The Treble Wore Trouble (The Liturgical Mysteries) (21 page)

BOOK: The Treble Wore Trouble (The Liturgical Mysteries)
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"Oh, no!" muttered Brother Hog. His legs collapsed and he dropped to the ground in a heap.

 

* * *

I called Nancy and Dave and they rounded up a search party that included a couple of Helen Pigeon's bloodhounds, who got the scent from Rahab's baby blanket. The remaining worshipers, ushers, and Brother Hog's staff, numbering about thirty folks, were happy to help as well. We searched the grounds of the Valle Crucis Conference Center, high and low, for four hours.

Rahab was gone. Again.

Chapter 26

 

It was the end of the world all right, that was obvious. There were Baptists everywhere, all of them dancing. In the middle of the room, all the members of an older adult Sunday School class were doing the Lambada. A Yucatec mission group was jitterbugging in the corner. Clogging, waltzing, shimmying — they were going crazy. Why they were in Sarsaparilla I had no idea, but now that they were here, it was a hoochy-fest.

"I'll be danged," said Pedro. "It's the 2012 Southern
Baptist Convention." He pointed into the corner past a couple of elders doing the Watusi. "There's the registration table."

"Oh, man. We should have seen this coming," I said. "SBC doesn't stand for the Society for the Betterment of Choirs. It stands for the Southern Baptist Convention."

"Hee hee!" giggled the winkle with a twinkle. "The Mayans were the first Southern Baptists and WE set them up. Thus it is written in the Blarney Codex. I'll bet you didn't know that!"

"What?" I said, unbelievably, but not unbelievably as in my incredulity was not believable, which it was under the circumstances, but what Fluffernutter said.

"And now it's the end of the world," said Pedro sadly. "I told you not to get your winkle wet."

 

* * *

 

Friday morning I picked Nancy up at the police station at 7:00 a.m. and we drove in the direction of Varmit LeMieux's house on Old Chambers Road. His Land Rover wasn't there, so we figured that our next stop was Blueridge Furs.

"Goldi Fawn says the man was wearing a striped sport jacket and a tie," I said, reiterating the information I'd gotten from Goldi Fawn Birtwhistle. I told all this to Nancy last night, but it had been late and I wanted to make sure we were both on the same page. "Medium height and weight. Panama hat, longish brown hair sticking out from underneath. Dark beard, sunglasses."

"A disguise," said Nancy.

"That's what I'm thinking," I said.

"You think it was Varmit?" asked Nancy. "I've been thinking about it all night and still can't figure out why he'd steal Rahab again. That is, if he was the one who did it in the first place."

"Can't rule it out. The last time Rahab was kidnapped, Noylene and Hog got a call within a couple of hours. They haven't heard a peep so far."

"So far as you
know
," said Nancy.

"I think Noylene would call."

I turned right on Highway 53, saw the sign for Blueridge Furs, turned again and
followed a long, dirt drive to the top of a hill.

Blueridge Furs occupied the old site of the
Locust Grove Dairy Farm that had bought it from Jed Pierce's grandfather who'd run a family dairy farm until the '80s. Today there wasn’t a house on the property, but there were three large dairy barns; a manure storage area; an outbuilding that I recognized as the pelting shed; two new metal warehouses, long and wide with twelve-foot ceilings and large, roll-up shipping doors on the near ends; and the front office. The barns, I knew, housed the Minques that the enterprise harvested for their pelts, which were then shipped to Bulgaria to be turned into lovely accoutrements in which any fashionable woman would be happy to be adorned. Mittens, coats, stoles, vests, hats, purses, you name it. But it wasn't the Minques we were there to see.

"He's here," I said, nodding in the direction of Varmit's dark-green Land Rover.

"You want to be the good cop or the bad cop?" asked Nancy.

"Let's both be bad cops this time."

I pulled up in front of the office and parked my truck beside Varmit's. Nancy and I both got out, walked to the front door and she tried the knob. It was unlocked, so she opened the door and we walked in. Varmit, engrossed in a phone call, looked up, saw us, then said, "I'll call you back," and hung up.

"You guys are up early," he said. He was dressed in jeans and a gray sweatshirt. Work clothes. His hair was combed, but he was unshaven and looked haggard. Dark circles ringed his eyes.

