A Year with Aslan: Daily Reflections from The Chronicles of Narnia (18 page)

M
AY 15

Jill and Eustace’s Task

A
ND NOW HEAR YOUR TASK.
Far from here in the land of Narnia there lives an aged king who is sad because he has no prince of his blood to be king after him. He has no heir because his only son was stolen from him many years ago, and no one in Narnia knows where that prince went or whether he is still alive. But he is. I lay on you this command, that you seek this lost prince until either you have found him and brought him to his father’s house, or else died in the attempt, or else gone back to your own world.”

“How, please?” said Jill.

“I will tell you, Child,” said the Lion. “These are the signs by which I will guide you in your quest. First; as soon as the Boy Eustace sets foot in Narnia, he will meet an old and dear friend. He must greet that friend at once; if he does, you will both have good help. Second; you must journey out of Narnia to the north till you come to the ruined city of the ancient giants. Third; you shall find a writing on a stone in that ruined city, and you must do what the writing tells you. Fourth; you will know the lost prince (if you find him) by this, that he will be the first person you have met in your travels who will ask you to do something in my name, in the name of Aslan.”

As the Lion seemed to have finished, Jill thought she should say something. So she said, “Thank you very much. I see.”

“Child,” said Aslan, in a gentler voice than he had yet used, “perhaps you do not see quite as well as you think. But the first step is to remember.”

—The Silver Chair

Jill reacts quite calmly to the task and the signs Aslan gives her, at least outwardly. What does this tell us about Jill? How would you react to the Lion’s words? What might he mean by saying that perhaps she does not see as well as she thinks?

M
AY 16

Making It All Up

S
TILL PLAYING YOUR OLD GAME?
” said Eustace Clarence, who had been listening outside the door and now came grinning into the room. Last year, when he had been staying with the Pevensies, he had managed to hear them all talking of Narnia and he loved teasing them about it. He thought of course that they were making it all up; and as he was far too stupid to make anything up himself, he did not approve of that.

“You’re not wanted here,” said Edmund curtly.

“I’m trying to think of a limerick,” said Eustace. “Something like this:

“Some kids who played games about Narnia

Got gradually balmier and balmier—
”

“Well,
Narnia
and
balmier
don’t rhyme, to begin with,” said Lucy.

“It’s an assonance,” said Eustace.

“Don’t ask him what an assy-thingummy is,” said Edmund. “He’s only longing to be asked. Say nothing and perhaps he’ll go away.”

—The Voyage of the
Dawn Treader

Why do Edmund’s and Lucy’s stories about Narnia make Eustace not like them very much? Do you normally think of someone with a great imagination as intelligent? Why or why not?

M
AY 17

A Dark and Doubtful Enterprise

B
UT WHY, O MY FATHER
,” said the Prince—this time in a much more respectful voice, “why should we think twice about punishing Narnia any more than about hanging an idle slave or sending a worn-out horse to be made into dog’s-meat? It is not the fourth size of one of your least provinces. A thousand spears could conquer it in five weeks. It is an unseemly blot on the skirts of your empire.”

“Most undoubtedly,” said the Tisroc. “These little barbarian countries that call themselves
free
(which is as much as to say, idle, disordered, and unprofitable) are hateful to the gods and to all persons of discernment.”

“Then why have we suffered such a land as Narnia to remain thus long unsubdued?”

“Know, O enlightened Prince,” said the Grand Vizier, “that until the year in which your exalted father began his salutary and unending reign, the land of Narnia was covered with ice and snow and was moreover ruled by a most powerful enchantress.”

“This I know very well, O loquacious Vizier,” answered the Prince. “But I know also that the enchantress is dead. And the ice and snow have vanished, so that Narnia is now wholesome, fruitful, and delicious.”

“And this change, O most learned Prince, has doubtless been brought to pass by the powerful incantations of those wicked persons who now call themselves kings and queens of Narnia.”

“I am rather of the opinion,” said Rabadash, “that it has come about by the alteration of the stars and the operation of natural causes.”

