falter screamed for at least fifteen minutes; according to another and probably more accurate one, for about five without interruption. Suddenly (while the landlord was deciding whether to break down the door with a joint effort, place a ladder outside, or call the police) the screams, having attained the ultimate limits of agony, horror, amazement, and of that other quite undefinable something, turned into a medley of moans and then stopped altogether. It grew so quiet that at first those present conversed in whispers.

Cautiously, the landlord again knocked at the door, and from behind it came sighs and unsteady footfalls. Presently one heard someone fumbling at the lock, as though he did not know how to open it. A weak, soft fist began smacking feebly from within. Then Monsieur Paon did what he could actually have done much sooner—he found another key and opened the door.

“One would like some light,” Falter said softly in the dark. Thinking for an instant that Falter had broken the lamp during his fit, the landlord automatically checked the switch, but the light obediently came on, and Falter, blinking in sickly surprise, turned his eyes from the hand that had engendered light to the newly filled glass bulb, as if seeing for the first time how it was done.

A strange, repulsive change had come over his entire exterior: he looked as if his skeleton had been removed. His sweaty and now somehow flabby face, with its hanging lip and pink eyes, expressed not only a dull fatigue, but also relief, an animal relief as after the pangs of monster-bearing. Naked to the waist, wearing only his pajama bottoms, he stood with lowered face, rubbing the back of one hand with the palm of the other. To the natural questions of Monsieur Paon and the hotel guests he gave no answer; he merely puffed out his cheeks,
pushed aside those who had surrounded him, came out on the landing, and began urinating copiously right on the stairs. Then he went back, lay down on his bed, and fell asleep.

In the morning the hotel keeper called up Mrs. L., Falter’s sister, to warn her that her brother had gone mad, and he was bundled off home, listless and half-asleep. The family doctor suggested it was just a slight stroke and prescribed the correspondent treatment. But Falter did not get better. After a time, it is true, he began walking about freely, and even whistling at times, and uttering loud insults, and grabbing food the doctor had forbidden. However, the change remained. He was like a man who had lost everything: respect for life, all interest in money and business, all customary and traditional feelings, everyday habits, manners, absolutely everything. It was unsafe to let him go anywhere alone, for, with a curiosity quite superficial and quickly forgotten but offensive to others, he would address chance passersby, to discuss the origin of a scar on someone’s face or a statement, not addressed to him, that he had overheard in a conversation between strangers. He would take an orange from a fruit stand as he passed, and eat it unpeeled, responding with an indifferent half-smile to the jabber of the fruit-woman who had run after him. When he grew tired or bored he would squat on the sidewalk Turkish fashion and, for something to do, try to catch girls’ heels in his fist like flies. Once he appropriated several hats, five felts and two panamas, which he had painstakingly collected in various cafés, and there were difficulties with the police.

His case attracted the attention of a well-known Italian psychiatrist, who happened to have a patient at Falter’s hotel. This Dr. Bonomini, a youngish man, was studying, as he himself would willingly explain, “the dynamics of the psyche,” and sought to demonstrate in his works, whose popularity was not confined to learned circles, that all psychic disorders could be explained by subliminal memories of calamities that befell the patient’s forebears, and that if, for example, the subject were afflicted by megalomania, to cure him completely it sufficed to determine which of his great-grandfathers was a power-hungry failure, and explain to the great-grandson that the ancestor being dead had found eternal peace, although in complex cases it was actually necessary to resort to theatrical representation, in costumes of the period, depicting the specific demise of the ancestor whose role was assigned to the patient. These
tableaux vivants
grew so fashionable that Bonomini was obliged to explain to the public in print the dangers of staging them without his direct control.

Having questioned Falter’s sister, Bonomini established that the
Falters did not know much about their forebears; true, Ilya Falter had been addicted to drink; but since, according to Bonomini’s theory, “the patient’s illness reflects only the distant past,” as, for instance, a folk epic “sublimates” only remote occurrences, the details about Falter
père
were useless to him. Nevertheless he offered to try to help the patient, hoping by means of clever questioning to make Falter himself produce the explanation for his condition, after which the necessary ancestors could become deducible of their own accord; that an explanation did exist was confirmed by the fact that when Falter’s intimates succeeded in penetrating his silence he would succinctly and dismissively allude to something quite out of the ordinary that he had experienced on that enigmatic night.

One day Bonomini closeted himself with Falter in the latter’s room, and, like the knower of human hearts he was, with his horn-rimmed glasses and that hankie in his breast pocket, managed apparently to get out of him an exhaustive reply about the cause of his nocturnal howls. Hypnotism probably played its part in the business, for at the subsequent inquest Falter insisted that he had blabbed against his will, and that it rankled. He added, however, that never mind, sooner or later he would have made the experiment anyway, but that now he would definitely never repeat it. Be that as it may, the poor author of
The Heroics of Insanity
became the prey of Falter’s Medusa. Since the intimate encounter between doctor and patient seemed to be lasting abnormally long, Eleonora L., Falter’s sister, who had been knitting a gray shawl on the terrace, and for a long time already had not heard the psychiatrist’s release-inducing, high-spirited, or falsely cajoling little tenor, which at first had been more or less audible through the half-open French window, entered her brother’s room, and found him examining with dull curiosity the alpine sanatoriums in a brochure that had probably been brought by the doctor, while the doctor himself sprawled half on a chair and half on the carpet, with a gap of linen showing between waistcoat and trousers, his short legs spread wide and his pale café-au-lait face thrown back, felled, as was later determined, by heart failure. To the questions of the officiously meddling police Falter replied absently and tersely; but, when he finally grew tired of this pestering, he pointed out that, having accidentally solved “the riddle of the universe,” he had yielded to artful exhortation and shared that solution with his inquisitive interlocutor, whereupon the latter had died of astonishment. The local newspapers caught up the story, embellished it properly, and the person of Falter, in the guise of a Tibetan sage, for several days nourished the not overparticular news columns.

BOOK: The Stories of Vladimir Nabokov
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