"Those your casino friends on the phone?" Nancy asked.

Varmit's eyes widened, then his face collapsed and he put his head down on the desk. We stood there, silent, for about a minute, then he raised his head and said, "Yeah. You know about them?"

"We know," I said. "They were happy to confirm your indebtedness."

"They called late last night to tell me that I needed to double my payment or they'd tell the police why I'd killed somebody named Johnny Talltrees. I told them what I'm telling you. I never killed anyone named Johnny Talltrees. He's that Indian that you found behind the Beautifery, right?"

"Right," I said.

"I didn't kill him," said Varmit. "I never even met him."

"Did you meet the other two guys?" Nancy said.

"Uh-huh. I'm well acquainted with Jango Watie and George Sequoyah. They'll be coming by this morning for their money."

"Let me ask you this," I said. "If Muffy hadn't died and you hadn't come into that life insurance, how would you have paid those guys? I mean, you'd already declared bankruptcy."

Anger clouded his face. "You think I? ..." he sputtered. "You think that I could? ..."

"Of course we do," said Nancy. "Why wouldn't we? You were running the sound system when it shorted out. You cashed out on the life insurance policy the day after your wife was killed."

"Sure," I said. "You needed seventy-five thousand dollars to pay the Friendly Gaming Club and another hundred twenty-seven thousand to get you out of Chapter 11."

"But ... but ..."

Me: "You're the one who wanted Muffy to sing
Eagle's Wings
in church. You couldn't wait."

Nancy: "We just can't figure out why you bothered to take Rahab when you'd planned to kill Muffy all along."

"
What the hell are you talking about?
" yelled Varmit, jumping to his feet. "
I took
Rahab?
" He was starting to hyperventilate.

"Eh," said Nancy with a shrug. "Just testing a theory." She looked at me. "FYI. Bad cop, bad cop usually doesn't work."

"Sit down," I said, putting a hand on his shoulder and pushing him back into his chair. "Put your head between your knees for a couple of seconds." He did as he was told, and a moment later looked back up.

"I would never,
never
have done anything to hurt Muffy. Sure, I got into trouble with the bank and I tried to get out of it by going to the casino. I had this Blackjack system that I bought on the internet. It couldn't fail, they said. Just keep at it, it'll pay off, they said."

"Listen Varmit. I'm inclined to believe you, as dumb as you are, messing with those thugs at the Friendly Gaming Club. We need to look around here anyway. That okay with you? We can wait for a warrant, if you want."

"No, go ahead."

"You have to come with us."

Varmit nodded sadly and got back to his feet. We walked outside, past the vehicles and toward the barns. Then Nancy said, "Hang on a sec. Is that Muffy's purse in your front seat?"

Varmit turned back. "Yeah. Mother P brought it with her to the funeral. Muffy left it in the sacristy."

"Can I look through it?" asked Nancy.

"Sure, whatever you want," said Varmit. "The door ain't locked." There was no fight in him now.

We waited for a minute while Nancy got the handbag out and dumped it onto the hood of the Land Rover. Then Varmit and I started back toward the first of the three barns.

"When does your crew come in?" I asked him.

"Eight o'clock. We're down to three guys now, plus Muffy and me. It's been a bad couple of years, but it takes that many just to take care of all the critters."

"Yeah," I agreed. "The economy. It's bad all over."

The barn was old and showed its age, one-inch-thick oaken planks over timber framing, mortise and tenon joints locked together with hand-cut oak pegs and a tin roof — probably built sometime in the 1930s, but kept in good repair by a few generations of dairymen. Varmit lifted the crossbar off the double doors.

"Hayden!" called Nancy from the car.

I turned away from the barn and saw her looking at something in her hand. She waved it at me.

"Yes, ma'am," I called back. "Find something?"

"Come on back here," she said. "You gotta see this."

"What?" said Varmit. He seemed suddenly nervous.

"Let's check it out. C'mon."

We walked back across the yard to the Land Rover where Nancy had poured out the contents of Muffy's purse.

"What did you find?" I asked.

She handed me a thin slip of paper. A store receipt. A Costco receipt. I silently read down the list of items.

