The Cthulhu Mythos Megapack (40 Modern and Classic Lovecraftian Tales) (24 page)

Again I paused, and could go no further. But, this time, it was something other than the hellish, all-pervading magnetism that petrified my limbs and arrested me before the sill. Peering into the room, in the narrow space that was framed by the doorway and lit by an unseen lamp, I saw one end of the Oriental rug, and the gruesome outlines of a monstrous, unmoving shadow that fell beyond it on the floor. Huge, elongated, misshapen, the shadow was seemingly cast by the arms and torso of a naked man who stooped forward with a surgeon’s saw in his hand. Its monstrosity lay in this: though the shoulders, chest, abdomen and arms were all clearly distinguishable, the shadow was headless and appeared to terminate in an abruptly severed neck. It was impossible, considering the relative position, for the head to have been concealed from sight through any manner of foreshortening.

I waited, powerless to enter or withdraw. The blood had flowed back upon my heart in an ice-thick tide, and thought was frozen in my brain. An interval of termless horror, and then, from the hidden end of Carnby’s room, from the direction of the locked cupboard, there came a fearsome and violent crash, and the sound of splintering wood and whining hinges, followed by the sinister, dismal thud of an unknown object striking the floor.

Again there was silence—a silence as of consummated Evil brooding above its unnamable triumph. The shadow had not stirred. There was a hideous contemplation in its attitude, and the saw was still held in its poising hand, as if above a completed task.

Another interval, and then, without warning, I witnessed the awful and unexplainable disintegration of the shadow, which seemed to break gently and easily into many different shadows ere it faded from view. I hesitate to describe the manner, or specify the places, in which this singular disruption, this manifold cleavage, occurred. Simultaneously, I heard the muffled clatter of a metallic implement on the Persian rug, and a sound that was not that of a single body but of many bodies falling.

Once more there was silence—a silence as of some nocturnal cemetery, when grave-diggers and ghouls are done with their macabre toil, and the dead alone remain.

Drawn by that baleful mesmerism, like a somnambulist led by an unseen demon, I entered the room, I knew with a loathly prescience the sight that awaited me beyond the sill—the double heap of human segments, some of them fresh and bloody, and others already blue with beginning putrefaction and marked with earth-stains, that were mingled in abhorrent confusion on the rug.

A reddened knife and saw were protruding from the pile; and a little to one side, between the rug and the open cupboard with its shattered door, there reposed a human head that was fronting the other remnants in an upright posture. It was in the same condition of incipient decay as the body to which it had belonged; but I swear that I saw the fading of a malignant exultation from its features as I entered. Even with the marks of corruption upon them, the lineaments bore a manifest likeness of John Carnby, and plainly they could belong only to a twin brother.

The frightful inferences that smothered my brain with their black and clammy cloud are not to be written here. The horror which I beheld—and the greater horror which I surmised—would have put to shame hell’s foulest enormities in their frozen pits. There was but one mitigation and one mercy: I was compelled to gaze only for a few instants on that intolerable scene. Then, all at once, I felt that something had withdrawn from the room; the malign spell was broken, the overpowering volition that had held me captive was gone. It had released me now, even as it had released the dismembered corpse of Helman Carnby. I was free to go; and I fled from the ghastly chamber and ran headlong through an unlit house and into the outer darkness of the night.

WORMS OF THE EARTH, by Robert E. Howard

1

“Strike in the nails, soldiers, and let our guest see the reality of our good Roman justice!”

The speaker wrapped his purple cloak closer about his powerful frame and settled back into his official chair, much as he might have settled back in his seat at the Circus Maximus to enjoy the clash of gladiatorial swords. Realization of power colored his every move. Whetted pride was necessary to Roman satisfaction, and Titus Sulla was justly proud; for he was military governor of Eboracum and answerable only to the emperor of Rome. He was a strongly built man of medium height, with the hawk-like features of the pure-bred Roman. Now a mocking smile curved his full lips, increasing the arrogance of his haughty aspect. Distinctly military in appearance, he wore the golden-scaled corselet and chased breast plate of his rank, with the short stabbing sword at his belt, and he held on his knee the silvered helmet with its plumed crest. Behind him stood a clump of impassive soldiers with shield and spear—blond titans from the Rhineland.