“All this,” said the Tisroc, “is a question for the disputations of learned men. I will never believe that so great an alteration, and the killing of the old enchantress, were effected without the aid of strong magic. And such things are to be expected in that land, which is chiefly inhabited by demons in the shape of beasts that talk like men, and monsters that are half man and half beast. It is commonly reported that the High King of Narnia (whom may the gods utterly reject) is supported by a demon of hideous aspect and irresistible maleficence who appears in the shape of a Lion. Therefore the attacking of Narnia is a dark and doubtful enterprise, and I am determined not to put my hand out farther than I can draw it back.”

—The Horse and His Boy

The Tisroc believes the change in Narnia was wrought by sorcery, and the Prince believes it has come about by the stars and natural causes. What does each man’s idea show about him? What explanations would appeal to you to describe a change as dramatic as this one?

M
AY 18

The True Sign of Maturity

A
SLAN, ASLAN. DEAR ASLAN
,” sobbed Lucy. “At last.”

The great beast rolled over on his side so that Lucy fell, half sitting and half lying between his front paws. He bent forward and just touched her nose with his tongue. His warm breath came all round her. She gazed up into the large wise face.

“Welcome, child,” he said.

“Aslan,” said Lucy, “you’re bigger.”

“That is because you are older, little one,” answered he.

“Not because you are?”

“I am not. But every year you grow, you will find me bigger.”

—Prince Caspian

What could it mean that Aslan appears bigger to Lucy? Over the years, how has your perception of certain things changed?

M
AY 19

The Cabby Strikes Up a Hymn

T
HIS IS NOT CHARN
,” came the Witch’s voice. “This is an empty world. This is nothing.”

And really it was uncommonly like Nothing. There were no stars. It was so dark that they couldn’t see one another at all and it made no difference whether you kept your eyes shut or opened. Under their feet there was a cool, flat something which might have been earth, and was certainly not grass or wood. The air was cold and dry and there was no wind.

“My doom has come upon me,” said the Witch in a voice of horrible calmness.

“Oh don’t say that,” babbled Uncle Andrew. “My dear young lady, pray don’t say such things. It can’t be as bad as that. Ah—Cabman—my good man—you don’t happen to have a flask about you? A drop of spirits is just what I need.”

“Now then, now then,” came the Cabby’s voice, a good firm, hardy voice. “Keep cool, everyone, that’s what I say. No bones broken, anyone? Good. Well there’s something to be thankful for straight away, and more than anyone could expect after falling all that way. Now, if we’ve fallen down some diggings—as it might be for a new station on the Underground—someone will come and get us out presently, see! And if we’re dead—which I don’t deny it might be—well, you got to remember that worse things ’appen at sea and a chap’s got to die sometime. And there ain’t nothing to be afraid of if a chap’s led a decent life. And if you ask me, I think the best thing we could do to pass the time would be sing a ’ymn.”

And he did. He struck up at once a harvest thanksgiving hymn, all about crops being “safely gathered in.” It was not very suitable to a place which felt as if nothing had ever grown there since the beginning of time, but it was the one he could remember best. He had a fine voice and the children joined in; it was very cheering. Uncle Andrew and the Witch did not join in.

—The Magician’s Nephew

What does the way each adult responds to the new world reveal about him or her? Whose response do you think your own would most closely imitate?

M
AY 20

What Your Friends Really Think

A
LITTLE LATER
she came to a spell which would let you know what your friends thought about you. . . . And all in a hurry, for fear her mind would change, she said the words (nothing will induce me to tell you what they were). Then she waited for something to happen.

. . . And all at once she saw the very last thing she expected—a picture of a third-class carriage in a train, with two schoolgirls sitting in it. . . . Only now it was much more than a picture. It was alive. . . . Then gradually (like when the radio is “coming on”) she could hear what they were saying.

“Shall I see anything of you this term?” said Anne, “or are you still going to be all taken up with Lucy Pevensie?”

“Don’t know what you mean by
taken up
,” said Marjorie.

“Oh yes, you do,” said Anne. “You were crazy about her last term.”

“No, I wasn’t,” said Marjorie. “I’ve got more sense than that. Not a bad little kid in her way. But I was getting pretty tired of her before the end of term.”

“Well, you jolly well won’t have the chance any other term!” shouted Lucy. “Two-faced little beast.” But the sound of her own voice at once reminded her that she was talking to a picture and that the real Marjorie was far away in another world.

