Mother of Purl (14 page)

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Authors: Edith Eig,Caroline Greeven

BOOK: Mother of Purl
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DEBRA MESSING

Many of my celebrity clients find La Knitterie Parisienne to be a quiet, welcoming haven where they can just relax and be themselves. When my very famous
Will & Grace
star walked into my shop with her dog, Leila, her knitting project centered around making a little blue sweater for the dog. Leila came for several fittings and sat on the table like a real pro while I measured. Because Debra is allergic to many fibers, we were challenged to find one that could work well, was soft, and came in the powder blue she desired. We did, and Debra knit a lovely dog cape sweater in powder blue with white trim. Leila was fashion forward on all fours.

 

[
EDITH KNIT TIPS
]

The Paint–Chip Palette Approach

Color preference is such a personal choice—and can present quite a challenge when you’re knitting a gift for a friend. You may get a request for a sweater in “midnight blue,” but how can you know for sure that “midnight blue” means the same thing to both of you? Rather than make the wrong choice, suggest they visit their local hardware and paint store and pick out three paint chips—one that matches exactly the color they want, along with two alternates. You’ve successfully eliminated the guesswork.

 

THE ULTIMATE KNITTING GIFT

If your friends and family are interested in knitting—why not teach them how? Figure out who among your circle of loved ones will really take to the craft, and put together a gift for them. Include large–size needles, ranging from 11 to 15, select two or three balls of yarn that you know will appeal to them, a simple scarf pattern, and a copy of this book. If they are out–of–town friends, you might consider casting on and knitting the first few rows to make it even easier for them. After all, the best knitting gift of all is sharing your knowledge of your craft with others.

 

JULIANNE MOORE

I remember when Julianne first began to knit with me at my shop. She would come straight from the set of
Jurassic Park: The Lost World
and was excited about making a baby blanket for her first child. At that time, she told me a secret, and I felt honored to be among those she trusted. I didn’t break her confidence, and I still wouldn’t, but now since the cat’s out of the bag, it’s okay to say that she confided in me when she told me that she was pregnant with her first child.

 
Chapter Nine
THE FUTURE OF KNITTING

I can’t wait to see how knitting continues to evolve. In fact, one of the most exciting aspects of the current knitting renaissance is witnessing how knitters who have learned from me are melding classic techniques and sophisticated stylings with their own creativity.

 

If there is anything I hope that people take away from learning to knit with me, is that once you have a solid knowledge of the basic techniques, you have the power to explore a whole world of design and style.

All trends wax and wane in popularity, and knitting is no different. Twenty years ago needlepoint was all the rage, and everybody did it because it was the fashionable thing to do. A lot of those novelty needle–pointers stopped, and many members of this new generation of knitters will stop as well, but the people who love knitting will stay with it.

I hope that you will become a knitter for whom knitting is more than just a passing whim. You may discover that knitting provides you with a meaningful form of self–expression, allows your creative juices to run wild, and benefits the people around you, while creating a legacy that conveys a little of who you are for your children and your children’s children.

Like the meditative qualities of yoga, I hope that you’ll find knitting to be a calming force as you navigate life’s bumps and grinds, ups and downs, and that your new hobby will bring you a quiet space that is all your own—even if you are sitting on a commuter bus or surrounded by noisy children.

Most of all, I hope you will be inspired to pass on the art of knitting to your friends and family, and that you are always motivated to keep learning and developing your own skills. In this chapter I suggest ways in which you can keep your love of knitting alive. I haven’t necessarily included patterns for the skills taught here, but they are easy to incorporate into existing designs or to experiment with in your own pattern writing.

USING YOUR IMAGINATION
 

One of the greatest benefits about the knitting circle at my shop is being exposed to the ideas and imaginations of dozens of men and women. As a shop owner, my role also includes teaching, but it’s surprising how often I learn as well. Recently, a young knitter proudly came in to show me an item that she had knitted out of long strips of fabric she had cut herself. She was inspired by a jacket that I had made out of silk rippings, and I was equally impressed with the skirt she created. It’s knitters like her that give me hope that knitting will remain an innovative and exciting craft, even when it’s no longer as red hot as it is now.

MARY–KATE AND ASHLEY OLSEN

The summer before Mary–Kate and Ashley headed to New York University, the sisters would frequent the shop. One afternoon, I got a call from Ashley, who told me to buy the current issues of
People
and
In Touch
magazines. There was a picture of her walking along the beach toting my signature La Knitterie Parisienne bag.

 

KNITTERS ANONYMOUS

Mary is a talented actress in her early forties, tall, thin, striking, and the picture of health. The first time she came into the store she was panicked: her agent had booked her a commercial that was filming in two days, and she had to sit and knit on camera. Like any good actress she reassured the casting director that she was an old hand at knitting, then jumped in her car and came to see me. I taught her; she left, aced the commercial, and came back two days later.

The interesting part of the story is that when Mary first came in, she excused herself quite often to step outside for smoking breaks. As she continued to frequent the shop, I noticed that her smoking was beginning to decline. She confessed to me that for the first time in twenty years she was cutting down because her hands were now too busy with knitting to smoke. “Edith,” she confided, “I knit throughout the day, and feel cranky and restless if I don’t get my knitting fix. But at least it’s an addiction that’s not going to kill me.”