Before him was taking place the scene which apparently gave him so much real gratification—a scene common enough wherever stretched the far-flung boundaries of Rome. A rude cross lay flat upon the barren earth and on it was bound a man—half-naked, wild of aspect with his corded limbs, glaring eyes and shock of tangled hair. His executioners were Roman soldiers, and with heavy hammers they prepared to pin the victim’s hands and feet to the wood with iron spikes.

Only a small group of men watched this ghastly scene, in the dread place of execution beyond the city walls: the governor and his watchful guards; a few young Roman officers; the man to whom Sulla had referred as “guest” and who stood like a bronze image, unspeaking. Beside the gleaming splendor of the Roman, the quiet garb of this man seemed drab, almost somber.

He was dark, but he did not resemble the Latins around him. There was about him none of the warm, almost Oriental sensuality of the Mediterranean which colored their features. The blond barbarians behind Sulla’s chair were less unlike the man in facial outline than were the Romans. Not his were the full curving red lips, nor the rich waving locks suggestive of the Greek. Nor was his dark complexion the rich olive of the south; rather it was the bleak darkness of the north. The whole aspect of the man vaguely suggested the shadowed mists, the gloom, the cold and the icy winds of the naked northern lands. Even his black eyes were savagely cold, like black fires burning through fathoms of ice.

His height was only medium but there was something about him which transcended mere physical bulk—a certain fierce innate vitality, comparable only to that of a wolf or a panther. In every line of his supple, compact body, as well as in his coarse straight hair and thin lips, this was evident—in the hawk-like set of the head on the corded neck, in the broad square shoulders, in the deep chest, the lean loins, the narrow feet. Built with the savage economy of a panther, he was an image of dynamic potentialities, pent in with iron self-control.

At his feet crouched one like him in complexion—but there the resemblance ended. This other was a stunted giant, with gnarly limbs, thick body, a low sloping brow and an expression of dull ferocity, now clearly mixed with fear. If the man on the cross resembled, in a tribal way, the man Titus Sulla called guest, he far more resembled the stunted crouching giant.

“Well, Partha Mac Othna,” said the governor with studied effrontery, “when you return to your tribe, you will have a tale to tell of the justice of Rome, who rules the south.”

“I will have a tale,” answered the other in a voice which betrayed no emotion, just as his dark face, schooled to immobility, showed no evidence of the maelstrom in his soul.

“Justice to all under the rule of Rome,” said Sulla. “Pax Romana! Reward for virtue, punishment for wrong!” He laughed inwardly at his own black hypocrisy, then continued: “You see, emissary of Pictland, how swiftly Rome punishes the transgressor.”

“I see,” answered the Pict in a voice which strongly-curbed anger made deep with menace, “that the subject of a foreign king is dealt with as though he were a Roman slave.”

“He has been tried and condemned in an unbiased court,” retorted Sulla.

“Aye! And the accuser was a Roman, the witnesses Roman, the judge Roman! He committed murder? In a moment of fury he struck down a Roman merchant who cheated, tricked and robbed him, and to injury added insult—aye, and a blow! Is his king but a dog, that Rome crucifies his subjects at will, condemned by Roman courts? Is his king too weak or foolish to do justice, were he informed and formal charges brought against the offender?”

“Well,” said Sulla cynically, “you may inform Bran Mak Morn yourself. Rome, my friend, makes no account of her actions to barbarian kings. When savages come among us, let them act with discretion or suffer the consequences.”