 

Fairmont Bonded Leather Club Chair - $349.99

5 Light Pewter Chandelier - 159.99

Table lamp - 32.49

1 Set Custom Drapes - $259.99

 

There were fifteen or twenty other purchases on the list. Then, one from the bottom, right ahead of a Mahogany Side Table - $42.99, was a listing for Huggies Supreme Little Movers, Size 5 - $54.99. Diapers.

"Muffy?" I asked, trying to make sense of it.

"But why?" Nancy said. "Why would she do it?"

"For money, maybe. She knew about the bank note coming due."

"What?" said Varmit. "What is it?"

I looked at the cashier information on the receipt. Register 13. March 11, 11:07 a.m. Last Thursday.

"Varmit," I said. "Where's the stuff that Muffy bought at Costco last Thursday?"

"She took it to Mother P at the church," he answered, still confused. "There were some fake flowers. A ton of 'em. Some greenery, ferns, and a bunch of crap like that. A couple big loaves of bread. Some colored bottles. You know. Decorations."

"She didn't buy a Leather Club Chair?"

"Huh?"

"Didn't spend $1973.46?"

"Of course not!"

"Oh, man," I said, realization dawning. "Costco."

"What?" said Nancy.

"What?" echoed Varmit.

Just then Nancy's phone rang. She answered it. "Yeah, Dave. What?" Pause. "You're kidding! Okay, we're on the way." She snapped the phone shut and dropped it in her pocket.

"Noylene just got the call. The kidnapper wants another two thousand bucks."

Varmit looked very confused. "What kidnapper?"

"Noylene's baby was kidnapped again last night."

"And you think I did it?"

"Nope," I said. "Two reasons. First of all, you're here, so you couldn't have made the call just now."

"Oh, yeah. That's a good alibi, huh?"

"The best."

"What's the second reason?"

"I know who the kidnapper is. The murderer, too."

Chapter 27

 

"Should we go rescue Rahab?" asked Nancy.

"He's fine for the moment," I answered. "I know where he is. We need to go look in the warehouse."

"Which one?" asked Varmit.

"The one that Mr. Christopher was using for the set of his TV show."

"The one on the end, then," said Varmit, pointing to the building farthest from us. He's been moving stuff in all week, ever since he cancelled
Welcome to Mitford
."

"All the sets from the play. That's what he told us," I said.

"Yeah," said Varmit, as we walked across the compound. "Me and Muffy were helping him with his TV show. He was gonna film it here since we had this empty warehouse now. Then, if he hit it big, we'd charge him rent on the space, plus we'd have an interest in his show."

"Sounds like a good plan," I said.

"Costs a lot of money," Varmit said. "Not to film. That's pretty cheap what with these new cameras and all. But the buy-in for the partnership at the Home and Handgun Network wasn't chicken feed. And if you wanted any guarantees to get your show on and keep it on, you had to be a partner. That's what Mr. Christopher told us."

We'd reached the warehouse. Varmit pulled out a ring of keys, fumbled through them, then chose one and opened a side door. Once inside, he clicked the switch for the overhead lights and they flickered on, one at a time, down the length of the building. Forty feet wide by one hundred feet long, the two warehouses had been constructed to give Blueridge Furs plenty of room to grow. At the close end was a roll-up garage door, closed and locked, that looked to be ten feet tall by twelve wide. There was a small forklift parked beside the door and five wooden pallets stacked with loaded burlap sacks.

Varmit saw me looking at them. "Minque chow," he said. "High protein, high fat. Fish oil. Has some hormones mixed in as well. We have it made specially in Nebraska. It brings the Minques to full harvesting size in a year and keeps their coats lustrous."

There were no windows in the building and no air-conditioning ducts that I could see. The floor was concrete and looked hardly used. The metal framework went all the way up to the top of the twelve-foot-high gable roof, crisscrossing beams and crosspieces taking up most of the last two feet. The roof was corrugated metal. The electrical system was encased in silver conduit and fastened to the large side beams located every eight feet, then strung across the ceiling joists to power the lights. At the far end of the warehouse was Mr. Christopher's production studio, and it was in that direction that we headed.

 

* * *

 

The clouds loomed darkly and undulated ominousness
as they filled the parish hall while lightning bolts
crashed around us, as if Zeus was wiggling his fingers, trying out his new cubic zirconia mood rings. The dancing had reached a fevered pitch and the Praise Band in the corner was playing "Carmina Burana" for all they were worth.