“Well,” said Lucy to herself, “I did think better of her than that. And I did all sorts of things for her last term, and I stuck to her when not many other girls would. And she knows it too. And to Anne Featherstone of all people! I wonder are all my friends the same? There are lots of other pictures. No. I won’t look at any more. I won’t, I won’t”—and with a great effort she turned over the page, but not before a large, angry tear had splashed on it.

—The Voyage of the
Dawn Treader

Would you have been able to resist the spell, or resist looking at the other pictures on the page? How are we sometimes better off not knowing everything? Why do we have such a desire to know all things?

M
AY 21

You Have Been Eavesdropping

C
HILD
,” [
ASLAN
] said, “I think you have been eavesdropping.”

“Eavesdropping?”

“You listened to what your two schoolfellows were saying about you.”

“Oh that? I never thought that was eavesdropping, Aslan. Wasn’t it magic?”

“Spying on people by magic is the same as spying on them in any other way. And you have misjudged your friend. She is weak, but she loves you. She was afraid of the older girl and said what she does not mean.”

“I don’t think I’d ever be able to forget what I heard her say.”

“No, you won’t.”

“Oh dear,” said Lucy. “Have I spoiled everything? Do you mean we would have gone on being friends if it hadn’t been for this—and been really great friends—all our lives perhaps—and now we never shall?”

“Child,” said Aslan, “did I not explain to you once before that no one is ever told what
would have happened
?”

“Yes, Aslan, you did,” said Lucy. “I’m sorry. But please—”

“Speak on, dear heart.”

“Shall I ever be able to read that story again; the one I couldn’t remember? Will you tell it to me, Aslan? Oh do, do, do.”

“Indeed, yes, I will tell it to you for years and years. But now, come. We must meet the master of this house.”

—The Voyage of the
Dawn Treader

What strikes you about the tone Aslan takes with Lucy as he corrects her? Do you spend a lot of time thinking about what would have happened? If so, what might Aslan say to that?

M
AY 22

Shasta Turns Back to Help

A
HUGE TAWNY CREATURE
, its body low to the ground, like a cat streaking across the lawn to a tree when a strange dog has got into the garden, was behind them. And it was nearer every second and half second.

He looked forward again and saw something which he did not take in, or even think about. Their way was barred by a smooth green wall about ten feet high. In the middle of that wall there was a gate, open. In the middle of the gateway stood a tall man dressed, down to his bare feet, in a robe colored like autumn leaves, leaning on a straight staff. His beard fell almost to his knees.

Shasta saw all this in a glance and looked back again. The lion had almost got Hwin now. It was making snaps at her hind legs, and there was no hope now in her foam-flecked, wide-eyed face.

“Stop,” bellowed Shasta in Bree’s ear. “Must go back. Must help!”

Bree always said afterward that he never heard, or never understood this; and as he was in general a very truthful horse we must accept his word.

Shasta slipped his feet out of the stirrups, slid both his legs over on the left side, hesitated for one hideous hundredth of a second, and jumped. It hurt horribly and nearly winded him; but before he knew how it hurt him he was staggering back to help Aravis. He had never done anything like this in his life before and hardly knew why he was doing it now.

One of the most terrible noises in the world, a horse’s scream, broke from Hwin’s lips. Aravis was stooping low over Hwin’s neck and seemed to be trying to draw her sword. And now all three—Aravis, Hwin, and the lion—were almost on top of Shasta. Before they reached him the lion rose on its hind legs, larger than you would have believed a lion could be, and jabbed at Aravis with its right paw. Shasta could see all the terrible claws extended. Aravis screamed and reeled in the saddle. The lion was tearing her shoulders. Shasta, half mad with horror, managed to lurch toward the brute. He had no weapon, not even a stick or a stone. He shouted out, idiotically, at the lion as one would at a dog. “Go home! Go home!” For a fraction of a second he was staring right into its wide-opened, raging mouth. Then, to his utter astonishment, the lion, still on its hind legs, checked itself suddenly, turned head over heels, picked itself up, and rushed away.

—The Horse and His Boy

Why do you think Shasta turns back to try to help Aravis and Hwin? Do you think he would react the same way if he had more time to think about it? How have you reacted in a split-second moment of great need?