The Pict shut his iron jaws with a snap that told Sulla further badgering would elicit no reply. The Roman made a gesture to the executioners. One of them seized a spike and placing it against the thick wrist of the victim, smote heavily. The iron point sank deep through the flesh, crunching against the bones. The lips of the man on the cross writhed, though no moan escaped him. As a trapped wolf fights against his cage, the bound victim instinctively wrenched and struggled. The veins swelled in his temples, sweat beaded his low forehead, the muscles in arms and legs writhed and knotted. The hammers fell in inexorable strokes, driving the cruel points deeper and deeper, through wrists and ankles; blood flowed in a black river over the hands that held the spikes, staining the wood of the cross, and the splintering of bones was distinctly heard. Yet the sufferer made no outcry, though his blackened lips writhed back until the gums were visible, and his shaggy head jerked involuntarily from side to side.

The man called Partha Mac Othna stood like an iron image, eyes burning from an inscrutable face, his whole body hard as iron from the tension of his control. At his feet crouched his misshapen servant, hiding his face from the grim sight, his arms locked about his master’s knees. Those arms gripped like steel and under his breath the fellow mumbled ceaselessly as if in invocation.

The last stroke fell; the cords were cut from arm and leg, so that the man would hang supported by the nails alone. He had ceased his struggling that only twisted the spikes in his agonizing wounds. His bright black eyes, unglazed, had not left the face of the man called Partha Mac Othna; in them lingered a desperate shadow of hope. Now the soldiers lifted the cross and set the end of it in the hole prepared, stamped the dirt about it to hold it erect. The Pict hung in midair, suspended by the nails in his flesh, but still no sound escaped his lips. His eyes still hung on the somber face of the emissary, but the shadow of hope was fading.

“He’ll live for days!” said Sulla cheerfully. “These Picts are harder than cats to kill! I’ll keep a guard of ten soldiers watching night and day to see that no one takes him down before he dies. Ho, there, Valerius, in honor of our esteemed neighbor, King Bran Mak Morn, give him a cup of wine!”

With a laugh the young officer came forward, holding a brimming wine cup, and rising on his toes, lifted it to the parched lips of the sufferer. In the black eyes flared a red wave of unquenchable hatred; writhing his head aside to avoid even touching the cup, he spat full into the young Roman’s eyes. With a curse Valerius dashed the cup to the ground, and before any could halt him, wrenched out his sword and sheathed it in the man’s body.

Sulla rose with an imperious exclamation of anger; the man called Partha Mac Othna had started violently, but he bit his lip and said nothing. Valerius seemed somewhat surprised at him as he sullenly cleansed his sword. The act had been instinctive, following the insult to Roman pride, the one thing unbearable.

“Give up your sword, young sir!” exclaimed Sulla. “Centurion Publius, place him under arrest. A few days in a cell with stale bread and water will teach you to curb your patrician pride in matters dealing with the will of the empire. What, you young fool, do you not realize that you could not have made the dog a more kindly gift? Who would not rather desire a quick death on the sword than the slow agony on the cross? Take him away. And you, centurion, see that guards remain at the cross so that the body is not cut down until the ravens pick bare the bones. Partha Mac Othna, I go to a banquet at the house of Demetrius—will you not accompany me?”

The emissary shook his head, his eyes fixed on the limp form which sagged on the black-stained cross. He made no reply. Sulla smiled sardonically, then rose and strode away, followed by his secretary who bore the gilded chair ceremoniously, and by the stolid soldiers, with whom walked Valerius, head sunken.

The man called Partha Mac Othna flung a wide fold of his cloak about his shoulder, halted a moment to gaze at the grim cross with its burden, darkly etched against the crimson sky, where the clouds of night were gathering. Then he stalked away, followed by his silent servant.

2.

In an inner chamber of Eboracum, the man called Partha Mac Othna paced tigerishly to and fro. His sandaled feet made no sound on the marble tiles.

“Grom!” he turned to the gnarled servant. “Well I know why you held my knees so tightly—why you muttered aid of the Moon-Woman—you feared I would lose my self-control and make a mad attempt to succor that poor wretch. By the gods, I believe that was what the dog Roman wished—his iron-cased watchdogs watched me narrowly, I know, and his baiting was harder to bear than ordinarily.