"Oh, man," said Pedro, "I wish it was 2010 again."

Suddenly everything stopped. The Praise Band froze in the middle of "O Fortuna," the lightning blinked out, the clouds, although still hovering intensely and uncasually, no longer loomed.

"What did you say?" sputtered Fluffernutter O'Brannigan.

"I said, I wish it was 2010 again."

"Keeeee!" howled the winkle. "How did you know?"

"How did I know what?"

"How did you know that I had to give you one wish?"

Pedro shrugged.

"The Big Brickle didn't know she had a wish and I wasn't obliged to tell her. When she passed me over to you, she passed the wish as well."

"Sure," said Pedro. "Everyone knows that."

"That's what you want?" the leprechaun asked. "You could have anything
...
all the burritos you
could eat with Santa Hortensia Vaca Cara feeding them
to you for all eternity."

"No, thanks," said Pedro. "I do like burritos, though."

"The wish doesn't change events," warned the leprechaun. "Everything stays the same. The year just becomes 2010."

"Fine," said Pedro.

"And I'm free," said Fluffernutter, shaking a bargaining finger. "My servitude is over."

"Fine," said Pedro again. "I never liked you, anyway."

 

* * *

 

"This is a nice stage set," said Nancy. "I feel like I'm in Martha Stewart's living room."

"Don't let Mr. Christopher hear you say that," I said. "He and Martha do
not
get along. Not since that Home Show in New Hampshire back in '99."

"Ah, yes," said Nancy. "I remember seeing the video and thinking, 'How on earth did Martha Stewart manage to get Mr. Christopher on the floor in a headlock while wearing pearls?'"

"She's very clever," I said. "I've seen her make a shrimp cocktail out of three dead fishing minnows, a used plastic specimen cup, and a pack of McDonald's ketchup."

Mr. Christopher's set looked exactly like every other set on HGTV with the added benefit of his signature "Fourteen-pared-to-nine Layers of Style." As I remembered from our frequent one-sided conversations, the layers included paint, flooring, high-ticket upholstered items, accent fabrics, furnishings, accessories, plants, lighting, and a couple of other things. He'd laid down a bamboo laminate floor that would show up well on camera, and the flats that had, just the other day, provided the illusion of walls at the Little Theater were in place and enhanced by a lovely front door, crown molding, and a large window. The Mitford furniture had also found its way to the set. Plants, lamps, cushions, the two upholstered chairs, the end table — all had their specific space. Added to these was a leather club chair, a large desk, and a set of drapes that I hadn't seen in the theater. Hanging from a cable in the middle of the room, so it would be visible to the camera's eye, was a sparkling chandelier.

Facing the front of the set, about six feet back and ten feet off the floor, were three theater lights attached to a black bar. They were plugged up with a yellow extension cord that ran across the ceiling, down one of the side beams and dangled just below the outlet. I walked over, plugged the cord in, and the stage area lit up.

"I'll check the desk drawers," said Nancy, snapping on a pair of latex gloves that she always seemed to have stashed in one of her pockets. "Any idea what we're looking for?"

"Nope," I said, and walked back to the stage. I got down on my hands and knees, put my cheek near the floor and scanned underneath the furniture for something, anything.

"This one's locked," said Nancy, tugging on the bottom left drawer.

"Pop it," I said. I got up and walked to the door on the set, opened it, and looked backstage, such as it was. Only one thing there. A Costco tote — a big vinyl bag displaying a couple of nature photos, the Costco logo, and adorned with dark green straps. It wasn't empty. I picked it up and walked back onto the set.

"That's Muffy's," said Varmit. "At least, it looks like hers."

I opened it and looked in. There was a set of ornamental lights on a string, some speaker wire, and a ten pack of recordable CDs. There was also a slip of paper in the bottom. A receipt. I looked it over. On the paper was a list that included an American flag, artificial flowers, designer bottles in different colors, some bread, greenery, and a few other things. The information was listed as Register 13, March 11, 10:59 a.m.

"I don't think it's Muffy's," I said. "I think it's Mr. Christopher's." I pulled out the other receipt, the one we found in Muffy's purse, and compared them.

"They were both at the same Costco in Winston-Salem at the same time. Same check-out register. One right behind the other."