Mary’s not the only one who’s managed to overcome a difficult addiction. Everyone from nail biters to compulsive shoppers have replaced their more destructive habits with knitting. It’s not always a perfect solution—my overshopper admits she spends almost as much on yarn as she did on clothes—but it’s better than nothing.

 

Here are some advanced techniques that you should experiment with and consider using in your knitting. I picked these particular skills because they add shape, texture, style, and sophistication to your work. Two of these skills—short rows and updating vintage patterns—are tricky, but if you can master these concepts, they can unleash your creativity. You will become further inspired to customize your knitting and create truly personalized garments.

Have fun with these, and practice before you try to incorporate them into your knitting.

Short Rows
.
The shaping technique known as short rows can be quite intimidating to beginners, and it does seem complex in theory. Essentially, it is a way of adding room to a knitted item by knitting backward and forward over the central stitches on a needle, while leaving the stitches at the beginning and end of the needle unknit. For instance,
a woman with a large bust might use short rows to add extra ease over her chest, and prevent the sweater from appearing shorter in the front than in the back. Once she has added enough room to make the sweater comfortable, she would knit to the end of the row, turn, and continue working her sweater as normal. She will still have the same number of stitches on her needles, and she will still be at the same point on her sweater (if she began the short row at 12 inches, her sweater will still be 12 inches long), but there will be “ease” across her chest where the extra rows are, and these extra rows will add another inch or so of depth to prevent the unattractive effect of the front being shorter than the back. If you want to add short rows to a simple sweater shape, knit to your bust, and add short rows over the middle, leaving about a fifth of your stitches untouched on either side. Use an existing sweater to help you calculate how many inches of depth you need to add.

LISA LOEB

Lisa Loeb came in because her brother was expecting a baby girl and she wanted to knit a little dress—in cashmere. I strongly recommend a blend—something more practical for a baby. But Lisa insisted on the best and made a beautiful mocha–colored cashmere dress that her brother loved. Another time, Lisa invited me and Merrill to see her perform at the Getty Museum. During her opening monologue, she amused the audience with anecdotes about herself and confided that one of her favorite pastimes is knitting. She went so far as to introduce me to the entire audience as her knitting guru.

 

Adding Texture to Your Knitting
.
One technique to add a fun visual element to your knitting is the use of bobbles. Depending on how many stitches you work with, bobbles can be pea–size accents or bold golf ball–size design features. The former might enhance the border of a sweater, while the latter could be incorporated into a scarf design. Determine where in your pattern you would like to place the bobble. When you reach that stitch, knit into it five times. To do this, knit your stitch, but do not pull it off of your left–hand needle; instead keep bringing your needle forward and around to knit into the stitch again. When you have created five stitches out of one, turn your work and purl those five stitches, then turn again and knit and purl them again. Turn your work, knit two stitches together two times, pass it over, knit one stitch and pass it over, one stitch remains. Bobble is made.

Updating Vintage Sweaters
.
With the rise in knitting’s popularity, vintage knitting pattern books from the 1920s on have resurfaced at flea markets, on the Internet, at garage sales, and even hidden in your grandmother’s attic. While these patterns are still beautiful and continue to pass the test of time, the fit of these sweaters is outdated. With the vast selection of yarns now available, you can recreate a more modern and sophisticated version of the pattern you select. The tendency in those time periods was to knit with very small needles using yarns now considered medium gauge. The first step is to increase the size of your needles and to use a yarn of your choosing.

COPYING AN EXISTING SWEATER
 

At some point in their knitting lives most of my clients have come into the store clutching a picture ripped from the pages of the latest high fashion magazine. “Edith,” they say, “I have to have this. Can’t afford it, but have to have it.” Though it might seem intimidating at first, it’s quite easy to break down the essential design elements of an existing sweater and incorporate them into your work.

  • Try to find a few different photos of the same garment. If it’s a signature piece by a designer, it will probably be photographed by more than one magazine and from multiple angles. If you see it in a store, so much the better.
  • Figure out what it is that you
    love
    about the sweater—the shape or the color, the stitch work or the style. You may well find that once you have isolated the things you like most about the sweater, you can leave off other design elements you don’t care for as much.
  • If you don’t have the ability to recreate it on your own or your local knitting store doesn’t offer that help and you don’t happen to live near my shop, try this. Find an existing pattern that has a similar shape to the one you are copying and use that pattern as a launch pad for your own design. Use the techniques I described in chapter four to take your measurements and refine the pattern.
  • Now, start knitting swatches, experiment with your design, and have fun with it. When you achieve a look that you like, work out your stitch and row gauge. If necessary, recalculate the pattern.

RIPPED FROM THE PAGES OF VOGUE

One of my knitting circle regulars came in with a picture of a chunky cashmere cardigan with cabling down each front half and a large hood. It was quite extravagant and so was the price. After we decided this was a must–have, we picked a yarn similar to the one in the magazine, and she knitted a gauge. Then I grabbed my tools of the trade: pen, calculator, and measuring tape. I made a sketch of the sweater and gave her the instructions, and she was on her way. Not only was the finished item made of a higher quality material than the original, but we were able to leave off the one thing she didn’t like about the mass–produced sweater: the hood. In reconstructing this sweater, we had another advantage, because we were able to make it to the exact size, fit, and style that she desired.

 

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