“Gods black and white, dark and light!” He shook his clenched fists above his head in the black gust of his passion. “That I should stand by and see a man of mine butchered on a Roman cross—without justice and with no more trial than that farce! Black gods of R’lyeh, even you would I invoke to the ruin and destruction of those butchers! I swear by the Nameless Ones, men shall die howling for that deed, and Rome shall cry out as a woman in the dark who treads upon an adder!”

“He knew you, master,” said Grom.

The other dropped his head and covered his eyes with a gesture of savage pain.

“His eyes will haunt me when I lie dying. Aye, he knew me, and almost until the last, I read in his eyes the hope that I might aid him. Gods and devils, is Rome to butcher my people beneath my very eyes? Then I am not king but dog!”

“Not so loud, in the name of all the gods!” exclaimed Grom in affright. “Did these Romans suspect you were Bran Mak Morn, they would nail you on a cross beside that other.”

“They will know it ere long,” grimly answered the king. “Too long I have lingered here in the guise of an emissary, spying upon mine enemies. They have thought to play with me, these Romans, masking their contempt and scorn only under polished satire. Rome is courteous to barbarian ambassadors, they give us fine houses to live in, offer us slaves, pander to our lusts with women and gold and wine and games, but all the while they laugh at us; their very courtesy is an insult, and sometimes—as today—their contempt discards all veneer. Bah! I’ve seen through their baitings—have remained imperturbably serene and swallowed their studied insults. But this—by the fiends of Hell, this is beyond human endurance! My people look to me; if I fail them—if I fail even one—even the lowest of my people, who will aid them? To whom shall they turn? By the gods, I’ll answer the gibes of these Roman dogs with black shaft and trenchant steel!”

“And the chief with the plumes?” Grom meant the governor and his gutturals thrummed with the blood-lust. “He dies?” He flicked out a length of steel.

Bran scowled. “Easier said than done. He dies—but how may I reach him? By day his German guards keep at his back; by night they stand at door and window. He has many enemies, Romans as well as barbarians. Many a Briton would gladly slit his throat.”

Grom seized Bran’s garment, stammering as fierce eagerness broke the bonds of his inarticulate nature.

“Let me go, master! My life is worth nothing. I will cut him down in the midst of his warriors!”

Bran smiled fiercely and clapped his hand on the stunted giant’s shoulder with a force that would have felled a lesser man.

“Nay, old war-dog, I have too much need of thee! You shall not throw your life away uselessly. Sulla would read the intent in your eyes, besides, and the javelins of his Teutons would be through you ere you could reach him. Not by the dagger in the dark will we strike this Roman, not by the venom in the cup nor the shaft from the ambush.”

The king turned and paced the floor a moment, his head bent in thought. Slowly his eyes grew murky with a thought so fearful he did not speak it aloud to the waiting warrior.

“I have become somewhat familiar with the maze of Roman politics during my stay in this accursed waste of mud and marble,” said he. “During a war on the Wall, Titus Sulla, as governor of this province, is supposed to hasten thither with his centuries. But this Sulla does not do; he is no coward, but the bravest avoid certain things—to each man, however bold, his own particular fear. So he sends in his place Caius Camillus, who in times of peace patrols the fens of the west, lest the Britons break over the border. And Sulla takes his place in the Tower of Trajan. Ha!”

He whirled and gripped Grom with steely fingers.

“Grom, take the red stallion and ride north! Let no grass grow under the stallion’s hoofs! Ride to Cormac na Connacht and tell him to sweep the frontier with sword and torch! Let his wild Gaels feast their fill of slaughter. After a time I will be with him. But for a time I have affairs in the west.”

Grom’s black eyes gleamed and he made a passionate gesture with his crooked hand—an instinctive move of savagery.

Bran drew a heavy bronze seal from beneath his tunic.

“This is my safe-conduct as an emissary to Roman courts,” he said grimly. “It will open all gates between this house and Baal-dor. If any official questions you too closely—here!”

Lifting the lid of an iron-bound chest, Bran took out a small, heavy leather bag which he gave into the hands of the warrior.