Nancy looked up from the desk. "They switched receipts."

"They sure did." I walked over to where Nancy was worrying the lock. "Don't worry about damaging it," I said. "Bust it open." My foot kicked something resting behind one of the legs of the oversized desk and it skittered loudly across the wooden floor.

"What was that?" asked Varmit.

"I don't know," I said, following the metal object. I reached down and picked it up just as Nancy levered the drawer open with the sound of splintering wood.

"Holy smokes!" exclaimed Nancy, reaching into the drawer.

"Holy smokes!" I said, looking at the conical, silver object in my hand.

Nancy held up a Neumann German-made taser in her latex-gloved hand.

I held up the silver tip from a cowboy boot.

 

* * *

 

"You wait here for those Indians," I told Varmit. "You don't leave here 'til you take care of it. Pay them what you owe them. No more, no less."

"But ..." started Varmit.

"Then you tell them that I already know about their extortion attempt, and if I ever see them in St. Germaine again, I will personally contact the gaming commission and see that the Friendly Gaming Club is shut down. Their bosses will not be happy with them." I gave Varmit a hard look. "You think you can do that?"

"Yeah, I can do that."

 

* * *

 

"So, what do you think happened?" asked Nancy, once we were in the truck and headed back to town.

"Three different crimes. Three motives."

"Here's what
I
think," said Nancy. "You stop me if you think I'm off."

"Go," I said.

"I think that Mr. Christopher killed Johnny Talltrees. That was first."

"Okay," I said. "We'll probably get a fingerprint or some DNA off the taser to confirm."

"So, Johnny Talltrees comes out to the farm to shake down Varmit for the cash he owes. He wanders into Mr. Christopher's studio since he's just looking around. There's Mr. Christopher setting up his living room." She looked out the window and thought for a moment. "There's an altercation and Mr. Christopher nails him with the taser. Little guy probably never saw it coming."

"That'd be fair to say."

"He dies of a heart attack," continued Nancy. "Probably not what Mr. Christopher expected, but he cleans up, puts the body in his trunk and drops it off in the alley behind the Beautifery where the garbage man finds it the next morning. How's that?"

"Almost perfect," I said.

"What do you mean,
almost?
"

"It wasn't Mr. Christopher. We found the body on Ash Wednesday. That means, according to Kent, he was killed on Tuesday between noon and four p.m."

"So?" said Nancy.

"So, Mr. Christopher was in Columbia all day Tuesday. He had a meeting with the Home and Handgun Network. Didn't get home 'til midnight."

"What? No fair! I didn't know about that!" argued Nancy.

"Police work," I said with a grin. "It never takes a lunch break."

Nancy looked irked. "Well, if he didn't do it, and Varmit didn't do it ..." She thought for a second. "Aw, crap! It was Muffy."

"I believe so. Like I said, we'll probably find a fingerprint or some DNA."

We turned off Old Chambers and onto Oak Street heading back toward town.

"Then I guess it was Muffy who kidnapped Rahab the first time," she said. "Of course! To help out with Varmit's gambling debt. Exactly seventy-five thousand dollars." She nodded to herself, making sense of it in her head. "She found out about it, and decided she could help. We always thought it was a woman."

"Nope. She didn't do it. That was Mr. Christopher."

"Aw, man!" said Nancy and slumped in her seat in disgust.

"Muffy was in the office when we got the call from the kidnapper. Remember Dave drooling all over her?"

"I remember
someone
drooling," said Nancy. "I don't recall exactly if it was Dave."

"Well ..."

"Yes, yes, I remember. So Mr. Christopher kidnapped Rahab." It wasn't a question this time.

"Yeah. No reason to buy diapers for set dressing in a play that has no babies."

"Why did Mr. Christopher kidnap Rahab?"

"He blamed someone for the failure of his last TV show."

"That was no secret," said Nancy. "He told anyone who would listen, but he never said who."

"He told us that it was a case of religious bigotry."

"So it was Brother Hog," Nancy said. "Hog turned him in to the HGTV execs."

"I don't know how the old preacher did it, but somehow he was responsible and Mr. Christopher found out. He believed that Hog should pay for his buy-in to the HHN TV network. That amount was seventy-five thousand."

BOOK: The Treble Wore Trouble (The Liturgical Mysteries)
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